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Bolex

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444:, Bolex offered the Bolex Stereo: a 3D stereo kit for their H16 camera and model G projectors. Several technical changes were made to the H cameras in 1954, above all an entirely different claw drive together with a laterally inverted film gate and a 170 degrees opening angle shutter. In 1956, the first H16 reflex viewfinder model was brought out. In reaction to the upcoming use of heavier varifocal or zoom lenses and the bigger synchronous electric motors attached to the body Paillard gave it a big rectangular base, with three tapped bushings replacing the original single-tap “button” base in 1963 and soon afterward a protruding 1-to-1 shaft for the ESM motor. A saddle for a 400-ft. film magazine finally allowed the H 16 to be used like professional synch-sound cameras. 452:
camera more suited for television use than the H16. Nevertheless, the H 16 Standard camera was made until the last days of 1969. The H 16 and H 8 standard models afford the rackover critical focusing feature that had been first introduced with the Bell & Howell Standard camera in 1912. In 1971, Bolex released an even more affordable option: the Bolex 280 Macrozoom Super 8. The new model featured wide-range manual zoom and the ability to focus at close distances. It shot at 2 filming speeds, 18 and 24 fps, and was able to expose single frames. Unlike the classic mechanical Bolex Cameras, the 280 Macrozoom needed 5 1.5 volt batteries to operate.
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unlimited, and a cut-off turret disc that is not wider than the camera body in center position. Stepless speed control was available between 8 and 64 frames per second. Early cameras have a 190 degrees opening angle shutter. A few years after their introduction the H cameras could be equipped with an accurate single-frame counter. That accessory was incorporated into all H camera models since 1946.
1048:, a biographical film about Bolex founder Jacques Bogopolsky (later anglicized to Bolsey), is directed by his great-grand daughter Alyssa Bolsey, and features an in-depth look at the original notes, schematics, prototypes of Bolex A and B cameras A second project that is currently in production, is being undertaken by Swiss director Alexandre Favre. Bolex was used exclusively to film 574:"The Bolex H 16 camera played a central role in the work of many avant-garde filmmakers from the 1940s through to the 1970s because of its precision and lightweight, robustness and range of facilities, and the high quality of its optics, especially the zoom lenses, and its simple operation, which made possible an infinite combination of creative cinematographic choices." 430:
Bolex did not invent anything about the camera, which as early as 1935 would become known under this name. With the patents sold by Boolsky proving unusable and the machines defective, Paillard had to start from scratch to invent a Bolex which had only kept the name of Boolsky's "invention". The Bolex as we know it is the invention of the engineers at Paillard.
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The Paillard-Bolex H 16 usually has a turret for three C-mount lenses. Often, the camera was provided with a 16mm Switar or Yvar, a 25mm Switar or Yvar and the third lens was often a 75mm Yvar or 50mm Switar. Only lenses with the designation "RX" in 50 mm or less can be used on the RX models. RX
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format. Paillard Bolex was slow to introduce a Super 8 camera although they quickly modified the 18-5 Auto 8 mm projector for Super 8 as the 18-5 L. At about this time(1966), the Bolex 16 Pro Camera was introduced to compete with the Arriflex 16 BL camera, as a technically advanced professional
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The traditional version of the story tended to present the situation rather simply: Bolex is the name of a brand produced by the Paillard company, a brand represented mainly by a camera that was invented by Jacques Boolsky (another of Jacques Bogopolsky's names). In fact, the alleged inventor of the
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Some people had their H 16 camera converted to Super 16. This format is highly suited to telecine conversion, as Super 16 is close to the 16:9 electronic image format. Some conversions were more successful than others. Bolex (latterly) did offer a factory Super 16mm camera. This has the appropriate
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In 1935, the H 16 camera was put on the market, the 9.5 mm version followed in 1936 and the Double-8mm version in 1938. The H 16 was highly successful. Paillard-Bolex introduced the L 8 for the market of pocket 8 mm film cameras. With the postwar boom in home movie making, Paillard-Bolex
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for 350,000 Swiss francs and Jacques Bogopolsky was hired as consulting engineer for five years. Soon Paillard realized that the cameras and projectors were not in fact the exceptional products promised by their partners, and after two years Jacque Bogopolsky was no longer welcome in Sainte-Croix.
