42:
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134:". His date of birth was given as December 15 by his biographer Lucien Augé de Lassus (b. 1841) and as September 15 by some local press releases. Although his reputation is largely based upon his operas, Boieldieu composed other works and among them, his
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described his music as possessing "a pleasing and tasteful
Parisian elegance". He was appointed as second class professor of piano in 1798. In 1800, he achieved a veritable triumph with
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He gradually lost the ability to speak, likely due to cancer of the larynx. The bankruptcy of the Opéra-Comique and the revolution of 1830 added to his woes. To save him from poverty,
427:, – as well as having been a member of the lodge 'Palestine' (in St. Petersburg), and an honorary member of the lodge 'Les Amis Réunis' ('Friends Re-united'), also in St. Petersburg.
224:
Throughout the course of ten years, the Favart and the
Feydeau companies were rivals, the Favart beefing up its repertoire of patriotic spectacles and presenting the lighter works of
203:
was the only theatre to offer opportunities for the hybrid works of the same name, close to classic opera, but containing spoken dialogue. The most typical work of the genre was
250:
213:(1797). Traditionally performed at the Salle Favart, Opéra-comique was staged at the Théâtre de Monsieur from 1789. In 1791, the company set up home in a new theatre, the
179:, Rouen was one of the few towns to maintain a significant musical life and in 1793, a series of concerts was organised that featured the celebrated violinist
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412:(1815–83), a son he had with Thérèse Louise Antoinette Regnault, the French opera singer and member of the Opéra-Comique who is known under the name
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in 1804 to take up the post of court composer to the
Russian tsar, where he stayed until 1810. There he composed nine operas, including
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and the tenor Pierre-Jean Garat. It was during this time that
Boieldieu composed his earliest works to texts written by his father (
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is built around the theme of the long-lost child fortunately recognized at a moment of peril. The style of the opera influenced
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awarded him a state pension of 6,000 francs. On
September 25, 1834, he made his last public appearance at the premiere of
822:
171:, François-Adrien Boieldieu received his musical education first from the choirmaster and then from the organist of the
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During the
Revolutionary period, Boieldieu left for Paris and wisely started work as a piano tuner. At this time, the
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262:, Boieldieu focused on melodies that avoided too much ornamentation, set to light, but intelligent, orchestration.
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392:. On 13 November 1834 his heart was interred in Rouen, in a tomb paid for by that city and designed by
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306:(1813), and a dozen other works. In 1817, he succeeded Méhul as one of the forty members of the
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Following the breakdown of his marriage to the dancer
Clotilde Mafleurai, he set off for
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F-A Boieldieu
Overture from the Caliph de Bagdad (1809) played on a fortepiano
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385:. In this way, he stylishly passed on the baton to his brilliant pupil.
711:. Vol. 4 (11th ed.). Cambridge University Press. p. 139.
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611:
Grove Music Online. Oxford Music Online, (accessed
December 23, 2010)
475:(in French) (3rd ed.). Gembloux: J. Duculot, S. A. p. 448.
365:
was one of the early attempts to introduce the fantastic into opera.
506:] (in German) (7th ed.). Berlin: Dudenverlag. p. 241.
327:(revived in the Salle Favart in 1997 and recorded by the conductor
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473:
Dictionnaire de la prononciation française dans sa norme actuelle
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168:
127:
72:
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On his return to France he won back
Parisian audiences with
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Steven Huebner. "Boieldieu, Louis." In Grove Music Online.
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228:, the Feydeau offering the heroic dramas of Cherubini or
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Dudenredaktion; Kleiner, Stefan; Knöbl, Ralf (2015) .
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in 1795). These works brought him immediate success.
138:(1800–1801) is a masterpiece of the harp repertory.
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He was a freemason, initiated at the Parisian lodge
122:) (16 December 1775 – 8 October 1834) was a French
437:List of compositions by François-Adrien Boieldieu
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321:In 1825, he produced his operatic masterpiece,
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885:Academic staff of the Conservatoire de Paris
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310:. He became professor of composition at the
217:, previously reserved for the troupe of the
442:List of operas by François-Adrien Boieldieu
423:('Arts and Friendship') – belonging to the
244:, which brought him extraordinary success.
