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Birth/Rebirth

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When Lila's body disappears from the hospital, Celie begins to suspect that Rose is to blame. She forces her way into Rose's Co-op City apartment and discovers her daughter, reanimated in a home lab but just barely clinging to life. Rose's experiment has worked. She's brought Lila back from the
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Dr. Rose Casper is a hospital pathologist who prefers the company of cadavers to social interaction. She finds the idea of female biological reproduction distasteful, but is obsessed with its clinical processes, gestating materials in her own body in order to discover a way to bring the dead back to
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Celie Morales is a maternity nurse and single mother whose life revolves around her precocious five-year-old daughter, Lila. Efficient and empathetic, she is passionate about helping women give birth in an environment where they feel empowered and listened to.
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called it "a clever, provocative new take on a horror classic" and said "Ireland and Reyes breathe new life into a literary touchstone in director Laura Moss' drolly disturbing biological horror". Jordan Mintzer writing for
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in the early 2000s. Moss began a first draft of 60 pages consisting of mainly imagery and story ideas. Brendan J. O'Brien, their long-time writing partner then outlined the plot and wrote the second draft. Moss explained to
596:, Laura Moss's ultrasmart, ferociously feminist take on the Frankenstein myth...as the women's behavior grows ever more shocking Moss offers no rebuke to their heedless amorality. There is only the audience to judge." 320:
The worlds of these two women collide when Lila dies suddenly and ends up on Rose's autopsy table. The circumstances of the little girl's death make her the perfect human candidate for Rose's next experiment.  
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David Ehrlich gave the film a poor rating of a "C-". He also compared the film to Cronenberg's work but stated that Moss missed the "detail and commitment that allows those films to sink into your skin".
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was cast as the lead, Rose, who Moss believed "catapulted the project forward". The project was green lit in March 2020 but all work halted by the onset of the
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became briefly involved with the project, but the sides would spilt due to creative differences. In 2020, the script was selected to participate in the
907: 609: 721: 1051: 501:, 96% of 96 critics' reviews are positive, with an average rating of 7.5/10. The website's consensus reads: "Firmly rooted in classic horror, 1129: 444:, which appears on screen several times was created specifically for the film. The filmmakers had wanted to use the popular children's cartoon 786: 1249: 613: 837: 529:
gave the film a positive review saying, "Not for the fainthearted, this twisted if not exactly terrifying feature takes some cues from
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on January 20, 2023, and was theatrically released in the United States on August 18, 2023, to positive reviews from critics.
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dead. The treatment however, is highly experimental, and the little girl's continued recovery is anything but certain.
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perspective, questioning how far mothers are willing to go for their children, or simply to become mothers at all".
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Both women realize they will need to draw on each other's very different expertise in order to keep Lila alive.
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Jeannette Catsoulis named it a "Critic's Pick" writing, "Motherhood is both mad and monstrous in
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to be in production by September 2022, with Moss set to make their directorial feature debut.
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uses a familiar framework to tease at fundamental fears from a chillingly relatable angle."
