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believed to have been a proposition. In
January 1994, Farrar called manager Tony Margherita to inform him of his decision to leave the band. Farrar told Margherita that he was no longer having fun, and did not want to work with Tweedy anymore. Soon after the breakup, Farrar explained his departure: "It just seemed like it reached a point where Jeff and I really weren't compatible. It had ceased to be a symbiotic songwriting relationship, probably after the first record."
565:). Henneman impressed Uncle Tupelo, and he was invited to be a guitar technician and occasional multi-instrumentalist for the band. While Farrar and Heidorn would avoid drinking too much after shows, Tweedy would continue drinking throughout the night. Although Tweedy stopped after he began dating Sue Miller in 1991, a significant communication gap had already been opened between Tweedy and Farrar.
913:, but Wilco maintained a more commercially successful career in the years to follow. Regarding the possibility of a reunion, Mike Heidorn reported in a PopMatters interview that "nothing's ever for sure, but I would have to say, 'No such thing'." Farrar said that he does not want the band to get back together, while Tweedy said that he believes that a reunion would not be productive musically.
42:
939:. However, they began to listen to country music because punk rock was not well received in the Belleville and St. Louis music scenes. While they originally were introduced to country by their parents, it was not until this time that they began to listen to it for leisure. Farrar typically wrote songs about
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Farrar and Tweedy sued
Rockville Records and Dutch East India Trading CEO Barry Tenenbaum in 2000 over royalties that the label allegedly owed them, winning restitution from Tenenbaum and the joint rights to Uncle Tupelo's first three albums. After securing the rights, the band released a compilation
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Around this time, I would say something into a microphone onstage, and afterward pull me aside and say, "Don't you ever fucking talk into that microphone again." He would misconstrue me talking into the microphone as more evidence of my out-of-control, rampant ego, more evidence of me feeling like I
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It's strange to hear Uncle Tupelo mentioned because what we were doing was in such a long line of musical history. People are wrong in starting with us and saying we started anything because we were just picking up the ball, starting with Woody
Guthrie and on to the early '60s and the Flying Burrito
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meant he was only able to dedicate a small amount of time to the group. Additionally, Heidorn broke his collarbone during a concert in 1986, which caused the band to go on hiatus. Jay Farrar and Tweedy continued to write songs and perform at
Heidorn's house while he recovered, and by 1987 they had
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Tweedy was enraged that he heard the news secondhand from
Margherita, rather than directly from Farrar. The following day, the two engaged in a verbal confrontation. As a favor to Margherita, who had spent a substantial amount of money to keep the band running, Farrar agreed to a final tour with
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Tweedy felt the new members gave him a new opportunity to contribute to the band, but Farrar felt disdain for Tweedy's new carefree attitude. Years later, Farrar would claim that he had been tempted to quit the band after seeing Tweedy stroking the hair of Farrar's girlfriend, an act which he
333:, where Tweedy's mother Jo Ann would collect the cover fee. They also performed regularly at B St Bar in Belleville with bands such as The Newsboys (later Sammy and the Snowmonkeys), Charlie Langrehr, and The Symptoms. Wade Farrar was the lead singer of the band, but his commitment to
1121:. Due to the influence of the album and periodical, the term "No Depression" became a byword for alternative country—particularly for bands with punk rock influence. The alternative country movement played an important role in the success of future traditionalist country acts such as
704:, Mike Heidorn had secured a steady job at a Belleville newspaper company and was dating a woman who had two children from a previous marriage. Uncle Tupelo had planned a tour of Europe, but Heidorn wanted to stay in Belleville with his girlfriend, whom he married in August 1992.
697:, McEwen offered Uncle Tupelo a contract. Band manager Tony Margherita invoked the $ 50,000 escape clause he had put in their Rockville contract, freeing the band to sign a seven-year deal with Sire. The deal required two albums and specified a budget of $ 150,000 for the first.
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Uncle Tupelo in North
America. Tweedy and Farrar again engaged in a shouting match two weeks into the tour, due to Farrar's refusal to sing harmony on any of Tweedy's songs. The band made its first appearance on national television during the tour when they were featured on
375:. Tweedy met Tony Margherita while working as a clerk at Euclid Records in St. Louis. After attending two of the band's shows, Margherita offered to become their manager. Uncle Tupelo began to play regular shows at Cicero's Basement — a bar close to the campus of
321:, the younger brother of his girlfriend; Heidorn then joined the group as their drummer. The Plebes then decided to change its name to The Primitives, a reference to a 1965 song by psychedelic rock group The Groupies. Due to the unpopularity of punk rock in the
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restarted the group. The
Primitives temporarily added Tony Mayr as a bassist so that Tweedy could play guitar, but a month later the band decided to keep Tweedy on bass and remain a three-piece. To avoid confusion with a successful British band also named
1109:, the Belleville, IL, trio Uncle Tupelo launched more than simply their own career—by fusing the simplicity and honesty of country music with the bracing fury of punk, they kick-started a revolution which reverberated throughout the American underground.
306:, a high school friend of Jay Farrar, to join the band and play with them for the show. Despite a lack of skill with his instrument, Tweedy played an important role in the band by booking early gigs. While The Plebes had been playing music in a
951:, whom he read while working at his mother's bookstore. As a singer, Farrar's lyrics would be front-and-center during performances, but the band's musical style was mostly driven by Tweedy and Heidorn. Jeff Tweedy said in an interview with the
383:'s group Chicken Truck, often played at the venue, which by late 1988 was considered the locus of a new music scene. The band temporarily expanded to a four-piece with the addition of the guitarist Alex Mutrux, but soon reverted to a trio.
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The
Primitives renamed themselves Uncle Tupelo, a name created by combining two randomly chosen words from the dictionary. Inspired by the name, cartoonist Chuck Wagner, a friend of the band, created a character resembling an old, fat
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article about rising stars. However, Rockville
Records refused to pay the band any royalties for the album, a theme that would continue for the remainder of the band's contract. Over seventeen days the band recorded a second album at
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Following Uncle Tupelo's final tour, Tweedy encouraged his bandmates to join him in a new group, while Farrar searched for members for a band of his own. Tweedy was able to retain the rest of the Uncle Tupelo lineup, and created
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and sought them out after the show. Buck was impressed with a version of "Atomic Power" that the band played, and offered his services for their next album. Over a span of five days, Buck produced the group's next album,
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as the opening act on Uncle Tupelo's last tour. Boquist also recruited his brother Dave, and Farrar convinced Mike
Heidorn to leave Belleville to join the group. Farrar's new four-piece began recording their debut album
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gave the tape a rave review, and called Uncle Tupelo the best unsigned band of the year. The accolade drew the attention of independent labels, and the band decided to sign with Jay Fialkov and Debbie Southwood-Smith of
346:, they decided to change their name once again, to Uncle Tupelo. Although they performed only 1960s cover songs as The Primitives, the trio decided to take a new approach and write their own music under their new name.
241:, Farrar announced his decision to leave the band due to a soured relationship with his co-songwriter Tweedy. Uncle Tupelo split on May 1, 1994, after completing a farewell tour. Following the breakup, Farrar formed
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had broken into the mainstream by 1992, and an album released in that style was expected to earn the group a major-label record deal. However, Uncle Tupelo did not want to follow in the footsteps of groups such as
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chart. The group toured until the end of the year, finishing with a sold-out concert at Tramps in New York City. Because of their concert draw, major executives at Sire began to see the band as a potential hit.
846:, took place from April 28 to May 1, 1994. A special "last leg" poster was created for the occasion which facetiously promoted the band as "St. Louis's 4th best country band", based on a readers' poll in the
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have even suggested that they were the genre's sole creator. However, Tweedy and Heidorn dispute this claim, and Farrar says that there is no difference between alternative country and other genres such as
969:... To us, hard-core punk is also folk music. We draw a close parallel between the two. We'll play both in the same set if we get a chance. We don't have any biases as far as music is concerned.
