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Baskin (film)

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1003: 223:. Actors Muharrem Bayrak and Gorkem Kasal, who had performed in the short film version, returned to star in the full-length film, joined by Ergun Kuyucu, Fatih Dokgoz and Sabahattin Yakut as the five police officers that make up the film's main cast of protagonists. First-time actor Mehmet Cerrahoglu has received positive reviews for his noteworthy performance as the villain, The Father. Cerrahoglu suffers from an ultra rare skin condition which gives him his unique physical appearance. 745: 740: 735: 730: 725: 423:
wrote a mixed review, stating "Of interest as a rare modern Turkish horror film, Can Evrenol’s debut feature will be a must-see for fans at fantasy fests, but its initial promise dissipates in a muddle of repetitious phantasmagoria and too little narrative or character development." David Rooney from
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offered the film similar praise, writing, "From the opening moments, he creates an unnerving mood and a sense of complete cosmology that the humans within it can never fully comprehend. That final sequence is truly squirm-inducing, not least because he changes tone so completely from the opening and
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The remaining men are tied up in a dungeon surrounded by the cultists. A hooded figure known as The Father reveals himself to them; he and the cultists kill Apo, Yavuz and Remzi. The Father explains that hell is not somewhere you go, it's something you carry with you at all times. A dying Remzi gives
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Whilst driving, the men receive a call for back up from colleagues who have gone to Inceagac, a town known for strange rumors. Seyfi has a terrifying vision of a bloody figure and accidentally drives their van into a lake. Stranded, the officers make their way to Inceagac. The locals warn them of the
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gave the film a score of 5/10, stating, "After an engrossing opener to capture the imagination, too many downturns and repetitive horror tenets are unveiled that detract from the intriguing freshness of the opening. The film is shot well, acted believably and features an unnerving musical score and
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Laughing triumphantly, Arda runs from the village along a road. He flags down an oncoming vehicle, but the driver doesn't spot him and he is run over. It is revealed that the vehicle is the same police van the men travelled in earlier, and this was the same vision Seyfi had seen. The five men crash
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Our permits were at times iffy, so we were always stressed about the authorities finding out what the hell we were doing in some of our crazy locations. We had naked people on set in the most conservative areas of town. That was a constant stress. Also, the time limitations for certain scenes made
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A hooded figure delivers a bucket of raw meat to a small restaurant. Five police officers dining there, Remzi, Arda, Yavuz, Apo, and Seyfi, discuss sex. Seyfi, who has been feeling unwell, runs to the toilet to be sick and notices a frog on the soap stand. Yavuz starts a fight with the restaurant
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Once inside, they discover a fellow policeman in a wildly catatonic state. It is implied that the rest of his police unit have been taken or killed. Seyfi stays with the man as the other four investigate. Seyfi discovers a room containing a cult of people, covered in blood and viscera. He is too
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A young boy wakes in the night after hearing strange sexual noises from his mother's bedroom. He sees his TV showing static and is suddenly terrified by a vision from his room. He screams and frantically knocks upon mother's bedroom door, which is locked, as a hand reaches toward him from the
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awarded the film 4/5 stars, calling it " atmospheric, genuinely nightmarish Turkish horror movie". Huddleston praised the film's visuals as being "painstaking and horribly beautiful", while noting the film's thin plot and minimal character development.
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As they move through the building, the other men witness horrifying images and are subjected to increasingly bizarre and surreal scenarios. Through flashbacks and dream sequences, it is revealed that Remzi has been like a
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bouts of violence that are sure to impress some. But when all is said and done, it's hard to come away from the film with anything other than the assurance that director Can Evrenol has a great movie in him somewhere."
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criticized the film for its nonsensical narrative, writing, " offers little in the way of narrative involvement or scares but doesn't stint on sustained, stylized revulsion." Jake Dee from
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complements its gory thrills with heavy atmosphere and deliberate pacing, adding up to a horror outing that plays with the mind as enthusiastically as it ruins the appetite." On
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middle sequences, from verite, to fast-cut scares, to long, languorous, brooding shots of this incredible antechamber to hell that he has created." Ben Kenigsberg from
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was directed by Can Evrenol, who also co-wrote the film, and is based on Evrenol's earlier short film of the same name. The film was independently financed and shot in
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called the film "well made and imaginatively upsetting", while noting that the film's excessive gore might not be for all tastes. Tom Huddleston from
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directed by Can Evrenol, based on his 2013 short film by the same name. It centers around five police officers who have inadvertently wandered into
646: 42: 323:. It was a 28-night shoot, with no day shots, with a month of pre-production and a post-production stage of 2 months. In an interview with 417:
The film was not without its detractors, with some critics complaining about the plot lacking any narrative sense. Dennis Harvey from
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to Arda, having taken him in as a young man, and Arda was the young boy in the opening scene.
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them really difficult, and that single underwater shot cost us almost half a shooting night.
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owner's son, and the men decide to leave. Seyfi insists on driving despite his sickness.
