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and the
Problem of Musical Interpretation”. Contemporaneously, he began to study composition in Brescia with Margola, subsequently in Rome and in Siena with Casella. He was active as a concert artist until 1953; subsequently, he performed only his own music in public.
22:(18 October 1922 – 28 November 1993) was an Italian composer, teacher, and pianist. Coming from a family of independent means, he was able to pursue his art as he saw fit, regardless of changing fashions or economic pressure.
146:(1963–64), which acquires a "torpid expressivity" through the juxtaposition of the coolness of an extremely high lyrical soprano voice and the resonance of the instrumental bass register. It was awarded the 1965
135:. From 1977 to 1988 he held the chair of the Advanced Course in composition at the Conservatory in Parma. Starting in 1989 he taught the special courses in composition at the School of Music in Fiesole.
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for piano and orchestra (1945–46), with which he made his compositional debut at the 1946 Venice
Festival of Contemporary Music. In 1949, together with
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38:. He began studying piano at the age of 7, with Franco Margola in Brescia, then from 1939 to 1943 with
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there, beginning in 1957, alien to his nature, and did not return until he was invited back in 1990.
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From 1960 to 1961, he taught courses on contemporary music at the
University for Foreigners in
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Concerto for piano and orchestra (1989–93, unfinished; completed 2004 by Paulo de Assis)
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211:, cycle of five Lieder for soprano and chamber ensemble (words of Georg Trakl) (1955)
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Bortolotto, Mario. 1965. "The New Music in Italy", translated by
William C. Holmes.
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Prize for chamber music. His last project was a trilogy of operas on texts by
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Amongst the most widely admired works from his post-Darmstadt period are the
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344:. 1964. "Italy: New Music at Palermo", translated by David L. Burrows.
217:, for contralto and instrumental ensemble (words of Georg Trakl) (1962)
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edited by Laura Macy (Accessed 31 August 2006) (Subscription access)
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166:, remained unwritten at the time of his death in Brescia in 1993.
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for piano, and his new-found technique came to full flower in the
93:. During the war, he gained access to Schoenberg's scores through
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492:. 1956. "The Lunatic Fringe III: Computational Composition".
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158:, was composed between 1972 and 1975, and the second part,
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and Nathan Broder, 61–77. New York: W. W. Norton, 1965.
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Michelangeli introduced him in 1938 to the music of
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254:, for two violins, viola, and harpsichord (1976)
358:The New Grove Dictionary of Music and Musicians
263:String Trio, for violin, viola and cello (1978)
73:, and in 1948 graduated in philosophy from the
244:, lyric opera (1972–75) (a companion piece to
77:with a dissertation titled “The Aesthetics of
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355:Osmond-Smith, David. 2001. "Togni, Camillo."
169:Togni's music can be heard in labels such as
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480:Osmond-Smith, David. n.d. "Camillo Togni."
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470:. Amsterdam: Harwood Academic Publishers.
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451:51, no. 1 (January): 61–77. Reprinted in
232:Three Preludes for harpsichord (1963–75)
193:, for piano and orchestra, Op. 27 (1946)
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956:20th-century Italian male musicians
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350:2, no. 2 (Spring–Summer): 159–63.
58:, receiving his diploma from the
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891:20th-century classical composers
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65:He studied Classics in Brescia,
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926:Italian male classical pianists
369:. London: Macmillan Publishers.
124:, but he found the turn toward
951:20th-century Italian composers
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205:, for flute and strings (1957)
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199:, for piano, Op. 38 (1954–57)
56:Arturo Benedetti Michelangeli
906:Italian male opera composers
498:97, no. 1361 (July): 354–56.
453:Contemporary Music in Europe
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325:. Italian Composers Website.
310:""Camillo Togni: Biography""
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941:University of Pavia alumni
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281:for flute and piano (1982)
50:, and Giovanni Anfossi in
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347:Perspectives of New Music
715:Gottfried Michael Koenig
468:Italian Opera Since 1945
122:Ferienkurse in Darmstadt
54:. Later he studied with
901:Italian opera composers
490:Smith Brindle, Reginald
464:Camillo Togni: Blaubart
462:Fearn, Raymond. 1997. "
275:, lyric opera (1981–85)
246:Duke Bluebeard's Castle
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775:Second Viennese School
260:, for orchestra (1977)
91:Second Viennese School
931:Italian male pianists
807:Karlheinz Stockhausen
765:Einojuhani Rautavaara
448:The Musical Quarterly
60:Conservatory of Parma
750:Krzysztof Penderecki
705:Josef Matthias Hauer
645:André Boucourechliev
600:Osvaldas Balakauskas
203:Fantasia concertante
670:Niccolò Castiglioni
269:, for guitar (1979)
75:University of Pavia
71:University of Milan
725:Witold Lutosławski
690:Luigi Dallapiccola
585:Hans Erich Apostel
483:Grove Music Online
293:, for piano (1991)
287:, for piano (1987)
267:Quasi una serenata
238:, for piano (1969)
227:Rondeaux per dieci
144:Rondeaux per dieci
114:Luigi Dallapiccola
67:musical aesthetics
30:Togni was born in
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785:Arnold Schoenberg
495:The Musical Times
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392:Osmond-Smith 2001
331:Bortolotto, Mario
140:Charles d'Orléans
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215:Gesang zur Nacht
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20:Camillo Togni
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790:Anton Webern
755:George Perle
720:Ernst Krenek
710:Ben Johnston
685:Henry Cowell
630:Erik Bergman
580:Denis ApIvor
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455:, edited by
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367:John Tyrrell
361:, edited by
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318:. Retrieved
314:the original
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197:Tre capricci
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126:aleatoricism
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886:1993 deaths
881:1922 births
570:Gilbert Amy
549:Twelve-tone
334: [
252:FĂĽr Herbert
179:Bongiovanni
152:Georg Trakl
98: [
875:Categories
780:Alban Berg
740:Luigi Nono
388:Anon. n.d.
320:2006-09-03
307:Anon. n.d.
221:Recitativo
191:Variazioni
142:settings,
110:Variazioni
853:Biography
620:JĂĽrg Baur
605:Don Banks
555:composers
430:Anon. n.d
375:Footnotes
62:in 1946.
660:Ole Buck
279:Permaila
273:Barrabas
242:Blaubart
160:Barrabas
156:Blaubart
133:Florence
79:B. Croce
839:Portals
509:Profile
301:Sources
69:at the
36:Brescia
34:, near
32:Gussago
553:serial
474:
466:" in:
420:, 161.
177:, and
342:]
171:Naxos
102:]
52:Milan
48:Siena
824:more
551:and
472:ISBN
365:and
148:ISCM
116:and
46:and
44:Rome
26:Life
827:...
821:...
42:in
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511:,
398:^
390:;
340:fr
338:;
336:it
181:.
173:,
100:it
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408:.
323:.
248:)
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