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and vocalists. Many bands toured the country in grueling one-night stands. Traveling conditions and lodging were difficult, in part due to segregation in most parts of the United States, and the personnel often had to perform having had little sleep and food. Apart from the star soloists, many musicians received low wages and would abandon the tour if bookings disappeared. Sometimes bandstands were too small, public address systems inadequate, pianos out of tune. Bandleaders dealt with these obstacles through rigid discipline (Glenn Miller) and canny psychology (
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549:'s, played music that was half-arranged, half-improvised, often relying on head arrangements. A head arrangement is a piece of music that is formed by band members during rehearsal. They experiment, often with one player coming up with a simple musical figure leading to development within the same section and then further expansion by other sections, with the entire band then memorizing the way they are going to perform the piece, without writing it on sheet music. During the 1930s,
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notate all or most of the score of a given number, usually referred to as a "chart". Bandleaders are typically performers who assemble musicians to form an ensemble of various sizes, select or create material for them, shape the music's dynamics, phrasing, and expression in rehearsals, and lead the group in performance often while playing alongside them. One of the first prominent big band arrangers was
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trumpet, second trombone, and the first tenor sax), and section members (which include the rest of the band). The band is generally configured so lead parts are seated in the middle of their sections and solo parts are seated closest to the rhythm section. The fourth trombone part is generally played by a bass trombone. In some pieces the trumpets may double on
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at one time used six trumpets. While most big bands dropped the previously common jazz clarinet from their arrangements (other than the clarinet-led orchestras of Artie Shaw and Benny
Goodman), many Duke Ellington songs had clarinet parts, often replacing or doubling one of the tenor saxophone parts;
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White teenagers and young adults were the principal fans of the big bands in the late 1930s and early 1940s. They danced to recordings and the radio and attended live concerts. They were knowledgeable and often biased toward their favorite bands and songs, and sometimes worshipful of famous soloists
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and Benny
Goodman's early band. The contrast in commercial popularity between "black" and "white" bands was striking: between 1935 and 1945 the top four "white" bands had 292 top ten records, of which 65 were number one hits, while the top four "black" bands had only 32 top ten hits, with only three
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It is useful to distinguish between the roles of composer, arranger and leader. The composer writes original music that will be performed by individuals or groups of various sizes, while the arranger adapts the work of composers in a creative way for a performance or recording. Arrangers frequently
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Big bands generally have four sections: trumpets, trombones, saxophones, and a rhythm section of guitar, piano, double bass, drums and sometimes vibraphone. The division in early big bands, from the 1920s to 1930s, was typically two or three trumpets, one or two trombones, three or four saxophones,
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led their own bands, while others, like Jelly Roll Morton and King Oliver, lapsed into obscurity. Even so, many of the most popular big bands of the swing era cultivated small groups within the larger ensemble: e.g. Benny
Goodman developed both a trio and a quartet, Artie Shaw formed the Gramercy
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In the most common seating for a 17-piece big band, each section is carefully set-up in a way to optimize the bands sound. For the wind players, there are 3 different types of parts: lead parts (including first trumpet, first trombone, and first alto sax), solo parts (including second or fourth
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referred to his band's music as "progressive jazz", "modern", and "new music". He created his band as a vehicle for his compositions. Kenton pushed the boundaries of big bands by combining clashing elements and by hiring arrangers whose ideas about music conflicted. This expansive eclecticism
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This type of music flourished through the early 1930s, although there was little mass audience for it until around 1936. Up until that time, it was viewed with ridicule and sometimes looked upon as a menace. After 1935, big bands rose to prominence playing swing music and held a major role in
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An arrangement's first chorus is sometimes preceded by an introduction, which may be as short as a few measures or may extend to a chorus of its own. Many arrangements contain an interlude, often similar in content to the introduction, inserted between some or all choruses. Other methods of
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By this time the big band was such a dominant force in jazz that the older generation found they either had to adapt to it or simply retire. With no market for small-group recordings (made worse by a
Depression-era industry reluctant to take risks), musicians such as Louis Armstrong and
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553:'s band often used head arrangements, as Basie said, "we just sort of start it off and the others fall in." Head arrangements were more common during the period of the 1930s because there was less turnover in personnel, giving the band members more time to rehearse.
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troupes at the front, with Glenn Miller losing his life while traveling between shows. Many bands suffered from loss of personnel during the war years, and, as a result, women replaced men who had been inducted, while all-female bands began to appear. The
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hired Grofé to use similar techniques for his band. Whiteman was educated in classical music, and he called his new band's music symphonic jazz. The methods of dance bands marked a step away from New
Orleans jazz. With the exception of
299:. In contrast to the typical jazz emphasis on improvisation, big bands relied on written compositions and arrangements. They gave a greater role to bandleaders, arrangers, and sections of instruments rather than soloists.
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Many college and university music departments offer jazz programs and feature big band courses in improvisation, composition, arranging, and studio recording, featuring performances by 18 to 20 piece big bands.
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a hard driving swing, and Duke
Ellington's compositions were varied and sophisticated. Many bands featured strong instrumentalists whose sounds dominated, such as the clarinets of Benny Goodman and
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and his
Arketstra took big bands further out. Ra's eclectic music was played by a roster of musicians from ten to thirty and was presented as theater, with costumes, dancers, and special effects.
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to write for his “symphonic jazz orchestra”. A number of bandleaders established long-term relationships with certain arrangers, such as the collaboration between leader Count Basie and arranger
1334:. Typically the most prominent shows with the earliest time slots and largest audiences have bigger bands with horn sections while those in later time slots go with smaller, leaner ensembles.
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A considerable range of styles evolved among the hundreds of popular bands. Many of the better known bands reflected the individuality of the bandleader, the lead arranger, and the personnel.
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on the major radio networks spread the music from ballrooms and clubs across the country during the 1930s and 1940s, with remote broadcasts from jazz clubs continuing into the 1950s on NBC's
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A distinction is often made between so-called "hard bands", such as those of Count Basie and Tommy Dorsey, which emphasized quick hard-driving jump tunes, and "sweet bands", such as the
534:. The first chorus of an arrangement introduces the melody and is followed by choruses of development. This development may take the form of improvised solos, written solo sections, and "
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Many bands from the swing era continued for decades after the death or departure of their founders and namesakes, and some are still active in the 21st century, often referred to as "
2043:. Jacobson, Marion. University of Illinois Press, Chicago, Il. 2012, P. 39 "Advent of the Piano Accordion - Charles Magnante Accordion and Big Band jazz recordings on GoogleBooks.com
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and jazz fusion, respectively, to the big band domain. Modern big bands can be found playing all styles of jazz music. Some large contemporary
European jazz ensembles play mostly
1161:'s first band, nicknamed the First Herd, borrowed from progressive jazz, while the Second Herd emphasized the saxophone section of three tenors and one baritone. In the 1950s,
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Discography of
American Historical Recordings- John Serrapica (aka John Serry) as a member of the Charles Magnante Accordion Quartette with guitar and string bass on uscb.edu
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Twenty-first century big bands can be considerably larger than their predecessors, exceeding 20 players, with some
European bands using 29 instruments and some reaching 50.
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Although big bands are identified with the swing era, they continued to exist after those decades, though the music they played was often different from swing. Bandleader
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in which he divided the jazz orchestra into sections that combined in various ways. This intermingling of sections became a defining characteristic of big bands. In 1919,
630:, who continued playing in the New Orleans style, bandleaders paid attention to the demand for dance music and created their own big bands. They incorporated elements of
664:. At these venues, which themselves gained notoriety, bandleaders and arrangers played a greater role than they had before. Hickman relied on Ferde Grofé, Whiteman on
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Rippling Rhythm Orchestra who specialized in less improvised tunes with more emphasis on sentimentality, featuring somewhat slower-paced, often heart-felt songs.
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1956:
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appeared with his Rippling Rhythm Orchestra in a playful and integrated animated performance of "This Little Ripple Had Rhythm" in the musical extravaganza
660:'s career started when he was persuaded to audition for a job at Club Alabam in New York City, which eventually turned into a job as bandleader at the
408:) voices are sometimes called "little big bands". During the 1940s, somewhat smaller configurations of the big band emerged in the form of the "rhythm
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was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands.
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in Chicago every night across America. In Kansas City and across the Southwest, an earthier, bluesier style was developed by such bandleaders as
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worsened the situation. Vocalists began to strike out on their own. By the end of the war, swing was giving way to less danceable music, such as
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Big bands maintained a presence on American television, particularly through the late-night talk show, which has historically used big bands as
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were more popular than their "black" counterparts from the middle of the decade. Bridging the gap to white audiences in the mid-1930s was the
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Big Bands began to appear in movies in the 1930s through the 1960s, though cameos by bandleaders were often stiff and incidental to the plot.
676:, but as the 1920s progressed they moved away from the New Orleans format and transformed jazz. They were assisted by a band full of talent:
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had a radio program on which she conducted the largest all-girl orchestra led by a female. She led her Swingphony while playing marimba.
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and his Royal Canadians Orchestra also achieved widespread notoriety for nearly half a century as a result of their broadcasts on the
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As jazz was expanded during the 1950s through the 1970s, the Basie and Ellington bands were still around, as were bands led by
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Discography of American Historical Recordings: Charles Magnante's Accordion Quartette with guitar and string bass on uscb.edu
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1000:. Some bands were "society bands" which relied on strong ensembles but little on soloists or vocalists, such as the bands of
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1859:. Andrew Martin & Matthew Mihalka editors. "Accordion (Americas) p. 3 Paul Whiteman Orchestra, accordion on Google Books
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1901:. Andrew Martin & Matthew Mihalka editors. "Accordion (Americas) p. 3 Charles Magnanate & accordion on Google Books
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Edmondson, Jacqueline. ABC-CLIO, 2013, p. 3. "Accordion" - Charles Magnante, jazz bands, recordings on GoogleBooks.com
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1845:. Greene, Victor. University of California Press, 1992 p. 124 Paul Whiteman featured the accordion on Google Books.com
504:, but rarely took on the role of bandleader, which was assumed by Ellington, who himself was a composer and arranger.
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586:, energetic, suggestive dances traveled with it. During the next decades, ballrooms filled with people doing the
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with the same phrase and chord structure repeated several times. Each iteration, or chorus, commonly follows
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in the U.S. The Lindy Hop became popular again and young people took an interest in big band styles again.
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Photograph of Bob Hope as master of ceremonies on the "Rippling Rhythm Revue" Show in 1937 on Gettyimages
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The major "black" bands of the 1930s included, apart from Ellington's, Hines's, and Calloway's, those of
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Music in American Life: An Encyclopedia of the Songs, Styles, Stars and Stories that Shaped Our Culture.
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more rarely, Ellington would substitute baritone sax for bass clarinet, such as in "Ase's Death" from
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began appearing in the early 1930s and was distinguished by a more supple feel than the more literal
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2397:"Inside the Score in the 21st Century: Techniques for Contemporary Large Jazz Ensemble Composition"
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In the 1960s and 1970s, big band rock became popular by integrating such musical ingredients as
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State University of New York, Fredonia. Rockefeller Arts Center. Jazz Big Band Arrangements
2371:"Big Band Arranging: for composers, orchestrators and arrangers: 16, Solos and Backgrounds"
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networks of the annual New Year's Eve celebrations from the Roosevelt Grill at New York's
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music with big band instrumentation, and big bands led by arranger Gil Evans, saxophonist
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2873:"B.C. music instructor says touring swing bands lifted military spirits during WW II"
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The Big Band Reader Songs Favored by Swing Era Orchestras and Other Popular Ensembles
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1934:
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Five, Count Basie developed the Kansas City Six and Tommy Dorsey the Clambake Seven.
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The question of improvisation and head arrangement in King Oliver's Creole Jazz Band
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The popularity of many of the major bands was amplified by star vocalists, such as
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500:, for example, was a prolific composer and arranger, frequently collaborating with
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1157:" in 1942 and "The Moose" in 1943 have been called the beginning of the bop era.
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2896:"Sounds of Hot Jazz Stay Warm : Harry James Band to Play at the Mission"
2004:
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Shep Fields and His Rippling Rhythm Orchestra in The Big Broadcaste of 1938
1710:. Vol. 1 (2nd ed.). New York: Grove's Dictionaries. p. 122.
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1413:
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1076:. Many of the great swing bands broke up, as the times and tastes changed.
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O'Meally, Robert G.; Edwards, Brent Hayes; Griffin, Farah Jasmine (2004).
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characterized much of jazz after World War II. During the 1960s and '70s,
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One of the first bands to accompany the new rhythms was led by a drummer,
244:
The United States Navy Band Northwest Big Band plays at a concert held in
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1957:"Leone Jump; Swing Low, Sweet Chariot; The Jazz Me Blues; Nursery Rhymes"
1955:
Joe Biviano, his Accordion and Rhythm Sextette; Tom Delaney; John Serry.
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Before 1910, social dance in America was dominated by steps such as the
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accompanied by piano, guitar, bass, cello, percussion, and marimba with
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1503:, during the 1930s and 1940s. Other female bands were led by trumpeter
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1376: in this section. Unsourced material may be challenged and removed.
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1237:
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1121: in this section. Unsourced material may be challenged and removed.
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726: in this section. Unsourced material may be challenged and removed.
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2241:"Composer Maria Schneider Returns, With A Reckoning, On 'Data Lords'"
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sound-on-film process in 1925, in three short films which are in the
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448:, and saxophone players frequently double on other woodwinds such as
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embellishing the form include modulations and cadential extensions.
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that usually consists of ten or more musicians with four sections:
149:
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4513:
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3492:
3083:"Chapter 11. Bob Hope, Shep Fields and The Rippling Rhythm Revue"
2663:"George Robert Crosby Bandleader, Vocalist, Actor, Radio/TV Host"
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using the instrumentation of the big bands. Examples include the
639:
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musicians also formed popular big bands during the same period.
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794:, led a 50-piece military band that specialized in swing music.
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2633:. Jackson: University Press of Mississippi. pp. 10–11.
1954:
284:. Big bands originated during the early 1910s and dominated
3358:
2518:
America's Music Makers: Big Bands & Ballrooms 1912–2011
2041:
Squeeze The: A Cultural History of the Accordion in America
1795:"Shep Fields, Leader of Big Band Known for Rippling Rhythm"
285:
165:
2813:
Making the Scene: Contemporary New York City Big Band Jazz
1813:
1730:
1618:(2 ed.). New York: Oxford University Press. pp.
1581:, a term of praise for playing that has a strong rhythmic
2613:. New York: Oxford University Press (print). p. 226.
2542:
2362:
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while accompanied by the Europe Society Orchestra led by
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1456:, the "Pied Piper of Swing". Others challenged him, and
1063:. Many musicians served in the military and toured with
320:'s band used up to five trumpets, five trombones (three
316:
and a rhythm section of four instruments. In the 1940s,
3327:
2991:
311:
Most common seating arrangement for a 17-piece big band
3215:. Baton Rouge, LA: Louisiana State University Press.
1843:
A Passion for Polka: Old-TIme Ethnic Music in America
2622:
2620:
2429:(M.F.A. thesis ed.). Toronto: York University.
2011:
1824:
George T. Simon. Schirmer Trade Books, London, 2012
412:". These ensembles typically featured three or more
2293:"Billy Strayhorn's Lush Life Beyond Duke Ellington"
1666:
1664:
1256:. The genre was gradually absorbed into mainstream
1240:, with some of the most prominent groups including
295:Big bands started as accompaniment for dancing the
66:. Unsourced material may be challenged and removed.
3231:
2096:"Difference Between Music Composer & Arranger"
1724:
1460:became a regular feature of theater performances.
420:and were popularized by recording artists such as
3213:Drew’s Blues: A Sideman’s Life with the Big Bands
2844:Starr, Larry; Waterman, Christopher Alan (2014).
2617:
2611:The Swing Era: The Development of Jazz, 1930–1945
2205:Studwell, William Emmett and Mark Baldin (2000).
4771:
2867:
2865:
2070:"JazzTimes 10: Great Modern Big-Band Recordings"
1661:
613:, in San Francisco in 1916. Hickman's arranger,
393:also featured a solo accordion in his ensemble.
3322:6 Steps to Big Band Writing with Steven Feifke.
3176:The Birth of the Talkies: From Edison to Jolson
2576:
3053:On the Air: the Encyclopedia of Old-Time Radio
2846:American Popular Music: From Minstrelsy to MP3
2510:
2508:
1706:Collier, James (2002). Kernfeld, Barry (ed.).
1236:, and the horn choirs often used in blues and
3343:
3116:Encyclopedia of New Year's Holidays Worldwide
3056:. New York: Oxford University Press. p.
2862:
2843:
2769:
2061:
1950:
1948:
1899:Music Around The World: A Global Encyclopedia
1857:Music Around The World: A Global Encyclopedia
1552:, and Roger Wolfe Kahn's band were filmed by
1424:. By 1937, the "sweet jazz band" saxophonist
790:, a major in the U.S. Army Air Forces during
2816:. Berkeley: University of California Press.
2803:
2782:. Jefferson NC: McFarland. pp. 18, 35.
2514:
2388:
2375:Evan Rogers: Orchestrator/Arranger/Conductor
2211:. New York: Haworth Press. pp. 175–77.
3119:. London: McFarland & Co. p. 101.
2922:"Stan Kenton: Progressive Concepts in Jazz"
2505:
2123:Music in the Social and Behavioral Sciences
1921:
1919:
1832:"Shep Fields Biography" on Books.google.com
1672:"How We Got the Big Sound of Big Band Jazz"
836:, although earlier examples exist, such as
434:
3350:
3336:
2779:Jazz Musicians of the Early Years, to 1945
2584:"1910s Pop Trend: The Ragtime Dance Craze"
2555:(3rd ed.). Boston: Cengage Learning.
1945:
1767:"Ellingtonians salute swing era clarinets"
1428:was also featured over the airways on the
148:
3140:Stanley Green and Elaine Schmidt (2000).
2487:. New Haven : Yale Univ. Press. pp.
1734:Uptown Conversation: The New Jazz Studies
1701:
1699:
1697:
1392:Learn how and when to remove this message
1137:Learn how and when to remove this message
742:Learn how and when to remove this message
126:Learn how and when to remove this message
16:Music ensemble associated with jazz music
3179:. Indiana University Press. p. 97.
2997:
2608:
2480:
2474:
2344:"A Guide To Song Forms – AABA Song Form"
2290:
2204:
2198:
2119:
1985:
1916:
1307:
797:
782:
761:
506:
306:
239:
4384:
3049:
2893:
2809:
2775:
2738:Shep Fields' Sweet Band on Google Books
2731:
2719:Shep Fields' Sweet Band on Google Books
2549:Martin, Henry and Keith Waters (2010).
2451:"Definitions: Timbre, Ostinato, Stride"
1872:"Two "Little Big Bands" offer new jazz"
1737:. New York: Columbia University Press.
1705:
1607:
1605:
1603:
1601:
1599:
850:defining swing as a distinctive style.
154:Paul Whiteman and his orchestra in 1921
4772:
3169:
3080:
3023:
3017:
3000:"Best College Jazz Bands in The World"
2626:
2548:
2424:
2291:Effinger, Shannon J. (July 27, 2021).
2238:
1869:
1764:
1694:
1533:. Fictionalized biographical films of
832:is often credited with developing the
688:, whose career lasted into the 1990s.
3331:
3264:
3229:
3112:
3024:Travis, Dempsey J. (March 26, 1985).
2972:Hoffmann, Frank and Robert Birkline.
2848:. New York: Oxford University Press.
2837:
2712:
2264:
1611:
684:on cornet, and multi-instrumentalist
3210:
2971:
1596:
1479:(1929-1959) and the Ballroom at the
1374:adding citations to reliable sources
1345:
1119:adding citations to reliable sources
1090:
861:played a relaxed, propulsive swing,
724:adding citations to reliable sources
695:
389:into his Rippling Rhythm Orchestra.
64:adding citations to reliable sources
35:
3307:Christopher Popa's Big Band Library
3269:. New York: The Macmillan Company.
3133:
2998:Lawrence, Rick (November 6, 2019).
2894:Epstein, Benjamin (July 18, 1986).
2265:Abate, Robert (February 10, 2015).
1999:. September 8, 1956. pp. 22–.
1787:
1086:
522:from the swing era were written in
13:
3204:
2660:
2405:University of Southern Mississippi
2394:
2368:
802:The Grand Central Big Band (2005).
14:
4796:
4705:Album covers of Blue Note Records
3290:
2686:
2126:. Los Angeles: SAGE. p. 85.
1636:
1215:Toshiko Akiyoshi and Lew Tabackin
4753:
3312:Big Bands After The Big Band Era
3297:International Big Band Directory
3234:Composing for the Jazz Orchestra
2978:Survey of American Popular Music
2919:
2120:Thompson, William Forde (2014).
2067:
1870:Palmer, Robert (April 5, 1981).
1765:Wilson, John S. (May 15, 1981).
1708:The New Grove Dictionary of Jazz
1350:
1230:progressive rock experimentation
1201:. Progressive bands were led by
1095:
700:
691:
396:Jazz ensembles numbering eight (
369:to his band. In the late 1930s,
40:
3163:
3143:Hollywood musicals year by year
3106:
3095:
3074:
3043:
2965:
2940:
2913:
2887:
2744:
2734:"Big Bands and Great Ballrooms"
2725:
2715:"Music of the Great Depression"
2706:
2680:
2602:
2465:
2443:
2418:
2336:
2311:
2284:
2258:
2232:
2172:
2147:
2113:
2088:
2047:
2033:
1974:
1933:. April 27, 1946. p. 124.
1905:
1891:
1863:
1849:
1644:"Big Band Music Genre Overview"
1361:needs additional citations for
1323:In the late 1990s, there was a
1106:needs additional citations for
1059:Big bands raised morale during
711:needs additional citations for
532:thirty-two-bar (AABA) song form
373:incorporated a solo accordion,
51:needs additional citations for
4085:Institutions and organizations
3026:"Where The Jazz Was Super-hot"
2756:University of Colorado Boulder
2239:Chinen, Nate (July 24, 2020).
1835:
1758:
1579:Swing (jazz performance style)
1548:The bands led by Helen Lewis,
1452:. Radio increased the fame of
1281:from 1965) and bass guitarist
869:), more of a dixieland style,
561:
302:
185:various rhythmic social dances
1:
3782:Cool jazz and West Coast jazz
2875:. CBC News. November 11, 2017
2521:. AuthorHouse. pp. 36–.
1589:
1436:which also showcased a young
3314:– Bill Kirchner, faculty at
2401:The Aquila Digital Community
2155:"What does a Bandleader do?"
1497:, named for his radio show,
1408:and his band broadcast from
574:. As jazz migrated from its
484:. Some bandleaders, such as
7:
3240:University of Chicago Press
2952:JAZZMUSICARCHIVES.COM (JMA)
2752:"Jazz Music: The Swing Era"
2627:Bindas, Kenneth J. (2001).
2515:John Behrens (March 2011).
1821:The Big Bands - 4th Edition
1567:
1303:Italian Instabile Orchestra
1301:, founded in 1977, and the
10:
4801:
3113:Crump, William D. (2008).
2713:Young, William H. (2005).
2609:Schuller, Gunther (1991).
2100:BestAccreditedColleges.org
1260:and the jazz rock sector.
