31:
559:
308:
496:
526:, Buchla & Associates announced new ownership, retaining Don Buchla as Chief Technology Officer and investment in the design, manufacturing, and marketing of Buchla products and the development of an expanded product line, and the company moving forward under the name Buchla Electronic Musical Instruments (BEMI). One year later, BEMI re-introduced the Music Easel. Since then, BEMI has released a small number of new modules, including the 252e Polyphonic Rhythm Generator. The "200h" series of modules (h = half) were also released to allow Buchla system owners to configure their systems in more granular ways.
595:
578:
367:
245:
519:, a hybrid system using digital microprocessors that uses the same size modules and signals as the 100 and 200 series systems. The 200e modules convert all signals to analog at the panel, appearing to the user like an analog system, with patch cables. Systems can be built using a combination of 100, 200 and 200e modules. The 200e modules connect through a digital communications bus, allowing the system to store the settings of the knobs and switches.
377:
53:
168:. In 2012 the original company led by Don Buchla was acquired by a group of Australian investors trading as Audio Supermarket Pty. Ltd. The company was renamed Buchla Electronic Musical Instruments as part of the acquisition. In 2018 the assets of BEMI were acquired by a new entity, Buchla U.S.A., and the company continues under new ownership.
401:
He also used a naming convention different from most of the industry. One of his modules, for example, is called a "Multiple
Arbitrary Function Generator." These differences run deeper than nomenclature. The Multiple Arbitrary Function Generator (or MARF) goes well beyond what a typical sequencer is
534:
In 2015, various websites, including FACT, reported that Don Buchla had taken the owners of BEMI to court, citing health problems due in part to unpaid consulting fees and asserting a claim to his original intellectual property. The lawsuit alleged breach of contract and "bad-faith conduct" on the
293:
The original Buchla modular synthesizer was commissioned by Morton
Subotnick and Ramon Sender and funded by a grant from the Rockefeller Foundation. The earliest modules are labeled "San Francisco Tape Music Center." Later modules were offered through the musical instruments division of CBS.
538:
Legal documents filed with the state of
California indicate that the court ordered the case to be settled by arbitration in July 2015. In August 2016, the court dismissed the case in light of the fact that the parties had reached an out-of-court settlement.
192:
grant to Buchla in 1964. Subotnick envisioned a voltage-controlled instrument that would allow musicians and composers to create sounds suited to their own specifications. Previously, one had to use either discrete audio generators, such as
252:
The instrument was named the "Buchla 100 series
Modular Electronic Music System," and was installed at the San Francisco Tape Music Center in 1965 and moved to Mills College in 1966. Subotnick completed his first major electronic work,
546:
BEMI attended NAMM 2017 and released the Easel AUX Expander. BEMI also established a new distribution model, discontinuing direct sales to customers and integrating more closely with a worldwide network of dealers.
542:
Don Buchla died shortly afterward, on
September 14, 2016. His obituary was reported in the New York Times and elsewhere, noting his significant achievements to the world of electronic music and technology.
315:
The Buchla 200 series
Electric Music Box replaced the previous model in 1970 and represented a significant advance in technology. Almost every parameter can be controlled from an external control voltage.
397:
sounds. This goal is evident in the omission of a standard musical keyboard on his early instruments, which instead used a series of touch plates that were not necessarily tied to equal-tempered tuning.
336:-controlled systems. The results were the 500 series and the 300 series, both of which paired the new technology with existing 200 series modules to create hybrid analog/digital systems. The
209:, or other audio. Buchla designed the synthesizer in a modular fashion, combining separate components that each generated or modified a music event. Each box served a specific function:
1305:
414:, and tracking generator. The MARF (Buchla model 248) is not to be confused with the modern Dual Arbitrary Function Generator (Model 250e) which features a different design.
70:
594:
1155:
1144:
117:
89:
577:
337:
999:
978:
958:
96:
1108:
1103:
441:, and dynamic waveshaping to produce other forms of timbre modulation. Many of Don Buchla's designs, including the Lopass Gates, contain
558:
103:
569:
393:, as he felt that name gives the impression of imitating existing sounds/instruments. His intent was to make instruments that create
263:
85:
1135:
855:
160:
controllers. The origins of the company could be found in Buchla & Associates, created in 1963 by synthesizer pioneer
1093:
1083:
905:
887:
17:
923:
136:
1078:
1068:
941:
768:
457:
released a software/plugin emulation of the Music Easel, called the "Buchla Easel V", as part of the V collection.
110:
177:
804:
786:
750:
732:
714:
74:
1315:
1151:
351:
Also in 1980s, Buchla released the 400 series and the 700 series software controlled instruments operated by
30:
1310:
1113:
1027:
370:
356:
1128:
237:, amplitude, and spatial location of the sound. The instrument was controlled and played via an array of
515:
Finally, in 2004, Don Buchla returned to designing full blown modular electronic instruments with the
181:
1201:
1042:
689:
407:
975:
476:
By the late 1980s, Don Buchla had stopped creating instruments and shifted his focus to alternate
257:
with another unit that Buchla had built and shipped to New York. This same unit was also used on
222:
63:
495:
1121:
189:
1013:
843:
307:
214:
40:
1073:
1206:
832:
438:
434:
411:
366:
165:
8:
1267:
620:
198:
426:
403:
258:
238:
194:
821:
1221:
630:
1252:
1216:
645:
625:
601:
485:
430:
422:
272:
244:
226:
185:
1088:
873:
453:- which can be used for a more "natural", typical Buchla sound. In December 2017,
1191:
982:
1257:
1211:
1196:
1170:
859:
833:
Page about modern MARF clone with schematics and links to original MARF manuals
565:
489:
481:
1299:
1226:
909:
650:
450:
446:
230:
210:
202:
1143:
1274:
1147:
390:
329:
218:
153:
1043:"Don Buchla, Inventor, Composer and Electronic Music Maverick, Dies at 79"
417:
Buchla's instruments, such as the Music Easel (pictured), use a method of
1262:
1186:
1098:
640:
635:
583:
516:
499:
268:
206:
891:
772:
429:-type waveshapes and rely heavily on filtering with 24 dB resonant
275:, it helped revolutionize the way electronic music and sounds are made.
1284:
927:
615:
161:
808:
790:
754:
736:
718:
523:
376:
945:
342:
and was also his final attempt to market a "mainstream" Buchla synth
52:
1279:
333:
176:
Buchla's first modular electronic music system was the result of a
35:
959:"Buchla Electronic Musical Instruments Debuts At Winter NAMM 2012"
229:
modules. Using the different modules, a composer could affect the
454:
442:
418:
234:
733:"Buchla 500 electronic musical instrument (photograph only)"
535:
part of BEMI's owners and sought $ 500,000 in compensation.
433:, while Buchlas are geared toward complex oscillators using
1028:"Buchla v. Buchla Electronic Musical Instrument, LLC et al"
751:"Buchla Series 300 - digital control for 200 series module"
477:
360:
157:
1306:
Synthesizer manufacturing companies of the United States
1000:"Don Buchla is taking the owners of his brand to court"
480:
controllers. His controller designs have included the
384:
328:
In the mid 1970s, Don Buchla began experimenting with
1069:
Buchla & Associates - Historical
Systems Overview
1063:
856:"Music Easel - Summary Description / December, 1973"
77:. Unsourced material may be challenged and removed.
319:
389:Buchla tended to not refer to his instruments as
1297:
1089:Buchla 100 Modular Synthesizer @ Synthmuseum.com
471:Buchla Thunder, Buchla Lightning, Marimba Lumina
460:
359:for musical instruments, and also equipped with
1129:
916:
715:"The Electric Music Box - Buchla Series 200"
604:on Buchla 100 (array of knobs on the bottom)
505:
283:
27:Synthesizer and MIDI controller manufacturer
1094:Buchla instrument collection @ Audities.org
874:"Arturia - Buchla Easel V - Buchla Easel V"
297:
1136:
1122:
934:
848:
898:
769:"Buchla Touche Introduction (front page)"
188:in 1963, who later allotted $ 500 from a
137:Learn how and when to remove this message
1074:Sarah Belle Reid on the Mills Buchla 100
797:
779:
743:
725:
707:
494:
425:. Moog units use oscillators with basic
402:capable of performing and can act as an
375:
371:Buchla 250e Arbitrary Function Generator
365:
306:
243:
29:
1040:
944:. Buchla and Associates. Archived from
926:. Buchla and Associates. Archived from
908:. Buchla and Associates. Archived from
890:. Buchla and Associates. Archived from
880:
858:. Buchla and Associates. Archived from
807:. Buchla and Associates. Archived from
789:. Buchla and Associates. Archived from
771:. Buchla and Associates. Archived from
753:. Buchla and Associates. Archived from
735:. Buchla and Associates. Archived from
717:. Buchla and Associates. Archived from
86:"Buchla Electronic Musical Instruments"
14:
1298:
687:
678:, Miller Freeman Books, 1993, p. 97-99
340:was also the result of this research,
1117:
761:
688:Gordon, Theodore (January 14, 2016).
