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Below-the-line (filmmaking)

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It is usually the case for the "below-the-line" crew to work for hourly wages, as opposed to a set wage, or negotiated contractual wage on the front, or back end of any given project. These set workers are responsible for a number of many other unsung, and demanding tasks that must be completed to
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stages of filmmaking. For example, the film editor may work solely in the post-production stage of filming but might also work throughout the production, editing the film as it is shot and advising the director if and when additional shots or scenes are needed. The boom operator, on the other hand,
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achieve the common goal of creating a film, or television program. These positions could be considered "less glamorous", and the unmentionable part of filmmaking. However, many dedicated and hard working individuals have made a good living with "below-the-line" job positions, whether it's in
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The top sheet of any creative project's budget serves only as an at-a-glance reference to a fully detailed and attached main budget document, which features total expenses including federal, state and local taxes, as well as insurance within the entire production, and/or
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are set up to train the youth and other interested individuals to better prepare and teach a trade that may not otherwise be available within the traditional school system. These organizations teach about film and video terminology, equipment, and
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Most of these crafts people are considered variable cost in the budget. Meaning, if you cut a scene from the script, potentially, you don't have to build that set, or paint it or dress it, etc.
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usually belongs to a guild or union. Some of the unions and/or guilds that represent below-the-line crew include:
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is mostly on set during filming because they have to pick up the dialogue of the actors as well as
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etc., one could gain knowledge and skill of these, and many other key positions within the
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Within the many entry-level positions available to gain knowledge of the industry, such as
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Camera Assistant with Steadicam on the set of a television series at
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Some below-the-line film and television film crews operate in
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Below-the-line crew refers to everybody else including:
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Archived from 7: 512:Above-the-line (filmmaking) 505: 10: 1469: 1453:Film and video terminology 1394:Computer-generated imagery 1199:Special effects supervisor 1047:Digital imaging technician 336:Best boy electric and grip 1411: 1331: 1250: 1212: 1204:Visual effects supervisor 1189: 1099: 1010: 913: 828: 824: 811: 729: 716: 258:Miracle Mile, Los Angeles 1124:Utility sound technician 663:DGA 2011 Basic Agreement 217:This particular type of 189:begins for any project. 155:script and story writers 1424:Unit still photographer 1109:Director of audiography 838:Unit production manager 583:Harvard Business Review 485:Unit production manager 367:Director of photography 306:nonprofit organizations 1114:Production sound mixer 843:Production coordinator 437:Production coordinator 304:. 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Index


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"Below-the-line" filmmaking
news
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books
scholar
JSTOR
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film budget
motion pictures
television programs
industrial films
independent films
documentaries
commercials
script and story writers
producers
directors
casting
"above the-line"
production team
production incentives
principal photography
pre-production
production
post-production
ambient noise

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