753:
556:
18:
4749:
4697:
4607:
4491:
4471:
4450:
4434:
4351:
4242:
4187:
4144:
4137:
4111:See Template: Jazz theory
4072:
3994:
3858:
3820:
3764:
3686:
3468:
3365:
3316:Manhattan School of Music
3265:Simon, George T. (1967).
2552:Jazz: The First 100 Years
2484:What to Listen to in Jazz
1530:The Big Broadcast of 1938
1518:
1317:Somerville, Massachusetts
1070:1942–44 musicians' strike
672:followed the template of
668:. Henderson and arranger
545:Some big ensembles, like
492:), while others, such as
340:), and a rhythm section.
199:
191:
159:
147:
142:
3357:
3081:Strait, Raymond (2016).
2630:Swing, that Modern Sound
2481:Kernfeld, Barry (1995).
2319:"Big Band Music History"
1545:were made in the 1950s.
1341:
435:Seating and arrangements
328:), five saxophones (two
288:in the early 1940s when
4780:Types of musical groups
3230:Russo, William (1973).
2776:Dicaire, David (2010).
2425:Bowman, Robert (1982).
2299:. Universal Music Group
1495:Hour of Charm Orchestra
1305:, active in the 1990s.
1263:Other bandleaders used
773:(age 23) from the film
596:Vernon and Irene Castle
3050:Dunning, John (1998).
2948:"Progressive Big Band"
2810:Stewart, Alex (2007).
2732:Behrens, Jack (2006).
2267:"Composer vs Arranger"
2030:, 1 December 1956
1434:Rippling Rhythm Revue,
1320:
1246:Blood, Sweat and Tears
1009:Glenn Miller Orchestra
803:
795:
780:
515:
312:
249:
246:Oak Harbor High School
31:(Charlie Parker album)
1481:Waldorf Astoria Hotel
1311:
1048:reaching number one.
801:
786:
765:
511:Ockbrook Big Band at
510:
310:
243:
24:(Joe Henderson album)
4499:Bibliography of jazz
4279:Continental European
1370:improve this article
1299:Vienna Art Orchestra
1252:; and, from Canada,
1115:improve this article
720:improve this article
680:on tenor saxophone,
652:led his band at the
60:improve this article
19:For the albums, see
4740:Straight, No Chaser
4529:Straight-ahead jazz
3986:Winter & Winter
3435:French horn in jazz
3211:Page, Drew (1981).
3088:Bob Hope: A Tribute
3004:Studio Notes Online
2350:. February 18, 2014
2323:TheMusicHistory.com
1801:. February 24, 1981
1615:The History of Jazz
1612:Gioia, Ted (2011).
1562:Library of Congress
1458:battle of the bands
1332:house accompaniment
1315:2022 performers in
1045:Casa Loma Orchestra
1004:and Paul Whiteman.
889:, and the vibes of
476:, who was hired by
355:symphony orchestras
4684:West African music
4509:British dance band
4299:European free jazz
4272:British dance band
3765:Musicians by genre
3545:Free improvisation
3091:. Crossroad Press.
2271:Robert Abate Music
2186:. Hero Enterprises
1877:The New York Times
1799:The New York Times
1772:The New York Times
1440:as the announcer.
1404:During the 1930s,
1321:
877:, the trombone of
804:
796:
781:
776:Stage Door Canteen
658:Fletcher Henderson
604:James Reese Europe
516:
513:Pride Park Stadium
424:, Joe Biviano and
338:baritone saxophone
313:
250:
4767:
4766:
4640:New Orleans blues
4487:
4486:
4430:
4429:
4004:Beaches (Toronto)
3415:Swing performance
3222:978-0-8071-0686-0
3186:978-0-253-10743-5
3126:978-0-7864-3393-3
3067:978-0-19-977078-6
2900:Los Angeles Times
2855:978-0-19-985911-5
2823:978-0-520-24953-0
2789:978-0-7864-8556-7
2667:JazzStandards.com
2640:978-1-57806-382-6
2562:978-1-4390-8333-8
2528:978-1-4567-2952-3
2436:978-0-612-15541-1
2218:978-0-7890-0914-2
2133:978-1-4522-8302-9
2068:West, Michael J.
1830:978-0-85712-812-6
1744:978-0-231-50836-0
1676:Redlands Symphony
1629:978-0-19-539970-7
1574:List of big bands
1564:film collection.
1500:The Hour of Charm
1410:the Grand Terrace
1402:
1401:
1394:
1153:'s recording of "
1147:
1146:
1139:
881:, the trumpet of
843:Washington Wabble
752:
751:
744:
662:Roseland Ballroom
628:Jelly Roll Morton
518:Typical big band
466:soprano saxophone
238:
237:
160:Stylistic origins
136:
135:
128:
110:
4792:
4758:
4757:
4524:Continental jazz
4417:Washington, D.C.
4382:
4381:
4284:Czech and Slovak
4142:
4141:
3926:India Navigation
3624:Progressive jazz
3478:Avant-garde jazz
3352:
3345:
3338:
3329:
3328:
3324:– YouTube video.
3286:
3261:
3237:
3226:
3198:
3197:
3195:
3193:
3171:Geduld, Harry M.
3167:
3161:
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2773:
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2748:
2742:
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2723:
2722:
2710:
2704:
2703:
2701:
2699:
2684:
2678:
2677:
2675:
2673:
2661:Wilson, Jeremy.
2658:
2652:
2651:
2649:
2647:
2624:
2615:
2614:
2606:
2600:
2599:
2597:
2595:
2588:Pop Song History
2580:
2574:
2573:
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2546:
2540:
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2537:
2535:
2512:
2503:
2502:
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2315:
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2288:
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2236:
2230:
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2227:
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2191:
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2169:
2167:
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2110:
2108:
2106:
2092:
2086:
2085:
2083:
2081:
2065:
2059:
2051:
2045:
2037:
2031:
2018:Review of album
2015:
2009:
2008:
1989:
1983:
1978:
1972:
1971:
1969:
1967:
1952:
1943:
1942:
1927:"Record Reviews"
1923:
1914:
1909:
1903:
1895:
1889:
1888:
1886:
1884:
1867:
1861:
1853:
1847:
1839:
1833:
1817:
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1806:
1791:
1785:
1784:
1782:
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1756:
1755:
1753:
1751:
1728:
1722:
1721:
1703:
1692:
1691:
1689:
1687:
1682:on June 21, 2023
1678:. Archived from
1668:
1659:
1658:
1656:
1654:
1640:
1634:
1633:
1609:
1509:Anna Mae Winburn
1444:Big band remotes
1397:
1390:
1386:
1383:
1377:
1354:
1346:
1295:avant-garde jazz
1142:
1135:
1131:
1128:
1122:
1099:
1091:
1087:Modern big bands
1029:Jimmie Lunceford
978:Claude Thornhill
826:
825:
824:
823:
747:
740:
736:
733:
727:
704:
696:
598:popularized the
594:. The dance duo
528:twelve bar blues
422:Charles Magnante
334:tenor saxophones
262:musical ensemble
216:Kansas City jazz
211:progressive jazz
200:Derivative forms
192:Cultural origins
176:American marches
152:
140:
139:
131:
124:
120:
117:
111:
109:
68:
44:
36:
4800:
4799:
4795:
4794:
4793:
4791:
4790:
4789:
4770:
4769:
4768:
4763:
4760:Jazz portal
4752:
4745:
4726:The Jazz Singer
4693:
4672:Novelty ragtime
4603:
4483:
4467:
4446:
4426:
4380:
4347:
4238:
4183:
4138:Regional scenes
4133:
4068:
3990:
3916:Groove Merchant
3906:Flying Dutchman
3854:
3816:
3760:
3682:
3614:Orchestral jazz
3594:Mainstream jazz
3582:Afro-Cuban jazz
3464:
3373:Outline of jazz
3361:
3356:
3293:
3250:
3223:
3207:
3205:Further reading
3202:
3201:
3191:
3189:
3187:
3168:
3164:
3154:
3138:
3134:
3127:
3111:
3107:
3100:
3096:
3079:
3075:
3068:
3048:
3044:
3034:
3032:
3030:Chicago Tribune
3022:
3018:
3008:
3006:
2996:
2992:
2982:
2980:
2974:"Big-band rock"
2970:
2966:
2956:
2954:
2946:
2945:
2941:
2931:
2929:
2920:Boyd, Michael.