150:Buchla Electronic Musical Instruments
1099:Buchla resource page @ synthsale.com
1084:Buchla 200 Series Information/Photos
385:Buchla's unique synthesizer designs
205:source recordings of other musical,
75:adding citations to reliable sources
46:
325:Buchla 300, 500, Touché (mid 1970s)
24:
1109:Sound On Sound Buchla 200e: Part 2
1104:Sound On Sound Buchla 200e: Part 1
1041:Pareles, Jon (17 September 2016).
348:Buchla 400, 700, and MIDAS (1980s)
25:
1327:
1057:
942:"Buchla Series 200e (front page)"
529:
171:
1064:Buchla & Associates homepage
822:MARF Programming tips by JonDent
787:"Buchla 400 Product Information"
593:
576:
557:
51:
1034:
1020:
1006:
992:
968:
952:
866:
837:
826:
690:"Unboxing the Buchla Model 100"
588:223e Tactile Input Port (front)
449:employed as voltage-controlled
320:Computer-controlled instruments
201:, manually composed and edited
178:San Francisco Tape Music Center
62:needs additional citations for
1152:electronic musical instruments
1079:Buchla Current Model 200e page
815:
681:
668:
13:
1:
656:
223:voltage controlled amplifiers
152:(BEMI) was a manufacturer of
239:touch and pressure-sensitive
34:Buchla 200e (2004–) used by
7:
609:
278:
261:'s influential 1969 album,
10:
1332:
550:
421:generation different from
255:Silver Apples Of The Moon,
1238:
1179:
1163:
805:"Buchla 700 (front page)"
180:commission by composers
976:"NAMM 2013 Gino's Hits"
844:Buchla 250 product page
502:
381:
373:
312:
249:
190:Rockefeller Foundation
44:
906:"Buchla Lightning II"
498:
379:
369:
310:
247:
41:National Music Centre
33:
1316:Modular synthesizers
1207:Instrument amplifier
924:"Marimba Lumina 2.5"
676:Vintage Synthesizers
522:At the January 2012
439:amplitude modulation
435:frequency modulation
166:Berkeley, California
71:improve this article
1311:Buchla synthesizers
987:Electronic Musician
694:Library of Congress
621:Modular synthesizer
211:envelope generators
1047:The New York Times
1014:"Buchla v. Buchla"
981:2013-02-12 at the
503:
427:function generator
404:envelope generator
382:
380:Buchla Music Easel
374:
313:
259:Buffy Sainte Marie
250:
45:
18:Buchla synthesizer
1293:
1292:
1222:Speaker enclosure
1180:52. Amplification
963:Keyboard Magazine
631:Serge synthesizer
602:analog sequencers
445:- photoresistive
423:Moog synthesizers
412:voltage quantizer
248:Buchla 100 at NYU
147:
146:
139:
121:
16:(Redirected from
1323:
1217:Guitar amplifier
1138:
1131:
1124:
1115:
1114:
1051:
1050:
1038:
1032:
1031:
1024:
1018:
1017:
1010:
1004:
1003:
1002:. 25 March 2015.
