1205:
1663:
1531:
1876:
1614:
730:
615:
1391:
67:
1155:
1067:
1029:
985:
1488:" ('kindly'). After a two-bar episode similar to the violin duet, the whole orchestra and chorus are heard in line 9, with rolling quavers, in contrary motion. A 4-bar episode for the concertante violins leads to fugal entries in the lower voices and the climactic tenth line: with animated accompaniment from the entire orchestra and lower voices, the sopranos sing a descending scale to the words "
1466:
instead of minims. Line 5 is similar, but this time the alto is followed by the tenor. In the episode between lines 2 and 3, the second themes are heard. Between lines 3 and 4 there is a recurrence of the sinfonia with different solo instruments allocated to the parts. Between lines 4 and 5, there is
750:
wrote: "The librettist must be credited with the empathy he shows for that fervour which characterises
Nicolai's poem and which has made his hymns into an enduring possession of the Protestant Church." While the identity of the librettist, a "poetically and theologically competent specialist", is not
1298:
The text of the hymn is reflected in the music iconography: the horn calls signify the majesty of the king, while the virtuosic concertante violin passagework signifies the morning star and joy in the universe. Musical analysis of the chorale fantasia makes specific references to the 10 lines of the
1169:
Bach provided a rich orchestration. The sparkle of the morning star is illustrated by two solo violins, first in the first chorus, and reappearing with the other strings in the second aria. The sound of the oboe da caccia, first heard in the opening chorus, returns in the first aria. In the closing
778:
was to be the last newly-composed chorale cantata of Bach's second cantata cycle. If Stübel was the librettist, his death in
January 1725 would explain the end of the chorale cantatas in the second cycle, because Bach lost a competent collaborator and source of inspiration. Bach returned to other
745:
A librettist retained the first and last stanzas of the hymn and paraphrased the other stanzas, using the second stanza for the first recitative, the third stanza for the first aria, the fourth stanza and part of the fifth for the second recitative, and the sixth stanza for the second aria. Bach
1684:" ('How heartily glad I am indeed'), is complemented by an independent part of the second horn, while the other instruments play colla parte with the four-part chorale sung by the choir. Thus, the last chorale cantata in the second cantata cycle reaches an "air of baroque festive splendour".
1795:
A precious work, and well worth opening the complete edition of Bach's works. In particular, the introductory chorale fantasia is among the most beautiful in terms of mood and richness of colour, and one will not want to miss a single measure of it despite its considerable length.
1641:('Pluck the strings of the cittern'). The aria is sung by the tenor who, following the text, is accompanied by strings only, including the two solo violins from the first movement. An expression of thanks and praise, it is intensified by a dance-like motion, described as "graceful
1746:, but assumed that all these works were composed late in Bach's career. He wrote: "In these thirty-five cantatas a series of the most beautiful and the best known Protestant chorales of the sixteenth and seventeenth centuries is subjected to elaborate treatment." He noted that in
1787:
Ein kostbares Stück, und wohl wert, die
Gesamtausgabe der Werke S. Bachs zu eröffnen. Insbesondere gehört der einleitende figurierte Choral nach Stimmungsgehalt und Farbenreichtum zu den schönsten, und man wird trotz der unbestreitbaren Länge keinen Takt entbehren.
1453:
is exposed, it is doubled by the horn. The other nine lines are punctuated by instrumental episodes of differing lengths. Some are quite short, where other pairs of instruments briefly play the first theme. For line 2, the tenor, followed by the alto, sing the
817:. Both text and tune of the hymn are retained in the outer choral movements, a chorale fantasia and a four-part closing chorale, which frame a sequence of alternating recitatives and arias. Bach scored the work for three vocal soloists (soprano (S),
1424:
notes, the movement begins intimately with a phrase of the second solo violin, with an orchestral tutti as response. The phrase is reprised a fifth higher by the first solo violin, again answered by the full orchestra. An
1752:, the chorale, which was not originally written for the occasion of the Annunciation, had to be connected by expanded poetry to the topic of the feast. Building on Spitta's educated guesswork about the time of origin of
4122:
1286:
violins illustrate the sparkle of the morning star. A baroque pastoral imagery is established by the addition of two other pairs of solo instruments which play pronouncedly below the range of the higher solo violin
393:
violins represent the morning star. An oboe da caccia accompanies the vocal soloist in the first aria. The strings, including the solo violins, return in the second aria. An independent horn part crowns the closing
1849:. Dürr's comprehensive study of the chronology of Bach's cantatas was first published in the late 1950s: in it, the cantata's time of origin was fixed to Bach's second year in Leipzig. In preparation of the 2018
577:
principle, that is, it adopted the text of all stanzas of the hymn without modification, the hymn's melody being used throughout. Most of the chorale cantatas Bach wrote in his second year in
Leipzig, including
1931:
The text of the cantata consisted of words and thoughtful paraphrases of a traditional chorale, countering mid-19th-century views that "wretched" late
Baroque lyrics were an obstacle for reviving Bach's vocal
1433:
in the first theme provides a second theme, which is heard amongst the three different solo instrumental groups—horns, oboes da caccia and violins—and is echoed individually, before an orchestral tutti on a
1921:
had initiated this first complete edition of Bach's works a century after the composer's death. Its first volume was published in 1851, edited by
Hauptmann. Leisinger mentioned three reasons why the
584:, were formatted differently. In this structure, the outer stanzas of the hymn, and its melody, were retained in the outer movements of the cantata: typically the first stanza was set as an opening
4333:
1834:
that Bach's "music converts the text into an expression of mystical exuberance. In the orchestral accompaniment the themes of the separate hues of the chorale are largely employed as motives."
4402:
1938:
Choosing a particularly well-crafted and mature composition, like this cantata, would add to the prestige of its composer, confirming the perception he had composed nothing but masterpieces.
1476:
The extended instrumental passage between lines 6 and 7 features a duet between the two concertante violins, with the first theme countering the semiquaver bariolage. In line 7 the word "
413:
published the cantata in 1851 as first work in the first volume of their complete edition of Bach's works. From then on known as Bach's
Cantata No. 1, it retained that number in the
4443:
1702:
composition scores of the chorale cantata cycle presumably went with
Friedemann, Bach's eldest son, to Halle, where they were later sold: most of these manuscripts, including that of
1606:. Editor Leisinger summarised: "Nothing worldly pleases the soul, only that semblance of joy which is sent by God alone (for which the morning star can evidently serve as an image)".
801:
The title page of the extant 18th-century set of performance parts of BWV 1, written around 1750 by an unknown scribe, mentions the occasion (Annunciation), the cantata's title (
2031:, NBA) published the work in 1995, edited by Matthias Wendt, with critical commentary added the same year. Carus published a critical edition in German and English as part of its
1467:
a two bar episode with the first theme; and between lines 5 and 6, the second theme is heard again. The vocal lines 4–6 are a repetition of lines 1–3, reflecting the over-arching
6776:
4703:
5848:
1576:, noted that it is unclear if the latter was meant to help a player not experienced in the instrument, or if actually two players alternated, which would make breathing easier.
6056:
5383:
645:, intending it to project a view of a heavenly world as counterpoint to pain and suffering in the real world. Nicolai published the hymn in 1599 as part of a collection titled
6550:
5184:
1935:
The cantata's designation for a Marian feast could make it attractive for a
Catholic audience too, thus helping to establish the nation-wide importance of the BGA edition.
6858:
552:, for the liturgical occasions. The choice of hymn for each of the cantatas was probably made according to the wishes of a local minister, who based the choices upon the
7215:
6923:
5253:
3610:
7095:
6143:
4777:
499:
250:
5886:
4563:
6051:
4698:
6943:
1722:, these chorale cantatas were the only works of the composer which were performed with some continuity in Leipzig between the composer's death and the 19th-century
710:
1523:" ('You, very son of God and Mary'). The text is crafted paraphrasing the second stanza of the hymn, and also alludes to the annunciation from the Gospel reading.
7100:
7075:
5540:
2056:
7130:
7125:
6383:
6363:
5592:
4743:
4693:
4494:
7037:
6158:
5687:
1828:, published in 1908 and translated in 1911, still dated the chorale cantatas to 1734 and later. Schweitzer wrote in a short passage about the first movement of
713:
but also with the
Annunciation. Expressing the longing for the arrival of the Saviour, it can be connected to the reading about Jesus' birth being announced to
7065:
6751:
6736:
6686:
6273:
5532:
5497:
5141:
4623:
4593:
4436:
5870:
6938:
6903:
7145:
6545:
4688:
6988:
6888:
6594:
6061:
5492:
4738:
1291:, resulting in a transparent multilayered musical texture: the two pairs of horns and oboes da caccia, all associated with the hunt and nature, evoking a
7135:
7090:
7070:
6731:
6659:
6488:
6393:
5620:
5552:
5536:
5477:
5103:
5083:
4633:
401:
The original performance parts of the cantata, partly written by the composer, are conserved in Leipzig. Commentators writing about the cantata, such as
1736:'s description of the cantata, published in 1847, focuses mostly on the composition's opening movement. Writing in the second half of the 19th century,
758:
For the first performance of the cantata, on 25 March 1725, Bach helped copy out his composition score for the musicians participating in the premiere.
6203:
6118:
5156:
4877:
377:. The chorale melody of Nicolai's hymn appears in the opening and closing choral movements of the cantata. All instruments play in the opening festive
6993:
6675:
6530:
4842:
1942:
7250:
7229:
6953:
6348:
5358:
4429:
3800:
6948:
6303:
4938:
1970:, with this cantata appearing around 1890. They published another version in the same series around 1932, with an English text by Mevanwy Roberts,
2667:
1252:
begins the movement, with the solo instruments in the foreground; its wide harmonic range contrasts with the chorale, which remains mostly in the
702:. Nicolai did not write a paraphrase of the biblical texts, but used elements from them for the seven stanzas of his hymn. He also alludes to the
7120:
6258:
5819:
5426:
5116:
1505:
describes the long movement as "one of the most unforgettable pictures in musical art" with "kaleidoscopic changes of the fascinating material".
6771:
4948:
7140:
7055:
6983:
6508:
6468:
6278:
6198:
6046:
5921:
5697:
5353:
5338:
5068:
4802:
4718:
4484:
6726:
6629:
6288:
6243:
6213:
5343:
5293:
4807:
4758:
4663:
3505:
7225:
7177:
7080:
6696:
6669:
6614:
6520:
5976:
5956:
5599:
5544:
5503:
5487:
5270:
4733:
4583:
4538:
3392:
1191:
540:
In his first twelve months in office, Bach decided to compose new works for almost all liturgical occasions. These works became known as his
6711:
6555:
6403:
6098:
5408:
4963:
4723:
4673:
2126:. All vocalists were male singers, as during Bach's tenure in Leipzig. Harnoncourt conducted the first four cantatas (BWV 1 to 4), with the
787:
and Trinity. The completion of the cycle of chorale cantatas was so important to him that he included the early chorale cantata for Easter,
7115:
7060:
6806:
6761:
6639:
6453:
6448:
6368:
6283:
6218:
6021:
5971:
5941:
5641:
5625:
5609:
5576:
5558:
5431:
5171:
4787:
4772:
4748:
4713:
4608:
4499:
2888:
6423:
6418:
6378:
5931:
5926:
5864:
5378:
5227:
5219:
5136:
5033:
5028:
6863:
6599:
6560:
6535:
6478:
6443:
6408:
6343:
6103:
5829:
5631:
5581:
5393:
5323:
5093:
5023:
4993:
4983:
4958:
313:
of the hymn suits both the Annunciation and Palm Sunday occasions, in a spirit of longing expectation of an arrival. As usual for Bach's
6654:
5482:
7150:
6756:
6721:
6483:
6428:
5936:
5388:
5298:
5166:
5098:
6908:
6163:
6087:
6006:
5662:
4867:
4847:
1726:. Over a century later, the St. Thomas School deposited the original performance part manuscripts of the chorale cantata cycle in the
1482:" ('lovely') is sung to plain chords in the choir, punctuated by one bar of the first theme; in line 8 the same happens for the word "
6838:
6766:
6644:
6609:
6589:
6318:
6268:
6228:
6031:
5881:
5636:
5368:
5275:
5209:
5121:
4998:
4862:
4817:
4797:
4543:
4406:
6963:
7105:
7009:
6973:
6833:
6796:
6649:
6619:
6604:
6565:
6498:
6458:
6398:
6338:
6081:
6011:
5677:
5462:
5413:
5237:
5204:
5199:
5189:
5151:
5048:
5013:
4782:
4678:
4558:
3560:
2626:
2624:
2622:
1590:" ('No earthly gloss, no fleshly light could ever stir my soul'), the bass contrasts earthly light with heavenly light. The terms "
6827:
6791:
6781:
5906:
5672:
5008:
4827:
4578:
1449:
is countered by the lower voices with a version of the first theme, doubled by instruments. Throughout the fantasia, whenever the
7085:
6898:
6701:
6681:
6624:
6503:
6493:
6432:
6413:
6333:
6328:
6298:
6148:
6113:
6066:
6041:
5966:
5824:
5799:
5763:
5548:
5523:
5403:
5398:
5194:
5146:
5088:
5018:
4988:
4978:
4968:
4923:
4918:
4872:
4792:
4618:
4598:
4509:
1185:
6868:
6540:
6373:
6036:
5604:
5328:
4943:
4928:
2619:
7270:
7023:
6786:
6168:
6071:
5981:
5911:
5804:
5656:
5363:
5161:
5078:
4832:
4822:
2193:
1299:
hymn text; an English metrical translation is given here as an ad hoc composite, combining two early 18th-century sources, the
6883:
6811:
6473:
5859:
5472:
5313:
5073:
4683:
4533:
3618:
560:. Compared to the first cycle, the music has less emphasis on biblical texts, but more on the use of chorale text and melody.