601:. The band was disappointed with the production of the album and decided to discontinue working with Kolderie and Slade. Soon afterward, Uncle Tupelo recorded "Shaking Hands (Soldier's Joy)" on
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1965:, to non-commercial radio stations as a way to promote the re-issues of the band's studio albums. The special is hosted by Lauren Frey and features interviews by Farrar, Tweedy, and Heidorn.
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Brothers that we were influenced by. We didn't start a genre. We contributed to a long line of fairly good music. That's the way we looked at it at the time—doing what was right for the song.
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I want to believe it was purely musical, and I honestly believe that it wasn't working musically. I also believe that we weren't emotionally mature enough to be close friends with a
521:. The album's thematic structure revolved around their lives as adolescents in Belleville; examples are songs about wanting to avoid factory work and songs about fearing a potential
661:. Buck allowed them to stay in his house during the sessions, and charged no money for his services. Henneman's role was increased for this album, and he taught himself how to play
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was released. The album sold more than their two previous recordings combined, although Rockville was displeased that it did not conform to the style of popular alternative rock.
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258:, became a byword for the genre and was widely influential. Uncle Tupelo's sound was unlike popular country music of the time, drawing inspiration from styles as diverse as the
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formed the band after the lead singer of their previous band, The Primitives, left to attend college. The trio recorded three albums for Rockville Records, before signing with
1097:. Uncle Tupelo's usage of distorted guitars to play a style of music that was known for its earnestness became a lasting trend in 1990s modern rock. Jason Ankeny wrote in
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Although Uncle Tupelo broke up before it achieved commercial success, the band is renowned for its impact on the alternative country music scene. The group's first album,
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like the music that he originally heard the group perform. This caused tensions between Tweedy and Dade Farrar, who left the band two months after Tweedy joined.
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593:, with a more layered sound, was also produced by Kolderie and Slade, with contributions by Slade, Henneman, Rich Gilbert, Chris Bess of Enormous Richard, and
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873:. They began rehearsing a few days after the final Uncle Tupelo concert, and by August 1994 they were in the recording studio for their first album,
394:, includes "I Got Drunk" and "Screen Door", as well as early versions of several other songs that would appear on the band's first studio album. The
719:. The band instead selected Belzer as Heidorn's replacement, but he only stayed with the band for six months. Tweedy explained Belzer's departure:
827:. Sire had requested that the band perform "The Long Cut" on the show, which further irked Farrar since the song was written and sung by Tweedy.
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850:. On the last night, Tweedy and Farrar each performed nine songs during the concert, and Mike Heidorn performed as drummer during the encore.
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approached the band after hearing Uncle Tupelo's version of this song performed live. It is an exemplar of the acoustic recordings found on
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807:, Farrar and Tweedy's relationship became more tumultuous, leading to verbal altercations after concerts. In one account, Tweedy recalled:
302:, The Plebes sought to enter a battle-of-the-bands competition but needed another high school student as a member to perform. They invited
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Uncle Tupelo also recorded a one-hour radio special that was released by Legacy Records in 2003. Legacy only distributed the CD, entitled
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In between tours, Farrar, Tweedy and Heidorn formed a country cover band named Coffee Creek, along with Brian Henneman (later a member of
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669:. Despite turning away from the style of popular alternative rock, major labels began to show significant interest in Uncle Tupelo after
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We probably have more influences than we know what to do with. We have two main styles that have been influences. For instance, we like
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person at that point in our lives ... And Bill was and is a very proud and righteous gay person, very open about his homosexuality.
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715:. Although Farrar and Tweedy agreed that Coomer was the better drummer, they were intimidated by his six-foot-four stature and long
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Shortly after Uncle Tupelo's signing, Giant Records changed its name to Rockville Records. The band's first album for Rockville,
923:. In 2003, Uncle Tupelo re-issued their first three albums, which before the lawsuit had cumulatively sold over 200,000 copies.
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in New York City. Explaining the decision, the band said that " original goals don't get distorted with an independent label."
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Eichenberger, Bill (March 1, 1994). "Life's All Right; Uncle Tupelo Kicks Back, Adds Acoustic Touch and Sings Great Songs".
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943:, while Tweedy wrote about more mainstream topics such as relationships. Farrar took influence from authors such as
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367:. The trio recorded a four-song demo tape, which got them supporting slots opening for headline artists such as
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619:. However, the tour only lasted for a few shows because of managerial problems between Shocked and The Band.
298:, along with his brothers Wade and Dade, played in an early 1980s garage band named The Plebes. Hailing from
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558:. The album was released on June 21, 1990, and the band celebrated by playing at Cicero's for two nights.
449:, sung by Jay Farrar. This song exemplifies the band's start–stop song technique, which was influenced by
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performer. Stirratt became the full-time bassist, allowing Tweedy to perform more songs with the guitar.
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and traditional country music. While the genre eventually became associated with solo artists such as
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Uncle Tupelo recorded demo tracks in the attic studio of future Chicago punk producer Matt Allison in
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Re-released April 15, 2003 as CD only (Legacy Recordings) with five bonus tracks and a hidden track.
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Corcoran, Michael (January 11, 1991). "Uncle Tupelo Makes Name for Itself as a Band to Watch".
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and expanding to a five-piece. Shortly after the release of the band's major label debut album
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Blackstock, Peter (January 23, 1991). "Uncle Tupelo Offers Varying Takes on Small-town Life".
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following Boon's death in a van accident. The band has released songs originally performed by
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Now a five-piece, Uncle Tupelo recorded their major label debut at Cedar Creek studio in
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An early poster for an Uncle Tupelo show, in the style of Chuck Wagner's original drawing
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The band was also known as "The Primatives" due to a misprint on their business cards
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735:, the band replaced Belzer with Coomer. The band also experimented with new members:
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3185:"Music Preview: Ever-prolific Ryan Adams eases down the road with Dead-like 'Roses'"
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began to pursue the band. McEwen, who brought notable acts such as Dinosaur Jr. and
329:-oriented garage rock at fast tempos. They performed regularly at a wedding hall in
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With the addition of Stirratt, Coomer, and Johnston just prior to the recording of
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As The Primitives, Tweedy and Farrar were highly influenced by punk bands such as
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Uncle Tupelo's original lineup (c. 1991)—Jay Farrar, Jeff Tweedy, and Mike Heidorn
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Re-released April 15, 2003 as CD only (Legacy Recordings) with five bonus tracks.
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The band's first three albums influenced contemporary roots rock artists such as
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Re-released April 15, 2003 as CD only (Legacy Recordings) with six bonus tracks.
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consisted of live-in-the-studio recordings and included a duet with Farrar and
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Re-released March 11, 2003 as CD only (Rhino Records) with five bonus tracks.
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Morse, Steve (October 8, 1992). "Shocked's Show Goes on, Despite Disputes".
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Tweedy in particular was inspired by the Minutemen, and wrote a song about
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3336:"No Depression: Surveying the Past, Present, and Future of American Music"
3311:"Uncle Tupelo Live: Looking Back on the Band Who Invented Alterna-country"
3232:"No Depression: Surveying the Past, Present, and Future of American Music"
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Pick, Steve (July 5, 1990). "Uncle Tupelo: From Belleville to Rockville".
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Retrospective compilation album with three previously unreleased tracks.
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Before leaving the band in 1984, Dade Farrar introduced its members to
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Puls, Eric (November 6, 1992). "Tupelo Cuts Its Shocked Tour Short".
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Pick, Steve (January 28, 1988). "Uncle Tupelo No Longer Primitive".
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replaced Brian Henneman (who left to form The Bottle Rockets) while
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when alternative music was breaking through was a move inspired by
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768:. The album sold 150,000 copies, and was their only entry on the
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1035:. Critic Michael Corcoran likened the band's musical style to "
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20 More Explosive Fantastic Rockin' Mega Smash Hit Explosions!
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to produce the album. Slade let Farrar play on the same 1961
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2660:"Jay Farrar Speaks Extensively About Uncle Tupelo's Breakup"
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only; two albums packaged together with a new cover design.
