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328:: National Monetary Council), Banco do Brasil had to adapt its operating profile and entered the market in search of clients. Besides expanding the number of branches, Banco do Brasil improved its customer service system and offered more attractive products to its customers. With the authorization granted by the government in August 1986, the bank opened BB Distribuidora de Títulos e Valores Mobiliários and launched the Fundo Mútuo de Investimentos Ações-Ouro and the Caderneta de Poupança Ouro. Consequently, Banco do Brasil entered a segment already occupied by large financial conglomerates and began to compete for market share.
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service. The first floor housed all the bank's services accessible to the public, including management, submanagement, secretarial services, foreign exchange, discount section, remittances, current account and cashier. The second floor contained the bank's services not accessible to the public, such as the board meeting rooms, accounting, correspondence and archives. The second and third floors had rooms for rent, which were accessed from
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administration areas, souvenir stores, a machine room and air-conditioning installations. The old window frames were covered with acoustic glass and the mosaic floor, which covered the entire first floor and had some worn sections, was kept only in the central atrium. All these pieces were restored manually and went through a complete refitting process.
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At the beginning of 1999, the then president of Banco do Brasil, Andrea Calabi, recovered the project and commissioned a technical study on the implementation of the cultural center. In June, in order to modernize the area according to the new functional requirements of a contemporary cultural space,
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The idea of installing a cultural center in the building arose in 1992, when a study group was formed to develop the proposal. At the time, the premises on Álvares
Penteado Street was considered an option. LT Arquitetura was contacted by Banco do Brasil to design the renovation, but the projects were
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The
Alvares Penteado Street, formerly known as Comércio Street, was one of the most populated addresses in the city of São Paulo at the beginning of the 20th century. Before the cultural center building was erected in 1901, the site was occupied by Confeitaria Leão, which suffered a fire in 1867, and
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The CCBB's schedule is produced annually and involves an online application process for projects by any individual or company of any nationality. Registration takes place by filling in an extensive electronic form between April and May. Once the application phase is over, the projects are studied by
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increased interest rates and overvalued the exchange rate, impacting the company due to inflationary gains and the appreciation of the real against the dollar. As a result, Banco do Brasil rationalized its network and reduced the number of units. In the process, the branch on Álvares
Penteado Street
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The building served as Banco do Brasil's central branch until 1957, when these services were transferred to the premises on Líbero Badaró Street. Later, the property on Álvares
Penteado Street was occupied by the bank's real estate administration department, but the first floor remained as a service
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In Pujol's project for the Banco do Brasil, five floors were built and the bank's vaults were installed in the basement, including a large central chamber, armed and armored. Originally, the cellar was planned to contain two large rooms to house the equipment required for the safe deposit box rental
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exhibition rooms. On the first floor, the service counters that surrounded the central lobby were reduced to improve circulation in the entrance hall. The remaining sections were used as a ticket office, reception and luggage storage; the removed parts were reutilized in the chocolate store on the
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bought the old building, built in 1901, and hired
Hippolyto Gustavo Pujol Junior, an engineer-architect, to convert it into a five-storey bank branch, which operated from 1927 until 1996. It was the bank's first building in São Paulo. Elements of the original architecture were restored to preserve
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published the results of its team's evaluation of the sixty largest theaters in the city of São Paulo. The Banco do Brasil
Cultural Center's premises were awarded three stars, a "regular" rating and the following consensus: "As well as enjoying a view of the building's neoclassical architecture,
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and
Comercio streets, in the central perimeter of the city, a zone dominated by coffee-growing landowners and people concerned with real estate investment. The properties in the area should house any type of commerce or service to guarantee a financial return for the investors who paid for their
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Currently, the first floor houses a cinema, video room and workshop room, and the second floor was converted into an exhibition space and a cybercafe. The third floor includes other exhibition rooms and the theater, which seats 135 people and is distributed over two levels. The complex also has
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The Banco do Brasil
Cultural Center was inaugurated on April 21, 2001, and became known for its technological standards. All the spaces were air-conditioned, as well as having audio and data communication instruments. Original Pujol pieces such as the main elevator and the lobby clock are now
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controlled by digital systems. The space has an extensive cultural agenda that includes exhibitions, shows, films and debates, as well as several concerts. The bank invested around R$ 6 million in order to establish partnerships with other cultural venues in the city. After its inauguration,
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489:. The document specified that any modification, renovation or destruction had to be preceded by authorization to avoid de-characterization. The property was declared a cultural asset of artistic, urban, architectural, historical and tourist interest. It was registered in the
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ornamentation, aimed to maximize occupancy and better use of internal space. The facade of the building is decorated with ornaments, such as the wrought iron coffee foliage on the internal and external railings, the central skylight and the images of the Greek gods
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In the 1920s, Banco do Brasil restored its relationship with the federal government and obtained permission to open a portfolio to rediscount the shares of other banks. During this period of growth, the building on
Alvares Penteado Street was acquired and rebuilt.
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the project was reformulated with the participation of architects Luiz Telles, Miriam Macul, Renato Riani, Silva Simões and Paulo
Gambini. In September, the project was sent to the patrimony agencies, Condephaat and Conpresp, and was approved.
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dome. One of the main architectural features is the solution of the central span of the interior with a double transparent light filter. The building's architecture is also characterized by a mixture of artistic influences. The
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was lifted to the fourth floor; to support it, a structure of metal profiles covered with plaster was created. The agency's vaults, located in the basement, had their bronze and steel doors restored and were transformed into
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visitors can shop in the attached store and enjoy a break at Cafezal Cafés. In the theater, the comfort of the armchairs and the spacing between the seats is regular, but the visibility from the mezzanine is poor."
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Despite the renovations, the building has not undergone many significant changes since 1927. The study for the conservation process began in June 1985 and the process was opened in August of the same year by the
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relocated part of its collection of works and sculptures stored in the bank's warehouses to the new headquarters. Other works from the bank's collection throughout Brazil were also brought to São Paulo.
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In 1927, after a renovation designed by architect Hippolyto Pujol, the building became Banco do Brasil's first headquarters in São Paulo. Pujol, who had already designed
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in the entrance hall. Its layout characterizes an architectural program from the early 20th century, with little space for public circulation and many office areas.
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The headquarters covers 4,183 square meters and includes exhibition halls, a cinema, a theater, an auditorium, a restaurant, a shop and a coffee shop. According to
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In the 1990s, Banco do Brasil underwent an administrative overhaul and reduced its central administration and headcount by around 10%. In addition, the
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style is visible in the stained glass located at the top of the iron railings on the mezzanine and second floor, while
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at the end of the 1920s, developed his architectural narrative in line with European styles, especially
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The building has a characteristically French architecture and method of application. It was built in a
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was closed and the bank transferred all its functions to the agency on Líbero Badaró Street.
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by a two-story house with shops on the first floor and apartments on the second floor.
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Architect Luiz Telles was chosen to take on the CCBB's work after his project for the
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the features that made the building one of the most significant examples in the city.
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elements are evident in the chandeliers, the entrance hall and the wall lights.
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630:"Especial avalia os 60 maiores teatros de SP; veja lista com acertos e falhas"
550:"PRÉDIO DO CCBB, DE AGÊNCIA BANCÁRIA A CENTRO CULTURAL. VEJA FOTOS HISTÓRICAS"
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structure and brick masonry with imported materials such as the French
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At the end of the 19th century, banking institutions were located on
806:"O Processo decisório de criação no Centro Cultural Banco do Brasil"
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In the 1960s, due to the Banking Reform Law and the creation of the
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The floors where the bank operated are decorated with carved
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Centro Cultural e de Estudos Superiores Aúthos Pagano
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História da Cidade de São Paulo Através de Suas Ruas
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Establishment of the Banco do Brasil Cultural Center
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Banco do Brasil Cultural Center (São Paulo) (Brazil)
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628:Seragusa, Fabiana; Balago, Rafael (2014-09-28).
386:third floor. There is also a restaurant on the
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691:"Edifício do Centro Cultural Banco do Brasil"
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890:"CCBB SÃO PAULO - UM PASSEIO PELA HISTÓRIA"
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655:"El concepto del espacio arquitectonico"
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748:Caram, André Luiz Balsante (2001).