6438:
6353:
6293:
6233:
6076:
6016:
5961:
5854:
5834:
5646:
5566:
5333:
5308:
5214:
5179:
5131:
5043:
4588:
4318:
4160:
3858:
3789:
3725:
3599:
762:, a main copyist of Bach at the time, produced most of this performance material, that is, all performance parts, except the
6928:
6741:
6138:
5901:
5436:
4603:
4548:
2474:
2186:
with the Monteverdi Choir, performing and recording Bach's church cantatas on the occasion for which they written, recorded
634:
609:
276:
118:
7050:
7030:
7003:
6998:
6933:
6893:
6584:
6388:
6313:
6253:
6238:
6193:
6183:
6178:
6133:
6128:
6001:
5844:
5839:
5692:
5682:
5318:
5283:
5038:
4933:
4812:
4763:
4728:
4708:
4613:
4573:
4528:
4523:
4514:
3030:
3014:
6801:
6093:
5946:
5513:
4882:
4568:
6634:
6173:
5991:
5986:
5586:
5508:
4553:
1666:
1617:
1534:
1208:
6918:
6978:
6878:
6821:
6308:
5614:
5467:
4953:
3657:
3447:
1991:
3636:"Bach Cantatas, Volume 9 / The end of a series recorded on a shoestring but still containing many beautiful offerings"
6816:
6746:
6716:
6578:
6463:
6123:
5916:
5896:
5876:
5809:
5667:
5348:
5303:
5265:
5058:
4913:
4753:
4668:
4479:
3926:
3182:
3161:
2182:
in historically informed performance, but with women for the solo soprano parts. Gardiner, who in 2000 conducted the
2115:
1741:
566:
7016:
6358:
4852:
4174:
3058:
2088:
7265:
6223:
6208:
6153:
5891:
5373:
4973:
4837:
4658:
4283:. Der evangelische Kirchengesang und sein Verhältniss zur Kunst des Tonsatzes (in German). Vol. III. Leipzig:
3481:
1564:. Two oboe parts exist for the obbligato instrument, one in the normal clef for an oboe da caccia, the other in a "
3936:
Marshall, Robert L. (January 1973). "Review of Records / Johann Sebastian Bach: The Complete Cantatas, Volume 1".
1226:" ('How beautifully the morning star shines'), is a stately, richly coloured chorale fantasia for the chorus. The
6873:
6843:
6664:
6026:
5651:
5518:
5063:
4504:
4411:
3739:
1810:
volume presents an overview of performances of Bach's works between late 1904 and early 1907: two are listed for
455:, which made him responsible for the music at four churches. He provided church music for the two main churches,
3364:
2390:
1947:
7044:
6958:
6525:
6263:
5996:
5814:
5126:
5053:
5003:
4264:
4127:
4072:
Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach: Bach-Werke-Verzeichnis
4024:
2311:
2290:
2274:
2047:
published high-resolution facsimile images of the manuscript parts from the first quarter of the 18th century.
6188:
4489:
7220:
7205:
7110:
6968:
6848:
6323:
5457:
5242:
5232:
4644:
2561:
2545:
2529:
2490:
2438:
541:
2722:
2600:
2422:
2406:
1908:
1708:, went lost without further trace. Bundles of original performance parts of the chorale cantatas, including
1501:
write that the chorale fantasia is "a movement of jubilant splendour, colourful profusion, and Advent joy".
6691:
5951:
4628:
3891:
3391:
3378:
2894:
729:
460:
290:
6571:
5756:
4117:
3548:
3040:
3024:
2238:
2236:
2234:
2232:
2230:
2228:
2226:
2224:
2222:
2092:
1662:
1613:
1530:
1204:
766:
part (partly written by the composer) and one of the oboe da caccia parts (written by the composer's son
506:. Annunciation was the only occasion for festive music during Lent. The prescribed readings were, as the
3971:
3872:
3434:(2010). "Wie schön leuchtet der Morgenstern" [Comme elle resplendit, l’étoile du matin !].
2512:
2200:, who studied historically informed practice in Europe, began recording Bach's church cantatas with the
7260:
6706:
6514:
6108:
5288:
4857:
2664:
2484:
2179:
1875:
1693:
456:
294:
3893:
Johann Sebastian Bach / Wie schön leuchtet der Morgenstern / How beauteous is the morning star / BWV 1
2359:
2219:
7255:
6853:
5571:
4248:
4152:
3830:
3510:
1898:
545:
535:
3756:(2006). "Wie schön leuchtet der Morgenstern / How beautifully shines the morning star, BWV 1".
2370:
7195:
6913:
4475:
4235:
2165:
5741:
4292:
4288:
4284:
4214:
4079:
3989:
3514:
1961:
793:, in 1725, and over the following decade added a few chorale cantatas for some missing occasions.
5726:
4310:
4256:
4076:
Thematic-Systematic Catalogue of the Musical Works of Johann Sebastian Bach: Bach-Works-Catalogue
3914:
Tainted Glory in Handel's Messiah: The Unsettling History of the World's Most Beloved Choral Work
3822:
3781:
3591:
3192:
3176:
2183:
2070:
1817:
1669:
1620:
1537:
1211:
767:
4009:
3377:
3068:
2630:
7190:
6248:
5782:
5749:
5730:
5421:
4898:
2137:
2111:
1844:
1699:
642:
422:
416:
282:
54:
45:
4304:
4240:
4192:
3842:
3773:
3711:
3583:
2732:
2613:
2432:
2416:
2400:
2305:
2284:
2129:
1861:, the director of the Bach Archive. 15 cantatas appeared in the lists of all three, including
421:, published in 1950, and its recording appeared, in 1971, as first work of the first album of
7210:
7200:
7186:
7182:
5777:
5716:
4893:
4519:
4457:
4452:
4415:
4371:
4196:
4140:
3967:
3938:
3918:
3912:
3805:
3640:
3635:
3544:
3416:
3352:
2571:
2555:
2539:
2500:
2451:
2066:
1772:
1753:
759:
714:
314:
254:
72:
58:
17:
4048:
Herr Jesu Christ, Wahr' Mensch und Gott: BWV 127 – Wie schön leuchtet der Morgenstern: BWV 1
2204:
in 1999, at first not aiming at a complete cycle, but completing all in 2017. They released
2161:
1760:
listed the cantata as the last one composed by Bach, thus ranging it as a very mature work.
1740:
listed 35 Bach chorale cantatas in alphabetical order in the second volume of his biography
614:
349:
of these cantatas was no longer available. Bach scored the work for three vocal soloists, a
4421:
2201:
2119:
2013:, and the piano reduction prepared by John E. West. In the U.S., a vocal score appeared in
2010:
1502:
1400:
in the soprano part, as used for the first performance of the cantata(copyist J. A. Kuhnau)
718:
464:
426:
406:
4099:
3682:
1853:, three Bach experts were asked to name their favourites among Bach's cantatas: Gardiner,
321:
unchanged, but transformed the themes of the inner stanzas into a sequence of alternating
8:
4274:
4005:
3769:
3707:
3678:
3579:
2074:
1757:
1733:
1715:
1498:
1494:" ('high and most sublime in splendour'). The orchestral ritornello closes the movement.
1421:
1304:
402:
317:, the hymn was paraphrased by a contemporary poet who retained the hymn's first and last
4362:
4278:
2154:, who began a recording of all Bach cantatas in 1969 and completed it in 1985, recorded
849:, was usually employed on holidays. The duration of the cantata is given as 25 minutes.
5528:
4230:
4067:
3955:
3744:
2175:
2171:
1308:
830:
482:
In Leipzig, cantata music was expected on Sundays and on feast days, except during the
468:
354:
4013:
3412:
1964:, the publisher of the BGA, began a series of vocal scores of Bach's cantatas, titled
4314:
4260:
4200:
4156:
4095:
4083:
4055:
3975:
3922:
3854:
3785:
3721:
3595:
3443:
1888:
1880:
1821:
1565:
1426:
1171:
822:
703:
672:
The image of the morning star is taken from Revelation 22:16 ("I am the root and the
589:
410:
310:
178:
3500:
1981:
752:
600:
for the cantata's inner movements, their setting mostly not based on the hymn tune.
5722:
4218:
3993:
3947:
3908:
3887:
3691:
3552:
3431:
2123:
2022:
1914:
1850:
1569:
1514:
1438:, heralding the entrance of the soprano. The sinfonia is similar in structure to a
814:
585:
447:
430:
378:
346:
1276:
676:, and the bright and morning star."). In its title, Nicolai indicated the hymn as
71:
First solo violin part, as used for the first performance of the cantata(copyist:
4300:
4131:
4043:
3850:
3838:
2671:
2151:
2114:—a project aiming to record all church cantatas by Bach on period instruments in
2002:
1995:
1902:
1439:
1380:
1154:
1066:
1028:
984:
837:(Oc), two solo violins (Vs), strings consisting of two violin parts (Vl) and one
834:
687:
660:
472:
362:
338:
266:
126:
4123:
Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750
3972:"Übersicht der Aufführungen J. S. Bachscher Werke von Ende 1904 bis Anfang 1907"
3588:
The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text
3534:
3351:
2317:
4193:"Erfahrungen und Ratschläge bezüglich der Aufführung Bachscher Kirchenkantaten"
4188:
4170:
4113:
3880:
3662:
3530:
3485:
2197:
2038:
1957:
1776:
1737:
1279:
1260:. Bach achieves "unusual animation" by setting the hymn not in common time but
1179:
857:
842:
734:
519:
511:
483:
476:
374:
370:
221:
210:
3575:
3522:
2021:, as No. 88 of the Choral Series of the Association of American Choruses. The
747:
244:
7244:
4354:
4328:
4210:
4105:
4087:
4059:
3985:
3868:
3753:
3735:
3717:
3540:
3477:
3458:
2062:
1766:
1646:
1417:
1413:
1396:
1300:
1253:
1238:
1229:
846:
699:
549:
4025:"Review of Records / Johann Sebastian Bach: The Complete Cantatas, Volume 1"
3684:
Johann Sebastian Bach 1685–1750 / Cantatas Vol 21: Cambridge/Walpole St Pete
409:
in the 20th century, were particularly impressed by its opening chorus. The
7161:
5772:
5711:
4222:
3997:
3951:
3900:
3556:
3383:
3369:
2676:
2147:
2084:
2043:
2014:
1858:
1854:
1727:
1723:
1719:
1573:
1463:
1409:
1020:
763:
738:
695:
673:
495:
442:
358:
302:
286:
258:
204:
97:
4148:
4018:. London: Sampson Low, Marston, Searle, & Rivington. pp. 131–138.