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instead, but no permission was granted with Moss saying, "We wanted a real TV series,
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on July 31, 2023. The film was released in theaters in the United States by
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never called us back, because they wanted nothing to do with this movie..."
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Review: A Clever, Provocative New Take on a Horror Classic is Born/Reborn"
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Review: A Grisly Body Horror Flick That Takes Motherhood to New Extremes"
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films but elaborated, "Moss tackles the idea from a more intimate and
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area of New York City from August to late September 2022. The cartoon
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Laura Moss devised a story concept based on their obsession with
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Screenwriters Lab. That same year, Moss met with Emily Gotto of
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Gets a Maternal Twist in Clever but Miscalculated Horror Debut"
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On December 5, 2023, the film was nominated for three
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November 28, 2023 533:'s 1985 cult flick 516:Jessica Kiang from 349:A.J. Lister as Lila 257:is a 2023 American 1125:The New York Times 754:Deadline Hollywood 586:The New York Times 489:Critical reception 405:Sundance Institute 157:Retrospecter Films 58:Brendan J. O'Brien 495:review aggregator 469:premiered at the 421:COVID-19 pandemic 300:premiered at the 250: 249: 1277: 1226: 1210: 1193: 1192: 1190:Official website 1175: 1174: 1172: 1170: 1148: 1142: 1141: 1139: 1137: 1111: 1105: 1104: 1102: 1100: 1070: 1064: 1063: 1061: 1059: 1033: 1027: 1026: 1024: 1022: 998: 992: 991: 986: 984: 982: 958: 952: 951: 949: 947: 926: 920: 919: 917: 915: 893: 887: 886: 884: 882: 856: 850: 849: 847: 845: 819: 813: 812: 810: 808: 782: 771: 770: 768: 766: 740: 734: 733: 731: 729: 703: 692: 691: 689: 687: 662: 656: 655: 653: 651: 630: 591: 581: 553:David Cronenberg 511:weighted average 209: 207: 194: 192: 128:Taylor Joy Mason 33: 21: 20: 1285: 1284: 1280: 1279: 1278: 1276: 1275: 1274: 1270:IFC Films films 1230: 1229: 1220:Rotten Tomatoes 1188: 1187: 1184: 1179: 1178: 1168: 1166: 1149: 1145: 1135: 1133: 1112: 1108: 1098: 1096: 1071: 1067: 1057: 1055: 1034: 1030: 1020: 1018: 1000: 999: 995: 980: 978: 971:Rotten Tomatoes 960: 959: 955: 945: 943: 927: 923: 913: 911: 894: 890: 880: 878: 861:"IFC/Shudder's 857: 853: 843: 841: 820: 816: 806: 804: 783: 774: 764: 762: 741: 737: 727: 725: 704: 695: 685: 683: 675:Box Office Mojo 664: 663: 659: 649: 647: 632: 631: 627: 622: 614:Best Screenplay 602: 589: 579: 509:, which uses a 499:Rotten Tomatoes 491: 464: 380: 334: 310: 273:, A.J. Lister, 219: 212: 205: 203: 190: 188: 181: 164: 163: 145: 143: 112: 78: 61: 36: 17: 12: 11: 5: 1283: 1273: 1272: 1267: 1262: 1257: 1252: 1247: 1242: 1228: 1227: 1211: 1194: 1183: 1182:External links 1180: 1177: 1176: 1143: 1106: 1065: 1028: 993: 976:Fandango Media 953: 921: 903:Comingsoon.net 888: 851: 833:RogerEbert.com 814: 772: 735: 693: 657: 624: 623: 621: 618: 612:for Reyes and 601: 598: 490: 487: 463: 460: 379: 376: 375: 374: 371: 365: 362: 356: 350: 347: 341: 333: 330: 309: 306: 248: 247: 244: 240: 239: 236: 232: 231: 228: 224: 223: 220: 217: 214: 213: 211: 210: 200: 184: 182: 179: 176: 175: 170: 169:Distributed by 166: 165: 162: 161: 160:Elfman + Viste 158: 155: 149: 148: 146: 141: 138: 137: 134: 130: 129: 126: 122: 121: 118: 117:Cinematography 114: 113: 111: 110: 105: 100: 97: 92: 86: 84: 80: 79: 77: 76: 73: 69: 67: 63: 62: 60: 59: 56: 52: 50: 46: 45: 42: 38: 37: 34: 26: 25: 15: 9: 6: 4: 3: 2: 1282: 1271: 1268: 1266: 1263: 1261: 1258: 1256: 1253: 1251: 1248: 1246: 1243: 1241: 1238: 1237: 1235: 1225: 1221: 1217: 1216: 1215:Birth/Rebirth 1212: 1209: 1204: 1200: 1199: 1198:Birth/Rebirth 1195: 1191: 1186: 1185: 1164: 1160: 1159: 1158:The A.V. Club 1154: 1147: 1131: 1127: 1126: 1121: 1119: 1118:Birth/Rebirth 1110: 1094: 1090: 1089: 1084: 1082: 1078: 