162:, one of the largest and most prestigious intellectual academies in Europe and a major political and social force in the Republic of Venice and beyond. He wrote in many literary media, for example, poetry, operas, prose, plays and lyrics for songs. Little is known about Barbara's mother, but historians suspect that Isabella was a servant of Giulio, as both Barbara and her mother lived in Giulio's household and were listed in his will. Although Barbara was an illegitimate child, her father Giulio referred to her as his "adoptive daughter" and was instrumental in helping her establish her career as a musician later in her life. Barbara grew up in a household frequented by the greatest literary and musical minds of the age.
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possibly four children. Vidman was the father of her son Giulio, then of two daughters, Isabella in 1642 and Laura in 1644, and possibly of a further son, Massimo. Her two daughters joined a convent and one of her sons became a monk. A letter written after
Strozzi's death reports she "was raped by Count Vidman, a Venetian nobleman. She had a son who also bears the name Giulio Strozzi." It has been suggested that the rape allegation may have been a story circulated to protect Strozzi's reputation, as she had children out of wedlock. However, there is evidence to suggest that she was coerced into the relationship.
314:, per 2–5 voci e basso continuo, op. 1 (1644), was dedicated to Vittoria della Rovere, the Venetian-born Grand Duchess of Tuscany. The text is a poem by her father, Giulio Strozzi. Strozzi published one known work of religious pieces. Her opus 5, written in 1655, was dedicated to the Archduchess of Innsbruck, Anna de Medici. Her motet "Mater Anna" paid homage not only to the Catholic saint/mother of the virgin Mary but also to the archduchess. Strozzi was highly sensitive to the subliminal meaning in her texts, and, as is the case with
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Strozzi was said to be "the most prolific composer – man or woman – of printed secular vocal music in Venice in the middle of the century." Her output is also unique in that it only contains secular vocal music, with the exception of one volume of sacred songs. She was renowned for her poetic
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Little is known of
Strozzi's life during the 1640s. However, it is assumed that she was the concubine of a Venetian nobleman, Giovanni Paolo Vidman. He was a patron of the arts and an associate of Giulio Strozzi. Although Strozzi never married him (or anyone), the relationship led to three or,
193:. By the age of 15, Barbara was described as "la virtuosissima cantatrice di Giulio Strozzi" (Giulio Strozzi's extremely virtuosic singer). Around Barbara's 16th birthday, Giulio started to publicise her talents, ensuring dedications of works for her. Giulio subsequently established the
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During this time, there were financial dealings between
Strozzi and Vidman. It is believed that she gave him a loan that would have to be repaid after his death. The near 10% interest might have been a way of ensuring some support for Strozzi and her children after his death.
205:, operating from the Strozzi household, ensured Barbara opportunities of performing as a singer, as well as semi-public performances of her own works. In 1637, at the age of 18, Barbara took her father's last name, Strozzi, keeping it until her death.
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126:. During her lifetime, Strozzi published eight volumes of her own music, and had more secular music in print than any other composer of the era. This was achieved without support from the Church or consistent patronage from the nobility.
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Barbara
Strozzi (at birth, Barbara Valle) was born in Venice in 1619 to a woman known as "La Greghetta" (in other sources she is also referred to as Isabella Griega or Isabella Garzoni). She was baptized in the
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states that
Strozzi's musical gifts became more evident in her early adolescence, which led Giulio to arrange lessons in composition for her with one of the leading composers,
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in 1631. By this time, she had begun to develop as a musician and to demonstrate virtuosic vocal talent. Alongside this, she developed the ability to accompany herself on the
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With the flourishing of the historical performance movement, an increasing number of performances featuring
Strozzi's works have been staged over the past few years.
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277:, Duchess of Brunswick and Lüneburg. She is also assumed to have composed several songs for the Duke of Mantua in 1665, a year after her last known published works.
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By her late teens, Strozzi had started to gain a reputation for her singing. In 1635 and 1636, two volumes of songs were published by Nicole Fontei, called the
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1331:
Heller, Wendy (2006). "Usurping the place of the muses: Barbara
Strozzi and the female composer in seventeenth-century Italy". In Stauffer, George B. (ed.).