1404:
The 12-bar sinfonia is based on themes that are derived directly from the
7156:
4384:
4338:
4180:
3801:"Recording Bach's Cantatas, with Masaaki Suzuki and Bach Collegium Japan"
3761:
3526:
2143:
1953:
1430:
1283:
1242:
1235:
1175:
860:
are taken from Dürr. The continuo, which plays throughout, is not shown.
853:
656:
503:
390:
262:
102:
4051:
2001:
An English version was published in London as a vocal score, as part of
3778:
The Creative Development of Johann Sebastian Bach, Volume II: 1717–1750
3363:
2242:
1984:. Possibly in 1928, a score of the cantata was published in the series
1561:
1459:
1245:
1190:, written for Epiphany 1724. Bach would later use the pair of horns in
593:
553:
342:
322:
3959:
1442:
where different pairs of solo instruments compete against each other.
571:, written more than a decade before arriving in Leipzig, followed the
502:
on 25 March, nine months before Christmas. In 1725, the feast fell on
3565:
1918:
1553:
1288:
784:
652:
386:
3827:
Catalog of the Emilie and Karl Riemenschneider Memorial Bach Library
3086:
5771:
1552:" ('Fill utterly, you divine celestial flames'), accompanied by an
1469:
1249:
755:, a Leipzig intellectual who held controversial theological views.
691:
3713:
Music in the Castle of Heaven: A Portrait of Johann Sebastian Bach
3436:
Les cantates de J.-S.Bach : textes, traductions, commentaires
1635:" ('Our mouths and the tones of strings'), paraphrases the stanza
717:. The theme of arrival was also fitting for Palm Sunday, when the
1603:
1435:
1292:
1257:
932:
802:
523:
515:
507:
452:
395:
382:
298:
170:
147:
84:
1390:
3758:
Bach, Johann Sebastian (1685–1750) / Cantatas 34 · Leipzig 1725
3439:
2920:
2918:
2712:
2710:
2077:
in the early 1950s. The recordings of nine cantatas, including
1642:
780:
557:
487:
366:
318:
216:
1927:'s choice to open their edition with this cantata made sense:
1587:
Ein irdscher Glanz, ein leiblich Licht rührt meine Seele nicht
3658:"Music / Everything you need to know about the Bach cantatas"
2930:
838:
818:
683:
659: 8359, is reminiscent of a 1538 melody published in the
174:
4451:
2915:
2849:
2847:
2845:
2843:
2828:
2707:
4010:"A List of Church Cantatas in Presumed Order of Production"
3288:
2866:
2864:
2862:
2818:
2816:
2814:
2812:
2810:
2797:
2795:
2695:
2590:
2588:
2586:
2584:
2582:
2580:
1557:
826:
638:
597:
491:
350:
326:
306:
270:
257:. In 1725, when the cantata was composed, the feast of the
184:
4372:"Chapter 41 Bwv 1 – The Cantatas of Johann Sebastian Bach"
4280:
Der Evangelische Kirchengesang im achtzehnten Jahrhunderte
2782:
2780:
2648:
2646:
2644:
2642:
2380:
2378:
1560:
range. The instruments illustrate the celestial flames in
4253:
The Cantatas of Johann Sebastian Bach: Sacred and Secular
3151:
3149:
2876:
2840:
2778:
2776:
2774:
2772:
2770:
2768:
2766:
2764:
2762:
2760:
1668:
Audio playback is not supported in your browser. You can
1619:
Audio playback is not supported in your browser. You can
1536:
Audio playback is not supported in your browser. You can
1210:
Audio playback is not supported in your browser. You can
1197:, dealing with the naming of Jesus as announced to Mary.
1182:
played by the second horn. The scoring is reminiscent of
2903:
2859:
2807:
2792:
2577:
1998:
had revised the BGA, based on the original vocal parts.
66:
3506:
Thematisches Verzeichniss der Kirchencantaten No. 1–120
3002:
2978:
2747:
2745:
2743:
2741:
2639:
2517:
2443:
2441:
2375:
4334:
Die Melodien der deutschen evangelischen Kirchenlieder
3527:"Zur Chronologie der Leipziger Vokalwerke J. S. Bachs"
3239:
3237:
3198:
3146:
3098:
2990:
2757:
2464:
2462:
2460:
2343:
2341:
2339:
2337:
2335:
2333:
2331:
2329:
2087:
recorded around 50 of Bach's church cantatas with the
852:
In the following table of the movements, the scoring,
4361:(liner notes). Translated by Dobson-Ottmers, Alison.
3966:
3266:
3264:
3168:
3166:
3164:
3110:
3092:
2057:
Wie schön leuchtet der Morgenstern, BWV 1 discography
1718:, who sold them to the St. Thomas School. Apart from
1649:. The soloist sings coloraturas on the repeated word
341:
of Bach's second cantata cycle, possibly because the
185:
4385:"Cantata BWV 1 / Wie schön leuchtet der Morgenstern"
3300:
3249:
2738:
2605:
2603:
2264:
2262:
2260:
2258:
2256:
2254:
651:('Mirror of the joys of eternal life') in 1599. The
592:. The inner stanzas of the hymn were rephrased into
3482:"BWV 1 – 'Wie schön leuchtet der Morgenstern'"
3276:
3234:
3210:
3074:
2942:
2683:
2457:
2326:
2297:
2295:
2293:
3324:
3261:
3134:
3122:
2966:
1445:After the sinfonia, the first line of the soprano
4359:Geistliche Kantaten / Church Cantatas / Vol. 1–20
3222:
2251:
1174:setting of the hymn tune, performed by choir and
724:
669:, possibly by Jakob Dachser, Zahn No. 1705.
7242:
3312:
3046:
2954:
1897:as first composition in the first volume of the
1307:, as well as a late 19th-century translation by
618:First publication of the hymn in Nicolai's 1599
544:. In his second year in office, Bach composed a
3633:
3294:
1756:—which was later proven to be largely mistaken—
1234:of the chorale melody is sung in long notes of
637:. Nicolai wrote the hymn when he was pastor in
4176:J.S. Bach – Cantatas, Vol.34 (BWV 1, 126, 127)
3584:"3.2 The Feast of the Annunciation (25 March)"
2631:"Wie schön leuchtet der Morgenstern BWV 1" at
1714:, were briefly owned by the composer's widow,
526:announcing the birth of Jesus (Luke 1:26–38).
5757:
5177:Later additions to the chorale cantata cycle:
4437:
1241:by the sopranos. A substantial orchestral 12-
242:('How beautifully the morning star shines'),
4911:Chorale cantatas between Trinity and Easter:
3899:. Translated by Kosviner, David. Stuttgart:
2205:
2187:
2174:conducted all Bach church cantatas with the
2155:
2135:
2127:
2105:
2096:
2078:
2032:
2026:
2005:, possibly in 1927. The translation, titled
1985:
1975:
1965:
1922:
1906:
1892:
1862:
1842:
1829:
1811:
1805:
1764:
1747:
1709:
1703:
1679:
1650:
1636:
1630:
1597:
1591:
1585:
1549:Erfüllet, ihr himmlischen göttlichen Flammen
1547:
1518:
1489:
1483:
1477:
1462:, i.e. sung at twice the speed, with dotted
1221:
1183:
1127:
1080:
1042:
1000:Erfüllet, ihr himmlischen göttlichen Flammen
998:
960:
908:
865:
788:
779:texts for the remaining liturgical times of
773:
677:
664:
646:
628:
619:
579:
564:
463:, and occasionally also for two others, the
414:
345:who provided the paraphrases for the middle
332:
274:
236:
116:
35:
4412:Wie schön leuchtet der Morgenstern: BWV 001
4306:Johann Sebastian Bach: The Learned Musician
4255:. Vol. II (Reprint ed.). Oxford:
4143:. In Hahn, Gerhard; Henkys, Jürgen (eds.).
4078:] (in German) (BWV ed.). Leipzig:
1227:
572:
309:when music of this kind was permitted. The
5764:
5750:
4444:
4430:
4273:
4094:
3413:"BWV 1 Wie schön leuchtet der Morgenstern"
3379:"Wie schön leuchtet der Morgenstern BWV 1"
3104:
2996:
65:
4407:International Music Score Library Project
4403:Wie schön leuchtet der Morgenstern, BWV 1
4247:
4066:
3886:
3574:
3430:
3204:
3155:
3116:
2936:
2924:
2909:
2870:
2853:
2834:
2822:
2801:
2786:
2716:
2594:
2384:
845:. A festive scoring like this, including
423:Teldec's complete Bach cantata recordings
285:. Bach composed it in his second year as
7251:Church cantatas by Johann Sebastian Bach
4229:
4145:Liederkunde zum Evangelischen Gesangbuch
4138:
3935:
3907:
3706:
3677:
3634:Freeman-Attwood, Jonathan (April 2001).
3306:
3255:
2895:"Wie schön leuchtet der Morgenstern" at
2882:
2701:
2652:
2567:
2551:
2535:
2523:
2496:
2447:
1874:
1857:(then the festival's new director), and
1546:In the first aria, the soprano renders "
1389:
808:
728:
613:
563:Bach's earliest extant chorale cantata,
471:. Bach took office in the middle of the
4108:. London: A & C Black. p. 362.
4042:
3867:
3752:
3734:
3608:
3499:
3410:
3282:
3243:
3216:
2984:
2948:
2751:
2468:
2347:
2110:was the first cantata recorded for the
1416:in the opening theme and the recurring
1366:fair and glorious, great and righteous,
1186:Sie werden aus Saba alle kommen, BWV 65
682:('Bridal song') of the soul addressing
655:with which Nicolai published his text,
27:Church cantata by Johann Sebastian Bach
14:
7243:
4169:
4112:
3837:
3820:
3655:
3476:
3330:
3270:
3188:
3172:
3140:
3036:
3020:
3008:
2268:
1879:First page of the first volume of the
1837:In 1950, the cantata was listed as BWV
1694:Chorale cantata cycle § Reception
1602:" ('refreshment') are emphasised by a
1044:Ein irdscher Glanz, ein leiblich Licht
5745:
4425:
4337:(in German). Vol. V. Gütersloh:
4299:
4187:
4022:
4004:
3768:
3228:
3080:
3064:
2728:
2609:
2428:
2412:
2396:
2301:
2280:
1351:with God's full grace and truth afar,
1336:Schön und herrlich, groß und ehrlich,
1321:Voll Gnad und Wahrheit von dem Herrn,
4327:
4141:"Wie schön leuchtet der Morgenstern"
3992:(published 1907). pp. 115–129.
3843:"Leipzig Cycle II: chorale cantatas"
3798:
3774:"Leipzig Cycle II: chorale cantatas"
3615:Freiburger Anthologie Lied und Lyrik
3611:"Wie schön leuchtet der Morgenstern"
3521:
3513:(in German). Vol. 27. Leipzig:
3456:
3393:"Wie schön leuchtet der Morgenstern"
3318:
3128:
3052:
2972:
2960:
2689:
2480:
2019:How Bright and Fair the Morning Star
2007:How Brightly Shines yon Star of Morn
1974:, a French text by Henriette Fuchs,
1972:All glorious doth the day-star shine
1781:
1698:When the composer died in 1750, the
1372:high and most sublime in splendour.
1313:
1095:
1061:
1059:
1057:
1016:
979:
977:
975:
694:, described as a bridal song in the
536:Church cantata (Bach) § Leipzig
494:. Lutheran Leipzig observed several
4213:(in German). Vol. 3. Leipzig:
3988:(in German). Vol. 3. Leipzig:
2194:St Peter's Church, Walpole St Peter
1357:thou art my king and spouse divine,
1349:How fairly shines the morning star,
813:Bach structured the cantata in six
24:
4347:
3740:"J. S. Bach: As He Originally Was"
2207:Wie schön leuchtet der Morgenstern
2189:Wie schön leuchtet der Morgenstern
2157:Wie schön leuchtet der Morgenstern
2116:historically informed performances
2107:Wie schön leuchtet der Morgenstern
2098:Wie schön leuchtet der Morgenstern
2080:Wie schön leuchtet der Morgenstern
2065:recorded Bach's cantatas with the
1987:Eulenburgs kleine Partitur-Ausgabe
1894:Wie schön leuchtet der Morgenstern
1864:Wie schön leuchtet der Morgenstern
1831:Wie schön leuchtet der Morgenstern
1813:Wie schön leuchtet der Morgenstern
1749:Wie schön leuchtet der Morgenstern
1711:Wie schön leuchtet der Morgenstern
1705:Wie schön leuchtet der Morgenstern
1319:Wie schön leuchtet der Morgenstern
1223:Wie schön leuchtet der Morgenstern
1178:instruments, is complemented by a
910:Wie schön leuchtet der Morgenstern
867:Wie schön leuchtet der Morgenstern
775:Wie schön leuchtet der Morgenstern
630:Wie schön leuchtet der Morgenstern
610:Wie schön leuchtet der Morgenstern
581:Wie schön leuchtet der Morgenstern
334:Wie schön leuchtet der Morgenstern
277:Wie schön leuchtet der Morgenstern
238:Wie schön leuchtet der Morgenstern
119:Wie schön leuchtet der Morgenstern
37:Wie schön leuchtet der Morgenstern
25:
7282:
5114:Continuation of the second cycle:
4634:Köthen: BWV Anh. 5
4396:
4217:(published 1907). pp. 1–42.
4118:"III: The later Chorale Cantatas"
2095:, mostly in the 1960s, including
2003:Novello's Original Octavo Edition
1816:, one in Leipzig, and one at the
1681:Wie bin ich doch so herzlich froh
1629:The text of the fifth movement, "
1556:oboe da caccia, an instrument in
1129:Wie bin ich doch so herzlich froh
805:) and scoring, and its composer.
751:certain, scholars have suggested
567:Christ lag in Todes Banden, BWV 4
548:, with each cantata based on one
529:
3339:
2318:"Annunciation: Christianity" at
1520:Du wahrer Gottes und Marien Sohn
1342:Hoch und sehr prächtig erhaben.
1153:
1065:
1027:
983:
962:Du wahrer Gottes und Marien Sohn
833:ensemble of two horns (Co), two
648:Frewdenspiegel deß ewigen Lebens
621:Frewdenspiegel deß ewigen Lebens
514:'s prophecy of the birth of the
3821:Kenney, Sylvia W., ed. (1960).
3799:Kemp, Lindsay (18 April 2017).
2658:
2506:
1967:Joh. Seb. Bachs Kirchenkantaten
1412:); in particular the leap of a
1325:Du Sohn David aus Jakobs Stamm,
666:"Jauchzet dem Herren alle Land"
518:(Isaiah 7:10–16), and from the
441:In 1723, Bach was appointed as
251:church cantata for Annunciation
3847:The Faber Pocket Guide to Bach
2364:
2353:
2089:Heinrich-Schütz-Chor Heilbronn
1870:
1730:in Leipzig, for conservation.
1638:"Zwingt die Saiten in Cythara"
1584:In another secco recitative, "
1491:Hoch und sehr prächtig erhaben
1359:thou hast my heart true loyal.
1355:O David's son of Jacob's line,
1353:sweet Jesse's offspring royal.
1327:Mein König und mein Bräutigam,
725:Libretto and first performance
633:is based on Philipp Nicolai's
13:
1:
7271:Annunciation in Christian art
4126:. Translated by Bell, Clara;
4023:Quinn, John (November 2004).
3656:Fulker, Rick (12 June 2018).
3397:Hymns and Carols of Christmas
2897:Hymns and Carols of Christmas
2213:
2050:
1632:Unser Mund und Ton der Saiten
1572:, editor of a publication by
1082:Unser Mund und Ton der Saiten
719:arrival of Jesus in Jerusalem
709:The hymn was associated with
436:
305:was the only occasion during
5225:Other late chorale cantatas:
4239:. Leipzig: Klinger. p.
3353:"Annunciation: Christianity"
1771:, the third yearbook of the
1687:
1665:
1616:
1533:
1329:Hast mir mein Herz besessen,
1207:
1164:
588:, and the last as a closing
475:, on the first Sunday after
7:
5564:Council election (Leipzig):
4656:Between Trinity and Advent:
3617:(in German). Archived from
3549:Evangelische Verlagsanstalt
3543:(in German). Vol. 44.
2146:from the boys' choir and a
2093:Pforzheim Chamber Orchestra
1980:, and a piano reduction by
1596:" ('joyful radiance') and "
10:
7287:
4153:Vandenhoeck & Ruprecht
4139:Stalmann, Joachim (2000).
4029:musicweb-international.com
3874:Bach: Nine Sacred Cantatas
3093:Neue Bachgesellschaft 1906
2180:Netherlands Bach Collegium
2054:
1909:Neue Zeitschrift für Musik
1691:
790:Christ lag in Todes Banden
607:
533:
261:(25 March) coincided with
7172:
5790:
5707:
5446:
5252:
4892:
4643:
4465:
4251:(1978). "Cantata No. 1".
3877:(CD). Eloquence. 4827642.
3831:Columbia University Press
3609:Fischer, Michael (2006).
3511:Bach-Gesellschaft Ausgabe
2083:, were reissued in 2018.
2034:Stuttgarter Bach-Ausgaben
1977:Brillante étoile du matin
1899:Bach-Gesellschaft Ausgabe
1779:wrote about the cantata:
897:
894:
891:
888:
885:
882:
879:
876:
873:
641:and faced an outbreak of
546:cycle of chorale cantatas
196:
163:
155:
132:
111:
90:
80:
64:
53:
43:
34:
5281:Liturgical year 1725–26:
4370:Mincham, Julian (2010).
4236:Neu Leipziger Gesangbuch
2665:"Kuhnau, Johann Andreas"
2166:Bach-Collegium Stuttgart
1785:
1317:
1282:passagework of two solo
796:
405:in the 19th century and
7266:Compositions in F major
4311:Oxford University Press
4257:Oxford University Press
3782:Oxford University Press
3592:Oxford University Press
2184:Bach Cantata Pilgrimage
2071:Berliner Philharmoniker
2041:. In the 21st century,
1905:, the publisher of the
1818:Bethlehem Bach Festival
1670:download the audio file
1645:pulse" by Bach scholar
1621:download the audio file
1538:download the audio file
1513:The tenor expresses in
1212:download the audio file
741:written by the composer
737:performance part, with
635:hymn with the same name
603:
283:Bach's chorale cantatas
281:" (1599), it is one of
137:25 March 1725
4769:From Advent to Trinity
4414:on the website of the
4285:Breitkopf & Härtel
4223:10.13141/bjb.v19061043
4215:Breitkopf & Härtel
4128:Fuller Maitland, J. A.
4080:Breitkopf & Härtel
3998:10.13141/bjb.v19061048
3990:Breitkopf & Härtel
3557:10.13141/bjb.v19571520
3515:Breitkopf & Härtel
3442:. pp. 1166–1172.
2206:
2188:
2156:
2138:Concentus Musicus Wien
2136:
2128:
2106:
2097:
2079:
2033:
2027:
1986:
1976:
1966:
1962:Breitkopf & Härtel
1923:
1907:
1893:
1884:
1863:
1845:Bach-Werke-Verzeichnis
1843:
1830:
1812:
1806:
1793:
1765:
1754:Bach's church cantatas
1748:
1710:
1704:
1680:
1678:The closing chorale, "
1651:
1637:
1631:
1598:
1592:
1586:
1548:
1519:
1490:
1484:
1478:
1401:
1347:
1323:Die süße Wurzel Jesse!
1228:
1222:
1184:
1128:
1122:
1081:
1075:
1043:
1037:
999:
993:
961:
955:
909:
903:
866:
789:
774:
742:
678:
665:
663:in 1539 with the song
647:
629:
624:
620:
580:
573:
565:
486:("silent periods") of
417:Bach-Werke-Verzeichnis
415:
333:
275:
237:
117:
36:
5778:Johann Sebastian Bach
5717:List of Bach cantatas
4458:Johann Sebastian Bach
4416:J. S. Bach Foundation
4389:Bach Cantatas Website
4249:Whittaker, W. Gillies
4197:Neue Bachgesellschaft
3968:Neue Bachgesellschaft
3939:The Musical Quarterly
3919:Yale University Press
3545:Neue Bachgesellschaft
3417:University of Vermont
2823:Dürr & Jones 2006
2717:Dürr & Jones 2006
2595:Dürr & Jones 2006
2385:Dürr & Jones 2006
2243:"D-LEb Thomana 1" at
2067:Berliner Motettenchor
1956:for a publication by
1878:
1773:Neue Bachgesellschaft
1743:Johann Sebastian Bach
1420:. Thus, as conductor
1408:(notated here in the
1393:
1220:The first movement, "
1120:
1073:
1035:
991:
953:
901:
809:Scoring and structure
760:Johann Andreas Kuhnau
732:
617:
315:chorale cantata cycle
255:Johann Sebastian Bach
73:Johann Andreas Kuhnau
4383:Oron, Aryeh (2020).
4275:Winterfeld, Carl von
4259:. pp. 104–110.
4006:Poole, Reginald Lane
3952:10.1093/mq/LIX.1.145
3839:Kenyon, Sir Nicholas
3784:. pp. 142–157.
3770:Jones, Richard D. P.
3738:(12 December 1971).
3720:. pp. 256–257.
3708:Gardiner, John Eliot
3679:Gardiner, John Eliot
3594:. pp. 666–670.
3580:Jones, Richard D. P.
3411:Ambrose, Z. Philip.
3295:Freeman-Attwood 2001
2939:, pp. 105, 107.
2680:(10 September 2020).
2202:Bach Collegium Japan
2120:Nikolaus Harnoncourt
2017:around 1947, titled
1960:in Leipzig in 1875.
1658:
1609:
1579:
1526:
1508:
1503:W. Gillies Whittaker
1200:
1192:Part IV of his
831:Baroque instrumental
407:W. Gillies Whittaker
355:Baroque instrumental
5263:After Trinity 1725:
4231:Vopelius, Gottfried
4068:Schmieder, Wolfgang
3529:. In Dürr, Alfred;
3457:Dahn, Luke (2019).
2927:, pp. 106–107.
2719:, pp. 666–668.
2704:, pp. 256–257.
2150:for the alto part.
2130:Wiener Sängerknaben
2075:Deutsche Grammophon
2037:in 1998, edited by
1758:Reginald Lane Poole
1734:Carl von Winterfeld
1422:John Eliot Gardiner
1305:Psalmodia Germanica
870:
688:heavenly bridegroom
554:prescribed readings
542:first cantata cycle
403:Carl von Winterfeld
389:, and the two solo
4376:jsbachcantatas.com
4207:Bach-Yearbook 1906
4202:Bach-Jahrbuch 1906
4155:. pp. 42–52.
4134:. pp. 64–108.
4096:Schweitzer, Albert
3982:Bach-Yearbook 1906
3977:Bach-Jahrbuch 1906
3745:The New York Times
3551:. pp. 5–162.
3536:Bach-Jahrbuch 1957
3387:. 2 December 2020.
3373:. 13 January 2020.
3359:. 6 February 2018.
2837:, p. 104–105.
2670:2021-01-26 at the
2176:Holland Boys Choir
2172:Pieter Jan Leusink
2162:Gächinger Kantorei
2160:in 1980, with the
1885:
1566:fingering notation
1429:of the last three
1402:
1309:M. Woolsey Stryker
1194:Christmas Oratorio
863:
768:Wilhelm Friedemann
743:
690:, which refers to
674:offspring of David
661:Strasbourg Psalter
625:
556:and his plans for
7261:1725 compositions
7238:
7237:
5739:
5738:
5593:1139.1, 1140–1141
4418:(includes video).
4320:978-0-393-32256-9
4162:978-3-52-550325-6
3909:Marissen, Michael
3888:Leisinger, Ulrich
3860:978-0-57-127200-6
3833:. pp. 56–57.