2918:
2914:
2904:
2902:
2892:
2888:
2878:
2876:
2871:
2870:
2863:
2856:
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2625:
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2603:
2593:
2591:
2590:. June 11, 2014
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2423:
2419:
2409:
2407:
2395:Dennis, Tyler.
2393:
2389:
2379:
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2367:
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2136:
2134:
2118:
2114:
2104:
2102:
2094:
2093:
2089:
2079:
2077:
2076:. Madavor Media
2066:
2062:
2052:
2048:
2038:
2034:
2016:
2012:
1993:"Dot into Pkgs"
1991:
1990:
1986:
1979:
1975:
1965:
1963:
1953:
1946:
1925:
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1610:
1597:
1592:
1570:
1521:
1477:Roosevelt Hotel
1432:network in his
1416:and, later, by
1398:
1387:
1381:
1378:
1367:
1355:
1344:
1223:Anthony Braxton
1203:Dizzy Gillespie
1143:
1132:
1126:
1123:
1112:
1100:
1089:
922:Ella Fitzgerald
910:Helen O'Connell
885:, the drums of
840:on Ellington's
828:of early jazz.
822:
817:
816:
815:
814:
813:
806:
805:
758:
748:
737:
731:
728:
717:
705:
694:
682:Louis Armstrong
678:Coleman Hawkins
564:
559:
498:Billy Strayhorn
494:Maria Schneider
437:
365:, strings, and
347:Swinging Suites
330:alto saxophones
305:
155:
132:
121:
115:
112:
69:
67:
57:
45:
34:
17:
12:
11:
5:
4798:
4788:
4787:
4782:
4765:
4764:
4750:
4747:
4746:
4744:
4743:
4736:
4733:Round Midnight
4729:
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4694:
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4686:
4681:
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4475:
4473:
4469:
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4466:
4465:
4463:Latin American
4460:
4454:
4452:
4451:South American
4448:
4447:
4445:
4444:
4438:
4436:
4432:
4431:
4428:
4427:
4425:
4424:
4419:
4414:
4409:
4404:
4399:
4394:
4392:Baltimore jazz
4388:
4386:
4379:
4378:
4377:
4376:
4369:Latin American
4366:
4361:
4355:
4353:
4352:North American
4349:
4348:
4346:
4345:
4340:
4339:
4338:
4328:
4327:
4326:
4316:
4311:
4306:
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4296:
4291:
4286:
4281:
4276:
4275:
4274:
4264:
4259:
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4257:
4246:
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4240:
4239:
4237:
4236:
4231:
4226:
4225:
4224:
4219:
4209:
4208:
4207:
4197:
4191:
4189:
4185:
4184:
4182:
4181:
4176:
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4174:
4169:
4159:
4154:
4148:
4146:
4139:
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4134:
4132:
4131:
4126:
4121:
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4114:
4102:
4097:
4092:
4087:
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4074:
4070:
4069:
4067:
4066:
4061:
4056:
4051:
4046:
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4036:
4031:
4026:
4021:
4016:
4011:
4006:
4000:
3998:
3992:
3991:
3989:
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3983:
3978:
3973:
3968:
3963:
3958:
3953:
3948:
3943:
3938:
3933:
3928:
3923:
3918:
3913:
3908:
3903:
3898:
3893:
3888:
3883:
3878:
3873:
3868:
3862:
3860:
3856:
3855:
3853:
3852:
3847:
3842:
3837:
3832:
3826:
3824:
3818:
3817:
3815:
3814:
3809:
3804:
3799:
3794:
3789:
3784:
3779:
3774:
3768:
3766:
3762:
3761:
3759:
3758:
3753:
3748:
3743:
3738:
3733:
3728:
3723:
3721:Percussionists
3718:
3713:
3708:
3703:
3698:
3692:
3690:
3684:
3683:
3681:
3680:
3675:
3670:
3669:
3668:
3658:
3653:
3652:
3651:
3644:Spiritual jazz
3641:
3636:
3631:
3626:
3621:
3616:
3611:
3606:
3601:
3596:
3591:
3586:
3585:
3584:
3574:
3569:
3564:
3559:
3554:
3553:
3552:
3547:
3542:
3532:
3527:
3522:
3517:
3512:
3507:
3502:
3501:
3500:
3495:
3490:
3480:
3474:
3472:
3466:
3465:
3463:
3462:
3457:
3452:
3447:
3442:
3437:
3432:
3427:
3422:
3417:
3412:
3407:
3402:
3401:
3400:
3390:
3385:
3380:
3375:
3369:
3367:
3366:General topics
3363:
3362:
3355:
3354:
3347:
3340:
3332:
3326:
3325:
3319:
3309:
3304:
3299:
3292:
3291:External links
3289:
3288:
3287:
3262:
3248:
3227:
3221:
3206:
3203:
3200:
3199:
3185:
3162:
3152:
3132:
3125:
3105:
3094:
3073:
3066:
3042:
3016:
2990:
2964:
2939:
2912:
2886:
2861:
2854:
2836:
2822:
2802:
2788:
2768:
2743:
2724:
2721:. p. 120.
2705:
2687:Yanow, Scott.
2679:
2653:
2639:
2616:
2601:
2575:
2561:
2541:
2527:
2504:
2497:
2473:
2464:
2442:
2435:
2417:
2387:
2369:Rogers, Evan.
2361:
2335:
2310:
2297:uDiscoverMusic
2283:
2257:
2231:
2217:
2197:
2184:ejazzlines.com
2171:
2146:
2132:
2112:
2087:
2060:
2046:
2032:
2010:
1984:
1973:
1944:
1915:
1904:
1890:
1862:
1848:
1834:
1812:
1786:
1757:
1743:
1723:
1716:
1693:
1660:
1635:
1628:
1594:
1593:
1591:
1588:
1587:
1586:
1576:
1569:
1566:
1520:
1517:
1513:Ina Ray Hutton
1483:(1959-1976) .
