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295:, which were regarded as perhaps the highest form of collecting from the Renaissance until relatively recently, and also books, paintings and prints from the late 15th century onwards, until the 18th century collectors tended to collect fairly new works from Europe. The extension of serious collecting to art from all periods and places was an essentially 19th-century development, or at least dating to the
528:; this intentional separation of the collection as a "museum within the museum" met with mixed criticism and approval at the time, though the acquisition of the collection was seen as a coup for the Met. Unlike other departments at the Met, the Robert Lehman collection does not concentrate on a specific style or period of art; rather, it reflects Lehman's personal interests.
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context, the term signifies that a certain work is not owned by that institution, but is on loan from an individual or organization, either for temporary exhibition or for the long term. This source is usually an art collector, although it could also be a school, church, bank, or some other company
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in New York. Housed in the "Robert Lehman Wing", the museum refers to the collection as "one of the most extraordinary private art collections ever assembled in the United States". To emphasize the personal nature of the Robert Lehman collection, the Met housed the collection in a special set of
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Many collections were left to the public in some form, and are now museums, or the nucleus of a museum's collection. Most museums are formed around one or more formerly private collection acquired as a whole. Major examples where few or no additions have been made include the
287:, that could form part of an art collection, and the collections of those who would normally qualify for the term had to be considerably larger, and some were enormous. Increasingly collectors tended to specialize in one or two types of work, although some, like
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In recognition of its importance in influencing the production of new art and the preservation of old art, art collecting has been an area of considerable academic research in recent decades, having been somewhat neglected previously.
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were essentially made for the collector's market. By the 18th century all homes of the well-to-do were expected to contain a selection of objects, from paintings to
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in Paris, mostly sold in London. When this happens, it can be a large loss to those interested in art as the initial vision of the collector is lost.
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The tastes and habits of collectors have played a very important part in determining what art was produced, providing the
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galleries which evoked the interior of Lehman's richly decorated
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Privately owned collection of works, usually a collection of art
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629:"The Metropolitan Museum of Art - The Robert Lehman Collection"
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died in 1969, his foundation donated 2,600 works of art to the
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paintings were little appreciated until about the 1830s, and
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in 1636, reveals the range of connoisseurship a
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collection became an important part of the
Smithsonian—the
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Very famous collections that are now dispersed include the
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37:"Art Collector" redirects here. For the magazine, see
600:"The World's Second Greatest Private Art Collection"
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that artists supply. Many types of objects, such as
220:Art collecting was common among the wealthy in the
338:depicting part of the famous collection formed by
70:is a privately owned collection of works (usually
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508:bequeathed the bulk of his art collection to the
307:and jades until perhaps the 1920s. Collecting of
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1199:Timeline of 20th century printmaking in America
478:art. His collection is now divided between the
458:Percival David Collection of Chinese porcelain
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344:Governor of the Spanish Netherlands
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32:Private Collection (disambiguation)
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1298:Index of painting-related articles
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573:"How to become an art collector?"
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470:art collector, mainly of French
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480:Pushkin Museum of Fine Arts
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91:for example), are called
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1462:Most expensive paintings
1249:Conservation-restoration
1051:Contemporary art gallery
666:Making the Mummies Dance
482:in Moscow and the State
39:Art Collector (magazine)
1470:works by living artists
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546:Jim Lane (2005-10-25).
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419:Sir John Soane's Museum
89:illuminated manuscripts
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319:Famous art collections
305:Chinese ritual bronzes
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994:Visual arts education
689:at Wikimedia Commons
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952:Conservator-restorer
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391:Liechtenstein Museum
297:Age of Enlightenment
246:British Royal Family
146:"Private collection"
131:improve this article
30:For other uses, see
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771:Fine-art photograph
687:Private collections
575:. 25 January 2022.
466:, was an important
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352:Borghese Collection
224:in both Europe and
1488:Visual arts portal
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415:Wallace Collection
360:Orleans Collection
356:Farnese collection
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906:Site-specific art
756:Cultural artifact
685:Media related to
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358:in Rome, and the
208:Frans II Francken
202:This corner of a
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16:(Redirected from
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1457:Stolen paintings
1325:Sociology of art
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957:paintings
947:Collector
879:Sculpture
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727:art world
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285:porcelain
275:, modern
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1423:Painters
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301:Trecento
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248:. The
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144:
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