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More detailed accounts of
Barbara's life concern the end of her childhood and early adolescence. Throughout her childhood, Venice had suffered
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district of Venice. Although her birth certificate does not state her father's identity, it is assumed that her biological father was
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equipped her with the vocal expertise that also manifested itself in her later publications, signifying her compositional talent.
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44:, believed to be of Barbara Strozzi. It is unclear whether the painter is immediately related to the Strozzi family.
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There are numerous recordings. Some of them contained
Barbara's works exclusively, others only indexed few pieces.
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246:(poetic oddities), full of praise for Strozzi's singing ability. The performance experience that she had at
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that killed much of its population. Barbara and her mother survived. She reached the age of 12 by the first
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Early Music
America's 2018 Emerging Artists Showcase during the Bloomington Early Music Festival. (2018)
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229:. She did not leave a will so, on her death, her son Giulio Pietro claimed her inheritance in full.
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Chamber Music Foundation of New England, Music of Claudio Monteverdi & Barbara Strozzi (2017)
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ability as well as her compositional talent. Her lyrics were often poetic and well-articulated.
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Barbara Strozzi: La Voce Sola, Renata Dubinskaite (Mezzo Soprano) with Canto Fiorito (2021)
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Rosand, Ellen (1978). "Barbara Strozzi, virtuosissima cantatrice: the composer's voice",
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Kendrick, Robert (2002). "Intent and intertextuality in Barbara Strozzi's sacred music".
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Barbara Strozzi: Passioni, Vizi & Virtu / Belanger, Consort Baroque Laurentia (2014)
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Adriana Ruiz, soprano – Songs of Barbara Strozzi – EMA's 2018 Emerging Artists Showcase
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As a young musician, Strozzi sought out patronage, but was not always successful. Her
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890:"Barbara Strozzi: Passioni, Vizi & Virtu / Belanger ... – Stradivarius: STR33948"
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Like many of her contemporary composers, Strozzi mostly utilized texts from the poet
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on the occasion of their marriage, went unnoticed. Other notable dedicatees include
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Old First Concerts, Ensemble Draca performs Amante Fedele, August 12, 2018. (2018)
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6 August 1619 – 11 November 1677) was an Italian composer and singer of the
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2017:
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Glixon, Beth L. (1997). "New light on the life and career of Barbara Strozzi".
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1374:(1986). "The voice of Barbara Strozzi". In Bowers, Jane; Tick, Judith (eds.).
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WWFM radio broadcast, Brooklyn Baroque Presents Barbara Strozzi and Her World
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1160:"O Magnum Mysterium: Italian Baroque Vocal Music – Bergen Digital: 28907589"
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980:"Due Alme Innamorate – Strozzi, etc / Ensemble Kairo ... – Urtext: UMA2020"
860:"Barbara Strozzi: Ariette a voce sola, Op. 6 / Miro ... – Tactus: TC616901"
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1070:"Ferveur & Extase / Stephanie D'oustrac, Amarillis – Ambronay: AMY027"
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Magner, Candace A. (2002). "Barbara Strozzi: a documentary perspective",
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Glixon, Beth L. (1999). "More on the life and death of Barbara Strozzi".
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Ensemble Draca performs Amante fedele (Non pavento io) by Barbara Strozzi
426:
Lamenti Barocchi Vol 3 / Vartolo, Capella Musicale Di San Petronio (2011)
254:
1420:
Mardinly, Susan J. (2002). "Barbara Strozzi: from madrigal to cantata",
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1100:"La Bella Piu Bella: Songs from Early Baroque Italy – Glossa: GCD922902"
1040:"Lamenti Barocchi Vol 3 / Vartolo, Capella Musical ... – Naxos: 8503241"
318:, the texts she set often hinted at underlying issues regarding gender.
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920:"Barbara Strozzi: Opera Ottava, Arie & Cantate – Glossa: GCDC81503"
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Barbara Strozzi: Ariette a voce sola, Op. 6 / Miroku, Rambaldi (2011)
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Biography, discography, bibliography, and complete list of her works
1378:. Urbana, Illinois: University of Illinois Press. pp. 168–190.
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547:"Barbara Strozzi, "virtuosissima cantatrice": The Composer's Voice"
1358:. Rivista per lo Studio e la Practica della Musica Antica: 65–98.