1400:
1399:
1358:
1356:
1349:
1343:
1340:
1283:Jaco Pastorius
1275:(on the album
1250:Tower of Power
1199:Doc Severinsen
1183:Lionel Hampton
1151:Charlie Barnet
1145:
1144:
1103:
1101:
1094:
1088:
1085:
1054:Duke Ellington
946:Charlie Barnet
930:Billie Holiday
891:Lionel Hampton
879:Jack Teagarden
818:
760:
759:
754:Main article:
750:
749:
708:
706:
699:
693:
690:
650:Duke Ellington
563:
560:
558:
555:
536:shout choruses
502:Duke Ellington
436:
433:
342:Duke Ellington
326:bass trombones
304:
301:
282:rhythm section
258:jazz orchestra
236:
235:
234:
233:
228:
223:
221:easy listening
218:
213:
208:
201:
197:
196:
193:
189:
188:
187:
186:
183:
178:
173:
168:
161:
157:
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153:
145:
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134:
133:
48:
46:
39:
15:
9:
6:
4:
3:
2:
4797:
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4781:
4778:
4777:
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4762:
4761:
4756:
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4737:
4735:
4734:
4730:
4728:
4727:
4723:
4721:
4719:
4715:
4713:
4712:
4708:
4706:
4703:
4702:
4700:
4696:
4690:
4689:Western swing
4687:
4685:
4682:
4680:
4677:
4673:
4670:
4669:
4668:
4665:
4663:
4660:
4658:
4655:
4653:
4650:
4648:
4645:
4641:
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4606:
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4582:
4580:
4577:
4575:
4572:
4570:
4567:
4565:
4562:
4560:
4557:
4555:
4552:
4550:
4547:
4545:
4542:
4540:
4537:
4535:
4532:
4530:
4527:
4525:
4522:
4520:
4517:
4515:
4512:
4510:
4507:
4505:
4502:
4500:
4497:
4496:
4494:
4490:
4480:
4477:
4476:
4474:
4470:
4464:
4461:
4459:
4456:
4455:
4453:
4449:
4443:
4440:
4439:
4437:
4433:
4423:
4420:
4418:
4415:
4413:
4412:New York City
4410:
4408:
4405:
4403:
4400:
4398:
4395:
4393:
4390:
4389:
4387:
4383:
4375:
4372:
4371:
4370:
4367:
4365:
4362:
4360:
4357:
4356:
4354:
4350:
4344:
4341:
4337:
4336:Flamenco jazz
4334:
4333:
4332:
4329:
4325:
4322:
4321:
4320:
4317:
4315:
4312:
4310:
4307:
4305:
4302:
4300:
4297:
4295:
4292:
4290:
4287:
4285:
4282:
4280:
4277:
4273:
4270:
4269:
4268:
4265:
4263:
4260:
4256:
4253:
4252:
4251:
4248:
4247:
4245:
4241:
4235:
4232:
4230:
4227:
4223:
4220:
4218:
4215:
4214:
4213:
4210:
4206:
4203:
4202:
4201:
4198:
4196:
4193:
4192:
4190:
4186:
4180:
4177:
4173:
4170:
4168:
4165:
4164:
4163:
4162:South African
4160:
4158:
4155:
4153:
4150:
4149:
4147:
4143:
4140:
4136:
4130:
4127:
4125:
4122:
4120:
4117:
4113:
4112:
4108:
4107:
4106:
4103:
4101:
4098:
4096:
4093:
4091:
4088:
4086:
4083:
4081:
4078:
4077:
4075:
4071:
4065:
4062:
4060:
4057:
4055:
4052:
4050:
4047:
4045:
4042:
4040:
4037:
4035:
4032:
4030:
4027:
4025:
4022:
4020:
4017:
4015:
4012:
4010:
4007:
4005:
4002:
4001:
3999:
3997:
3993:
3987:
3984:
3982:
3979:
3977:
3974:
3972:
3969:
3967:
3964:
3962:
3959:
3957:
3954:
3952:
3949:
3947:
3944:
3942:
3939:
3937:
3934:
3932:
3929:
3927:
3924:
3922:
3919:
3917:
3914:
3912:
3909:
3907:
3904:
3902:
3899:
3897:
3894:
3892:
3889:
3887:
3884:
3882:
3879:
3877:
3874:
3872:
3869:
3867:
3864:
3863:
3861:
3859:Discographies
3857:
3851:
3848:
3846:
3843:
3841:
3838:
3836:
3833:
3831:
3828:
3827:
3825:
3823:
3819:
3813:
3810:
3808:
3805:
3803:
3800:
3798:
3795:
3793:
3790:
3788:
3785:
3783:
3780:
3778:
3775:
3773:
3770:
3769:
3767:
3763:
3757:
3754:
3752:
3749:
3747:
3746:Vibraphonists
3744:
3742:
3739:
3737:
3734:
3732:
3729:
3727:
3724:
3722:
3719:
3717:
3714:
3712:
3709:
3707:
3704:
3702:
3699:
3697:
3694:
3693:
3691:
3689:
3685:
3679:
3676:
3674:
3671:
3667:
3666:Swing revival
3664:
3663:
3662:
3659:
3657:
3654:
3650:
3647:
3646:
3645:
3642:
3640:
3637:
3635:
3632:
3630:
3627:
3625:
3622:
3620:
3617:
3615:
3612:
3610:
3607:
3605:
3602:
3600:
3597:
3595:
3592:
3590:
3587:
3583:
3580:
3579:
3578:
3575:
3573:
3570:
3568:
3565:
3563:
3560:
3558:
3555:
3551:
3548:
3546:
3543:
3541:
3538:
3537:
3536:
3533:
3531:
3528:
3526:
3525:Flamenco jazz
3523:
3521:
3518:
3516:
3513:
3511:
3508:
3506:
3503:
3499:
3496:
3494:
3491:
3489:
3486:
3485:
3484:
3481:
3479:
3476:
3475:
3473:
3471:
3467:
3461:
3460:Women in jazz
3458:
3456:
3453:
3451:
3448:
3446:
3445:Jazz trombone
3443:
3441:
3438:
3436:
3433:
3431:
3428:
3426:
3425:Jazz drumming
3423:
3421:
3418:
3416:
3413:
3411:
3408:
3406:
3403:
3399:
3396:
3395:
3394:
3393:Improvisation
3391:
3389:
3386:
3384:
3381:
3379:
3376:
3374:
3371:
3370:
3368:
3364:
3360:
3353:
3348:
3346:
3341:
3339:
3334:
3333:
3330:
3323:
3320:
3317:
3313:
3310:
3308:
3305:
3303:
3300:
3298:
3295:
3294:
3284:
3280:
3276:
3272:
3268:
3267:The Big Bands
3263:
3259:
3255:
3251:
3249:0-226-73209-6
3245:
3241:
3236:
3235:
3228:
3224:
3218:
3214:
3209:
3208:
3188:
3182:
3178:
3177:
3172:
3166:
3159:
3155:
3153:0-634-00765-3
3149:
3145:
3144:
3136:
3128:
3122:
3118:
3117:
3109:
3103:
3098:
3090:
3089:
3084:
3077:
3069:
3063:
3059:
3055:
3054:
3046:
3031:
3027:
3020:
3005:
3001:
2994:
2979:
2975:
2968:
2953:
2949:
2943:
2928:. Peter Losin
2927:
2923:
2916:
2901:
2897:
2890:
2874:
2868:
2866:
2857:
2851:
2847:
2840:
2825:
2819:
2815:
2814:
2806:
2791:
2785:
2781:
2780:
2772:
2757:
2753:
2747:
2740:. p. 23.