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The camera's capacity is 100 ft. A 400-ft magazine (on the Rex 5 – or converted Rex 3 or 4) can be attached to the top of the camera. From the beginning, it offered automatic film threading, a clutch for disengaging the drive spring in order to crank the film by hand forward and backwards
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Bolex did have a foray into purely professional cameras with the Bolex Pro 16. Again, they decided against a registration pin for mechanical simplicity, to keep the camera as quiet as possible for sync-sound filming. This camera was only offered with 400 ft magazine capacity.
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In 1981, Eumig went into liquidation and Bolex was bought by René Ueter who set up Bolex International in 1982. Bolex International no longer serially manufactures its cameras, but does repair 16 mm and Super 16 cameras for customers on special order to this day.
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Bolsey or Boolsky), the company's name having been derived from Bogopolsky's name. In 1923 he presented the Cinégraphe Bol at the Geneva fair, a reversible apparatus for taking, printing, and projecting pictures on 35 mm film. He later designed a camera for
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corrected lenses were also manufactured by Schneider, Berthiot, Angénieux, and Rodenstock. The single lens port H 16 M(arine) was made in conjunction with the first underwater housing. A second, later marine housing was made for the electric drive models.
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continued to develop its 8 mm and 16 mm ranges with the H16 increasingly adopted by professional film makers. The company also made a successful range of high-end movie projectors for all amateur film making gauges.
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In 2012, Cinemeridian, Inc. licensed the named Bolex from Bolex International to create a digital Super 16mm cinema camera called the Digital Bolex D16. Digital Bolex announced their collaboration with Bolex via the
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XI - BOLEX ET LA « MÉCANIQUE SUISSE» Présidente de séance : Viva Paci (Université du Québec à Montréal) Communication de Vincent Sorrel, « Filmer avec doigté. Corps, appareils, expressivité »
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with the help of Charles Haccius, a businessman from Geneva. Charles Haccius invested 250,000 Swiss francs in the company. The society did not produce any cameras. However, the Auto Ciné A and B were produced by
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The Bolex we used had a motor drive so the exposures were about 1/6 of a second. That gave us the ability to shoot at a lower f stop and therefore had scenes with better depth of field and focus...Tom Sloan
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of Vienna. In 1971, Eumig rationalized the Super 8 range, and Super 8 equipment production in Switzerland was discontinued. The Bolex product brand was retained while being manufactured in Eumig or
597:, which allows the filmmaker to view what they are filming. This specific viewfinder is made up of a double prism that deflects 20 percent of the light going through the lens into the viewfinder. 990:, French writer, poet, aristocrat, journalist and pioneering aviator. He became a laureate of several of France's highest literary awards and also won the United States National Book Award. 934:, James Stanley Brakhage, better known as Stan Brakhage, was an American non-narrative filmmaker. He is considered to be one of the most important figures in 20th-century experimental film. 398:
In 1927, Ukrainian-born Jacques Bogopolsky, who specialised in building cameras in Geneva, imagined a camera for the 16 mm format (Bolex Auto-Cine A,B,C), and created the Bolex
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In 1932, Marc Renaud, a young engineer, inspired by the products of Paillard and assisted by Professor Ernest Juillard, began development of the Paillard H 16 camera.
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E. Paillard & Cie SA. Une entreprise vaudoise de petite mécanique (1920–1945). Entreprise familiale, diversification industrielle et innovation technologique
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The Bolex cameras remain a strong status as an icon into cinema and intemporal beautiful objects as itself. Its production helps to give
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Bolex Bible: Everything You Ever Wanted to Know But Were Afraid to Ask : an Essential Guide to Buying and Using Bolex H16 Cameras
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Paillard-Bolex cameras were much used by adventurers, artists, as well as nature films, documentaries, and are still favoured by many
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New on the market: New Bolex Super-8 Camera. (1971). The British Journal of Photography (Archive : 1860-2005), 118(5796), 740.
946:, American-born British screenwriter, film director, animator, actor, comedian and former member of the Monty Python comedy troupe 2058: 1692: 1910: 2332: 2703: 2235: 2195: 1838: 1598: 1368: 2616: 2597: 2578: 2559: 2504: 1260: 1088: 529:. It results as a development of a cult of using Paillard-Bolex for decades for beginner's camera in film schools worldwide. 2856: 1652: 880:, Lithuanian-American filmmaker, poet, and artist who has often been called "the godfather of American avant-garde cinema". 2128: 2926: 2783: 1494: 1027:, Norwegian adventurer and ethnographer with a background in zoology, botany and geography. Heyerdahl is notable for his 377:
While some later models are electrically powered, the majority of those manufactured since the 1930s use a spring-wound
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in 1947, in which he sailed 8,000 km across the Pacific Ocean in a hand-built raft from South America to the
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Paillard-Bolex Cine Cameras, the Cine Cameras for the ‘Professional Amateur’. CINEX Ltd, London; 24 S., 6" × 9"
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The Cheerful Subversive's Guide to Independent Filmmaking: From Preproduction to Festivals and Distribution
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Following rapid expansion, Bolex employed circa 6000 people in the 1960s. In 1965, Kodak introduced the
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Experimental Filmmaking and the Motion Picture Camera: An Introductory Guide for Artists and Filmmakers
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Experimental Filmmaking and the Motion Picture Camera: An Introductory Guide for Artists and Filmmakers
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Experimental Filmmaking and the Motion Picture Camera: An Introductory Guide for Artists and Filmmakers
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camera which most influenced a generation of experimental and documentary/ethnographic filmmakers."
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TECHNÈS: The International Research Partnership on Cinema Techniques and Technology (17 May 2019).
2059:"What Can We Learn from Peter Jackson's DIY Approach to 'Bad Taste'? $ 20 Steadicams Totally Work!" 1600:
America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry
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Jules Schulback, a furrier and maker of home movies, filmed, with his 16-millimeter Bolex camera,
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markings in the viewfinder and the film gate is machined and polished to professional standards.
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It has been used in various advertising as a symbol. In 2015, it appeared in an Omega ad with
2931: 1495:"Amateur Cinema (Media) Studies Network » Bolex 8mm camera, George Clooney and Einstein" 1305:"Peter Jackson Demonstrates Handmade Steadicam & Camera Gear Used For 'Bad Taste' (1987)" 786: 2522:"First Impressions of the Digital Bolex from SXSW, and a Short Documentary About the Camera" 2075: 2155:"INTERVIEW: True Independents; Brakhage and Dorsky Hash Out the Realities of Poetic Cinema" 2113: 2862: 2552:
Paillard, Bolex, Boolsky: la caméra de Paillard & Cie SA, le cinéma de Jacques Boolsky
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s white skirt billowing from a "gust" up through a subway grate, in a publicity stunt for
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power system. The 16 mm spring-wound Bolex is a popular introductory camera in
2883: 2711: 937: 886:, Kenneth Anger is an American underground experimental filmmaker, actor and author 328: 300: 84: 795:, French poet, playwright, novelist, designer, filmmaker, visual artist and critic 780: 2625:
Paillard présente ses caméras, ses projecteurs. Flugblatt 223 × 276 mm, März 1938
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Many directors began their careers shooting on Paillard-Bolex Cameras, including
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Time-lapse and Stop-motion Using the Bolex H16: (or Click-wait and Click-fiddle)
2418:"The Making of Teeny Little Super Guy. An animated character from Sesame Street" 2289:"James Dean with His Bolex Camera on the Set of "Giant" in Marfa, Texas in 1955" 789:, German painter, graphic artist, avant-gardist, film-experimenter and producer. 1881: 1380:
https://vp.nyt.com/video/2016/12/28/70370_1_marilyn-monroe-footage_wg_1080p.mp4
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Swiss made with the year of introduction except for the Italian Silma made SM8
560: 533: 420: 372: 368: 364: 292: 2791: 2728: 2441:"Revisiting The DIY Production Of 'Teeny Little Super Guy' In 'Sesame Street'" 2417: 1956: 1508: 1406: 1386: 1304: 2905: 1065: 1053: 943: 931: 901: 883: 853: 835: 514: 510: 340: 140: 127: 411:. As of 1929, the Longines company no longer wished to produce the cameras. 913: 889: 817: 804: 798: 792: 498: 332: 284: 1072: 955: 949: 877: 847: 829: 774: 553: 518: 506: 502: 382: 360: 344: 336: 280: 211: 968: 895: 594: 549: 522: 356: 296: 1824:"Sir David Attenborough explores our collection for new BBC programme" 844:, British television executive, presenter and natural history producer 925: 526: 490: 448: 378: 324: 2554:(in French). Yverdon-les-Bains, Switzerland: Editions de la Thièle. 1509:"KRISTEN STEWART for CHANEL EYEWEAR Spring Summer 2015 ADV Campaign" 26: 2811: 1440:"How the publisher of Superman comics saved Jews from Nazi Germany" 1044:
There are two documentaries about the history of the Bolex camera.
1032: 404: 2318:"Paillard-Bolex - nur der Mythos ist geblieben - SWI swissinfo.ch" 996:, Indian lawyer, anti-colonial nationalist, and political ethicist 2816: 2638:. Neuaufl. "Die Schönen Bücher Strache", Stuttgart 1962 (deutsch) 1961: 1513: 1309: 441: 288: 206: 1627:
Film Manifestos and Global Cinema Cultures: A Critical Anthology
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Effective January 1, 1970 Paillard sold the Bolex division to
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Fullerton, John; Widding, Astrid Söderbergh (22 June 2000).
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Fullerton, John; Widding, Astrid Söderbergh (22 June 2000).
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Fullerton, John; Widding, Astrid Söderbergh (22 June 2000).
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Fullerton, John; Widding, Astrid Söderbergh (22 June 2000).
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Fullerton, John; Widding, Astrid Söderbergh (22 June 2000).
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factories. The H16 cameras were still made in Switzerland.
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Documentary on the inventor of the Bolex auto-cine cameras
892:, American experimental filmmaker, painter, and socialite. 874:, French-Swiss film director, screenwriter and film critic 1470:
Swiss Made: The Untold Story Behind Switzerland's Success
1426:"The Untold Story Behind an Iconic Marilyn Monroe Moment" 1252:
Swiss Made: The Untold Story Behind Switzerland's Success
620: 612: 307:, the company was founded in 1925 by Charles Haccius and 2822: 2772: 807:, American experimental filmmaker, painter, and sculptor 2645:. 5. Aufl. Focal Press, London 1962, ISBN 0-240-44722-0 832:, Filipino-born American producer, director, and writer 2652:. Delval, Cousset (Fribourg) 1987, ISBN 2-88147-036-X. 2867: 545:, around the corner from his apartment, in New York. 2571:
A Bolex History: Cameras, Projectors and Accessories
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Cult Filmmakers: 50 Movie Mavericks You Need to Know
820:, Andrew Noren was an American avant-garde filmmaker 2784:"PP 680 Paillard-Hermes-Precisa, 1803-2002 (Fonds)" 2752:"La machine Bolex, les horizons amateurs du cinéma" 2407: 2331:Grant, Barry Keith; Hillier, Jim (7 October 2017). 2018:"Maya Deren: Seven films that guarantee her legend" 1529:"Kristen Stewart Models Chanel Eyewear Spring 2015" 1325:"APS Bolex 16mm Reflex Operating Guide - Help Wiki" 254: 51:. Unsourced material may be challenged and removed. 2275:"Why the Bolex is the World's Most Beloved Camera" 1862: 1860: 1544: 1542: 1540: 1538: 1114:"Paillard-Bolex | Science Museum Group Collection" 593:As with a still reflex camera, the Bolex RX has a 2631:Movie Makers, Amateur Cinema League ed. 1926–1953 1405:Marilyn Monroe Video Archives (13 January 2017). 1385:Marilyn Monroe Video Archives (13 January 2017). 1245: 1136: 1134: 584: 2903: 2167: 1975: 1957:"Jonas Mekas – My trusty Bolex cameras (82/135)" 1795: 1650: 1548: 407:in Saint-Imier and the projector by Stoppani in 295:, the most notable products of which are in the 2261:"How the Father of Claymation Lost His Company" 1857: 1578: 1576: 1574: 1572: 1535: 1075:crowdfunding platform on March 12, 2012 at the 2859:with serial numbers & years of manufacture 2710:. Pittsburgh, PA: Citynet, Inc. Archived from 2549: 2486: 1466: 1338:Swiss International Air Lines (1 March 2016). 