3829:. New York City:
3791:978-0-19-816440-1
3727:978-1-84-614721-0
3601:978-0-19-969628-4
3463:bach-chorales.com
3432:Cantagrel, Gilles
3365:"D-LEb Thomana 1"
3011:, pp. 89–91.
2885:, pp. 53–54.
2028:Neue Bach-Ausgabe
1889:Bach-Gesellschaft
1881:Bach Gesellschaft
1822:Albert Schweitzer
1820:in Pennsylvania.
1802:
1801:
1674:
1625:
1542:
1473:of the movement.
1388:
1387:
1216:
1172:four-part harmony
1162:
1161:
918:Chorale fantasia
590:four-part chorale
411:Bach-Gesellschaft
233:
232:
16:(Redirected from
7278:
7256:Chorale cantatas
7230:Secular cantatas
7191:Chorale cantatas
7165:
5780:
5766:
5759:
5752:
5743:
5742:
5723:Monteverdi Choir
5565:
5507:
5460:
5420:
5282:
5264:
5226:
5178:
5115:
4912:
4770:
4657:
4460:
4446:
4439:
4432:
4423:
4422:
4405:: Scores at the
4392:
4379:
4366:
4363:Hänssler Classic
4342:
4324:
4301:Wolff, Christoph
4296:
4270:
4244:
4226:
4184:
4166:
4135:
4132:Novello & Co
4109:
4104:. Translated by
4091:
4063:
4044:Rilling, Helmuth
4039:
4037:
4035:
4019:
4001:
3963:
3932:
3904:
3898:
3878:
3864:
3834:
3817:
3815:
3813:
3795:
3765:
3749:
3731:
3703:
3701:
3699:
3694:. pp. 21–22
3692:Monteverdi Choir
3689:
3674:
3672:
3670:
3652:
3650:
3648:
3630:
3628:
3626:
3605:
3571:
3569:
3518:
3517:. pp. V–IX.
3496:
3494:
3492:
3473:
3471:
3469:
3453:
3427:
3425:
3423:
3400:
3399:. 19 March 2019.
3388:
3374:
3360:
3334:
3328:
3322:
3316:
3310:
3304:
3298:
3292:
3286:
3280:
3274:
3268:
3259:
3253:
3247:
3241:
3232:
3226:
3220:
3214:
3208:
3202:
3196:
3186:
3180:
3170:
3159:
3153:
3144:
3138:
3132:
3126:
3120:
3114:
3108:
3102:
3096:
3090:
3084:
3078:
3072:
3062:
3056:
3050:
3044:
3034:
3028:
3018:
3012:
3006:
3000:
2994:
2988:
2987:, pp. V–IX.
2982:
2976:
2970:
2964:
2958:
2952:
2946:
2940:
2934:
2928:
2922:
2913:
2907:
2901:
2892:
2886:
2880:
2874:
2868:
2857:
2851:
2838:
2832:
2826:
2820:
2805:
2799:
2790:
2784:
2755:
2749:
2736:
2726:
2720:
2714:
2705:
2699:
2693:
2687:
2681:
2662:
2656:
2650:
2637:
2628:
2617:
2607:
2598:
2592:
2575:
2565:
2559:
2549:
2543:
2533:
2527:
2521:
2515:
2513:Revelation 22:16
2510:
2504:
2494:
2488:
2478:
2472:
2466:
2455:
2445:
2436:
2426:
2420:
2410:
2404:
2394:
2388:
2382:
2373:
2368:
2362:
2357:
2351:
2345:
2324:
2315:
2309:
2299:
2288:
2278:
2272:
2266:
2249:
2240:
2209:
2191:
2159:
2141:
2133:
2124:Gustav Leonhardt
2109:
2100:
2082:
2036:
2030:
2023:New Bach Edition
1989:
1979:
1969:
1951:
1926:
1917:and philologist
1915:Moritz Hauptmann
1912:
1896:
1866:
1851:Bachfest Leipzig
1848:
1840:
1833:
1815:
1809:
1782:
1770:
1751:
1713:
1707:
1683:
1654:
1640:
1634:
1601:
1595:
1589:
1570:Ulrich Leisinger
1551:
1522:
1515:secco recitative
1493:
1487:
1481:
1370:
1367:
1340:
1339:reich von Gaben,
1337:
1314:
1274:
1273:
1272:
1271:
1233:
1225:
1189:
1158:
1157:
1131:
1117:
1116:
1115:
1114:
1084:
1070:
1069:
1046:
1032:
1031:
1023:
1002:
988:
987:
964:
950:
949:
948:
947:
929:
912:
871:
869:
862:
792:
777:
681:
668:
650:
632:
623:
586:chorale fantasia
583:
576:
574:per omnes versus
570:
448:director musices
420:
379:chorale fantasia
357:ensemble of two
336:
280:
246:
240:
187:
151:
150:
144:
142:
122:
69:
39:
32:
31:
21:
7286:
7285:
7281:
7280:
7279:
7277:
7276:
7275:
7241:
7240:
7239:
7234:
7187:Church cantatas
7168:
7154:
7153:— discography;
5786:
5776:
5770:
5740:
5735:
5703:
5702:
5563:
5502:
5456:
5448:
5442:
5441:
5418:
5280:
5262:
5248:
5247:
5224:
5176:
5113:
4910:
4900:
4896:
4888:
4887:
4768:
4655:
4646:
4639:
4638:
4495:1138.1 & .2
4467:
4461:
4456:
4453:Church cantatas
4450:
4399:
4382:
4369:
4353:
4350:
4348:Further reading
4345:
4321:
4267:
4189:Voigt, Woldemar
4179:(SACD Hybrid).
4171:Suzuki, Masaaki
4163:
4114:Spitta, Philipp
4033:
4031:
3929:
3903:. pp. 3–4.
3896:
3861:
3853:. p. 268.
3851:Faber and Faber
3811:
3809:
3792:
3764:. pp. 5–6.
3760:(liner notes).
3728:
3697:
3695:
3690:(Media notes).
3687:
3668:
3666:
3646:
3644:
3624:
3622:
3602:
3563:
3531:Neumann, Werner
3501:Dörffel, Alfred
3490:
3488:
3467:
3465:
3450:
3421:
3419:
3342:
3337:
3329:
3325:
3317:
3313:
3305:
3301:
3293:
3289:
3281:
3277:
3269:
3262:
3254:
3250:
3242:
3235:
3227:
3223:
3215:
3211:
3203:
3199:
3187:
3183:
3171:
3162:
3154:
3147:
3139:
3135:
3127:
3123:
3115:
3111:
3105:Schweitzer 1911
3103:
3099:
3091:
3087:
3079:
3075:
3063:
3059:
3051:
3047:
3035:
3031:
3019:
3015:
3007:
3003:
2997:Winterfeld 1847
2995:
2991:
2983:
2979:
2971:
2967:
2959:
2955:
2947:
2943:
2935:
2931:
2923:
2916:
2908:
2904:
2893:
2889:
2881:
2877:
2869:
2860:
2856:, p. 1169.
2852:
2841:
2833:
2829:
2821:
2808:
2800:
2793:
2785:
2758:
2750:
2739:
2727:
2723:
2715:
2708:
2700:
2696:
2688:
2684:
2672:Wayback Machine
2663:
2659:
2651:
2640:
2629:
2620:
2608:
2601:
2593:
2578:
2566:
2562:
2550:
2546:
2534:
2530:
2522:
2518:
2511:
2507:
2495:
2491:
2479:
2475:
2467:
2458:
2446:
2439:
2427:
2423:
2411:
2407:
2395:
2391:
2383:
2376:
2369:
2365:
2358:
2354:
2346:
2327:
2316:
2312:
2300:
2291:
2279:
2275:
2267:
2252:
2241:
2220:
2216:
2152:Helmuth Rilling
2144:soprano soloist
2118:, conducted by
2059:
2053:
1996:Arnold Schering
1945:
1913:, Thomaskantor
1903:Robert Schumann
1873:
1838:
1798:
1790:
1696:
1690:
1676:
1675:
1673:
1661:
1627:
1626:
1624:
1612:
1582:
1544:
1543:
1541:
1529:
1511:
1440:concerto grosso
1381:Philipp Nicolai
1374:
1371:
1369:rich in wonder,
1368:
1365:
1364:
1362:
1360:
1358:
1356:
1354:
1352:
1350:
1344:
1341:
1338:
1335:
1334:
1332:
1330:
1328:
1326:
1324:
1322:
1320:
1270:
1265:
1264:
1263:
1262:
1261:
1218:
1217:
1215:
1203:
1167:
1152:
1113:
1108:
1107:
1106:
1105:
1104:
1064:
1026:
1019:
982:
946:
941:
940:
939:
938:
937:
927:
858:time signatures
841:part (Va), and
835:oboes da caccia
827:four-part choir
811:
799:
727:
721:is celebrated.
627:Bach's cantata
612:
606:
538:
532:
473:liturgical year
439:
381:, in which the
363:oboes da caccia
351:four-part choir
339:chorale cantata
267:Philipp Nicolai
229:
211:oboes da caccia
192:
146:
140:
138:
136:
127:Philipp Nicolai
124:
107:
76:
55:Chorale cantata
49:
28:
23:
22:
15:
12:
11:
5:
7284:
7274:
7273:
7268:
7263:
7258:
7253:
7236:
7235:
7233:
7232:
7223:
7221:Picander cycle
7218:
7213:
7208:
7203:
7198:
7193:
7180:
7173:
7170:
7169:
7167:
7166:
7148:
7143:
7138:
7133:
7128:
7123:
7118:
7113:
7108:
7103:
7098:
7093:
7088:
7083:
7078:
7073:
7068:
7063:
7058:
7053:
7048:
7041:
7034:
7027:
7020:
7013:
7006:
7001:
6996:
6991:
6986:
6981:
6976:
6971:
6966:
6961:
6956:
6951:
6946:
6941:
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6926:
6921:
6916:
6911:
6906:
6901:
6896:
6891:
6886:
6881:
6876:
6871:
6866:
6861:
6856:
6851:
6846:
6841:
6836:
6831:
6824:
6819:
6814:
6809:
6804:
6799:
6794:
6789:
6784:
6779:
6774:
6769:
6764:
6759:
6754:
6749:
6744:
6739:
6734:
6729:
6724:
6719:
6714:
6709:
6704:
6699:
6694:
6689:
6684:
6679:
6672:
6667:
6662:
6657:
6652:
6647:
6642:
6637:
6632:
6627:
6622:
6617:
6612:
6607:
6602:
6597:
6592:
6587:
6582:
6575:
6568:
6563:
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6553:
6548:
6543:
6538:
6533:
6528:
6523:
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6511:
6506:
6501:
6496:
6491:
6486:
6481:
6476:
6471:
6466:
6461:
6456:
6451:
6446:
6441:
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6426:
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6416:
6411:
6406:
6401:
6396:
6391:
6386:
6381:
6376:
6371:
6366:
6361:
6356:
6351:
6346:
6341:
6336:
6331:
6326:
6321:
6316:
6311:
6306:
6301:
6296:
6291:
6286:
6281:
6276:
6271:
6266:
6261:
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6251:
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6241:
6236:
6231:
6226:
6221:
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6211:
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6201:
6196:
6191:
6186:
6181:
6176:
6171:
6166:
6161:
6156:
6151:
6146:
6141:
6136:
6131:
6126:
6121:
6116:
6111:
6106:
6101:
6096:
6091:
6084:
6079:
6074:
6069:
6064:
6059:
6054:
6049:
6044:
6039:
6034:
6029:
6024:
6019:
6014:
6009:
6004:
5999:
5994:
5989:
5984:
5979:
5974:
5969:
5964:
5959:
5954:
5949:
5944:
5939:
5934:
5929:
5924:
5919:
5914:
5909:
5904:
5899:
5894:
5889:
5884:
5879:
5874:
5867:
5862:
5857:
5852:
5842:
5837:
5832:
5827:
5822:
5817:
5812:
5807:
5802:
5797:
5791:
5788:
5787:
5769:
5768:
5761:
5754:
5746:
5737:
5736:
5734:
5733:
5719:
5714:
5708:
5705:
5704:
5701:
5700:
5695:
5690:
5685:
5680:
5675:
5670:
5665:
5659:
5654:
5649:
5644:
5639:
5634:
5628:
5623:
5617:
5612:
5607:
5602:
5596:
5589:
5584:
5579:
5574:
5569:
5561:
5556:
5526:
5521:
5516:
5511:
5500:
5495:
5490:
5485:
5480:
5475:
5470:
5465:
5458:Picander cycle
5453:
5452:
5450:
5444:
5443:
5440:
5439:
5434:
5429:
5424:
5416:
5411:
5406:
5401:
5396:
5391:
5386:
5381:
5376:
5371:
5366:
5361:
5356:
5351:
5346:
5341:
5336:
5331:
5326:
5321:
5316:
5311:
5306:
5301:
5296:
5291:
5286:
5278:
5273:
5268:
5259:
5258:
5256:
5250:
5249:
5246:
5245:
5240:
5235:
5230:
5222:
5217:
5212:
5207:
5202:
5197:
5192:
5187:
5182:
5174:
5169:
5164:
5159:
5154:
5149:
5144:
5139:
5134:
5129:
5124:
5119:
5111:
5106:
5101:
5096:
5091:
5086:
5081:
5076:
5071:
5066:
5061:
5056:
5051:
5046:
5041:
5036:
5031:
5026:
5021:
5016:
5011:
5006:
5001:
4996:
4991:
4986:
4981:
4976:
4971:
4966:
4961:
4956:
4951:
4946:
4941:
4936:
4931:
4926:
4921:
4916:
4907:
4906:
4904:
4890:
4889:
4886:
4885:
4880:
4875:
4870:
4865:
4860:
4855:
4850:
4845:
4840:
4835:
4830:
4825:
4820:
4815:
4810:
4805:
4800:
4795:
4790:
4785:
4780:
4775:
4766:
4761:
4756:
4751:
4746:
4741:
4736:
4731:
4726:
4721:
4716:
4711:
4706:
4701:
4696:
4691:
4686:
4681:
4676:
4671:
4666:
4661:
4652:
4651:
4649:
4641:
4640:
4637:
4636:
4631:
4626:
4621:
4616:
4611:
4606:
4601:
4596:
4591:
4586:
4581:
4576:
4571:
4566:
4561:
4556:
4551:
4546:
4541:
4536:
4531:
4526:
4517:
4512:
4507:
4502:
4497:
4492:
4487:
4482:
4472:
4471:
4469:
4463:
4462:
4449:
4448:
4441:
4434:
4426:
4420:
4419:
4409:
4398:
4397:External links
4395:
4394:
4393:
4380:
4367:
4355:Bomba, Andreas
4349:
4346:
4344:
4343:
4329:Zahn, Johannes
4325:
4319:
4297:
4271:
4265:
4245:
4227:
4185:
4167:
4161:
4136:
4110:
4106:Newman, Ernest
4092:
4070:, ed. (1950).