2739:
2735:
2728:
2720:
2716:
2709:
2694:
2690:
2683:
2668:
2664:
2657:
2642:
2636:
2632:
2631:
2623:
2621:
2612:
2605:
2589:
2585:
2579:
2564:
2558:
2554:
2553:
2545:
2530:
2524:
2520:
2519:
2511:
2509:
2500:
2498:0-300-05902-7
2494:
2490:
2486:
2485:
2477:
2468:
2453:. W.W. Norton
2452:
2446:
2438:
2432:
2428:
2421:
2406:
2402:
2398:
2391:
2376:
2372:
2365:
2349:
2345:
2339:
2324:
2320:
2314:
2298:
2294:
2287:
2272:
2268:
2261:
2246:
2242:
2235:
2220:
2214:
2210:
2209:
2201:
2185:
2181:
2180:"Hefti, Neal"
2175:
2160:
2156:
2150:
2135:
2129:
2125:
2124:
2116:
2101:
2097:
2091:
2075:
2071:
2064:
2058:
2056:
2050:
2044:
2042:
2036:
2029:
2028:
2027:The Billboard
2023:
2021:
2014:
2006:
2002:
1998:
1994:
1988:
1982:
1977:
1962:
1958:
1951:
1949:
1940:
1936:
1932:
1928:
1922:
1920:
1913:
1908:
1902:
1900:
1894:
1879:
1878:
1873:
1866:
1860:
1858:
1852:
1846:
1844:
1838:
1831:
1827:
1823:
1822:
1816:
1800:
1796:
1790:
1774:
1773:
1768:
1761:
1746:
1740:
1736:
1735:
1727:
1719:
1717:1-56159-284-6
1713:
1709:
1702:
1700:
1698:
1681:
1677:
1673:
1667:
1665:
1649:
1645:
1639:
1631:
1625:
1621:
1617:
1616:
1608:
1606:
1604:
1602:
1600:
1595:
1584:
1580:
1577:
1575:
1572:
1571:
1565:
1563:
1559:
1555:
1554:Lee de Forest
1551:
1546:
1544:
1543:Benny Goodman
1540:
1536:
1532:
1531:
1526:
1516:
1514:
1510:
1506:
1502:
1501:
1496:
1492:
1491:Phil Spitalny
1488:
1487:Gloria Parker
1484:
1482:
1478:
1474:
1470:
1466:
1461:
1459:
1455:
1454:Benny Goodman
1451:
1450:
1445:
1441:
1439:
1435:
1431:
1427:
1423:
1419:
1415:
1411:
1407:
1396:
1393:
1385:
1382:November 2021
1375:
1371:
1365:
1364:
1359:This section
1357:
1353:
1348:
1347:
1339:
1335:
1333:
1328:
1326:
1325:swing revival
1318:
1314:
1310:
1306:
1304:
1300:
1296:
1292:
1288:
1284:
1280:
1279:
1274:
1273:John Coltrane
1270:
1266:
1261:
1259:
1255:
1251:
1247:
1243:
1239:
1235:
1231:
1226:
1224:
1220:
1216:
1212:
1208:
1204:
1200:
1196:
1192:
1188:
1184:
1180:
1176:
1171:
1169:
1164:
1160:
1156:
1152:
1141:
1138:
1130:
1127:November 2021
1120:
1116:
1110:
1109:
1104:This section
1102:
1098:
1093:
1092:
1084:
1082:
1077:
1075:
1071:
1066:
1062:
1057:
1055:
1049:
1046:
1042:
1038:
1034:
1030:
1025:
1022:
1016:
1014:
1010:
1005:
1003:
999:
998:Benny Goodman
995:
994:Martha Tilton
991:
987:
983:
979:
975:
971:
967:
966:Helen Forrest
963:
959:
955:
954:Larry Clinton
951:
947:
943:
939:
935:
934:Jimmy Rushing
931:
927:
923:
919:
915:
911:
907:
903:
902:Connie Haines
899:
898:Frank Sinatra
894:
892:
888:
884:
880:
876:
872:
871:Benny Goodman
868:
864:
860:
855:
853:
852:Western swing
847:
845:
844:
839:
838:Wellman Braud
835:
831:
827:
821:
810:
800:
793:
789:
785:
778:
777:
772:
769:(age 34) and
768:
767:Benny Goodman
764:
757:
746:
743:
735:
732:November 2021
725:
721:
715:
714:
709:This section
707:
703:
698:
697:
692:The swing era
689:
687:
683:
679:
675:
671:
667:
663:
659:
655:
651:
647:
645:
641:
637:
636:Tin Pan Alley
633:
629:
624:
623:Paul Whiteman
620:
616:
612:
607:
605:
601:
597:
593:
589:
585:
584:New York City
581:
577:
573:
569:
554:
552:
548:
543:
539:
537:
533:
529:
525:
524:strophic form
521:
514:
509:
505:
503:
499:
495:
491:
487:
483:
479:
478:Paul Whiteman
475:
469:
467:
463:
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71:Find sources:
65:
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49:This article
47:
43:
38:
37:
32:
30:
25:
23:
4751:
4738:
4731:
4724:
4720:(miniseries)
4717:
4709:
4679:Sophisti-pop
4109:
4100:Jazz royalty
4090:Jazz funeral
3886:Contemporary
3777:Chamber jazz
3731:Saxophonists
3701:Clarinetists
3673:Third stream
3510:Chamber jazz
3410:Scat singing
3387:
3266:
3233:
3212:
3190:. Retrieved
3175:
3165:
3157:
3142:
3135:
3115:
3108:
3097:
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3076:
3052:
3045:
3035:September 6,
3033:. Retrieved
3029:
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3003:
2993:
2983:November 11,
2981:. Retrieved
2977:
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2925:
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2905:December 13,
2903:. Retrieved
2899:
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2845:
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2812:
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2778:
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2761:December 23,
2759:. Retrieved
2755:
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2698:December 30,
2696:. Retrieved
2692:
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2672:November 28,
2670:. Retrieved
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2644:. Retrieved
2629:
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2604:
2594:December 19,
2592:. Retrieved
2587:
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2467:
2455:. Retrieved
2445:
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2420:
2410:November 11,
2408:. Retrieved
2400:
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2380:November 10,
2378:. Retrieved
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2347:
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2322:
2313:
2303:December 21,
2301:. Retrieved
2296:
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2276:December 21,
2274:. Retrieved
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2250:December 21,
2248:. Retrieved
2244:
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2224:December 21,
2222:. Retrieved
2207:
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2188:. Retrieved
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2164:December 21,
2162:. Retrieved
2158:
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2139:December 22,
2137:. Retrieved
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2105:December 21,
2103:. Retrieved
2099:
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2078:. Retrieved
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2022:, p. 22
2020:Squeeze Play
2019:
2013:
1996:
1987:
1976:
1966:November 26,
1964:. Retrieved
1960:
1930:
1907:
1898:
1893:
1881:. Retrieved
1875:
1865:
1856:
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1837:
1820:
1815:
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1798:
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1770:
1760:
1748:. Retrieved
1733:
1726:
1707:
1684:. Retrieved
1680:the original
1675:
1653:September 6,
1651:. Retrieved
1647:
1638:
1614:
1547:
1535:Glenn Miller
1528:
1522:
1498:
1485:
1465:Guy Lombardo
1462:
1447:
1442:
1433:
1414:Bennie Moten
1403:
1388:
1379:
1368:Please help
1363:verification
1360:
1336:
1329:
1322:
1276:
1262:
1227:
1172:
1159:Woody Herman
1148:
1133:
1124:
1113:Please help
1108:verification
1105:
1078:
1061:World War II
1058:
1050:
1041:Glenn Miller
1039:and, later,
1026:
1017:
1006:
1002:Guy Lombardo
962:Kitty Kallen
918:Jimmy Dorsey
906:Tommy Dorsey
895:
865:(brother of
856:
848:
841:
834:walking bass
819:
807:
792:World War II
788:Glenn Miller
774:
738:
729:
718:Please help
713:verification
710:
686:Benny Carter
666:Bill Challis
648:
619:arrangements
608:
565:
544:
540:
520:arrangements
517:
486:Guy Lombardo
470:
438:
430:
395:
351:Boyd Raeburn
314:
294:
257:
253:
251:
137:
122:
113:
103:
96:
89:
82:
70:
58:Please help
53:verification
50:
28:
21:
4662:Quiet storm
4625:Contradanza
4407:New Orleans
4402:Kansas City
4205:Jazz mugham
4200:Azerbaijani
4124:Second line
4119:Rare groove
4105:Jazz theory
4095:Jazz poetry
4080:Contrafacts
4064:Saint Lucia
4044:New Orleans
3976:Strata-East
3951:MPS Records
3881:Cobblestone
3802:Smooth jazz
3792:Jazz fusion
3736:Trombonists
3649:Sacred jazz
3634:Smooth jazz
3567:Jazz fusion
3450:Jazz violin
3430:Jazz guitar
3405:Jam session
3378:Jazz (word)
3009:November 7,
2689:"Les Brown"
2568:November 8,
2471:Simon, 105.
2457:November 8,
2354:December 9,
2328:November 8,
2080:November 8,
1961:Archive.org
1883:December 9,
1805:October 28,
1779:December 9,
1750:December 9,
1525:Shep Fields
1505:B. A. Rolfe
1463:Similarly,
1426:Shep Fields
1422:Jesse Stone
1418:Jay McShann
1285:introduced
1234:jazz fusion
1195:Clark Terry
1163:Stan Kenton
1081:ghost bands
1037:Shep Fields
1013:Shep Fields
974:Fran Warren
970:Harry James
958:Dick Haymes
938:Count Basie
883:Harry James
859:Count Basie
830:Walter Page
809:Swing music
756:Swing music
674:King Oliver
656:in Harlem.
