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of his generation. He was one of the artists who contributed to the revolutionary art of the
Renaissance, which broke away from the conventions of the preceding generation of Gothic artists, by creating compositions which aimed to achieve a more realistic representation of reality. He was
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Daddi likely operated a large workshop, as a great number of paintings in his style have surfaced which show the various hands of his pupils and assistants. Despite his high level of craftsmanship, his lyrical elegance is somewhat dampened by a certain academic and mechanical hardness.
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particularly successful with his small-scale works and contributed to the development of the portable altarpiece, a format that subsequently gained great popularity.
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and other
Florentine masters of the first quarter of the 14th century. His later style is highly refined and shows a certain influence by
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Enrica Neri
Lusanna. "Daddi, Bernardo." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 3 October 2016
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Daddi's style is derived from Giotto's work. His early works also show a close link with followers of Giotto such as the
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Daddi's birth date remains unknown. He is first mentioned in 1312. He may have been a pupil of
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Daddi's last work dates from 1347, and it is believed he died the next year.
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in eight panels painted about 1345. He was also influenced by the
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327:"Bernardo Daddi, Martyrdom of St Stephen – Vatican Museums"
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Triptych: The Virgin and Child
Enthroned with Saints
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350:Bernardo Daddi at the National Gallery of Art
177:Nativity and Annunciation to the Shepherds
130:Madonna and Saints Thomas Aquinas and Paul
103:houses his Martyrdom of Saint Stephen, a
290:Biography and analysis of artist's style
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16:14th-century Italian Renaissance painter
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238:Triptych with Madonna and Christ Child
79:Daddi focused on religious motifs and
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256:Polyptych: The Crucifixion and Saints
313:Italian Paintings: Florentine School
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402:14th-century Italian painters
392:13th-century Italian painters
387:People from Borgo San Lorenzo
194:Christ Church Picture Gallery
87:he painted in 1328 is in the
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247:The Coronation of the Virgin
242:Minneapolis Institute of Art
223:The Assumption of the Virgin
190:The Coronation of the Virgin
156:National Gallery of Victoria
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292:at the J. Paul Getty Museum
181:Museum of Fine Arts, Boston
136:The Martyrdom of St Stephen
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260:Courtauld Institute of Art
233:Courtauld Institute of Art
204:The Marriage of the Virgin
37:1280 – 1348) was an early
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99:. The Pinacoteca of the
93:National Gallery of Art
66:Master of Santa Cecilia
412:Painters from Florence
142:Madonna and Two Saints
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397:Italian male painters
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363:at Wikimedia Commons
268:The Frick Pittsburgh
186:Four Musical Angels
146:Ognissanti Triptych
152:Processional Cross
138:(1324, unverified)
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97:Walters Art Museum
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407:Trecento painters
359:Media related to
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377:1280s births
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382:1348 deaths
316:, pp. 25–33
225:(1337–1339)
219:(1336–1340)
207:(1336–1340)
81:altarpieces
42:Renaissance
26:(1340–1345)
24:Crucifixion
371:Categories
332:2017-06-03
173:, Florence
161:St. Ursula
113:Lorenzetti
212:Polyptych
154:(1330s),
258:(1348),
240:(1339),
231:(1338),
179:(1336),
169:(1335),
105:predella
95:and the
85:triptych
46:Florence
111:art of
109:Sienese
39:Italian
198:Oxford
163:(1333)
148:(1328)
89:Uffizi
59:Giotto
274:Notes
144:, or
83:. A
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35:c.
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33:(
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