1241: 1239: 1131: 777:, American artist, film director, and producer 2788:Inventaires des Archives cantonales vaudoises 2686:(in French). 12 February 2004. Archived from 2300: 2298: 2070: 2068: 2004:"Marie Menken - The Film-Makers' Cooperative" 2680:"Paillard - Bolex: il ne reste que le mythe" 2330: 1584:"Paillard - Bolex: Il ne reste que le mythe" 1569: 1181: 1179: 1177: 1175: 1173: 2756:Cinémathèque des Pays de Savoie et de l'Ain 2704:"Paillard, Bolex, history, shutter, prism;" 2030: 1836: 1716: 1236: 552:its reputation of quality, additionally of 2469:"Old-School 16mm Moviemaking Goes Digital" 2295: 2114:"BFI Screenonline: Boy and Bicycle (1965)" 2065: 1302: 170: 2819:8mm and 16mm Bolex cameras and projectors 2550:Perret, Thomas; Cosandey, Roland (2013). 2493:Sonja Schenk; Ben Long (1 January 2014). 2076:"Bolex, la caméra qui a changé le cinéma" 1623: 1366: 1170: 826:, American film director and screenwriter 783:, French painter, sculptor, and filmmaker 111:Learn how and when to remove this message 2661:Collaboration UNIL + Cinémathèque suisse 2215: 2171:Moving Images: From Edison to the Webcam 1979:Moving Images: From Edison to the Webcam 1896:"Big Joy: The Legacy of James Broughton" 1799:Moving Images: From Edison to the Webcam 1654:Moving Images: From Edison to the Webcam 1552:Moving Images: From Edison to the Webcam 484: 455: 264: 2937:Privately held companies of Switzerland 1908: 2917:Manufacturing companies of Switzerland 2904: 2845:For Practical Bolex H16 Filming Advice 2657:"Bolex et le cinéma amateur en Suisse" 2415: 1467:James Breiding, R. (10 January 2013). 1275: 621:Jacques Bogopolsky and Charles Haccius 613:Notable models: cameras and projectors 198:Charles Haccius and Jacques Bogopolsky 2823:Virtuelles Schmalfilm-Apparate-Museum 2606: 2587: 2568: 2519: 1744:Smith, Ian Haydn (3 September 2019). 1743: 1596: 1367:Stapinski, Helene (13 January 2017). 1089:List of photographic equipment makers 2499:. Course Technology. pp. 157–. 1369:"The Lost Footage of Marilyn Monroe" 1187:"Camera exhibition focuses on Bolex" 1154: 1118:collection.sciencemuseumgroup.org.uk 1059: 977:, German-American actress and singer 868:, American poet and poetic filmmaker 724:SM8 Projector (made by Silma) (1967) 49:adding citations to reliable sources 20: 2807:Research about early Bolex cameras 2438: 2126: 1079:where they had a trade show booth. 13: 1624:MacKenzie, Scott (26 March 2014). 1276:Leotta, Alfio (17 December 2015). 440:In 1952, during the golden era of 14: 2953: 2766: 2439:Wit, Alex Dudok de (8 May 2021). 2357: 2216:Isenberg, Noah (9 January 2017). 2031:Schlemowitz, Joel (10 May 2019). 1837:Schlemowitz, Joel (10 May 2019). 1717:Schlemowitz, Joel (10 May 2019). 952:, American animator and filmmaker 922:, American experimental filmmaker 862:, American experimental filmmaker 838:, American experimental filmmaker 639: 320:of Ballaigues in the late 1930s. 2889: 2877: 2218:"The Making of Steven Spielberg" 1255:. Profile Books. pp. 385–. 1094:List of companies of Switzerland 1039: 981: 763: 393: 161: 25: 16:Swiss luxury camera manufacturer 2520:Hardy, Robert (20 March 2013). 2513: 2496:The Digital Filmmaking Handbook 2466: 2460: 2382: 2351: 2324: 2310: 2281: 2267: 2253: 2228: 2209: 2188: 2161: 2147: 2120: 2106: 2086: 2051: 2024: 2010: 1996: 1969: 1949: 1929: 1909:Mirvish, Dan (12 August 2016). 