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had sold an estimated 15,000 copies, and was featured in a
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1798:; the song features Farrar, Tweedy and Heidorn as well as
1080:. Heidorn commented in a Country Standard Time interview:
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The band held auditions prior to the promotional tour for
3139:"10 years later, Uncle Tupelo is still ahead of its time"
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Modern Twang: An Alternative Country Guide and Directory
2800:"Uncle Tupelo 89/93: Anthology—PopMatters Music Review"
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Uncle Tupelo is credited as one of the founders of the
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as much as early Bob Dylan and Dinosaur Jr. as much as
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to Sire, had been interested in them since hearing the
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with Heidorn, while the remaining members continued as
3251:"Alt-country Pioneers Uncle Tupelo Get New Anthology"
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1602:"Gun"/"I Wanna Destroy You"/"Still Be Around" (demo)
274:. Farrar and Tweedy's lyrics frequently referred to
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I Am Trying to Break Your Heart: A Film About Wilco
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266:and the country instrumentation and harmony of the
3457:Factory Belt: The Unofficial Uncle Tupelo Archives
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1898:song, originally recorded in 1975; performed with
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3356:"The Long Cut: A One Hour Radio Special (review)"
3079:"Five Cash Titles and Uncle Tupelo Lead Releases"
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2696:"Jay Farrar Traces a Path Away from Uncle Tupelo"
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879:. Farrar asked Jim Boquist to join his new band,
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4055:Sunken Treasure: Live in the Pacific Northwest
3257:. Archived from the original on July 12, 2012.
2822:"Son Volt's Jay Farrar searches for an escape"
1029:immediately after the commercially successful
1017:'s decision to release the challenging albums
379:. Bands playing in a similar style, including
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1916:7" compilation issued by the German magazine
1677:Cover of single reads "The Long Cut + 5 Live"
611:and joined her on the accompanying tour with
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1247:The album's title became a nickname for the
812:didn't have to be so fucking afraid anymore.
785:'s track "Effigy" to the AIDS-Benefit album
3956:Alpha Mike Foxtrot: Rare Tracks 1994 - 2014
2408:Saah, J; Habibion, S; Attenburg, M (1994).
2013:Country Music USA: 50th Anniversary Edition
2009:
830:Uncle Tupelo's last concerts, two shows at
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2016:. University of Texas Press. p. 528.
1226:Label: Rockville Records (ROCK-6050-2/1/4)
3141:. countrystandardtime.com. Archived from
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1105:With the release of their 1990 debut LP,
781:In 1993, the band contributed a cover of
638:"as a big 'fuck you' to the rock scene".
3105:. countrystandardime.com. Archived from
2999:"Uncle Tupelo—Alt Country—Country—Music"
2978:
2410:"The Last Uncle Tupelo Interview, Ever!"
2156:re-issue liner notes. Legacy Recordings.
1986:"Uncle Tupelo | Biography & History"
1833:Conmemorativo: A Tribute to Gram Parsons
1318:Label: Rockville Records (ROCK-6090-2/4)
1286:Label: Rockville Records (ROCK-6070-2/4)
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27:American alternative country music group
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3103:"Alternative Country, Indy Scene Grows"
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2010:Malone, Bill C.; Laird, Tracey (2018).
1942:The Best of Mountain Stage Volume Seven
1399:Still Feel Gone & March 16–20, 1992
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390:. The demo, distributed with the title
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3157:Noble, Johnathan P. (April 29, 2003).
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2450:
2448:
1963:The Long Cut: A One Hour Radio Special
1883:"Are You Sure Hank Done It This Way?"
528:. Impressed by their previous work on
4128:Musical groups disestablished in 1994
3913:Mermaid Avenue: The Complete Sessions
3644:
3470:
3156:
3136:
2882:
2773:
2658:Llewellyn, Kati (September 8, 2005).
2434:
2221:
2219:
2068:"American Alternative Rock/Post-Punk"
1782:"Shaking Hands (Soldier's Joy)"
1633:Label: Rockville Records (ROCK6089-7)
1618:Cassette version of the "Gun" single.
1606:Label: Rockville Records (ROCK6069-4)
1589:Label: Rockville Records (ROCK6069-7)
1569:Label: Rockville Records (ROCK6055-7)
3204:
3100:
2987:
2819:
2798:Dechert, S. Renee (April 22, 2002).
2454:
2401:
2290:
2225:
2202:Dechert, S. Renee (April 22, 2002).
2195:
2133:
1979:
1977:
1872:song originally recorded in 1969 by
1844:song originally recorded in 1968 by
1465:All demo tapes are self-released on
700:Around the time of the recording of
4163:Giant Records (independent) artists
4113:American alternative country groups
3988:Wilco Live: Ashes of American Flags
3871:Kicking Television: Live in Chicago
3407:
3076:
3021:
2932:
2873:
2867:
2844:"The Main Attractions: Jeff Tweedy"
2746:
2734:
2722:
2681:
2645:
2616:
2601:
2589:
2577:
2565:
2553:
2541:
2512:
2500:
2488:
2471:
2445:
2395:
2383:
2368:
2356:
2344:
2278:
2266:
2254:
2242:
2189:
2177:
2127:
2110:
2098:
1949:Recorded live at Mountain Stage in
1920:(WTN 006); also includes tracks by
1264:uses the album's title as its name.
337:and an attempted enlistment in the
325:area, The Primitives began to play
24:
4133:Musical groups established in 1987
2911:Ganahl, Jane (February 20, 2004).
2774:Cohen, Jonathan (April 13, 2007).
2216:
2036:
1983:
1153:– vocals, bass, guitar (1987–1994)
498:Problems playing these files? See
419:
377:Washington University in St. Louis
349:
25:
4174:
3436:
3364:Last accessed September 27, 2007.
3034:"Genre: Alternative Country-Rock"
2944:Tweedy, Jeff. Lyrics. "D. Boon."
2039:"Wilco | Biography & History"
1974:
731:After touring Europe opening for
4158:Dutch East India Trading artists
3496:
3344:Last accessed December 18, 2006.
3240:Last accessed December 18, 2006.
3207:"Uncle Tupelo: Anodyne (review)"
3121:Borovik, Julie (July 21, 2003).
2996:
2308:"Uncle Tupelo Taking Giant Step"
2306:Toroian, Diane (November 1989).
1846:The International Submarine Band
1688:
1404:Label: Dutch East India (6110-1)
1195:
1117:lent its name to an influential
909:hit with "Drown" from the album
464:
435:
219:, active between 1987 and 1994.
40:
4148:1987 establishments in Illinois
3981:I Am Trying to Break Your Heart
3462:Postcard From Hell Mailing List
3417:(1st ed.). New York City,
3347:
3328:
3302:
3282:
3276:
3243:
3224:
3198:
3176:
3150:
3130:
3114:
3094:
3070:
3051:
2972:
2965:"Uncle Tupelo: Released covers"
2957:
2938:
2904:
2835:
2813:
2791:
2767:
2752:
2694:Blackstock, Peter (Fall 1995).
2687:
2651:
2622:
2518:
2428:
2321:
2299:
2284:
2204:"Uncle Tupelo 89/93: Anthology"
1375:
853:
585:North Brookfield, Massachusetts
478:, sung by Farrar. Originally a
413:Recordings on Rockville Records
3183:Mervis, Scott (May 12, 2005).
2842:Kandell, Steve (May 2, 2007).
2759:"Hot Mainstream Rock Tracks".
2159:
2056:
2030:
2003:
1638:"Looking for a Way Out" (live)
1513:Recorded live at Blue Note in
1360:Format: CD (-2), cassette (-4)
1324:Format: CD (-2), cassette (-4)
1292:Format: CD (-2), cassette (-4)
1190:
1168:– violin, mandolin (1992–1994)
1119:alternative country periodical
646:, saw the trio perform at the
405:, who offered to book them at
13:
1:
4123:Musical groups from St. Louis
3370:
3309:Ashare, Mark (May 16, 2003).