654:Cotton Club
615:Ferde Grofé
611:Art Hickman
576:New Orleans
562:Dance music
551:Count Basie
547:King Oliver
474:Ferde Grofé
371:Shep Fields
363:French horn
318:Stan Kenton
303:Instruments
4774:Categories
4647:Brass band
4635:Jump blues
4479:Ethno jazz
4442:Australian
4422:West Coast
4179:Zimbabwean
4019:Copenhagen
3941:Mainstream
3751:Violinists
3741:Trumpeters
3711:Guitarists
3619:Organ trio
3604:Modal jazz
3577:Latin jazz
3557:Gypsy jazz
3455:Vocal jazz
3440:Jazz piano
2926:plosin.com
2534:August 31,
1590:References
1550:Ben Bernie
1539:Gene Krupa
1406:Earl Hines
1269:Afro-Cuban
1254:Lighthouse
1238:soul music
1211:Carla Bley
1187:Earl Hines
1179:Gene Krupa
1175:Buddy Rich
1033:Chick Webb
1021:Earl Hines
926:Chick Webb
914:Bob Eberly
887:Gene Krupa
875:Artie Shaw
863:Bob Crosby
670:Don Redman
644:vaudeville
578:origin to
482:Neil Hefti
442:flugelhorn
426:John Serry
414:accordions
404:) or ten (
357:by adding
353:drew from
270:saxophones
266:jazz music
116:April 2018
86:newspapers
75:"Big band"
4785:Big bands
4615:Acid jazz
4472:Worldwide
4458:Brazilian
4255:Bulgarian
4217:Indo jazz
4167:Cape jazz
4054:North Sea
4009:Cape Town
3996:Festivals
3971:Riverside
3946:Milestone
3871:Blue Note
3866:Bethlehem
3850:post-1950
3822:Standards
3807:Soul jazz
3756:Vocalists
3716:Organists
3688:Musicians
3678:Trad jazz
3639:Soul jazz
3562:Jazz-funk
3550:Punk jazz
3540:Free funk
3535:Free jazz
3530:Folk jazz
3520:Dixieland
3515:Cool jazz
3505:Cape jazz
3420:Jazz bass
3383:Jazz band
2348:Songstuff
2074:JazzTimes
2005:0006-2510
1997:Billboard
1939:0006-2510
1931:Billboard
1558:Phonofilm
1430:NBC radio
1291:free jazz
1287:cool jazz
1278:Ascension
1265:Brazilian
1219:Don Ellis
1207:Gil Evans
1191:Les Brown
990:Peggy Lee
986:Les Brown
982:Doris Day
942:Kay Starr
771:Peggy Lee
592:Lindy Hop
588:jitterbug
400:), nine (
297:Lindy Hop
278:trombones
181:classical
4620:Afrobeat
4534:Pre-1920
4519:Jazz Age
4435:Oceanian
4385:American
4359:Canadian
4243:European
4234:Japanese
4195:Armenian
4157:Malawian
4152:Ethiopia
4039:Montreux
4034:Montreal
4029:Monterey
3966:Prestige
3936:Landmark
3921:Impulse!
3901:ESP-Disk
3830:Pre-1920
3787:Hard bop
3726:Pianists
3706:Drummers
3696:Bassists
3629:Ska jazz
3572:Jazz rap
3498:Post-bop
3488:Hard bop
3388:Big band
3275:67-26643
3192:July 12,
3173:(1975).
2879:June 11,
2829:June 11,
2795:June 11,
2693:AllMusic
2646:June 11,
2190:June 12,
1686:June 21,
1648:AllMusic
1585:or drive
1583:"groove"
1568:See also
1438:Bob Hope
1258:pop rock
1155:Cherokee
1011:and the
950:Bea Wain
846:(1927).
632:Broadway
617:, wrote
530:form or
458:clarinet
324:and two
280:, and a
274:trumpets
254:big band
143:Big band
29:Big Band
22:Big Band
4667:Ragtime
4652:Exotica
4608:Related
4514:Ragtime
4492:History
4397:Chicago
4364:Haitian
4343:Swedish
4331:Spanish
4314:Italian
4267:British
4262:Belgian
4229:Iranian
4145:African
4073:Culture
4049:Newport
4024:Jakarta
4014:Chicago
3911:Freedom
3609:Nu jazz
3493:Neo-bop
3283:1169701
3258:61-8642
2957:May 27,
2932:May 27,
2159:Berklee
1775:. NYTco
1556:in his
1449:Monitor
1242:Chicago
779:(1943).
640:ragtime
600:foxtrot
580:Chicago
557:History
454:piccolo
383:violins
379:piccolo
367:timpani
100:scholar
4319:Polish
4309:German
4304:French
4289:Danish
4250:Balkan
4212:Indian
4172:Marabi
4129:Venues
3656:Stride
3599:Marabi
3589:M-Base
3470:Genres
3281:
3273:
3256:
3246:
3219:
3183:
3150:
3123:
3064:
2852:
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2433:
2215:
2130:
2003:
1937:
1828:
1741:
1714:
1626:
1541:, and
1519:Movies
1511:, and
1319:, U.S.
1221:, and
1197:, and
1168:Sun Ra
988:, and
642:, and
490:Carmen
446:cornet
410:sextet
406:tentet
385:and a
336:, one
332:, two
231:lounge
102:
95:
88:
81:
73:
4698:Media
4657:Plugg
4630:Blues
4584:2010s
4579:2000s
4574:1990s
4569:1980s
4564:1970s
4559:1960s
4554:1950s
4549:1940s
4544:1930s
4539:1920s
4504:Blues
4374:Cuban
4294:Dutch
4222:Sitar
4188:Asian
3981:Verve
3845:1940s
3840:1930s
3835:1920s
3812:Swing
3772:Bebop
3661:Swing
3483:Bebop
2489:90–91
1342:Radio
1313:HONK!
1074:bebop
996:with
984:with
976:with
968:with
952:with
944:with
936:with
924:with
916:with
904:with
572:polka
568:waltz
464:, or
450:flute
418:vibes
402:nonet
398:octet
387:viola
359:flute
322:tenor
290:swing
206:Swing
195:1910s
171:blues
107:JSTOR
93:books
4718:Jazz
4711:Bird
4599:2022
4594:2021
4589:2020
4324:Yass
4059:Pori
3961:Muse
3797:Scat
3398:Jazz
3359:Jazz
3279:OCLC
3271:LCCN
3254:LCCN
3244:ISBN
3217:ISBN
3194:2022
3181:ISBN
3148:ISBN
3121:ISBN
3062:ISBN
3037:2017
3011:2020
2985:2020
2959:2023
2934:2023
2907:2021
2881:2023
2850:ISBN
2831:2023
2818:ISBN
2797:2023
2784:ISBN
2763:2021
2700:2021
2674:2021
2648:2023
2635:ISBN
2596:2021
2570:2020
2557:ISBN
2536:2017
2523:ISBN
2493:ISBN
2459:2020
2431:ISBN
2412:2020
2382:2020
2356:2021
2330:2020
2305:2021
2278:2021
2252:2021
2226:2021
2213:ISBN
2192:2023
2166:2021
2141:2021
2128:ISBN
2107:2021
2082:2020
2001:ISSN
1968:2018
1935:ISSN
1885:2021
1826:ISBN
1807:2020
1781:2021
1752:2021
1739:ISBN
1712:ISBN
1688:2023
1655:2017
1624:ISBN
1620:100—
1471:and
1420:and
1267:and
992:and
964:and
932:and
912:and
900:and
867:Bing
590:and
582:and
570:and
286:jazz
166:Jazz
79:news
26:and
3956:MPS
3931:JMT
3896:ECM
3891:CTI
3876:BYG
3058:105
2245:npr
2024:in
1473:CBS
1469:NBC
1372:by
1117:by
1065:USO
1056:).
722:by
538:".
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