1077:birth/rebirth 1069: 1053: 1049: 1048: 1043: 1041: 1040:Birth/Rebirth 1032: 1017: 1013: 1012: 1007: 1005: 1004:Birth/Rebirth 997: 990: 977: 973: 972: 967: 965: 964:Birth/Rebirth 957: 942: 941: 936: 934: 933:birth/rebirth 925: 909: 905: 904: 899: 892: 876: 872: 871: 866: 864: 863:Birth/Rebirth 855: 839: 835: 834: 829: 827: 826:Birth/Rebirth 818: 802: 798: 797: 792: 790: 789:birth/rebirth 781: 779: 777: 760: 756: 755: 750: 748: 747:Birth/Rebirth 739: 723: 719: 718: 713: 711: 710:birth/rebirth 702: 700: 698: 686:September 22, 681: 677: 676: 671: 669: 668:Birth/Rebirth 661: 645: 644: 639: 637: 636:Birth/rebirth 629: 625: 617: 615: 611: 607: 597: 595: 594:Birth/Rebirth 588: 587: 578: 577: 572: 570: 566: 565: 560: 559: 554: 550: 549: 544: 543: 538: 537: 532: 531:Stuart Gordon 528: 527: 521: 520: 514: 512: 508: 504: 503:Birth/Rebirth 500: 496: 486: 484: 480: 476: 472: 468: 467:Birth/Rebirth 459: 457: 453: 449: 448: 443: 439: 435: 431: 430: 424: 422: 418: 417:Marin Ireland 415:. Soon after 414: 410: 406: 402: 398: 397: 391: 390: 385: 372: 369: 366: 363: 360: 357: 354: 351: 348: 345: 342: 339: 338:Marin Ireland 336: 335: 329: 326: 322: 318: 314: 305: 303: 299: 298:Birth/Rebirth 295: 293: 289: 288: 282: 280: 276: 272: 268: 267:Marin Ireland 264: 260: 256: 255: 254:Birth/Rebirth 245: 241: 237: 233: 230:United States 229: 225: 221: 215: 201: 198: 186: 185: 183: 180:Release dates 177: 174: 171: 167: 159: 156: 154: 151: 150: 147: 139: 135: 131: 127: 123: 119: 115: 109: 106: 104: 101: 98: 96: 93: 91: 90:Marin Ireland 88: 87: 85: 81: 74: 71: 70: 68: 64: 57: 54: 53: 51: 47: 43: 39: 32: 27: 24:Birth/Rebirth 22: 19: 1214: 1197: 1167:. Retrieved 1156: 1146: 1134:. Retrieved 1123: 1117: 1109: 1097:. Retrieved 1086: 1081:Frankenstein 1080: 1076: 1068: 1056:. Retrieved 1045: 1039: 1031: 1021:November 29, 1016:Fandom, Inc. 1009: 1003: 996: 981:November 29, 979:. Retrieved 969: 963: 956: 944:. Retrieved 938: 932: 924: 912:. Retrieved 901: 891: 879:. 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Lister 72:Mali Elfman 66:Produced by 41:Directed by 1240:2023 films 1234:Categories 1136:August 18, 1019:Retrieved 1011:Metacritic 870:Rue Morgue 844:August 21, 728:August 15, 620:References 507:Metacritic 438:Co-op City 378:Production 370:as Colleen 344:Judy Reyes 271:Judy Reyes 243:Box office 206:2023-08-18 191:2023-01-20 142:Production 136:Ariel Marx 95:Judy Reyes 55:Laura Moss 49:Written by 44:Laura Moss 1088:IndieWire 914:August 9, 717:Filmmaker 576:IndieWire 479:IFC Films 413:financing 401:Cinestate 396:Filmmaker 246:$ 138,617 173:IFC Films 144:companies 125:Edited by 1163:Archived 1130:Archived 1099:July 16, 1093:Archived 1079:Review: 1058:July 16, 1052:Archived 940:Collider 908:Archived 881:July 15, 875:Archived 838:Archived 807:July 15, 801:Archived 765:July 15, 759:Archived 722:Archived 680:Archived 569:feminist 561:and the 497:website 429:Deadline 368:LaChanze 355:as Emily 346:as Celie 279:LaChanze 235:Language 197:Sundance 133:Music by 108:LaChanze 83:Starring 1047:Variety 670:(2023)" 542:Dracula 519:Variety 493:On the 483:Shudder 462:Release 409:Shudder 361:as Rita 340:as Rose 238:English 227:Country 204: ( 189: ( 153:Shudder 1205:  590:'s 580:'s 313:life. 277:, and 195: ( 638:(15)" 564:Alien 1203:IMDb 1171:2023 1138:2023 1101:2023 1060:2023 1023:2023 983:2023 948:2023 916:2023 883:2023 846:2023 809:2023 767:2023 730:2023 688:2023 652:2023 545:and 332:Cast 308:Plot 1218:at 1201:at 555:'s 386:'s 290:by 1236:: 1161:. 1155:. 1128:. 1122:. 1091:. 1085:. 1050:. 1044:. 1014:. 1008:. 974:. 968:. 937:. 906:. 900:. 873:. 867:. 836:. 830:. 799:. 793:. 775:^ 757:. 751:. 720:. 714:. 696:^ 678:. 672:. 640:. 616:. 423:. 281:. 269:, 1173:. 1140:. 1116:" 1103:. 1075:" 1062:. 1038:" 1025:. 1006:" 1002:" 985:. 966:" 962:" 950:. 931:" 918:. 885:. 848:. 828:" 811:. 787:" 769:. 732:. 712:" 690:. 666:" 654:. 634:" 208:) 199:) 193:)

Index


Marin Ireland
Judy Reyes
Breeda Wool
LaChanze
Shudder
IFC Films
Sundance
psychological horror film
feature directorial debut
Marin Ireland
Judy Reyes
Breeda Wool
LaChanze
Frankenstein
Mary Shelley
Sundance Film Festival
Marin Ireland
Judy Reyes
Breeda Wool
Monique Gabriela Curnen
LaChanze
Mary Shelley
Frankenstein
Filmmaker
Cinestate
Sundance Institute
Shudder
financing
Marin Ireland

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