3059:"Music Profiles—Uncle Tupelo"
1459:
1043:on a speeded-up version of a
926:
824:Late Night with Conan O'Brien
310:style, Tweedy wanted to play
291:The Plebes and The Primitives
4138:Musical groups from Illinois
4118:American country rock groups
3091:Last accessed March 8, 2015.
2883:Klein, Joe (June 13, 2004).
2832:Last accessed March 8, 2015.
2820:Pais, Matt (April 4, 2007).
2776:"Wilco: In the Comfort Zone"
1887:Trademark of Quality, Vol. 2
1874:Creedence Clearwater Revival
1764:theme song of the eponymous
1289:Released: September 17, 1991
1141:– vocals, guitar (1987–1994)
979:Creedence Clearwater Revival
783:Creedence Clearwater Revival
693:demo tape. At the urging of
335:Southern Illinois University
7:
3325:Last accessed June 8, 2007.
3299:Last accessed May 21, 2007.
3273:Last accessed June 9, 2007.
3221:Last accessed June 8, 2007.
3173:Last accessed June 8, 2007.
3147:Last accessed June 8, 2007.
3137:Baker, Brian (March 2003).
3127:Last accessed June 8, 2007.
3111:Last accessed June 8, 2007.
3077:Orr, Jay (March 19, 2002).
2969:Last accessed May 22, 2007.
2923:Last accessed June 8, 2007.
2858:Last accessed June 8, 2007.
2810:Last accessed June 8, 2007.
2788:Last accessed June 8, 2007.
2710:Last accessed June 8, 2007.
2672:Last accessed June 8, 2007.
2318:Last accessed June 8, 2007.
901:while Son Volt signed with
10:
4179:
4079:Wilco: Learning How to Die
3622:Wilco: Learning How to Die
3414:Wilco: Learning How to Die
3195:Last accessed June 8, 2007
3101:Remz, Jeffrey (May 1996).
1928:and the Fellow Travellers.
1665:"Truck Drivin' Man" (live)
1539:
1492:Colorblind & Rhymeless
1174:– bass, guitar (1992–1994)
1156:Bill Belzer – drums (1992)
1132:
857:
798:
285:
3997:
3965:
3947:
3922:
3880:
3862:
3760:
3678:
3670:
3603:
3555:
3504:
3267:: CS1 maint: unfit URL (
3205:Moon, Tom (May 1, 2003).
2412:. UNo MAS. Archived from
2331:Austin American-Statesman
1951:Charleston, West Virginia
1934:
1825:
1794:Written and performed by
1771:; the recording features
1741:
1725:
1709:
1624:
1580:
1560:
1529:Not Forever, Just for Now
1523:
1500:
1486:
1420:
1393:
1357:Released: October 5, 1993
1337:
1305:
1273:
1213:
1050:
691:Not Forever, Just for Now
548:Gibson Les Paul SG Junior
392:Not Forever, Just for Now
190:
186:
152:
148:
127:
103:
93:
67:
56:
51:
39:
32:
3285:"Uncle Tupelo Biography"
3255:Canadian Online Explorer
3083:Country Music Television
2064:Erlewine, Stephen Thomas
1968:
1713:"Before I Break" (demo)
1680:Promotional single only.
1444:Released: March 19, 2002
1321:Released: August 3, 1992
905:. Son Volt had an early
4044:Jeff Tweedy discography
3906:Mermaid Avenue Vol. III
3377:Goodman, David (1999).
3190:Pittsburgh Post-Gazette
2918:San Francisco Chronicle
2293:St. Louis Post-Dispatch
2229:St. Louis Post-Dispatch
1663:"We've Been Had" (live)
1229:Released: June 21, 1990
954:St. Louis Post-Dispatch
681:In 1992, Joe McEwen of
3899:Mermaid Avenue Vol. II
3323:on September 28, 2007.
3297:on September 30, 2007.
3171:on September 30, 2007.
3145:on September 30, 2007.
3123:"Jay Farrar Interview"
3089:on September 23, 2015.
2152:Heidorn, Mike (2003).
1909:"Fifteen Keys" (live)
1671:"Fifteen Keys" (live)
1594:"I Wanna Destroy You"
1111:
1087:
971:
814:
729:
630:, and decided to play
424:
359:
52:Background information
3354:Unterberger, Richie.
3109:on September 2, 2007.
3061:. BBC. Archived from
2913:"Profile: Jay Farrar"
1103:
1082:
959:
858:Further information:
809:
721:
554:originally played on
423:
357:
4153:Sire Records artists
3790:Yankee Hotel Foxtrot
2080:on November 13, 2010
1817:Stolar Tracks Vol. 1
903:Warner Bros. Records
793:Red Hot Organization
677:Major label contract
397:CMJ New Music Report
300:Belleville, Illinois
217:Belleville, Illinois
61:Belleville, Illinois
3938:Hot Sun Cool Shroud
3594:89/93: An Anthology
3219:on October 1, 2007.
2885:"Alt-Country Roads"
2635:. October 10, 1993.
1733:A Matter of Degrees
1657:Label: Sire Records
1427:89/93: An Anthology
1249:alternative country
1162:– drums (1992–1994)
1147:– drums (1987–1992)
1057:alternative country
1026:Tonight's the Night
999:The Louvin Brothers
920:89/93: An Anthology
766:Sir Douglas Quintet
474:The tenth track on
445:The fifth track on
388:Champaign, Illinois
331:Millstadt, Illinois
213:alternative country
75:Alternative country
4010:The Autumn Defense
3931:More Like the Moon
3421:: Broadway Books.
2967:. factorybelt.net.
2890:The New York Times
2708:on March 26, 2007.
1515:Columbia, Missouri
1506:Live and Otherwise
1059:genre, a blend of
894:in November 1994.
840:Mississippi Nights
836:Columbia, Missouri
563:The Bottle Rockets
538:, the band wanted
425:
360:
339:United States Army
4098:
4097:
3811:Wilco (The Album)
3638:
3637:
3580:March 16-20, 1992
3393:: Dowling Press.
3065:on June 11, 2007.
2981:Chicago Sun-Times
2954:. Rockville 1991.
2935:, pp. 36–37.
2786:on June 22, 2007.
2763:. April 13, 1996.
2749:, pp. 89–90.
2725:, pp. 82–83.
2684:, pp. 81–82.
2670:on March 8, 2008.
2619:, pp. 79–80.
2544:, pp. 71–73.
2528:Columbus Dispatch
2474:, pp. 59–60.
2458:Chicago Sun-Times
2371:, pp. 51–53.
2359:, pp. 48–49.
2347:, pp. 41–44.
2269:, pp. 29–30.
2257:, pp. 25–26.
2023:978-1-4773-1535-4
1959:
1958:
1918:What's That Noise
1787:Arkansas Traveler
1686:
1685:
1537:
1536:
1457:
1456:
1373:
1372:
1312:March 16–20, 1992
1113:Their 1990 album
1091:Richmond Fontaine
1011:March 16–20, 1992
983:The Carter Family
838:and two shows at
709:March 16–20, 1992
702:March 16–20, 1992
671:March 16–20, 1992
658:March 16–20, 1992
608:Arkansas Traveler
476:March 16–20, 1992
469:
440:
215:music group from
206:
205:
16:(Redirected from
4170:
3998:Related articles
3712:Mikael Jorgensen
3665:
3658:
3651:
3642:
3641:
3604:Related articles
3491:
3484:
3477:
3468:
3467:
3453:
3448:
3447:
3445:Official website
3432:
3404:
3385:(1st ed.).
3384:
3365:
3363:
3351:
3345:
3343:
3338:. Archived from
3332:
3326:
3324:
3319:. Archived from
3306:
3300:
3298:
3293:. Archived from
3280:
3274:
3272:
3266:
3258:
3247:
3241:
3239:
3238:on July 2, 2007.
3234:. Archived from
3228:
3222:
3220:
3215:. Archived from
3202:
3196:
3194:
3180:
3174:
3172:
3167:. Archived from
3154:
3148:
3146:
3134:
3128:
3126:
3125:. nadamucho.com.
