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few minutes later, Kerman expressed his personal dislike of
Deodato in several interviews. He described Deodato as remorseless and uncaring on set and stated that he did not believe that Deodato had a soul. Kerman also noted hostile treatment of other cast and crew members by Deodato, stating: "He was a sadist. He was particularly sadistic to people that couldn't answer back, people that were Colombian, people that were Italian but could be sent home." Yorke and co-star Perry Pirkkanen also did not get along, which Yorke attributed to disappointment that Pirkkanen felt after his friend dropped out of the production. Yorke also alienated Ciardi after he declined to have sex with her in preparation for filming their sex scene.
396:. They encounter a group of Shamatari warriors and follow them to a riverbank, where Monroe's team saves a smaller group of Ya̧nomamö from death. The Ya̧nomamö invite the team back to their village in gratitude, but they are still suspicious of the foreigners. Monroe bathes naked in a river to gain their trust, where a group of Ya̧nomamö women joins him. The women lead Monroe from the river to a shrine, where he discovers the skeletal remains of the filmmakers with their film reels nearby. Shocked by what he sees, he confronts the Ya̧nomamö in the village, where he plays music from a tape recorder. The intrigued natives agree to trade it for the reels of film.
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the set and screamed at her in
Italian until she agreed to perform the scene as instructed. Yorke also became severely upset while filming a scene in which his character takes a part in the rape of a native girl. The film's content had given Yorke anxiety throughout his time in Colombia, and this tension peaked during the rape scene. His experiences on set ultimately weighed so heavily on him that Yorke ended his relationship with his girlfriend in New York shortly after his return from the Amazon.
913:. When his character was scripted to kill a pig on camera, Yorke refused, leaving the duty to Luca Barbareschi. Yorke had traveled with the pig to the set and felt he had formed a relationship with the animal. When it was shot, the emotional impact of hearing the pig squeal subsequently caused Yorke to botch a long monologue, and retakes were not an option because the production did not have access to additional pigs. Kerman similarly objected to the killing of the
830:, we see the actors kill and rip apart a giant sea turtle and other animals. The brain has been conditioned to accept that which it's now seeing as real. This mixture of real and staged violence, combined with the handheld camerawork and the rough, unedited quality of the second half of the movie, is certainly enough to convince someone that what they are watching is real." Deodato says he included the execution footage in
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the Ya̧nomamö. Alan insists that they attempt to rescue her, but Mark continues to film as she is stripped naked, gang-raped, beaten to death, and beheaded. The Ya̧nomamö then locate and kill the last two team members as the camera drops to the ground. Disturbed by what they have seen, the executives order all of the footage to be burned. Monroe leaves the station, pondering "who the real cannibals are".
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Yacumo in a clearing, Jack shoots one in the leg so they can easily follow him to the village. Once they arrive, the crew proceeds to intimidate the tribe and kill a young child's pet pig before herding the natives into a hut, which they burn down to stage a massacre for their film. Monroe expresses apprehension about the staged footage and the treatment of the natives, but his concerns are ignored.
665:, which was written to depict soldiers advancing upon an enemy position, also went unused, as Deodato instead decided to use stock footage of political executions for the segment in order to draw further parallels to the films of Jacopetti. The character names Mark Williams and Shanda Tommaso in Clerici's screenplay were also changed to Mark Tomaso and Faye Daniels, respectively, in the film.
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Ya̧nomamö girl, whom the men take turns raping against Faye's protests, stating they are wasting film footage. A Ya̧nomamö man can be seen in the background stalking them as the incident occurs. They later encounter the same girl impaled on a wooden pole by a riverbank, where they claim that the natives killed her for loss of
1355:. The greater theme of the film is the difference between the civilized and the uncivilized. Though the graphic violence can be hard for most to stomach, the most disturbing aspect of the film is what Deodato is saying about modern society. The film asks the questions 'What is it to be 'civilized'?' and 'Is it a good thing?
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segment, which causes variances even among uncensored releases. An extended version includes approximately 10 seconds of footage not seen in an alternative, shorter version. This additional footage includes a wide-angle shot of firing-squad executions, a close-up of a dead victim and extended footage
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whose work described the
Yanomami as "the fierce people" who lived in a constant state of warfare. According to Chagnon, rape and domestic violence were commonplace in Yanomami culture when he conducted field research. These findings were disputed by other anthropologists and Chagnon's reputation was
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Film historian David
Kerekes contends that the film's sense of reality is based on the direction and the treatment of the film team's recovered footage, noting that the "shaky hand-held camerawork commands a certain realism, and 'The Green Inferno,' the ill-fated team's film-within-a-film here, is no
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is a variety of styles, from a gentle melody in the "Main Theme", to a sad and flowing score in "Crucified Woman", and faster and more upbeat tracks in "Cameraman's
Recreation", "Relaxing in the Savannah", and "Drinking Coco", to the sinister-sounding "Massacre of the Troupe". The instrumentation is
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The film's sexual content also proved a point of contention among the cast members. Ciardi did not want to bare her breasts during the sex scene between her and Yorke, and she became agitated with him during the filming of the scene. When she refused to comply with the direction, Deodato led her off
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before completely mutilating Jack's lifeless body. Thereafter, an exhausted Alan says they have gotten completely lost trying to escape and are now surrounded by the natives who pursued them. Alan attempts to scare them off with a flare gun as a last resort. During the commotion, Faye is captured by
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Interpersonal relationships were strained on the set. Kerman and
Deodato frequently clashed, as the two got into long, drawn-out arguments every day of shooting, usually because of remarks made by Deodato to which Kerman took offense. Although Deodato noted that the two were always friendly again a
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Production on the film was delayed numerous times while in the Amazon. After the actor originally cast as Alan Yates dropped out of the role, filming was halted for two weeks until new casting calls were completed and Yorke arrived in
Leticia. During principal filming with Kerman, the father of the
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Back in New York, executives of the Pan
American Broadcasting System invited Monroe to host a broadcast of the documentary to be made from the recovered film. Still, Monroe insists on viewing the raw footage before making a decision. One of the executives introduces him to Alan's work by showing an
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murder trial often claim that the actors had signed contracts with the production which ensured that they would not appear in any type of media, motion pictures, or commercials for one year following the film's release. Deodato himself has claimed this was the case. However, actor Carl Yorke has
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in
English in order to appeal to a wider audience and to lend the film credibility. However, the film had to establish a European nationality so that it could be more easily distributed among European countries. Under Italian law, for the film to be recognized as Italian, at least two actors who
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Monroe then begins to view the recovered footage, which follows the group's trek through the rainforest. After walking for days, their guide, