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with an old man breaking the news to a woman of her husband's death in a mining accident. The woman holds an infant in her arms, and two other miners appear in the doorway, carrying the body of the husband on a stretcher. Behind them in the distance stands the mine's
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and shot near
Melbourne, it depicts the flooding of an underground mine and daring attempts to rescue the miners. The film was a commercial success and received favourable reviews from critics. It is now considered a
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described it as "a vivid and accurate presentment of a familiar incident in
Australian life". Only one month after the painting was first exhibited in
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from mine-head to cottage door, he had heard the stricken cry of the young wife at the sight of the stretcher-bearers' burden".
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became etched in the popular imagination, and by the 1890s was "known by reproduction in every mining township in
Australia".
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109.7 cm × 152.8 cm (45.1 in × 60.2 in)
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than of a hundred exquisite alleged studies in the "nood"." The following year,
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titled "If I Could Paint", concluding that he'd "be prouder of a picture like
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Painted when
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declared himself a "worshipper" of
Longstaff after viewing
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278:"Longstaff, Sir John Campbell (1861–1941)"
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336:(11 November 1899). "If I Could Paint",
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350:Henry Lawson (1900) by John Longstaff
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369:Breaking the News
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66:Dimensions
297:The Argus
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246:in 1933.
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152:. The
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