996:
990:
989:, (January 2013)
972:
966:
956:
950:
949:
938:
932:
931:
920:
914:
913:
902:
896:
895:
888:"Buchla Thunder"
884:
878:
877:
870:
864:
863:
852:
846:
841:
835:
830:
824:
819:
813:
812:
801:
795:
794:
783:
777:
776:
765:
759:
758:
747:
741:
740:
729:
723:
722:
711:
705:
704:
702:
700:
685:
679:
672:
646:Serge Tcherepnin
626:Moog synthesizer
597:
580:
561:
510:
509:
465:
464:
463:MIDI controllers
431:low-pass filters
343:
302:
301:
288:
287:
273:Moog synthesizer
227:analog sequencer
199:musique concrète
195:test oscillators
186:Morton Subotnick
142:
135:
131:
128:
122:
120:
79:
55:
47:
21:
1331:
1330:
1326:
1325:
1324:
1322:
1321:
1320:
1296:
1295:
1294:
1289:
1241:(radioelectric)
1240:
1239:53. Oscillation
1234:
1192:Electric guitar
1175:
1159:
1142:
1060:
1055:
1054:
1039:
1035:
1026:
1025:
1021:
1012:
1011:
1007:
998:
997:
993:
983:Wayback Machine
973:
969:
957:
953:
940:
939:
935:
922:
921:
917:
904:
903:
899:
886:
885:
881:
872:
871:
867:
854:
853:
849:
842:
838:
831:
827:
820:
816:
803:
802:
798:
785:
784:
780:
767:
766:
762:
749:
748:
744:
731:
730:
726:
713:
712:
708:
698:
696:
686:
682:
673:
669:
659:
612:
605:
598:
589:
587:
581:
572:
562:
553:
532:
513:
507:
506:
473:
468:
462:
461:
410:, CV selector,
387:
350:
341:
327:
322:
305:
299:
298:
291:
285:
284:
281:
174:
143:
132:
126:
123:
80:
78:
68:
56:
38:
28:
23:
22:
15:
12:
11:
5:
1329:
1319:
1318:
1313:
1308:
1291:
1290:
1288:
1287:
1282:
1277:
1272:
1271:
1270:
1260:
1258:Ondes Martenot
1255:
1250:
1244:
1242:
1236:
1235:
1233:
1232:
1231:
1230:
1224:
1219:
1214:
1212:Bass amplifier
1204:
1199:
1197:Electric piano
1194:
1189:
1183:
1181:
1177:
1176:
1174:
1173:
1171:Tracker action
1167:
1165:
1161:
1160:
1141:
1140:
1133:
1126:
1118:
1112:
1111:
1106:
1101:
1096:
1091:
1086:
1081:
1076:
1071:
1066:
1059:
1058:External links
1056:
1053:
1052:
1033:
1019:
1005:
991:
974:Robair, Gino.
967:
965:(January 2012)
951:
948:on 2009-04-12.
933:
930:on 2012-01-20.
915:
912:on 2011-10-05.
897:
894:on 2011-11-02.
879:
865:
862:on 2011-12-22.
847:
836:
825:
814:
811:on 2011-10-05.
796:
793:on 2011-10-05.
778:
775:on 2011-10-05.
760:
757:on 2011-10-05.
742:
739:on 2011-10-05.
724:
721:on 2011-10-05.
706:
680:
666:
665:
658:
655:
654:
653:
648:
643:
638:
633:
628:
623:
618:
611:
608:
607:
606:
599:
592:
590:
582:
575:
573:
566:Marimba Lumina
563:
556:
552:
549:
531:
530:Current status
528:
512:
504:
490:Marimba Lumina
467:
459:
451:potentiometers
386:
383:
357:Forth language
321:
318:
304:
296:
290:
289:series (1960s)
282:
280:
277:
173:
172:Company origin
170:
145:
144:
59:
57:
50:
39:(exhibited at
26:
9:
6:
4:
3:
2:
1328:
1317:
1314:
1312:
1309:
1307:
1304:
1303:
1301:
1286:
1283:
1281:
1278:
1276:
1273:
1269:
1266:
1265:
1264:
1261:
1259:
1256:
1254:
1251:
1249:
1246:
1245:
1243:
1237:
1228:
1227:Larsen effect
1225:
1223:
1220:
1218:
1215:
1213:
1210:
1209:
1208:
1205:
1203:
1200:
1198:
1195:
1193:
1190:
1188:
1185:
1184:
1182:
1178:
1172:
1169:
1168:
1166:
1162:
1157:
1153:
1149:
1148:Electrophones
1146:
1139:
1134:
1132:
1127:
1125:
1120:
1119:
1116:
1110:
1107:
1105:
1102:
1100:
1097:
1095:
1092:
1090:
1087:
1085:
1082:
1080:
1077:
1075:
1072:
1070:
1067:
1065:
1062:
1061:
1048:
1044:
1037:
1029:
1023:
1015:
1009:
1001:
995:
988:
984:
980:
977:
971:
964:
960:
955:
947:
943:
937:
929:
925:
919:
911:
907:
901:
893:
889:
883:
875:
869:
861:
857:
851:
845:
840:
834:
829:
823:
818:
810:
806:
800:
792:
788:
782:
774:
770:
764:
756:
752:
746:
738:
734:
728:
720:
716:
710:
699:September 18,
695:
691:
684:
677:
671:
667:
664:
663:
652:
651:Suzanne Ciani
649:
647:
644:
642:
639:
637:
634:
632:
629:
627:
624:
622:
619:
617:
614:
613:
603:
596:
591:
585:
579:
574:
571:
567:
560:
555:
554:
548:
544:
540:
536:
527:
525:
520:
518:
511:series (2004)
501:
497:
493:
491:
487:
483:
479:
474:
472:
458:
456:
452:
448:
447:opto-isolator
444:
440:
436:
432:
428:
424:
420:
415:
413:
409:
405:
399:
396:
392:
378:
372:
368:
364:
362:
358:
354:
349:
345:
339:
335:
331:
326:
317:
309:
303:series (1970)
295:
276:
274:
270:
267:. Along with
266:
265:
264:Illuminations
260:
256:
246:
242:
240:
236:
232:
228:
224:
220:
216:
212:
208:
204:
203:magnetic-tape
200:
196:
191:
187:
183:
179:
169:
167:
163:
159:
155:
151:
141:
138:
130:
119:
116:
112:
109:
105:
102:
98:
95:
91:
88: –
87:
83:
82:Find sources:
76:
72:
66:
65:
60:This article
58:
54:
49:
48:
42:
37:
32:
19:
1275:Telharmonium
1247:
1229:("feedback")
1046:
1036:
1022:
1008:
994:
986:
970:
962:
954:
946:the original
936:
928:the original
918:
910:the original
900:
892:the original
882:
868:
860:the original
850:
839:
828:
817:
809:the original
799:
791:the original
781:
773:the original
763:
755:the original
745:
737:the original
727:
719:the original
709:
697:. Retrieved
693:
683:
675:
674:Vail, Mark.
670:
661:
660:
586:(rear) with
545:
541:
537:
533:
521:
514:
475:
470:
469:
466:(late 1980s)
416:
400:
394:
391:synthesizers
388:
352:
347:
346:
332:designs and
324:
323:
314:
292:
262:
254:
251:
182:Ramon Sender
175:
154:synthesizers
149:
148:
133:
127:January 2020
124:
114:
107:
100:
93:
81:
69:Please help
64:verification
61:
1263:Synthesizer
1187:Bass guitar
641:Harald Bode
636:Robert Moog
584:Buchla 200e
508:Buchla 200e
500:Buchla 200e
269:Robert Moog
215:oscillators
207:spoken word
156:and unique
1300:Categories
1285:Trautonium
1164:51. Action
657:References
616:Don Buchla
311:Buchla 200
300:Buchla 200
286:Buchla 100
241:surfaces.
162:Don Buchla
97:newspapers
600:Earliest
524:NAMM Show
486:Lightning
1280:Theremin
979:Archived
610:See also
443:vactrols
334:computer
279:Products
36:Deadmau5
1268:Modular
564:Buchla
551:Gallery
482:Thunder
455:Arturia
330:digital
219:filters
111:scholar
1248:Buchla
1202:Pickup
488:, and
419:timbre
338:Touché
235:timbre
225:, and
113:
106:
99:
92:
84:
662:Notes
570:LEMUR
353:MIDAS
231:pitch
118:JSTOR
104:books
1253:Moog
1156:list
701:2016
517:200e
478:MIDI
361:MIDI
355:, a
197:—or
184:and
158:MIDI
90:news
1154:) (
568:on
408:LFO
395:new
271:'s
164:of
73:by
1302::
1145:5.
1045:.
985:,
961:,
692:.
484:,
437:,
406:,
363:.
344:.
233:,
221:,
217:,
213:,
1158:)
1150:(
1137:e
1130:t
1123:v
1049:.
1030:.
1016:.
876:.
703:.
492:.
140:)
134:(
129:)
125:(
115:·
108:·
101:·
94:·
67:.
43:)
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)