423:of the roof and the North American
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455:order and the roof featured a
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824:"Sobre a BB Asset Management"
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1477:Brigadeiro Faria Lima Avenue
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1006:Monument to Ramos de Azevedo
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353:Inside the cultural center.
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376:During the project, the
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1293:São Paulo Museum of Art
1190:São Paulo Brazil Temple
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958:Visitor attractions in
501:On September 28, 2014,
1701:São Paulo Fashion Week
1696:São Paulo Art Biennial
1655:Villa-Lobos State Park
1404:Nicolau Alayon Stadium
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605:"Visitos Figures 2014"
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172:23.54750°S 46.634611°W
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1747:Theatres in São Paulo
1570:Cantareira State Park
1424:Ibirapuera Auditorium
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1077:Júlio Prestes Station
1037:Brazil Stock Exchange
976:Bandeirantes TV Tower
750:Pujol Concreto e Arte
734:. Carthago Editorail.
653:Argan, Giulio Carlo.
493:on January 19, 2005.
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289:Establishing the bank
177:-23.54750; -46.634611
70:Show map of São Paulo
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1676:Brazilian Grand Prix
1343:Pinacoteca do Estado
1323:Museum of Sacred Art
1318:Museum of Modern Art
1185:São Cristóvão Church
1175:Santo Antônio Church
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730:Rodrigues, Antônio.
1308:Museum of Fine Arts
1195:São Paulo Cathedral
1180:São Bento Monastery
1107:Bandeirantes Palace
1092:Martinelli Building
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400:CCBB Rio de Janeiro
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1711:São Paulo Indy 300
1645:Vale do Anhangabaú
1625:Praça da República
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1379:Anhembi Sambadrome
1283:Museu Lasar Segall
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98:Show map of Brazil
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1338:Industries Palace
1278:Museu Afro Brasil
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1117:Municipal Theater
1112:São Pedro Theater
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752:. Ag Comunicação.
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612:The Art Newspaper
245:The Art Newspaper
229:São Bento Station
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715:Segawa, Hugo.
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1537:Vila Olímpia
1487:Central Zone
1333:Oca Pavilion
1131:Churches and
896:
868:. Retrieved
864:
831:. Retrieved
827:
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771:. Retrieved
767:
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699:. Retrieved
697:. 2017-08-29
694:
662:Nueva Vision
661:
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637:. Retrieved
633:
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558:. Retrieved
556:. 2021-04-21
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411:Architecture
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1671:Anima Mundi
1630:Praça da Sé
1517:Rua Augusta
1434:Via Funchal
1209:Museums and
1082:Luz Station
466:Art Nouveau
421:stone slabs
303:Art Nouveau
175: /
163:46°38′4.6″W
150:Coordinates
108:Established
1741:Categories
1472:Bom Retiro
991:Marco Zero
917:Portuguese
870:2023-12-15
833:2023-12-15
773:2023-12-15
701:2023-12-14
695:Condephaat
639:2017-01-04
560:2023-12-14
534:References
483:Condephaat
383:numismatic
213:Portuguese
160:23°32′51″S
1546:Parks and
1502:Liberdade
1457:Aclimação
1025:Buildings
969:landmarks
960:São Paulo
388:mezzanine
358:dropped.
333:Real Plan
317:station.
278:São Bento
234:In 1923,
131:São Paulo
127:São Paulo
1362:Stadiums
512:See also
487:Conpresp
470:Art Deco
449:capitals
433:eclectic
378:skylight
123:Location
1497:Jardins
899:. 2010.
614:. 2015.
593:. 2020.
461:Baroque
457:mansard
438:Mercury
425:sconces
390:floor.
326:English
267:portico
252:History
196:Website
113: (
1664:Events
1467:Bixiga
497:Review
442:Vulcan
143:Brazil
140:
1492:Japão
893:(PDF)
658:(PDF)
608:(PDF)
587:(PDF)
453:Ionic
915:(in
865:CCBB
485:and
440:and
427:and
207:The
188:Type
115:2001
111:2001
810:FGV
1743::
897:BB
895:.
879:^
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828:BB
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591:BB
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569:^
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129:,
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324:(
211:(
117:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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