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682:available at (consulted 23 December 2010)
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720:International Music Score Library Project
335:was based on episodes from two novels by
232:. In 1797, Boieldieu offered the Feydeau
716:Free scores by François-Adrien Boieldieu
695:
526:
246:
240:. In 1798, he presented the Favart with
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110:[fʁɑ̃.swaa.dʁi.(j)ɛ̃bɔ.jɛl.djø]
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925:Members of the Académie des beaux-arts
852:
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117:
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637:Dictionnaire de la franc-maçonnerie,
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880:19th-century French male musicians
702:"Boieldieu, François Adrien"
25:
941:
900:French Classical-period composers
890:Burials at Père Lachaise Cemetery
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452:Classic 100 Music of France (ABC)
410:(Adrien) Louis (Victor) Boïeldieu
396:, while his body was interred in
870:19th-century classical composers
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910:French people of Norman descent
895:Knights of the Legion of Honour
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314:in 1820. He also received the
304:Le nouveau seigneur du village
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875:19th-century French composers
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447:List of compositions for harp
416:. His son became a composer.
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154:, circa 1800 (Musée de Rouen)
626:(accessed December 23, 2010)
504:The Pronunciation Dictionary
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7:
920:French male opera composers
823:La marquise de Brinvilliers
668:François-Adrien Boieldieu,
659:(Petrograd, 1916), at p.396
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130:, often called "the French
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272:(The Caliph of Baghdad).
915:French Romantic composers
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766:François-Adrien Boieldieu
726:François-Adrien Boieldieu
531:François-Adrien Boieldieu
331:). Unusual for the time,
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102:François-Adrien Boieldieu
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54:
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34:François-Adrien Boieldieu
32:
527:Morrison, Chris (2011).
499:Das Aussprachewörterbuch
294:La jeune femme en colère
281:Aline, reine de Golconde
59:François-Adrien Boildieu
708:Encyclopædia Britannica
358:La jolie fille de Perth
308:Académie des Beaux-Arts
48:Henri-François Riesener
905:French opera composers
425:Grand Orient of France
398:Père Lachaise Cemetery
258:The spiritual heir of
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230:Jean-François Le Sueur
155:
119:[bwa(.ɛ)l.djø]
826:(1831, collaboration)
471:Léon Warnant (1987).
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187:in 1793, followed by
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930:Musicians from Rouen
807:Les voitures versées
777:List of compositions
421:Les Arts et l'Amitié
414:Antoinette Lemonnier
286:Les voitures versées
152:Louis Léopold Boilly
799:Le calife de Bagdad
623:Oxford Music Online
580:La Presse théâtrale
408:He was survived by
346:Lucia di Lammermoor
312:Paris Conservatoire
269:Le calife de Bagdad
238:L'heureuse nouvelle
676:2010-01-30 at the
601:Georges Favre and
535:. Rovi Corporation
388:Boieldieu died in
339:. The libretto by
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242:Zoraime et Zulmare
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136:Harp Concerto in C
847:
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657:Russkoe masonstvo
608:Boieldieu, Adrien
603:Thomas Betzwieser
513:978-3-411-04067-4
482:978-2-8011-0581-8
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234:La famille suisse
185:La fille coupable
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394:Charles Isabelle
316:Légion d'honneur
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189:Rosalie et Mirza
163:Born during the
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69:16 December 1775
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363:La dame blanche
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324:La dame blanche
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215:Théâtre Feydeau
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173:local cathedral
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782:List of operas
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699:, ed. (1911).
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690:External links
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635:Daniel Ligou.
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584:. 13 July 1865
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264:Hector Berlioz
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201:Opéra-Comique
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175:. During the
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165:Ancien Régime
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150:Boieldieu by
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730:Find a Grave
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586:. Retrieved
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561:. Retrieved
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537:. Retrieved
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379:Adolphe Adam
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337:Walter Scott
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260:André Grétry
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126:, mainly of
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100:
86:(1834-10-08)
46:Portrait by
865:1834 deaths
860:1775 births
655:A.N. Pypin
400:in Paris.
283:(1804) and
219:opera buffa
181:Pierre Rode
854:Categories
588:2022-05-20
563:2022-05-20
539:2011-06-16
458:References
369:Later life
352:I puritani
318:in 1820.
159:Early life
106:pronounced
65:1775-12-16
556:Boieldieu
383:Le chalet
289:(1808).
142:Biography
18:Boïeldieu
841:Category
674:Archived
431:See also
302:(1812),
296:(1811),
124:composer
94:, France
75:, France
722:(IMSLP)
718:at the
818:(1825)
810:(1808)
802:(1800)
791:Operas
643:
510:
479:
355:, and
195:Career
132:Mozart
128:operas
639:1974
502:[
210:Médée
169:Rouen
73:Rouen
641:ISBN
508:ISBN
477:ISBN
236:and
115:also
81:Died
55:Born
728:at
381:'s
221:.
207:'s
167:in
856::
705:.
605:.
361:.
349:,
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751:t
744:v
680:,
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