1902: 1888: 1874: 1830: 1816: 1789: 1764: 1750:. Quarto Publishing Group USA. 1737: 1710: 1685: 1671: 1644: 1617: 1590: 1521: 1501: 1487: 1460: 1358: 1346:. No. HONG KONG. issuu.com 1331: 1317: 489:A Bolex H16 REX-5 spring-wound 36:needs additional citations for 1597:Eagan, Daniel (January 2010). 1296: 1269: 1223: 1193: 1148: 1106: 910:, American filmmaker and actor 750: 585:Technical aspects of the Bolex 269:Usine Bol, Geneva, Switzerland 1: 2607:Alden, Andrew Vivian (2001). 2588:Alden, Andrew Vivian (1998). 2569:Alden, Andrew Vivian (1998). 1282:. Bloomsbury Publishing USA. 1099: 811: 471: 2778:Bolex.ch website Switzerland 2174:. Indiana University Press. 1697:www.galeriethomasbernard.com 1657:. Indiana University Press. 1630:. Univ of California Press. 1555:. Indiana University Press. 1000: 661:M8 and M8R Projectors (1949) 625:Models produced by Longines 577:"The Bolex H 16 is probably 7: 1082: 10: 2958: 2927:Movie camera manufacturers 2857:A history of Bolex cameras 2835:Bolex Manuals and Catalogs 2773:Bolex.com Official website 2611:. A2 Time Based Graphics. 2592:. A2 Time Based Graphics. 2573:. A2 Time Based Graphics. 2543: 1772:"Interview: Bruce Baillie" 1063: 768: 635:Auto Cine C (not released) 388: 2912:Film and video technology 1201:"Super 8 mm Film History" 962: 652:Model G Projectors (1936) 480: 249: 241: 228: 218: 202: 194: 186: 178: 169: 160: 2636:Schmalfilmen mit Bolex 8 988:Antoine de Saint-Exupéry 353:Antoine de Saint-Exupéry 2840:Bolex Operating Manuals 2641:Gerald Reynolds Sharp: 569: 525:, Steven Spielberg and 2665:University of Lausanne 1882:"GALAXIE | Metrograph" 1679:"CC50 | Canyon Cinema" 1050:Teeny Little Super Guy 494: 285:motion picture cameras 270: 245:Motion Picture Cameras 156:Bolex International SA 2364:Kickstartermovies.com 2334:100 Documentary Films 2130:Spike Lee: Interviews 1693:"Robert Breer, films" 787:Hans Richter (artist) 759:680 Macro-zoom (1978) 756:660 Macro-zoom (1976) 739:160 Macro-zoom (1970) 736:155 Macro-zoom (1970) 727:S321 Projector (1968) 685:18-5 Projector (1961) 679:S221 Projector (1960) 488: 456:Company restructuring 268: 141:46.45535°N 6.390115°E 2863:Serial Number search 1870:. 10 September 2019. 730:7.5 Macrozoom (1969) 414:Bolex was bought by 303:formats. Originally 182:Camera Manufacturing 45:improve this article 2277:. 10 December 2018. 2127:Lee, Spike (2002). 2061:. 15 December 2013. 1586:. 12 February 2004. 1249:(10 January 2013). 1211:on 13 February 2017 1029:Kon-Tiki expedition 916:, English filmmaker 860:Gregory Markopoulos 850:, American director 733:H 16 SB, SBM (1970) 718:Bolex 16 Pro (1966) 542:The Seven Year Itch 277:International S. A. 157: 137: /  2794:on 28 January 2021 2758:(in French). 2020. 2634:Heinrich Freytag: 2320:. 18 January 2004. 2082:. 28 January 2018. 1945:. 24 January 2019. 1826:. 29 October 2012. 1434:. 13 January 2017. 1373:The New York Times 1155:Turquety, Benoit. 1144:. 7 November 2018. 1077:SXSW Film Festival 842:David Attenborough 673:H 16 Reflex (1956) 632:Auto Cine B (1926) 495: 416:Paillard & Cie 309:Jacques Bogopolsky 271: 155: 146:46.45535; 6.390115 2618:978-0-9533075-2-4 2599:978-0-9533075-1-7 2580:978-0-9533075-0-0 2561:978-2-8283-0044-9 2506:978-1-305-25906-5 2370:on 14 August 2014 2102:. 26 August 2019. 1603:. A&C Black. 1473:. Profile Books. 1262:978-1-84765-809-8 1247:R. James Breiding 1060:Digital Bolex D16 908:Quentin Tarantino 263: 262: 237: 121: 120: 113: 95: 2949: 2894: 2893: 2892: 2882: 2881: 2880: 2873: 2803: 2801: 2799: 2790:. 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