3118:
3112:
3110:
3098:
3092:
3090:
3085:. Archived from
3074:
3068:
3066:
3055:
3049:
3048:
3046:
3044:
3030:
3019:
3018:
3016:
3014:
3009:on June 24, 2009
3005:. Archived from
2994:
2985:
2984:
2976:
2970:
2968:
2961:
2955:
2942:
2936:
2930:
2924:
2922:
2908:
2902:
2901:
2899:
2897:
2880:
2871:
2865:
2859:
2857:
2856:on June 4, 2007.
2852:. Archived from
2839:
2833:
2831:
2817:
2811:
2809:
2795:
2789:
2787:
2782:. Archived from
2771:
2765:
2764:
2756:
2750:
2744:
2738:
2737:, p. 84−85.
2732:
2726:
2720:
2711:
2709:
2704:. Archived from
2691:
2685:
2679:
2673:
2671:
2666:. Archived from
2655:
2649:
2643:
2637:
2636:
2626:
2620:
2614:
2605:
2599:
2593:
2587:
2581:
2575:
2569:
2563:
2557:
2551:
2545:
2539:
2533:
2532:
2522:
2516:
2510:
2504:
2498:
2492:
2486:
2475:
2469:
2463:
2462:
2452:
2443:
2442:
2438:The Boston Globe
2432:
2426:
2425:
2423:
2421:
2416:on April 9, 2001
2405:
2399:
2393:
2387:
2381:
2372:
2366:
2360:
2354:
2348:
2342:
2336:
2335:
2325:
2319:
2317:
2303:
2297:
2296:
2288:
2282:
2276:
2270:
2264:
2258:
2252:
2246:
2240:
2234:
2233:
2223:
2214:
2213:
2199:
2193:
2187:
2181:
2175:
2166:
2163:
2157:
2150:
2131:
2125:
2114:
2108:
2102:
2096:
2090:
2089:
2087:
2085:
2076:. Archived from
2060:
2054:
2053:
2051:
2049:
2034:
2028:
2027:
2007:
2001:
2000:
1998:
1996:
1981:
1796:Michelle Shocked
1693:
1692:
1669:"Suzie Q" (live)
1667:"Anodyne" (live)
1544:
1543:
1473:
1472:
1380:
1379:
1200:
1199:
1061:alternative rock
897:Wilco signed to
848:Riverfront Times
791:produced by the
642:, guitarist for
623:Alternative rock
603:Michelle Shocked
523:Persian Gulf War
471:
470:
442:
441:
422:
202:
199:
197:
155:
96:
44:
30:
29:
21:
4178:
4177:
4173:
4172:
4171:
4169:
4168:
4167:
4103:
4102:
4099:
4094:
4026:Down with Wilco
3993:
3974:Man in the Sand
3961:
3943:
3918:
3876:
3858:
3797:A Ghost Is Born
3756:
3674:
3669:
3639:
3634:
3599:
3573:Still Feel Gone
3551:
3500:
3495:
3443:
3442:
3439:
3429:
3401:
3373:
3368:
3352:
3348:
3334:
3333:
3329:
3307:
3303:
3281:
3277:
3260:
3259:
3249:
3248:
3244:
3230:
3229:
3225:
3203:
3199:
3181:
3177:
3164:The Daily Texan
3155:
3151:
3135:
3131:
3119:
3115:
3099:
3095:
3075:
3071:
3057:
3056:
3052:
3042:
3040:
3032:
3031:
3022:
3012:
3010:
2995:
2988:
2977:
2973:
2963:
2962:
2958:
2947:Still Feel Gone
2943:
2939:
2931:
2927:
2909:
2905:
2895:
2893:
2881:
2874:
2866:
2862:
2840:
2836:
2827:Chicago Tribune
2818:
2814:
2796:
2792:
2772:
2768:
2758:
2757:
2753:
2745:
2741:
2733:
2729:
2721:
2714:
2692:
2688:
2680:
2676:
2664:Pitchfork Media
2656:
2652:
2644:
2640:
2629:"Heatseekers".
2628:
2627:
2623:
2615:
2608:
2600:
2596:
2588:
2584:
2576:
2572:
2564:
2560:
2552:
2548:
2540:
2536:
2523:
2519:
2511:
2507:
2499:
2495:
2487:
2478:
2470:
2466:
2453:
2446:
2433:
2429:
2419:
2417:
2406:
2402:
2394:
2390:
2382:
2375:
2367:
2363:
2355:
2351:
2343:
2339:
2326:
2322:
2304:
2300:
2289:
2285:
2277:
2273:
2265:
2261:
2253:
2249:
2241:
2237:
2224:
2217:
2200:
2196:
2188:
2184:
2176:
2169:
2164:
2160:
2151:
2134:
2126:
2117:
2109:
2105:
2097:
2093:
2083:
2081:
2061:
2057:
2047:
2045:
2037:Ankeny, Jason.
2035:
2031:
2024:
2008:
2004:
1994:
1992:
1984:Ankeny, Jason.
1982:
1975:
1971:
1902:on lead vocals.
1896:Waylon Jennings
1775:on lead vocals.
1729:"Won't Forget"
1717:Out of the Gate
1691:
1670:
1668:
1666:
1664:
1641:"Take My Word"
1639:
1542:
1462:
1412:Double LP album
1378:
1280:Still Feel Gone
1258:The periodical
1198:
1193:
1188:
1187:
1185:
1135:
1053:
937:The Sex Pistols
929:
899:Reprise Records
866:
856:
801:
754:in early 1993.
679:
652:Athens, Georgia
590:Still Feel Gone
568:By March 1991,
505:
504:
496:
494:
493:
492:
491:
480:Louvin Brothers
472:
465:
462:
456:
455:
454:
443:
436:
433:
426:
420:
415:
369:Johnny Thunders
352:
350:As Uncle Tupelo
293:
288:
282:of Belleville.
194:
179:
175:
171:
169:
165:
161:
153:
144:
123:
94:
89:
47:
35:
28:
23:
22:
15:
12:
11:
5:
4176:
4166:
4165:
4160:
4155:
4150:
4145:
4140:
4135:
4130:
4125:
4120:
4115:
4096:
4095:
4093:
4092:
4087:
4082:
4075:
4072:The Wilco Book
4068:
4063:
4058:
4051:
4046:
4041:
4036:
4029:
4022:
4017:
4012:
4007:
4001:
3999:
3995:
3994:
3992:
3991:
3984:
3977:
3969:
3967:
3963:
3962:
3960:
3959:
3951:
3949:
3945:
3944:
3942:
3941:
3934:
3926:
3924:
3920:
3919:
3917:
3916:
3909:
3902:
3895:
3892:Mermaid Avenue
3887:
3885:
3878:
3877:
3875:
3874:
3866:
3864:
3860:
3859:
3857:
3856:
3849:
3842:
3835:
3828:
3821:
3818:The Whole Love
3814:
3807:
3800:
3793:
3786:
3779:
3772:
3764:
3762:
3758:
3757:
3755:
3754:
3749:
3747:Brian Henneman
3744:
3739:
3734:
3729:
3723:
3722:
3715:
3708:
3701:
3694:
3687:
3679:
3676:
3675:
3668:
3667:
3660:
3653:
3645:
3636:
3635:
3633:
3632:
3625:
3618:
3613:
3607:
3605:
3601:
3600:
3598:
3597:
3590:
3583:
3576:
3569:
3561:
3559:
3553:
3552:
3550:
3549:
3544:
3539:
3534:
3528:
3527:
3520:
3513:
3505:
3502:
3501:
3494:
3493:
3486:
3479:
3471:
3465:
3464:
3459:
3454:
3438:
3437:External links
3435:
3434:
3433:
3427:
3405:
3399:
3372:
3369:
3367:
3366:
3346:
3342:on 2008-02-24.
