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influenced Koltès's writing. Like other absurdist writers, he felt exiled – in his case, as a homosexual in a heterosexual world. In Africa, he saw native cultures being wiped out by
European influences. This theme brought forth
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Koltès's work, based in real-life problems, expresses the tragedy of being alone and of death. His writing style accents the dramatic tension and the lyricism of his plays. Koltes also translated into French
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At the time of his death, Koltès was considered to be one of the most important young voices in French theatre, and heir apparent to the legacy left by post-war playwrights such as
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Within the year, Koltès directed and acted in productions at the Théâtre du Quai in
Strasbourg,a company he founded. He directed some of his own work there, including
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Critical bibliography on Koltès' works (Auteurs.contemporain.info)
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Koltès died in a Paris hospital in 1989 due to complications from
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A close friend and collaborator with the avant-garde director
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755:(1988), based on the life of the criminal
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442:Born in 1948 to a middle-class family in
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172:This article includes a list of general
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324:1970—1989
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