4064:
4040:
4020:
4015:Sebastian Bach
4002:
3970:, ed. (1906).
3964:
3946:(1): 145–159.
3933:
3927:
3905:
3884:
3869:Lehmann, Fritz
3865:
3859:
3835:
3818:
3796:
3790:
3766:
3754:Hofmann, Klaus
3750:
3736:Henahan, Donal
3732:
3726:
3704:
3675:
3663:Deutsche Welle
3653:
3631:
3606:
3600:
3572:
3519:
3503:, ed. (1878).
3497:
3486:Emmanuel Music
3478:Dellal, Pamela
3474:
3454:
3449:978-2213660752
3448:
3428:
3402:
3401:
3389:
3375:
3361:
3343:
3341:
3338:
3336:
3335:
3323:
3311:
3299:
3287:
3275:
3260:
3248:
3233:
3221:
3209:
3205:Leisinger 1998
3197:
3181:
3160:
3156:Leisinger 1998
3145:
3133:
3121:
3117:Schmieder 1950
3109:
3097:
3095:, p. 121.
3085:
3073:
3057:
3045:
3029:
3013:
3001:
2989:
2977:
2965:
2953:
2941:
2937:Whittaker 1978
2929:
2925:Whittaker 1978
2914:
2912:, p. 106.
2910:Whittaker 1978
2902:
2887:
2875:
2873:, p. 105.
2871:Whittaker 1978
2858:
2854:Cantagrel 2010
2839:
2835:Whittaker 1978
2827:
2825:, p. 669.
2806:
2804:, p. 104.
2802:Whittaker 1978
2791:
2787:Leisinger 1998
2756:
2737:
2721:
2706:
2694:
2692:, p. 147.
2682:
2657:
2655:, p. 256.
2638:
2618:
2599:
2597:, p. 668.
2576:
2560:
2544:
2528:
2526:, p. 814.
2516:
2505:
2489:
2473:
2456:
2437:
2421:
2405:
2389:
2387:, p. 666.
2374:
2363:
2360:Isaiah 7:10–16
2352:
2325:
2310:
2289:
2273:
2250:
2217:
2215:
2212:
2198:Masaaki Suzuki
2061:The conductor
2055:Main article:
2052:
2049:
2039:Reinhold Kubik
1982:Günter Raphael
1958:Edition Peters
1940:
1939:
1936:
1933:
1883:edition (1851)
1872:
1869:
1824:, in his book
1800:
1799:
1791:
1777:Woldemar Voigt
1738:Philipp Spitta
1716:Anna Magdalena
1692:Main article:
1689:
1686:
1667:
1664:
1660:
1657:
1618:
1615:
1611:
1608:
1581:
1578:
1535:
1532:
1528:
1525:
1510:
1507:
1386:
1385:
1383:
1376:
1375:
1345:
1266:
1209:
1206:
1202:
1199:
1180:counter-melody
1166:
1163:
1160:
1159:
1150:
1147:
1144:
1141:
1138:
1135:
1132:
1125:
1119:
1118:
1109:
1102:
1099:
1096:
1094:
1091:
1088:
1085:
1078:
1072:
1071:
1062:
1060:
1058:
1056:
1053:
1050:
1047:
1040:
1034:
1033:
1024:
1017:
1015:
1012:
1009:
1006:
1003:
996:
990:
989:
980:
978:
976:
974:
971:
968:
965:
958:
952:
951:
942:
935:
930:
925:
922:
919:
916:
913:
906:
900:
899:
896:
893:
890:
887:
884:
881:
878:
875:
843:basso continuo
810:
807:
798:
795:
753:Andreas Stübel
726:
723:
605:
602:
531:
530:Cantata cycles
528:
520:Gospel of Luke
484:tempus clausum
438:
435:
231:
230:
228:
227:
224:
219:
213:
207:
200:
198:
194:
193:
191:
190:
182:
167:
165:
161:
160:
157:
153:
152:
134:
130:
129:
113:
109:
108:
106:
105:
100:
94:
92:
88:
87:
82:
78:
77:
70:
62:
61:
51:
50:
44:
41:
40:
26:
9:
6:
4:
3:
2:
7283:
7272:
7269:
7267:
7264:
7262:
7259:
7257:
7254:
7252:
7249:
7248:
7246:
7231:
7227:
7224:
7222:
7219:
7217:
7214:
7212:
7209:
7207:
7204:
7202:
7199:
7197:
7194:
7192:
7188:
7184:
7181:
7179:
7175:
7174:
7171:
7164:
7163:
7158:
7152:
7149:
7147:
7144:
7142:
7139:
7137:
7134:
7132:
7129:
7127:
7126:1138.1–1139.1
7124:
7122:
7119:
7117:
7114:
7112:
7109:
7107:
7104:
7102:
7099:
7097:
7094:
7092:
7089:
7087:
7084:
7082:
7079:
7077:
7074:
7072:
7069:
7067:
7064:
7062:
7059:
7057:
7054:
7052:
7049:
7047:
7046:
7042:
7039:
7035:
7032:
7028:
7026:
7025:
7021:
7019:
7018:
7014:
7011:
7007:
7005:
7002:
7000:
6997:
6995:
6992:
6990:
6987:
6985:
6982:
6980:
6977:
6975:
6972:
6970:
6967:
6965:
6962:
6960:
6957:
6955:
6952:
6950:
6947:
6945:
6942:
6940:
6937:
6935:
6932:
6930:
6927:
6925:
6922:
6920:
6917:
6915:
6912:
6910:
6907:
6905:
6902:
6900:
6897:
6895:
6892:
6890:
6887:
6885:
6882:
6880:
6877:
6875:
6872:
6870:
6867:
6865:
6862:
6860:
6857:
6855:
6852:
6850:
6847:
6845:
6842:
6840:
6837:
6835:
6832:
6829:
6825:
6823:
6820:
6818:
6815:
6813:
6810:
6808:
6805:
6803:
6800:
6798:
6795:
6793:
6790:
6788:
6785:
6783:
6780:
6778:
6775:
6773:
6770:
6768:
6765:
6763:
6760:
6758:
6755:
6753:
6750:
6748:
6745:
6743:
6740:
6738:
6735:
6733:
6730:
6728:
6725:
6723:
6720:
6718:
6715:
6713:
6710:
6708:
6705:
6703:
6700:
6698:
6695:
6693:
6690:
6688:
6685:
6683:
6680:
6678:
6677:
6673:
6671:
6668:
6666:
6663:
6661:
6658:
6656:
6653:
6651:
6648:
6646:
6643:
6641:
6638:
6636:
6633:
6631:
6628:
6626:
6623:
6621:
6618:
6616:
6613:
6611:
6608:
6606:
6603:
6601:
6598:
6596:
6593:
6591:
6588:
6586:
6583:
6580:
6576:
6574:
6573:
6569:
6567:
6564:
6562:
6559:
6557:
6554:
6552:
6549:
6547:
6544:
6542:
6539:
6537:
6534:
6532:
6529:
6527:
6524:
6522:
6519:
6516:
6512:
6510:
6507:
6505:
6502:
6500:
6497:
6495:
6492:
6490:
6487:
6485:
6482:
6480:
6477:
6475:
6472:
6470:
6467:
6465:
6462:
6460:
6457:
6455:
6452:
6450:
6447:
6445:
6442:
6440:
6437:
6434:
6430:
6427:
6425:
6422:
6420:
6417:
6415:
6412:
6410:
6407:
6405:
6402:
6400:
6397:
6395:
6392:
6390:
6387:
6385:
6382:
6380:
6377:
6375:
6372:
6370:
6367:
6365:
6362:
6360:
6357:
6355:
6352:
6350:
6347:
6345:
6342:
6340:
6337:
6335:
6332:
6330:
6327:
6325:
6322:
6320:
6317:
6315:
6312:
6310:
6307:
6305:
6302:
6300:
6297:
6295:
6292:
6290:
6287:
6285:
6282:
6280:
6277:
6275:
6272:
6270:
6267:
6265:
6262:
6260:
6257:
6255:
6252:
6250:
6247:
6245:
6242:
6240:
6237:
6235:
6232:
6230:
6227:
6225:
6222:
6220:
6217:
6215:
6212:
6210:
6207:
6205:
6202:
6200:
6197:
6195:
6192:
6190:
6187:
6185:
6182:
6180:
6177:
6175:
6172:
6170:
6167:
6165:
6162:
6160:
6157:
6155:
6152:
6150:
6147:
6145:
6142:
6140:
6137:
6135:
6132:
6130:
6127:
6125:
6122:
6120:
6117:
6115:
6112:
6110:
6107:
6105:
6102:
6100:
6097:
6095:
6092:
6089:
6085:
6083:
6080:
6078:
6075:
6073:
6070:
6068:
6065:
6063:
6060:
6058:
6055:
6053:
6050:
6048:
6045:
6043:
6040:
6038:
6035:
6033:
6030:
6028:
6025:
6023:
6020:
6018:
6015:
6013:
6010:
6008:
6005:
6003:
6000:
5998:
5995:
5993:
5990:
5988:
5985:
5983:
5980:
5978:
5975:
5973:
5970:
5968:
5965:
5963:
5960:
5958:
5955:
5953:
5950:
5948:
5945:
5943:
5940:
5938:
5935:
5933:
5930:
5928:
5925:
5923:
5920:
5918:
5915:
5913:
5910:
5908:
5905:
5903:
5900:
5898:
5895:
5893:
5890:
5888:
5885:
5883:
5880:
5878:
5875:
5873:
5872:
5868:
5866:
5863:
5861:
5858:
5856:
5853:
5850:
5846:
5843:
5841:
5838:
5836:
5833:
5831:
5828:
5826:
5823:
5821:
5818:
5816:
5813:
5811:
5808:
5806:
5803:
5801:
5798:
5796:
5793:
5792:
5789:
5784:
5779:
5774:
5767:
5762:
5760:
5755:
5753:
5748:
5747:
5744:
5732:
5728:
5724:
5721:Discography:
5720:
5718:
5715:
5713:
5710:
5709:
5706:
5699:
5696:
5694:
5691:
5689:
5686:
5684:
5681:
5679:
5676:
5674:
5671:
5669:
5666:
5664:
5660:
5658:
5655:
5653:
5650:
5648:
5645:
5643:
5640:
5638:
5635:
5633:
5629:
5627:
5624:
5622:
5618:
5616:
5613:
5611:
5608:
5606:
5603:
5601:
5597:
5594:
5590:
5588:
5585:
5583:
5580:
5578:
5575:
5573:
5570:
5568:
5562:
5560:
5557:
5554:
5550:
5546:
5542:
5538:
5534:
5530:
5527:
5525:
5522:
5520:
5517:
5515:
5512:
5510:
5505:
5504:Late parodies