3327:
3316:Boston Phoenix
3301:
3275:
3242:
3223:
3197:
3175:
3149:
3129:
3113:
3093:
3069:
3050:
3020:
2986:
2971:
2956:
2937:
2925:
2903:
2872:
2860:
2834:
2812:
2790:
2766:
2751:
2739:
2727:
2712:
2686:
2674:
2650:
2638:
2621:
2606:
2594:
2582:
2570:
2558:
2546:
2534:
2517:
2505:
2493:
2476:
2464:
2444:
2427:
2400:
2388:
2373:
2361:
2349:
2337:
2320:
2298:
2283:
2271:
2259:
2247:
2235:
2215:
2194:
2182:
2167:
2158:
2132:
2115:
2103:
2091:
2055:
2029:
2022:
2002:
1972:
1970:
1967:
1957:
1956:
1955:
1954:
1945:
1939:
1936:
1932:
1931:
1930:
1929:
1922:Cordelia's Dad
1912:
1910:
1906:
1905:
1904:
1903:
1890:
1884:
1880:
1879:
1878:
1877:
1864:
1860:No Alternative
1856:
1852:
1851:
1850:
1849:
1836:
1830:
1827:
1823:
1822:
1820:
1814:
1810:
1809:
1808:
1807:
1790:
1783:
1779:
1778:
1777:
1776:
1773:Brian Henneman
1756:
1750:
1743:
1739:
1738:
1736:
1730:
1727:
1723:
1722:
1720:
1714:
1711:
1707:
1706:
1703:
1700:
1697:
1690:
1687:
1684:
1683:
1682:
1681:
1678:
1673:
1660:
1659:
1658:
1653:"The Long Cut"
1650:
1646:
1645:
1643:
1636:
1635:
1634:
1626:
1622:
1621:
1620:
1619:
1616:
1615:Triple A-side.
1611:
1609:
1608:
1607:
1598:
1597:
1595:
1592:
1591:
1590:
1582:
1578:
1577:
1575:
1572:
1571:
1570:
1562:
1558:
1557:
1554:
1551:
1548:
1541:
1538:
1535:
1534:
1532:
1525:
1521:
1520:
1519:
1518:
1509:
1502:
1498:
1497:
1495:
1488:
1484:
1483:
1480:
1477:
1471:
1470:
1461:
1458:
1455:
1454:
1453:
1452:
1447:
1446:
1445:
1442:
1422:
1418:
1417:
1416:
1415:
1407:
1406:
1405:
1395:
1391:
1390:
1387:
1384:
1377:
1374:
1371:
1370:
1369:
1368:
1363:
1362:
1361:
1358:
1355:
1339:
1335:
1334:
1333:
1332:
1327:
1326:
1325:
1322:
1319:
1307:
1303:
1302:
1301:
1300:
1295:
1294:
1293:
1290:
1287:
1275:
1271:
1270:
1269:
1268:
1265:
1256:
1243:
1242:
1241:
1230:
1227:
1215:
1211:
1210:
1207:
1204:
1197:
1194:
1192:
1189:
1183:
1182:
1176:
1175:
1169:
1163:
1157:
1154:
1148:
1142:
1134:
1131:
1052:
1049:
1003:Texas Tornados
941:Middle America
928:
925:
855:
852:
800:
797:
788:No Alternative
678:
675:
581:Long View Farm
526:military draft
495:
473:
463:
460:"Atomic Power"
458:
457:
444:
434:
431:"Factory Belt"
429:
428:
427:
418:
417:
416:
414:
411:
381:Brian Henneman
351:
348:
344:The Primitives
292:
289:
287:
284:
276:Middle America
204:
203:
192:
188:
187:
184:
183:
156:
150:
149:
146:
145:
143:
142:
137:
131:
129:
125:
124:
122:
121:
116:
111:
107:
105:
101:
100:
97:
91:
90:
88:
87:
82:
77:
71:
69:
65:
64:
58:
54:
53:
49:
48:
45:
37:
36:
33:
26:
9:
6:
4:
3:
2:
4175:
4164:
4161:
4159:
4156:
4154:
4151:
4149:
4146:
4144:
4141:
4139:
4136:
4134:
4131:
4129:
4126:
4124:
4121:
4119:
4116:
4114:
4111:
4110:
4108:
4101:
4091:
4088:
4086:
4083:
4081:
4080:
4076:
4074:
4073:
4069:
4067:
4064:
4062:
4059:
4057:
4056:
4052:
4050:
4047:
4045:
4042:
4040:
4037:
4035:
4034:
4030:
4028:
4027:
4023:
4021:
4018:
4016:
4013:
4011:
4008:
4006:
4003:
4002:
4000:
3996:
3990:
3989:
3985:
3983:
3982:
3978:
3976:
3975:
3971:
3970:
3968:
3964:
3958:
3957:
3953:
3952:
3950:
3946:
3940:
3939:
3935:
3933:
3932:
3928:
3927:
3925:
3921:
3915:
3914:
3910:
3908:
3907:
3903:
3901:
3900:
3896:
3894:
3893:
3889:
3888:
3886:
3884:
3879:
3873:
3872:
3868:
3867:
3865:
3861:
3855:
3854:
3850:
3848:
3847:
3846:Cruel Country
3843:
3841:
3840:
3836:
3834:
3833:
3829:
3827:
3826:
3822:
3820:
3819:
3815:
3813:
3812:
3808:
3806:
3805:
3801:
3799:
3798:
3794:
3792:
3791:
3787:
3785:
3784:
3780:
3778:
3777:
3773:
3771:
3770:
3766:
3765:
3763:
3761:Studio albums
3759:
3753:
3750:
3748:
3745:
3743:
3740:
3738:
3735:
3733:
3730:
3728:
3725:
3724:
3721:
3720:
3716:
3714:
3713:
3709:
3707:
3706:
3702:
3700:
3699:
3695:
3693:
3692:
3691:John Stirratt
3688:
3686:
3685:
3681:
3680:
3677:
3673:
3666:
3661:
3659:
3654:
3652:
3647:
3646:
3643:
3631:
3630:
3626:
3624:
3623:
3619:
3617:
3614:
3612:
3609:
3608:
3606:
3602:
3596:
3595:
3591:
3589:
3588:
3584:
3582:
3581:
3577:
3575:
3574:
3570:
3568:
3567:
3566:No Depression
3563:
3562:
3560:
3558:
3554:
3548:
3547:John Stirratt
3545:
3543:
3540:
3538:
3535:
3533:
3530:
3529:
3526:
3525:
3521:
3519:
3518:
3514:
3512:
3511:
3507:
3506:
3503:
3499:
3492:
3487:
3485:
3480:
3478:
3473:
3472:
3469:
3463:
3460:
3458:
3455:
3452:
3446:
3441:
3440:
3430:
3428:0-7679-1558-5
3424:
3420:
3416:
3415:
3410:
3406:
3402:
3400:1-891847-03-1
3396:
3392:
3388:
3383:
3382:
3375:
3374:
3361:
3357:
3350:
3341:
3337:
3331:
3322:
3318:
3317:
3312:
3305:
3296:
3292:
3291:
3290:Rolling Stone
3286:
3279:
3270:
3264:
3256:
3252:
3246:
3237:
3233:
3227:
3218:
3214:
3213:
3212:Rolling Stone
3208:
3201:
3192:
3191:
3186:
3179:
3170:
3166:
3165:
3160:
3159:"Sound Bites"
3153:
3144:
3140:
3133:
3124:
3117:
3108:
3104:
3097:
3088:
3084:
3080:
3073:
3064:
3060:
3054:
3039:
3035:
3029:
3027:
3025:
3008:
3004:
3000:
2993:
2991:
2982:
2975:
2966:
2960:
2953:
2949:
2948:
2941:
2934:
2929:
2920:
2919:
2914:
2907:
2892:
2891:
2886:
2879:
2877:
2870:, p. 72.
2869:
2864:
2855:
2851:
2850:
2845:
2838:
2829:
2828:
2823:
2816:
2807:
2806:
2801:
2794:
2785:
2781:
2777:
2770:
2762:
2755:
2748:
2743:
2736:
2731:
2724:
2719:
2717:
2707:
2703:
2702:
2701:No Depression
2697:
2690:
2683:
2678:
2669:
2665:
2661:
2654:
2648:, p. 77.
