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A man of little education (unlike his brother
Leonello), he had a pragmatic view of the arts as a powerful propaganda tool to promote his political ambitions by projecting an image of personal
188:. He liked to portray himself as an ideal ruler, as for example in the frescoes in Palazzo Schifanoia. His traditional image as a magnanimous patron of arts, as later proclaimed in
202:, whom he did not consider worthy of any special consideration. A notorious example of this attitude was his miserly treatment of Cossa, who consequently abandoned Ferrara
198:, is also an idealized representation. While spending extravagantly on culture and spectacle to promote his political image, he was far from generous with the artists he
154:. He was in general appreciated by his subjects. One cause of grievance was his project to build a mountain from scratch in 1471 – a folly he was later forced to abandon.
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Borso followed an expansionist policy for his state, and one of ennobling for his family. He was generally allied with the
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181:. He also protected numerous musicians, including Pietrobono del Chitarrino, Niccolò Todesco e Blasio Montolino.
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173:. Their most important commission during Borso's rule were the frescoes in the
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396:(in Italian) (144). Rome: Ministero dei Beni e delle Attività Culturali: 7–24
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On May 18, 1452 he received confirmation over his fiefs, as Duke, by
Emperor
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390:"Quanto costa la magnificenza? Il caso della "Bibia bella" di Borso d'Este"
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The
Magnificence of Borso and Ercole d'Este: Princes of Ferrara (1450-1505)
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Borso never married and left no heirs. His successor was his half-brother
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310:. Openaccess Dissertations and Theses. pp. 57ff. Archived from
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Pius II (2003). Meserve, Margaret; Simonetta, Marcello (eds.).
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Production of the Bible cost exactly twice the amount paid to
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340:"Borso d'Este, 1st Duke of Ferrara, Modena and Reggio"
210:(commissioned in 1455) is one of the most magnificent
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288:. Cambridge: Harvard University Press. p. 121.
261:. The illumination work alone cost five thousand
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157:Borso's court was the center of the so-called
150:family. These rivalries led to the indecisive
131:, he was also appointed as Duke of Ferrara by
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30:For the later Italian general, see
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64:(1413 – August 20, 1471) was the
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84:He was an illegitimate son of
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576:15th-century Italian nobility
159:Ferrarese school of painting
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41:Borso d'Este, attributed to
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466:Chiappini, Luciano (2001).
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592:
454:. Oxford University Press.
429:. Oxford University Press.
374:. Oxford University Press.
349:. Oxford University Press.
338:Beamish, Gordon Marshall.
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161:, whose members include
127:. On April 12, 1471, in
32:Borso d'Este (1605–1657)
457:(subscription required)
432:(subscription required)
420:"Bible of Borso d'Este"
377:(subscription required)
352:(subscription required)
212:illuminated manuscripts
443:Rosenberg, Charles M.
418:Rosenberg, Charles M.
365:"Cossa, Francesco del"
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513:(Marquess until 1452)
363:Lippincott, Kristen.
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556:Margraves of Ferrara
314:on December 24, 2013
304:Lesychyn, Lubomyra.
286:Commentaries, vol. I
247:Domenico Ghirlandaio
229:Notes and references
142:, and enemy both to
129:St. Peter's Basilica
117:Borso d'Este's Bible
255:Santa Maria Novella
163:Francesco del Cossa
152:Battle of Molinella
100:, and his mistress
449:Grove Art Online,
445:"Crivelli, Taddeo"
424:Grove Art Online,
369:Grove Art Online,
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175:Palazzo Schifanoia
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102:Stella de' Tolomei
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451:Oxford Art Online
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371:Oxford Art Online
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251:Tornabuoni Chapel
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546:1471 deaths
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468:Gli Estensi
400:21 December
204:for Bologna
171:Cosimo Tura
535:Categories
517:1450–1471
470:. Ferrara.
318:August 26,
272:References
200:patronized
115:A page of
68:the first
47:Pinacoteca
476:cite book
80:Biography
523:Ercole I
498:Leonello
259:Florence
192:'s poem
177:and the
146:and the
57:, Italy.
90:Ferrara
49:of the
206:. His
148:Medici
98:Reggio
94:Modena
234:Notes
55:Milan
482:link
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320:2011
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