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830:"Barbara Strozzi: La Virtuosissima Cantatrice – Saydisc: SAR061"
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631:"This is the amazing story of Baroque composer Barbara Strozzi"
273:, later Doge of Venice, for whom she dedicated her opus 7, and
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201:, which welcomed musicians into the privileged social circle.
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Sounds and Sweet Airs: The Forgotten Women of Classical Music
672:"Barbara Strozzi — My life in 1600s Venice (A Brief History)"
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Ferveur & Extase / Stephanie D'oustrac, Amarillis (2012)
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1335:. Bloomington: Indiana University Press. pp. 145–168.
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Due Alme Innamorate – Strozzi, etc / Ensemble Kairos (2006)
174:
1010:"A Golden Treasury of Renaissance Music – Saydisc: SAR065"
436:
La Bella Piu Bella: Songs from Early Baroque Italy (2014)
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Mardinly, Susan J. (2009). "A View of Barbara Strozzi",
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Women Making Music: The Western Art Tradition, 1150–1950
406:
Barbara Strozzi: Opera Ottava, Arie & Cantate (2014)
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in 1677 aged 58. She is believed to have been buried at
1245:
Brooklyn Baroque Presents Barbara Strozzi and Her World
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Diporti di Euterpe ovvero Cantate e ariette a voce sola
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446:
O Magnum Mysterium: Italian Baroque Vocal Music (2015)
1469:, Oxford: Oxford University Press. pp. 110–115.
950:"Barbara Strozzi: Lagrime Mie – Querstand: VKJK 1303"
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Barbara Strozzi: La Virtuosissima Cantatrice (2011)
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2760:Burials at the Basilica of Saint Anthony of Padua
1194:Music of Claudio Monteverdi & Barbara Strozzi
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208:
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1465:Schulenberg, David (2001). "Barbara Strozzi",
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1455:Journal of the American Musicological Society
1449:, PhD Diss., University of Connecticut, 2004.
768:; Glixon, Beth L. (2001). "Barbara Strozzi".
551:Journal of the American Musicological Society
421:A Golden Treasury of Renaissance Music (2011)
347:, per 1–3 voci e basso continuo, op. 3 (1654)
335:, per 2–5 voci e basso continuo, op. 1 (1644)
1447:Barbara Strozzi and the pleasures of Euterpe
1333:The World of Baroque Music: New Perspectives
764:
712:Barbara Strozzi, Italian singer and composer
1130:"Dialoghi A Voce Sola – Raum Klang: RK3306"
657:"Barbara Strozzi ❧ My life in 1600s Venice"
341:, per 2 voci e basso continuo, op. 2 (1651)
293:Strozzi's Opus 7, consisting of 8 cantatas.
237:
134:
1545:
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1492:International Music Score Library Project
1434:International Alliance for Women in Music
322:Publications, recordings and performances
1402:with Beth L. Glixon. "Barbara Strozzi",
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698:
504:List of classical music composers by era
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780:10.1093/gmo/9781561592630.article.26987
2765:Burials at the Church of the Eremitani
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1408:, ed. L. Macy (subscription required).
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2800:Musicians from the Republic of Venice
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655:Dr. Candace A Magner (5 May 2020).
411:Barbara Strozzi: Lagrime Mie (2015)
16:Italian baroque singer and composer
13:
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14:
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2735:Italian women classical composers
2585:historically informed performance
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1272:. London: Oneworld Publications.
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2775:17th-century Italian actresses
2770:17th-century Italian composers
1498:Free scores by Barbara Strozzi
1488:Free scores by Barbara Strozzi
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670:Magner, Candace (5 May 2020).
663:
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269:, the Archduchess of Austria,
209:Later life, children and death
1:
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2795:17th-century Venetian people
1514:Recordings of Strozzi's work
1502:Choral Public Domain Library
1183:Brilliant Classics No. 96436
509:
359:, mottetto per 3 voci (1656)
7:
2790:17th-century Venetian women
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441:Dialoghi A Voce Sola (2015)
333:Il primo libro di madrigali
312:Il primo libro di madrigali
10:
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2785:17th-century Italian women
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2730:Italian Baroque composers
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1563:List of Baroque composers
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499:List of Baroque composers
339:Cantate, ariette e duetti
159:Accademia degli Incogniti
92:
74:
49:
38:The Viola da Gamba Player
30:
23:
1445:Mardinly, Susan (2004).