2647:
2642:
2634:
2633:
2625:
2618:
2613:
2611:
2604:, p. 78.
2603:
2598:
2592:, p. 75.
2591:
2586:
2580:, p. 74.
2579:
2574:
2568:, p. 73.
2567:
2562:
2556:, p. 69.
2555:
2550:
2543:
2538:
2530:
2529:
2521:
2515:, p. 63.
2514:
2509:
2503:, p. 61.
2502:
2497:
2491:, p. 66.
2490:
2485:
2483:
2481:
2473:
2468:
2460:
2459:
2451:
2449:
2440:
2439:
2431:
2415:
2411:
2404:
2398:, p. 58.
2397:
2392:
2386:, p. 52.
2385:
2380:
2378:
2370:
2365:
2358:
2353:
2346:
2341:
2333:
2332:
2324:
2315:
2314:
2309:
2302:
2294:
2287:
2281:, p. 38.
2280:
2275:
2268:
2263:
2256:
2251:
2245:, p. 23.
2244:
2239:
2231:
2230:
2222:
2220:
2211:
2210:
2205:
2198:
2192:, p. 22.
2191:
2186:
2180:, p. 19.
2179:
2174:
2172:
2162:
2155:
2154:No Depression
2149:
2147:
2145:
2143:
2141:
2139:
2137:
2130:, p. 18.
2129:
2124:
2122:
2120:
2113:, p. 17.
2112:
2107:
2101:, p. 10.
2100:
2095:
2079:
2075:
2074:
2069:
2065:
2059:
2044:
2040:
2033:
2025:
2019:
2015:
2014:
2006:
1991:
1987:
1980:
1978:
1973:
1966:
1964:
1952:
1948:
1947:
1946:
1943:
1940:
1938:"Moonshiner"
1937:
1933:
1927:
1923:
1919:
1915:
1914:
1913:
1911:
1908:
1907:
1901:
1897:
1893:
1892:
1891:
1888:
1885:
1882:
1881:
1875:
1871:
1867:
1866:
1865:
1862:
1861:
1857:
1854:
1853:
1847:
1843:
1839:
1838:
1837:
1834:
1831:
1828:
1824:
1821:
1818:
1815:
1812:
1811:
1805:
1801:
1800:Bernie Leadon
1797:
1793:
1792:
1791:
1789:
1788:
1784:
1781:
1780:
1774:
1770:
1767:
1763:
1762:Merle Haggard
1760:Cover of the
1759:
1758:
1757:
1754:
1751:
1748:
1744:
1740:
1737:
1734:
1731:
1728:
1724:
1721:
1718:
1715:
1712:
1708:
1704:
1701:
1698:
1695:
1694:
1689:Contributions
1679:
1676:
1675:
1674:
1672:
1661:
1656:
1655:
1654:
1651:
1648:
1647:
1644:
1642:
1637:
1632:
1631:
1630:
1629:"Sauget Wind"
1627:
1623:
1617:
1614:
1613:
1612:
1610:
1605:
1604:
1603:
1600:
1599:
1596:
1593:
1588:
1587:
1586:
1583:
1579:
1576:
1573:
1568:
1567:
1566:
1565:"I Got Drunk"
1563:
1559:
1555:
1552:
1549:
1546:
1545:
1533:
1531:
1530:
1526:
1522:
1516:
1512:
1511:
1510:
1508:
1507:
1503:
1499:
1496:
1494:
1493:
1489:
1485:
1481:
1478:
1475:
1474:
1468:
1464:
1463:
1450:
1449:
1448:
1443:
1440:
1436:
1432:
1431:
1430:
1429:
1428:
1423:
1419:
1413:
1410:
1409:
1408:
1403:
1402:
1401:
1400:
1396:
1392:
1388:
1385:
1382:
1381:
1366:
1365:
1364:
1359:
1356:
1354:(9 45424-2/4)
1353:
1349:
1348:
1347:
1346:
1345:
1340:
1336:
1330:
1329:
1328:
1323:
1320:
1317:
1316:
1315:
1314:
1313:
1308:
1304:
1298:
1297:
1296:
1291:
1288:
1285:
1284:
1283:
1282:
1281:
1276:
1272:
1266:
1263:
1262:
1261:No Depression
1257:
1254:
1250:
1246:
1245:
1244:
1239:
1235:
1231:
1228:
1225:
1224:
1223:
1222:
1221:
1220:No Depression
1216:
1212:
1208:
1205:
1202:
1201:
1196:Studio albums
1181:
1180:
1173:
1172:John Stirratt
1170:
1167:
1164:
1161:
1158:
1155:
1152:
1149:
1146:
1143:
1140:
1137:
1136:
1130:
1128:
1124:
1120:
1116:
1115:No Depression
1110:
1108:
1107:No Depression
1102:
1100:
1096:
1092:
1086:
1081:
1079:
1074:
1070:
1066:
1062:
1058:
1048:
1046:
1042:
1038:
1034:
1033:
1028:
1027:
1022:
1021:
1016:
1012:
1008:
1004:
1000:
996:
995:The Soft Boys
992:
988:
984:
980:
976:
970:
968:
967:Hank Williams
964:
958:
956:
955:
950:
946:
945:Kurt Vonnegut
942:
938:
934:
924:
922:
921:
914:
912:
908:
904:
900:
895:
893:
892:
886:
882:
878:
877:
872:
865:
861:
851:
849:
845:
841:
837:
833:
832:The Blue Note
828:
826:
825:
818:
813:
808:
806:
796:
794:
790:
789:
784:
779:
776:
773:
772:
767:
763:
759:
758:
753:
752:Austin, Texas
748:
746:
742:
738:
737:John Stirratt
734:
728:
726:
720:
718:
714:
710:
705:
703:
698:
696:
692:
688:
684:
674:
672:
668:
664:
660:
659:
653:
649:
645:
641:
637:
633:
629:
624:
620:
618:
614:
610:
609:
604:
600:
596:
592:
591:
586:
582:
577:
576:
575:Rolling Stone
571:
570:No Depression
566:
564:
559:
557:
553:
549:
545:
541:
540:Paul Kolderie
537:
536:
531:
527:
524:
520:
519:Massachusetts
516:
512:
511:
510:No Depression
503:
501:
489:
485:
481:
477:
461:
452:
451:The Minutemen
448:
447:No Depression
432:
410:
408:
404:
403:Giant Records
399:
398:
393:
389:
384:
382:
378:
374:
370:
366:
365:Elvis Presley
356:
347:
345:
340:
336:
332:
328:
324:
320:
315:
313:
309:
305:
301:
297:
283:
281:
280:working class
277:
273:
272:Hank Williams
269:
268:Carter Family
265:
264:The Minutemen
261:
260:hardcore punk
257:
256:
255:No Depression
250:
248:
244:
240:
239:
234:
230:
226:
222:
218:
214:
210:
201:
193:
189:
185:
182:
181:John Stirratt
178:
174:
168:
164:
160:
157:
151:
147:
141:
138:
136:
133:
132:
130:
126:
120:
117:
115:
112:
109:
108:
106:
102:
98:
92:
86:
83:
81:
78:
76:
73:
72:
70:
66:
62:
59:
55:
50:
43:
38:
31:
19:
4100:
4090:dBpm Records
4077:
4070:
4066:Uncle Tupelo
4065:
4053:
4033:At the Organ
4031:
4024:
4015:Jim O'Rourke
3986:
3979:
3972:
3954:
3948:Compilations
3936:
3929:
3911:
3904:
3897:
3890:
3869:
3851:
3844:
3837:
3830:
3823:
3816:
3809:
3804:Sky Blue Sky
3802:
3795:
3788:
3781:
3774:
3767:
3752:Max Johnston
3719:Glenn Kotche
3717:
3710:
3703:
3696:
3689:
3682:
3627:
3620:
3592:
3585:
3578:
3571:
3564:
3542:Max Johnston
3524:Mike Heidorn
3522:
3515:
3508:
3498:Uncle Tupelo
3497:
3412:
3380:
3359:
3349:
3340:the original
3330:
3321:the original
3314:
3304:
3295:the original
3288:
3278:
3245:
3236:the original
3226:
3217:the original
3210:
3200:
3188:
3178:
3169:the original
3162:
3152:
3143:the original
3132:
3116:
3107:the original
3096:
3087:the original
3072:
3063:the original
3053:
3041:. Retrieved
3037:
3011:. Retrieved
3007:the original
3003:RealNetworks
2997:Shea, Eric.
