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wishes: the calculated tear, the teetering bow above her bottom, her curls. All this is banished into the world of the demimonde. But why would the viewers care into what kind of social figure their fantasy is transformed? Instead of becoming the picture of fallen morality, Betty Amann becomes the picture of self-assured transgression."
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for her long and outstanding work and performance for the German film. Uta Berg-Ganschow wrote of her, "Her eyes are the mirror of other people's wishes. That's what makes them attractive – they're brazen. These eyes do not reveal anything, they merely attract looks. Men are quick to jump upon these
1140:"Amann, Betty, 1906-1990 - LC Linked Data Service: Authorities and Vocabularies | Library of Congress, from LC Linked Data Service: Authorities and Vocabularies (Library of Congress)"
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256:(1929). It was Pommer who gave Amann the pseudonym Betty. She remained in Germany, where she next starred in
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wrote of her role in the film, "She was not at all born to portray unexperienced, middle-class girls".
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Video Hounds Golden Movie
Retrievee: The Complete Guide to Movies on Videocassette, DVD and Laserdisc
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Philippine Amann was born in 1905 (some sources say 1906 or 1907) in
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Amann acted in small parts at the May Palace
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Between Two Worlds: The Jewish
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Between Two Worlds: The Jewish
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304:(1930), as well as an alluring stranger who turns out to be a murderess in
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Resting Places: The Burial Sites of More Than 14,000 Famous
Persons, 3d ed
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Resting Places: The Burial Sites of More Than 14,000 Famous
Persons, 3d ed
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327:(1931), as well as an array of comedies. Back in Germany, she starred in
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Amann was married to David B. Stillman until his death in April 1963.
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on 2 or 3 August 1990. She was cremated at
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157:(10 March 1905 – 2 or 3 August 1990), known professionally as
219:(1926), credited as Bee Amann. She next appeared in seven
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His survivors include his widow, Betty Amann
Stillman...
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In 1931, she traveled to
England, where she appeared in
242:(1929). In 1928, she traveled to Germany, where she met
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The Concise Cinegraph: Encyclopaedia of German Cinema
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The Concise Cinegraph: Encyclopaedia of German Cinema
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Bock, ans-Michael; Bergfelder, im (September 2009).
1361:Betty Amann at the Collector's Homepage Autographs
1051:Berlin en vogue: Berliner Mode in der Photographie
169:(1926). She is perhaps best known for her role in
229:(1928), which also featured a pre-Hollywood fame
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1287:"Slapstick Divas: The Women of Silent Comedy"
1035:"Slapstick Divas: The Women of Silent Comedy"
236:Her first major film role was in the western
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1082:. New York: Berghahn Books. p. 213.
363:In 1987, Amann received the German award
187:family. She has also been referred to as
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289:(1930), which was her last silent film.
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1306:"Betty Amann | filmportal.de"
684:Oh Those Glorious Old Student Days
301:Oh Those Glorious Old Student Days
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431:Credited as Bee Amann
357:Isle of Forgotten Sins
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1366:Photos of Betty Amann
979:Silent Film Necrology
689:Norma, dessen Tochter
520:Catalina, Café Patron
393:Westport, Connecticut
277:She followed up with
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311:Hans in Every Street
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1104:Bock, Hans-Michael
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365:Filmband in Gold
324:Rich and Strange
319:Alfred Hitchcock
270:. The newspaper
155:Philippine Amann
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1386:1990 deaths
1381:1905 births
1352:Betty Amann
1343:Betty Amann
892:Janet Leeds
589:Else Kramer
571:Amy Taggart
399:Filmography
179:Early years
159:Betty Amann
25:Betty Amann
1375:Categories
1144:id.loc.gov
936:References
842:Gwendoline
795:Violet Ray
381:Alzheimers
111:Occupation
53:1905-03-10
1078:(2007) .
600:The Rodeo
207:Amann in
122:1926–1943
103:Bee Amann
61:Pirmasens
1356:AllMovie
360:(1943).
314:(1930).
193:New York
185:Lutheran
175:(1929).
672:Herself
584:Asphalt
253:Asphalt
248:Joe May
209:Asphalt
172:Asphalt
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415:Notes
348:Nazism
337:, and
211:, 1929
199:Career
189:Jewish
127:Spouse
81:, U.S.
638:Saira
409:Title
141:(
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1347:IMDb
1246:ISBN
1219:ISBN
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1014:ISBN
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428:Ruth
420:1926
412:Role
406:Year
266:and
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72:Died
43:Born
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474:She
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321:'s
1377::
1295:^
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