259:Ferdinand III of Austria
238:Life as a young musician
135:Early life and childhood
2780:Italian stage actresses
2750:Italian artists' models
717:Encyclopædia Britannica
353:, libro I, op. 5 (1655)
195:Accademia degli Unisoni
2638:Common practice period
545:Rosand, Ellen (1978).
351:Sacri musicali affetti
294:
197:, a subsidiary of the
2560:British Baroque music
1312:The Musical Quarterly
1290:The Musical Quarterly
288:
183:Sounds and Sweet Airs
142:church of Santa Sofia
1978:Jacquet de La Guerre
1908:Bodin de Boismortier
1510:, barbarastrozzi.com
1467:Music of the Baroque
2570:early music revival
2141:Frederick the Great
1324:10.1093/mq/83.1.134
1303:10.1093/mq/81.2.311
1140:on 27 February 2021
1110:on 27 February 2021
1080:on 27 February 2021
960:on 27 February 2021
930:on 27 February 2021
900:on 27 February 2021
363:Ariette a voce sola
316:Arcangela Tarabotti
302:Compositional style
291:Diporti di Euterpe,
281:Professional career
40:, c. 1630–1640, by
1870:Torrejón y Velasco
1422:Journal of Singing
1414:Journal of Singing
1405:Grove Music Online
771:Grove Music Online
676:barbarastrozzi.com
295:
263:Eleanora of Mantua
244:Bizzarrie poetiche
171:Festa della Salute
2717:
2716:
2679:Renaissance music
2347:Baroque orchestra
1279:978-1-78074-856-6
1050:on 26 August 2021
1020:on 26 August 2021
990:on 26 August 2021
870:on 26 August 2021
840:on 26 August 2021
710:Anna Cypess,
345:Cantate e ariette
233:Professional life
191:Francesco Cavalli
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108:
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2612:polychoral style
2527:sonata da chiesa
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593:"Giulio Strozzi"
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375:Arie a voce sola
257:2, dedicated to
221:Strozzi died in
81:
78:11 November 1677
63:
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42:Bernardo Strozzi
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20:
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2686:Classical music
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2622:Galant Schemata
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2435:concerto grosso
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1913:G. B. Bononcini
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1394:Further reading
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1385:978-025201204-4
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1342:978-025334798-5
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599:on 9 March 2016
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357:Quis dabit mihi
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112:Barbara Strozzi
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1164:arkivmusic.com
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864:arkivmusic.com
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834:arkivmusic.com
821:
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563:10.2307/830997
557:(2): 241–281.
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2101:C. P. E. Bach
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152:, a poet and
151:
147:
143:
130:Personal life
127:
125:
121:
117:
116:Barbara Valle
114:(also called
113:
101:
98:
97:
95:
91:
87:
77:
73:
69:
64:6 August 1619
54:Barbara Valle
52:
48:
43:
39:
34:
29:
22:
19:
2684:
2677:
2648:Architecture
2597:Folk baroque
2592:Figured bass
2565:counterpoint
2541:Other topics
2413:18th-century
2408:17th-century
2033:D. Scarlatti
1859:
1850:A. Scarlatti
1820:J. Pachelbel
1571:Transitional
1504:(ChoralWiki)
1466:
1459:
1453:
1446:
1439:
1432:
1428:(5) 375–391.