5501:
5499:
5496:
5494:
5491:
5489:
5486:
5484:
5481:
5479:
5476:
5474:
5471:
5469:
5466:
5464:
5459:
5455:
5454:
5451:
5445:
5438:
5435:
5433:
5430:
5428:
5425:
5423:
5417:
5415:
5412:
5410:
5407:
5405:
5402:
5400:
5397:
5395:
5392:
5390:
5387:
5385:
5382:
5380:
5377:
5375:
5372:
5370:
5367:
5365:
5362:
5360:
5357:
5355:
5352:
5350:
5347:
5345:
5342:
5340:
5337:
5335:
5332:
5330:
5327:
5325:
5322:
5320:
5317:
5315:
5312:
5310:
5307:
5305:
5302:
5300:
5297:
5295:
5292:
5290:
5287:
5285:
5279:
5277:
5274:
5272:
5269:
5267:
5261:
5260:
5257:
5255:
5251:
5244:
5241:
5239:
5236:
5234:
5231:
5229:
5223:
5221:
5218:
5216:
5213:
5211:
5208:
5206:
5203:
5201:
5198:
5196:
5193:
5191:
5188:
5186:
5183:
5181:
5175:
5173:
5170:
5168:
5165:
5163:
5160:
5158:
5155:
5153:
5150:
5148:
5145:
5143:
5140:
5138:
5135:
5133:
5130:
5128:
5125:
5123:
5120:
5118:
5112:
5110:
5107:
5105:
5102:
5100:
5097:
5095:
5092:
5090:
5087:
5085:
5082:
5080:
5077:
5075:
5072:
5070:
5067:
5065:
5062:
5060:
5057:
5055:
5052:
5050:
5047:
5045:
5042:
5040:
5037:
5035:
5032:
5030:
5027:
5025:
5022:
5020:
5017:
5015:
5012:
5010:
5007:
5005:
5002:
5000:
4997:
4995:
4992:
4990:
4987:
4985:
4982:
4980:
4977:
4975:
4972:
4970:
4967:
4965:
4962:
4960:
4957:
4955:
4952:
4950:
4947:
4945:
4942:
4940:
4937:
4935:
4932:
4930:
4927:
4925:
4922:
4920:
4917:
4915:
4909:
4908:
4905:
4902:
4895:
4891:
4884:
4881:
4879:
4876:
4874:
4871:
4869:
4866:
4864:
4861:
4859:
4856:
4854:
4851:
4849:
4846:
4844:
4841:
4839:
4836:
4834:
4831:
4829:
4826:
4824:
4821:
4819:
4816:
4814:
4811:
4809:
4806:
4804:
4801:
4799:
4796:
4794:
4791:
4789:
4786:
4784:
4781:
4779:
4776:
4774:
4767:
4765:
4762:
4760:
4757:
4755:
4752:
4750:
4747:
4745:
4742:
4740:
4737:
4735:
4732:
4730:
4727:
4725:
4722:
4720:
4717:
4715:
4712:
4710:
4707:
4705:
4702:
4700:
4697:
4695:
4692:
4690:
4687:
4685:
4682:
4680:
4677:
4675:
4672:
4670:
4667:
4665:
4662:
4660:
4654:
4653:
4650:
4648:
4642:
4635:
4632:
4630:
4627:
4625:
4622:
4620:
4617:
4615:
4612:
4610:
4607:
4605:
4602:
4600:
4597:
4595:
4592:
4590:
4587:
4585:
4582:
4580:
4577:
4575:
4572:
4570:
4567:
4565:
4562:
4560:
4557:
4555:
4552:
4550:
4547:
4545:
4542:
4540:
4537:
4535:
4532:
4530:
4527:
4525:
4521:
4518:
4516:
4513:
4511:
4508:
4506:
4503:
4501:
4498:
4496:
4493:
4491:
4488:
4486:
4483:
4481:
4477:
4474:
4473:
4470:
4464:
4459:
4454:
4447:
4442:
4440:
4435:
4433:
4428:
4427:
4424:
4417:
4413:
4410:
4408:
4404:
4401:
4400:
4390:
4386:
4381:
4377:
4373:
4368:
4364:
4360:
4356:
4352:
4351:
4340:
4336:
4335:
4330:
4326:
4322:
4316:
4312:
4308:
4307:
4302:
4298:
4294:
4290:
4286:
4282:
4281:
4276:
4272:
4268:
4262:
4258:
4254:
4250:
4246:
4242:
4238:
4237:
4232:
4228:
4224:
4220:
4216:
4212:
4211:Bach-Jahrbuch
4208:
4204:
4203:
4198:
4194:
4190:
4186:
4182:
4178:
4177:
4172:
4168:
4164:
4158:
4154:
4150:
4147:(in German).
4146:
4142:
4137:
4133:
4129:
4125:
4124:
4119:
4115:
4111:
4107:
4103:
4102:
4097:
4093:
4089:
4085:
4081:
4077:
4073:
4069:
4065:
4061:
4057:
4053:
4049:
4045:
4041:
4030:
4026:
4021:
4017:
4016:
4011:
4007:
4003:
3999:
3995:
3991:
3987:
3986:Bach-Jahrbuch
3983:
3979:
3978:
3973:
3969:
3965:
3961:
3957:
3953:
3949:
3945:
3941:
3940:
3934:
3930:
3928:9780300206999
3924:
3920:
3916:
3915:
3910:
3906:
3902:
3895:
3894:
3889:
3885:
3882:
3876:
3875:
3870:
3866:
3862:
3856:
3852:
3848:
3844:
3840:
3836:
3832:
3828:
3824:
3819:
3808:
3807:
3802:
3797:
3793:
3787:
3783:
3779:
3775:
3771:
3767:
3763:
3759:
3755:
3751:
3748:. p. 31.
3747:
3746:
3741:
3737:
3733:
3729:
3723:
3719:
3718:Penguin Books
3715:
3714:
3709:
3705:
3693:
3686:
3685:
3680:
3676:
3665:
3664:
3659:
3654:
3643:
3642:
3637:
3632:
3621:on 2012-03-09
3620:
3616:
3612:
3607:
3603:
3597:
3593:
3589:
3585:
3581:
3577:
3573:
3567:
3562:
3558:
3554:
3550:
3546:
3542:
3541:Bach-Jahrbuch
3538:
3537:
3532:
3528:
3524:
3520:
3516:
3512:
3508:
3507:
3502:
3498:
3487:
3483:
3479:
3475:
3464:
3460:
3455:
3451:
3445:
3441:
3438:(in French).
3437:
3433:
3429:
3418:
3414:
3409:
3408:
3407:
3406:
3398:
3394:
3390:
3386:
3385:
3380:
3376:
3372:
3371:
3366:
3362:
3358:
3354:
3350:
3349:
3348:
3347:
3340:Cited sources
3332:
3327:
3320:
3315:
3308:
3307:Gardiner 2006
3303:
3296:
3291:
3284:
3279:
3272:
3267:
3265:
3257:
3256:Marshall 1973
3252:
3245:
3240:
3238:
3230:
3225:
3218:
3213:
3206:
3201:
3194:
3190:
3185:
3178:
3174:
3169:
3167:
3165:
3157:
3152:
3150:
3142:
3137:
3131:, p. 79.
3130:
3125:
3118:
3113:
3106:
3101:
3094:
3089:
3083:, p. 17.
3082:
3077:
3070:
3066:
3061:
3054:
3049:
3042:
3038:
3033:
3026:
3022:
3017:
3010:
3005:
2998:
2993:
2986:
2981:
2975:, p. 13.
2974:
2969:
2962:
2957:
2950:
2945:
2938:
2933:
2926:
2921:
2919:
2911:
2906:
2899:
2898:
2891:
2884:
2883:Marissen 2014
2879:
2872:
2867:
2865:
2863:
2855:
2850:
2848:
2846:
2844:
2836:
2831:
2824:
2819:
2817:
2815:
2813:
2811:
2803:
2798:
2796:
2788:
2783:
2781:
2779:
2777:
2775:
2773:
2771:
2769:
2767:
2765:
2763:
2761:
2753:
2748:
2746:
2744:
2742:
2734:
2730:
2725:
2718:
2713:
2711:
2703:
2702:Gardiner 2013
2698:
2691:
2686:
2679:
2678:
2673:
2669:
2666:
2661:
2654:
2653:Gardiner 2013
2649:
2647:
2645:
2643:
2635:
2634:
2627:
2625:
2623:
2615:
2611:
2606:
2604:
2596:
2591:
2589:
2587:
2585:
2583:
2581:
2573:
2569:
2568:Stalmann 2000
2564:
2557:
2553:
2552:Stalmann 2000
2548:
2541:
2537:
2536:Stalmann 2000
2532:
2525:
2524:Vopelius 1682
2520:
2514:
2509:
2502:
2498:
2497:Stalmann 2000
2493:
2486:
2482:
2477:
2470:
2465:
2463:
2461:
2453:
2449:
2448:Stalmann 2000
2444:
2442:
2434:
2430:
2425:
2418:
2414:
2409:
2402:
2398:
2393:
2386:
2381:
2379:
2372:
2367:
2361:
2356:
2349:
2344:
2342:
2340:
2338:
2336:
2334:
2332:
2330:
2322:
2321:
2314:
2307:
2303:
2298:
2296:
2294:
2286:
2282:
2277:
2270:
2265:
2263:
2261:
2259:
2257:
2255:
2247:
2246:
2239:
2237:
2235:
2233:
2231:
2229:
2227:
2225:
2223:
2218:
2211:
2208:
2203:
2199:
2195:
2190:
2185:
2181:
2177:
2173:
2169:
2167:
2163:
2158:
2153:
2149:
2145:
2140:
2139:
2132:
2131:
2125:
2121:
2117:
2113:
2112:Teldec series
2108:
2102:
2099:
2094:
2090:
2086:
2081:
2076:
2072:
2068:
2064:
2063:Fritz Lehmann
2058:
2048:
2046:
2045:
2040:
2035:
2029:
2024:
2020:
2016:
2012:
2008:
2004:
1999:
1997:
1993:
1988:
1983:
1978:
1973:
1968:
1963:
1959:
1955:
1949:
1944:
1943:Gustav Rösler
1937:
1934:
1930:
1929:
1928:
1925:
1920:
1916:
1911:
1910:
1904:
1900:
1895:
1890:
1882:
1877:
1868:
1865:
1860:
1856:
1852:
1847:
1846:
1835:
1832:
1827:
1823:
1819:
1814:
1808:
1807:Bach-Jahrbuch
1797:
1792:
1789:
1784:
1783:
1780:
1778:
1774:
1769:
1768:
1767:Bach-Jahrbuch
1761:
1759:
1755:
1750:
1745:
1744:
1739:
1735:
1731:
1729:
1725:
1721:
1720:Bach's motets
1717:
1712:
1706:
1701:
1695:
1685:
1682:
1671:
1656:
1655:('singing').