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combo pack in Germany on April 29, 2016. It was later released in the United States by
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for its themes of childhood and dreams, and its lavish use of violence and gore.
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terrified to move as the cultists swarm over him, dragging him into their midst.
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praised the film and drew comparisons to the work of Italian horror director
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Arda a key, which he uses to overpower The Father and escape the building.
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once more into the lake, implying that they have actually wandered into
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on September 11, 2015, the film marks Evrenol's feature film
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Capelight Pictures released a Limited Collector's Edition
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on August 9, 2016, as a two-disk DVD/Blu-ray combo pack.
462: 788:"Review: 'Baskin,' From Turkey, Blends Style and Gore" 760:"Fantastic Fest 2015: Baskin: Drag me to Turkish hell" 244:-era police station, the origin of the distress call. 347:, the film holds an approval rating of 78% based on 240:dangers in the village. They head to an abandoned 1020:„Ein Schlag ins Gesicht der tĂĽrkischen Popkultur“ 408:gave the film a positive review, comparing it to 1045: 920: 296:Sevket Suha Tezel as Master Creep / The Servant 603: 722: 696: 1001: 785: 751: 702: 568: 508: 445:Baskin won the Best New Director award at 27: 644: 542: 355:rating of 6.66/10. Its consensus reads, " 1022:– Interview with Can Evrenol (in German) 889: 833: 705:"Baskin (2016), directed by Can Evrenol" 668: 645:Alexander, Chris (September 25, 2015). 1046: 1026: 839: 812: 674: 489: 293:Mehmet Cerrahoglu as Baba / The Father 861: 757: 543:Ricciardi, Lorenzo (March 24, 2016). 514: 813:Harvey, Dennis (20 September 2015). 100:JF (Ulas Pakkan & Volkan Akaalp) 867: 840:Rooney, David (15 September 2015). 217:Toronto International Film Festival 150:Toronto International Film Festival 13: 895: 302:Mehmet Akif Budak as Diner Footboy 14: 1130: 955: 786:Kenigsberg, Ben (24 March 2016). 724: 319:by MO Film, with a budget around 743: 738: 733: 728: 723: 703:Huddleston, Tom (11 July 2016). 490:Fisher, Kieran (24 March 2016). 1109:2010s supernatural horror films 815:"Toronto Film Review: 'Baskin'" 806: 779: 638: 536: 483: 449:, and The Director's Award at 299:Fadik BĂĽlbĂĽl as Sister Butcher 122:The Salt Company International 1: 1094:Features based on short films 928:"Baskin (2015) - Can Evrenol" 476: 456: 307: 204:is a 2015 Turkish surrealist 1119:2010s Turkish-language films 1114:2015 directorial debut films 515:Miska, Brad (30 June 2017). 338: 140:September 11, 2015 7: 868:Dee, Jake (24 March 2016). 675:Murray, Noel (April 2016). 10: 1135: 278:Ergun Kuyucu as Boss Remzi 1089:Turkish independent films 440: 411:A Nightmare on Elm Street 290:Sabahattin Yakut as Seyfi 189: 179: 169: 155:January 1, 2016 131: 118: 104: 96: 88: 80: 70: 62: 48: 38: 33:Theatrical release poster 26: 21: 1104:Remakes of Turkish films 1034:Baskin (2013 short film) 647:"Advance Review: BASKIN" 281:Muharrem Bayrak as Yavuz 870:"Baskin (Movie Review)" 842:"'Baskin': TIFF Review" 395:Richard Whittaker from 271: 226: 1074:Films shot in Istanbul 847:The Hollywood Reporter 492:"Movie Review: Baskin" 427:The Hollywood Reporter 336: 215:First screened at the 331: 1084:Turkish horror films 765:The Austin Chronicle 758:Whittaker, Richard. 284:Gorkem Kasal as Arda 1079:Horror film remakes 1027:Baskin (short film) 651:Shock Till You Drop 368:Shock Till You Drop 287:Fatih Dokgöz as Apo 1064:2015 fantasy films 793:The New York Times 405:The New York Times 1069:Body horror films 1059:2015 horror films 682:Los Angeles Times 522:Bloody Disgusting 433:Arrow in the Head 382:Los Angeles Times 221:directorial debut 197: 196: 74:Mehmet CerrahoÄźlu 16:2015 Turkish film 1126: 1005: 967: 966: 964:Official website 949: 948: 946: 944: 924: 918: 917: 915: 913: 904:. Archived from 896:Fabian, Daniel. 