1425:
1421:
1412:
1403:
1400:Ellen Rosand
1375:
1355:
1351:
1332:
1315:
1311:
1294:
1288:
1269:
1239:
1222:
1205:
1188:
1179:
1169:29 September
1167:. Retrieved
1163:
1154:
1144:29 September
1142:. Retrieved
1138:the original
1133:
1124:
1114:29 September
1112:. Retrieved
1108:the original
1103:
1094:
1084:29 September
1082:. Retrieved
1078:the original
1073:
1064:
1054:29 September
1052:. Retrieved
1048:the original
1043:
1034:
1024:29 September
1022:. Retrieved
1018:the original
1013:
1004:
994:29 September
992:. Retrieved
988:the original
983:
974:
964:29 September
962:. Retrieved
958:the original
953:
944:
934:29 September
932:. Retrieved
928:the original
923:
914:
904:29 September
902:. Retrieved
898:the original
893:
884:
874:29 September
872:. Retrieved
868:the original
863:
854:
844:29 September
842:. Retrieved
838:the original
833:
824:
812:
800:
788:
769:
760:
748:
736:
724:
715:
706:
679:. Retrieved
675:
665:
650:
638:. Retrieved
634:
625:
613:
601:. Retrieved
597:the original
587:
554:
550:
532:, p. 81
480:
475:
470:
465:
460:
457:Performances
450:
445:
440:
435:
430:
425:
420:
415:
410:
405:
400:
395:
390:
385:
374:
368:
362:
356:
350:
344:
338:
332:
327:Publications
311:
305:
296:
290:
252:
247:
243:
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220:
216:
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202:
198:
194:
185:, historian
182:
164:
157:
138:
115:
111:
110:
80:(1677-11-11)
37:
18:
2745:1677 deaths
2740:1619 births
2617:Style brisé
2553:Chamber pop
2548:Baroque pop
2492:grand motet
2465:passacaglia
2276:lautenwerck
2271:harpsichord
2241:double bass
2208:Instruments
2166:Mondonville
1998:A. Marcello
1928:F. Couperin
1875:Vejvanovský
1825:J. Playford
1805:J.-B. Lully
1770:Charpentier
1725:d'Anglebert
1610:Frescobaldi
1574:and early (
817:Glixon 1999
805:Heller 2006
793:Glixon 1999
755:, p. .
741:Glixon 1999
729:Glixon 1999
618:Glixon 1997
93:Occupations
2724:Categories
2631:Background
2517:recitative
2425:concertato
2393:canzonetta
2256:fortepiano
2231:clavichord
2181:Sammartini
2161:Mysliveček
2121:Boccherini
2111:W. F. Bach
2106:J. C. Bach
1903:J. S. Bach
1830:H. Purcell
1750:Cabanilles
1665:Monteverdi
1640:Kapsberger
1630:O. Gibbons
1625:C. Gibbons
1620:V. Galilei
1600:J. Dowland
1590:G. Caccini
1518:ArkivMusic
1266:Beer, Anna
635:Classic FM
382:Recordings
154:librettist
146:Cannaregio
60:1619-08-06
2663:Sculpture
2580:ensembles
2575:festivals
2470:sarabande
2398:capriccio
2340:Ensembles
2171:L. Mozart
2073:de Zumaya
2008:Pergolesi
1988:Locatelli
1973:Heinichen
1958:Gorczycki
1953:Geminiani
1933:Delalande
1855:Stradella
1810:M. Marais
1790:Froberger
1755:Carissimi
1745:Buxtehude
1700:Sweelinck
1352:Recercare
753:Beer 2016
681:15 August
640:14 August
571:0003-0139
530:Beer 2016
510:Citations
227:Eremitani
199:Incogniti
187:Anna Beer
2699:Category
2676: ←
2658:Painting
2522:ricercar
2497:madrigal
2477:fantasia
2445:courante
2430:concerto
2403:chaconne
2296:recorder
2221:carillon
2191:Telemann
2136:Corrette
2131:F. Brixi
2116:F. Benda
2048:Telemann
2013:Pisendel
1963:Graupner
1898:Albinoni
1835:Reincken
1800:Legrenzi
1785:Diletsky
1709:Middle (
1615:Gabrieli
1364:41701379
1268:(2016).
488:See also
120:baptised
99:Composer
2689:→
2643:Baroque
2512:prelude
2450:gavotte
2420:chorale
2388:canzona
2378:cantata
2331:violone
2311:trumpet
2306:theorbo
2301:sackbut
2236:cornett
2216:bassoon
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2058:Vivaldi
2043:Tartini
2018:Porpora
2003:Pepusch
1943:Fischer
1918:Caldara
1865:Torelli
1860:Strozzi
1780:Corelli
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1730:Bassani
1685:Scheidt
1635:d'India
1585:Allegri
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1259:Sources
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2326:violin
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846:2019
683:2021
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