1653:
1648:
1647:Klaus Hofmann
1644:
1639:
1633:
1622:
1607:
1605:
1600:
1594:
1593:Freudenschein
1588:
1577:
1575:
1571:
1567:
1563:
1559:
1555:
1550:
1539:
1524:
1521:
1516:
1506:
1504:
1500:
1499:Richard Jones
1495:
1492:
1486:
1480:
1474:
1472:
1471:
1465:
1461:
1457:
1456:cantus firmus
1452:
1451:cantus firmus
1448:
1447:cantus firmus
1443:
1441:
1437:
1432:
1428:
1423:
1419:
1415:
1411:
1407:
1406:cantus firmus
1399:
1398:
1397:cantus firmus
1392:
1384:
1382:
1378:
1377:
1373:
1346:
1343:
1316:
1315:
1312:
1310:
1306:
1302:
1301:Lyra Davidica
1296:
1294:
1290:
1285:
1281:
1278:
1277:scintillating
1269:
1259:
1255:
1251:
1247:
1244:
1240:
1237:
1232:
1231:
1230:cantus firmus
1224:
1213:
1198:
1196:
1195:
1188:
1187:
1181:
1177:
1173:
1170:chorale, the
1156:
1151:
1148:
1145:
1142:
1139:
1136:
1133:
1130:
1126:
1124:
1121:
1112:
1103:
1100:
1097:
1092:
1089:
1086:
1083:
1079:
1077:
1074:
1068:
1063:
1054:
1051:
1048:
1045:
1041:
1039:
1036:
1030:
1025:
1022:
1018:
1013:
1010:
1007:
1004:
1001:
997:
995:
992:
986:
981:
972:
969:
966:
963:
959:
957:
954:
945:
936:
934:
931:
926:
923:
920:
917:
914:
911:
907:
905:
902:
872:
868:
864:Movements of
861:
859:
855:
850:
848:
844:
840:
836:
832:
828:
824:
820:
816:
806:
804:
794:
791:
786:
782:
776:
771:
769:
765:
761:
756:
754:
749:
740:
736:
731:
722:
720:
716:
712:
707:
705:
701:
700:Song of Songs
698:, and to the
697:
693:
689:
685:
680:
675:
670:
667:
662:
658:
654:
649:
644:
640:
636:
631:
622:
616:
611:
601:
599:
595:
591:
587:
582:
575:
569:
568:
561:
559:
555:
551:
550:Lutheran hymn
547:
543:
537:
527:
525:
521:
517:
513:
509:
505:
501:
497:
496:Marian feasts
493:
489:
485:
480:
478:
474:
470:
466:
462:
458:
454:
450:
449:
444:
434:
432:
428:
424:
419:
418:
412:
408:
404:
399:
397:
392:
388:
384:
380:
376:
372:
368:
364:
360:
356:
352:
348:
344:
340:
335:
330:
328:
324:
320:
316:
312:
308:
304:
300:
296:
292:
288:
284:
279:
278:
272:
268:
264:
260:
256:
252:
248:
241:
239:
225:
223:
220:
218:
214:
212:
208:
206:
202:
201:
199:
195:
188:
183:
180:
176:
172:
169:
168:
166:
162:
158:
154:
149:
135:
131:
128:
121:
120:
114:
110:
104:
101:
99:
96:
95:
93:
89:
86:
83:
79:
74:
68:
63:
60:
56:
52:
47:
42:
38:
33:
30:
19:
7178:Compositions
7160:
7043:
7022:
7015:
6674:
6570:
5869:
5794:
5712:Bach cantata
5600:BWV 34a
5567:BWV 119
5463:BWV 149
5284:BWV 110
5266:BWV 168
5228:BWV 117
5108:
4894:Second cycle
4388:
4375:
4358:
4332:
4305:
4279:
4252:
4234:
4206:
4201:
4175:
4144:
4121:
4100:
4075:
4071:
4047:
4032:. Retrieved
4028:
4014:
3981:
3976:
3943:
3937:
3913:
3901:Carus-Verlag
3892:
3873:
3846:
3826:
3810:. Retrieved
3804:
3777:
3757:
3743:
3712:
3696:. Retrieved
3683:
3667:. Retrieved
3661:
3645:. Retrieved
3639:
3623:. Retrieved
3619:the original
3614:
3587:
3576:Dürr, Alfred
3559:– via
3535:
3523:Dürr, Alfred
3504:
3489:. Retrieved
3466:. Retrieved
3462:
3435:
3420:. Retrieved
3404:
3403:
3396:
3384:Bach Digital
3382:
3370:Bach Digital
3368:
3356:
3345:
3344:
3326:
3314:
3302:
3290:
3283:Rilling 1981
3278:
3251:
3244:Henahan 1971
3224:
3217:Lehmann 2018
3212:
3207:, p. 1.
3200:
3184:
3158:, p. 3.
3136:
3124:
3112:
3100:
3088:
3076:
3060:
3048:
3032:
3016:
3004:
2992:
2985:Dörffel 1878
2980:
2968:
2956:
2949:Ambrose 2021
2944:
2932:
2905:
2896:
2890:
2878:
2830:
2789:, p. 4.
2754:, p. 6.
2752:Hofmann 2006
2724:
2697:
2685:
2677:Bach Digital
2675:
2660:
2633:Bach Digital
2632:
2563:
2547:
2531:
2519:
2508:
2492:
2476:
2469:Fischer 2006
2424:
2408:
2392:
2371:Luke 1:26–38
2366:
2355:
2350:, p. 5.
2348:Hofmann 2006
2319:
2313:
2276:
2245:Bach Digital
2244:
2170:
2148:countertenor
2103:
2085:Fritz Werner
2060:
2044:Bach Digital
2042:
2018:
2015:Philadelphia
2011:Paul England
2009:was made by
2006:
2000:
1994:in Leipzig;
1971:
1941:
1924:Gesellschaft
1886:
1859:Peter Wollny
1855:Michael Maul
1836:
1825:
1803:
1794:
1786:
1763:In the 1906
1762:
1742:
1732:
1728:Bach Archive
1724:Bach Revival
1697:
1677:
1628:
1583:
1545:
1517:the belief "
1512:
1496:
1475:
1468:
1455:
1450:
1446:
1444:
1410:soprano clef
1405:
1403:
1395:
1348:
1318:
1297:
1267:
1219:
1193:
1168:
1110:
1021:B-flat major
943:
851:
812:
800:
772:
764:figured bass
757:
744:
739:bass figures
708:
696:Luther Bible
671:
626:
562:
539:
522:, the angel
500:Annunciation
498:, including
481:
461:St. Nicholas
446:
443:Thomaskantor
440:
400:
337:is the last
331:
303:Marian feast
301:, where the
287:Thomaskantor
259:Annunciation
243:
235:
234:
197:Instrumental
98:Annunciation
29:
5509:BWV 36
5422:BWV 82
5254:Third cycle
5180:BWV 80
4914:BWV 20
4773:BWV 40
4659:BWV 75
4645:First cycle
4524:BWV 61
4339:Bertelsmann
4287:. pp.
4181:BIS Records
3879:8133493 at
3762:BIS Records
3698:10 February
3669:13 February
3564: [
3491:21 November
3422:23 February
3331:Suzuki 2007
3271:Kenyon 2011
3189:Kenney 1960
3173:Kenney 1960
3141:Fulker 2018
3037:Spitta 1884
3021:Spitta 1884
3009:Spitta 1884
2483:, pp.
2399:, pp.
2304:, pp.
2283:, pp.
2269:Dellal 2019
1954:vocal score
1952:prepared a
1946: [
1871:Publication
1562:coloraturas
1333:Freundlich,
1295:landscape.
1284:concertante
1176:colla parte
1098:2Vs 2Vl Va
1052:Recitative
970:Recitative
748:Alfred Dürr
594:recitatives
504:Palm Sunday
427:Harnoncourt
391:concertante
365:, two solo
323:recitatives
265:. Based on
263:Palm Sunday
103:Palm Sunday
7245:Categories
5661:Doubtful:
5117:BWV 6
4480:BWV 4
4309:. Oxford:
4266:019315238X
4101:J. S. Bach
4034:7 February
3849:. London:
3823:"Cantatas"
3812:2 February
3806:Gramophone
3780:. Oxford:
3716:. London:
3647:2 February
3641:Gramophone
3590:. Oxford:
3547:. Berlin:
3468:17 January
3357:Britannica
3229:Quinn 2004
3191:, p.
3175:, p.
3081:Voigt 1906
3067:, p.
3065:Poole 1882
3039:, p.
3023:, p.
2731:, p.
2729:Jones 2007
2612:, p.
2610:Wolff 2002
2570:, p.
2554:, p.
2538:, p.
2499:, p.
2450:, p.
2431:, p.
2429:Wolff 2002
2415:, p.
2413:Jones 2007
2397:Wolff 2002
2320:Britannica
2302:Wolff 2002
2281:Wolff 2002
2214:References
2051:Recordings
1826:J. S. Bach
1599:Erquickung
1485:freundlich
1460:diminution
1280:semiquaver
1246:ritornello
928:2Vs 2Vl Va
643:the plague
608:See also:
534:See also:
465:New Church
457:St. Thomas
437:Background
385:sings the
343:librettist
295:St. Thomas
141:1725-03-25
59:J. S. Bach
7216:3rd cycle
7211:2nd cycle
7206:1st cycle
7131:1140–1141
5619:Funeral:
5598:Wedding:
5449:and other
4647:(1723–24)
4149:Göttingen
4088:963027464
4060:313016652
3459:"BWV 1.6"
3405:By author
3319:Kemp 2017
3129:Dürr 1958
3053:Dürr 1958
2973:Dürr 1958
2961:Dahn 2019
2690:Dürr 1958
2481:Zahn 1892
2210:in 2007.
2142:, with a
2104:In 1971,
1992:Eulenburg
1919:Otto Jahn
1841:1 in the
1804:The same
1700:autograph
1688:Reception
1554:obbligato
1497:Dürr and
1464:crotchets
1427:inversion
1331:Lieblich,
1289:bariolage
1165:Movements
815:movements
785:Pentecost
733:Original
679:Brautlied
653:hymn tune
469:St. Peter
431:Leonhardt
387:hymn tune
347:movements
156:Movements
133:Performed
7228: ;
7185: ;
7183:Cantatas
7162:spurious
7157:doubtful
5849:oratorio
5773:Cantatas
4901:cantatas
4357:(2010).
4331:(1892).
4303:(2002).
4277:(1847).
4233:(1682).
4191:(1906).
4173:(2007).
4130:London:
4116:(1884).
4098:(1911).
4052:Hänssler
4046:(1981).
4008:(1882).
3911:(2014).
3890:(1998).
3871:(2018).
3841:(2011).
3772:(2007).
3710:(2013).
3681:(2006).
3582:(2006).
3533:(eds.).
3525:(1958).
3346:By title
2668:Archived
2178:and the
2134:and the
2091:and the
2069:and the
1652:"Gesang"
1479:lieblich
1470:bar form
1303:and the
1250:sinfonia
1149:F major
1143:2Co 2Oc
1137:Chorale
1134:Nicolai
1101:F major
924:2Co 2Oc
915:Nicolai
892:Strings
829:, and a
825:(B)), a
821:(T) and
746:scholar
735:continuo
711:Epiphany
704:nativity
692:Psalm 45
657:Zahn No.
375:continuo
226:continuo
181:soloists
91:Occasion
7176:Lists:
7151:Anh. 18
7146:Anh. 11
7076:248 III
5727:Koopman
5630:Other:
5591:(lost:
4899:chorale
4468:Leipzig
4209:].
4199:(ed.).
3984:].
3625:27 July
2485:129–130
2401:275–278
2306:269–273
2285:237–240
1901:(BGA).
1604:melisma
1436:cadence
1431:quavers
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4317:
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