893: 887: 886: 884: 882: 865: 859: 858: 856: 854: 837: 831: 830: 828: 827: 810: 804: 803: 801: 800: 783: 777: 776: 774: 772: 755: 749: 748: 747: 746: 742: 741: 737: 736: 732: 731: 727: 726: 721: 719: 717: 700: 694: 693: 691: 689: 672: 666: 665: 663: 662: 653:. Archived from 642: 636: 635: 633: 631: 607: 601: 600: 598: 596: 572: 566: 565: 563: 562: 553:. Archived from 540: 534: 533: 531: 529: 512: 506: 505: 503: 502: 487: 398:Austin Chronicle 353:weighted average 350: 329:, Evrenol said: 322: 162: 160: 147: 145: 31: 19: 18: 1134: 1133: 1129: 1128: 1127: 1125: 1124: 1123: 1044: 1043: 1029: 1015:Rotten Tomatoes 962: 961: 958: 953: 952: 942: 940: 926: 925: 921: 911: 909: 908:on 11 July 2018 894: 890: 880: 878: 866: 862: 852: 850: 838: 834: 825: 823: 811: 807: 798: 796: 784: 780: 770: 768: 756: 752: 744: 739: 734: 729: 715: 713: 701: 697: 687: 685: 673: 669: 660: 658: 643: 639: 629: 627: 609: 608: 604: 594: 592: 585:Rotten Tomatoes 574: 573: 569: 560: 558: 541: 537: 527: 525: 513: 509: 500: 498: 496:Flickering Myth 488: 484: 479: 459: 443: 388:Time Out London 348: 345:Rotten Tomatoes 341: 320: 310: 305: 274: 229: 172: 165: 158: 156: 143: 141: 134: 127:(United States) 123: 114: 109: 107: 75: 57: 56:Erçin SadıkoÄźlu 55: 53: 34: 17: 12: 11: 5: 1132: 1122: 1121: 1116: 1111: 1106: 1101: 1099:Splatter films 1096: 1091: 1086: 1081: 1076: 1071: 1066: 1061: 1056: 1042: 1041: 1028: 1025: 1024: 1023: 1017: 1006: 990: 979: 968: 957: 956:External links 954: 951: 950: 919: 888: 860: 832: 805: 778: 750: 695: 667: 637: 613:Baskin Reviews 602: 590:Fandango Media 567: 535: 507: 481: 480: 478: 475: 471:Scream Factory 458: 455: 442: 439: 340: 337: 309: 306: 304: 303: 300: 297: 294: 291: 288: 285: 282: 279: 275: 273: 270: 228: 225: 195: 194: 191: 187: 186: 181: 177: 176: 173: 170: 167: 166: 164: 163: 153: 137: 135: 132: 129: 128: 120: 119:Distributed by 116: 115: 112: 110: 105: 102: 101: 98: 94: 93: 90: 86: 85: 82: 81:Cinematography 78: 77: 72: 68: 67: 64: 60: 59: 50: 46: 45: 40: 36: 35: 32: 24: 23: 15: 9: 6: 4: 3: 2: 1131: 1120: 1117: 1115: 1112: 1110: 1107: 1105: 1102: 1100: 1097: 1095: 1092: 1090: 1087: 1085: 1082: 1080: 1077: 1075: 1072: 1070: 1067: 1065: 1062: 1060: 1057: 1055: 1052: 1051: 1049: 1040: 1036: 1035: 1031: 1030: 1021: 1018: 1016: 1012: 1011: 1007: 1004: 1000: 996: 995: 991: 989: 985: 984: 980: 978: 974: 973: 969: 965: 960: 959: 939: 935: 934: 929: 923: 907: 903: 899: 892: 877: 876: 871: 864: 849: 848: 843: 836: 822: 821: 816: 809: 795: 794: 789: 782: 767: 766: 761: 754: 712: 711: 706: 699: 684: 683: 678: 671: 657:on 2015-09-30 656: 652: 648: 641: 626: 622: 621: 616: 614: 606: 591: 587: 586: 581: 579: 571: 557:on 2016-03-28 556: 552: 551: 546: 539: 524: 523: 518: 511: 497: 493: 486: 482: 474: 472: 468: 464: 454: 452: 448: 447:Fantasticfest 438: 435: 434: 429: 428: 422: 421: 415: 413: 412: 407: 406: 400: 399: 393: 390: 389: 384: 383: 378: 374: 370: 369: 364: 362: 358: 354: 346: 335: 330: 328: 327: 318: 314: 301: 298: 295: 292: 289: 286: 283: 280: 277: 276: 269: 267: 261: 257: 255: 254:father figure 249: 245: 243: 237: 233: 224: 222: 218: 213: 211: 207: 203: 202: 192: 188: 185: 182: 178: 174: 168: 154: 151: 139: 138: 136: 133:Release dates 130: 126: 121: 117: 111: 103: 99: 95: 91: 87: 83: 79: 73: 69: 65: 61: 51: 47: 44: 41: 37: 30: 25: 20: 1033: 1009: 992: 982: 971: 941:. 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Index


Can Evrenol
IFC Midnight
Toronto International Film Festival
Turkey
horror film
Hell
Toronto International Film Festival
directorial debut
Ottoman
father figure
Hell
Istanbul
Fangoria
Rotten Tomatoes
weighted average
Metacritic
Shock Till You Drop
Lucio Fulci
Noel Murray
Los Angeles Times
Time Out London
Austin Chronicle
The New York Times
A Nightmare on Elm Street
Variety
The Hollywood Reporter
Arrow in the Head
Fantasticfest
Morbido Fest

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