2980:
2974:
2959:
2945:
2940:
2928:
2916:
2906:
2894:. Retrieved
2888:
2863:
2854:the original
2847:
2837:
2825:
2815:
2803:
2793:
2784:the original
2779:
2769:
2760:
2754:
2742:
2730:
2706:the original
2699:
2689:
2677:
2668:the original
2653:
2641:
2630:
2624:
2597:
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2012:
2005:
1993:. Retrieved
1962:
1960:
1944:compilation
1941:
1917:
1889:compilation
1886:
1870:John Fogerty
1863:compilation
1858:
1842:Gram Parsons
1835:compilation
1832:
1829:"Blue Eyes"
1819:compilation
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1755:compilation
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1719:compilation
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1376:Compilations
1352:Sire Records
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1166:Max Johnston
1145:Mike Heidorn
1127:Shelby Lynne
1123:Robbie Fulks
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1065:Gram Parsons
1054:
1045:Gram Parsons
1030:
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1020:On the Beach
1018:
1010:
1009:. Releasing
991:Gram Parsons
972:
960:
952:
949:Jack Kerouac
930:
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907:college rock
896:
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854:Post-breakup
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741:Max Johnston
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687:Shawn Colvin
683:Sire Records
680:
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648:40 Watt Club
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599:The Jayhawks
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530:Dinosaur Jr.
508:
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373:Warren Zevon
361:
319:Mike Heidorn
316:
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236:
233:Sire Records
229:Mike Heidorn
209:Uncle Tupelo
208:
207:
198:.uncletupelo
177:Max Johnston
163:Mike Heidorn
154:Past members
95:Years active
80:country rock
34:Uncle Tupelo
4085:Record Club
4039:Golden Smog
4020:Billy Bragg
4005:Discography
3883:Billy Bragg
3863:Live albums
3783:Summerteeth
3776:Being There
3732:Jay Bennett
3705:Pat Sansone
3684:Jeff Tweedy
3557:Discography
3532:Bill Belzer
3517:Jeff Tweedy
3283:Kot, Greg.
1894:Cover of a
1868:Cover of a
1840:Cover of a
1735:soundtrack
1574:"Sin City"
1191:Discography
1151:Jeff Tweedy
1095:Whiskeytown
1069:Lyle Lovett
1041:Soul Asylum
1007:The Stooges
933:The Ramones
775:Heatseekers
695:Gary Louris
595:Gary Louris
304:Jeff Tweedy
225:Jeff Tweedy
170:Bill Belzer
167:Jeff Tweedy
18:Bill Belzer
4107:Categories
3839:Ode to Joy
3737:Ken Coomer
3727:Leroy Bach
3698:Nels Cline
3537:Ken Coomer
3510:Jay Farrar
3371:References
2805:PopMatters
2209:PopMatters
1813:"Wait Up"
1804:Jack Irons
1460:Demo tapes
1439:Sony Music
1160:Ken Coomer
1139:Jay Farrar
1078:roots rock
1015:Neil Young
987:Lead Belly
963:Black Flag
927:Influences
717:dreadlocks
713:Ken Coomer
640:Peter Buck
636:folk songs
544:Sean Slade
500:media help
484:Peter Buck
308:rockabilly
296:Jay Farrar
221:Jay Farrar
173:Ken Coomer
159:Jay Farrar
85:roots rock
4049:Loose Fur
3825:Star Wars
3409:Kot, Greg
3387:Nashville
2780:Billboard
2761:Billboard
2632:Billboard
2048:August 8,
1855:"Effigy"
1769:TV series
1747:Movin' On
1705:Comments
1556:Comments
1482:Comments
1441:(5076122)
1389:Comments
1209:Comments
1039:fronting
1037:Bob Mould
917:entitled
885:Joe Henry
844:St. Louis
771:Billboard
762:Doug Sahm
613:Taj Mahal
605:'s album
583:in rural
552:J. Mascis
323:St. Louis
312:punk rock
110:Rockville
99:1987–1994
3832:Schmilco
3742:Bob Egan
3611:Son Volt
3411:(2004).
3360:Allmusic
3263:cite web
3038:Allmusic
2933:Kot 2004
2868:Kot 2004
2747:Kot 2004
2735:Kot 2004
2723:Kot 2004
2682:Kot 2004
2646:Kot 2004
2617:Kot 2004
2602:Kot 2004
2590:Kot 2004
2578:Kot 2004
2566:Kot 2004
2554:Kot 2004
2542:Kot 2004
2513:Kot 2004
2501:Kot 2004
2489:Kot 2004
2472:Kot 2004
2396:Kot 2004
2384:Kot 2004
2369:Kot 2004
2357:Kot 2004
2345:Kot 2004
2279:Kot 2004
2267:Kot 2004
2255:Kot 2004
2243:Kot 2004
2190:Kot 2004
2178:Kot 2004
2128:Kot 2004
2111:Kot 2004
2099:Kot 2004
2073:AllMusic
2043:AllMusic
1990:AllMusic
1553:B-sides
1467:cassette
1437:(62223)/
1435:Columbia
1238:cassette
1232:Format:
1179:Timeline
1099:AllMusic
881:Son Volt
860:Son Volt
667:bouzouki
663:mandolin
617:The Band
278:and the
243:Son Volt
135:Son Volt
128:Spinoffs
3587:Anodyne
3043:May 22,
3013:June 8,
2896:June 8,
2420:June 8,
2313:The Sun
2084:May 31,
1995:May 29,
1900:Joe Ely
1550:A-side
1540:Singles
1433:Label:
1350:Label:
1344:Anodyne
1133:Members
1047:song."
1032:Harvest
975:D. Boon
805:Anodyne
799:Breakup
764:of the
757:Anodyne
632:country
628:Nirvana
286:History
238:Anodyne
211:was an
191:Website
4061:Tweedy
3853:Cousin
3425:
3397:
2020:
1702:Album
1479:Title
1386:Title
1251:music
1236:(-2),
1206:Title
1101:that:
1051:Legacy
1005:, and
745:violin
644:R.E.M.
515:Boston
482:song,
227:, and
119:Legacy
104:Labels
68:Genres
63:, U.S.
57:Origin
4143:Wilco
3881:With
3672:Wilco
3616:Wilco
1969:Notes
1935:1994
1926:Swell
1826:1993
1742:1992
1726:1991
1710:1990
1699:Song
1696:Year
1649:1993
1625:1992
1585:"Gun"
1581:1991
1561:1990
1547:Year
1524:1989
1501:1988
1487:1987
1476:Year
1421:2002
1394:1992
1383:Year
1338:1993
1306:1992
1274:1991
1253:genre
1214:1990
1203:Year
911:Trace
891:Trace
871:Wilco
864:Wilco
733:Sugar
550:that
488:March
327:blues
247:Wilco
140:Wilco
3966:DVDs
3769:A.M.
3423:ISBN
3395:ISBN
3269:link
3045:2007
3015:2007
2898:2007
2849:Spin
2422:2007
2086:2006
2050:2021
2018:ISBN
1997:2007
1802:and
1240:(-4)
1125:and
1093:and
1067:and
1023:and
947:and
935:and
876:A.M.
862:and
665:and
634:and
615:and
542:and
407:CBGB
371:and
270:and
200:.com
114:Sire
3923:EPs
1766:NBC
1073:BBC
842:in
834:in
725:gay
650:in
597:of
556:Bug
535:Bug
532:'s
262:of
196:www
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3419:NY
3391:TN
3389:,
3358:.
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3261:{{
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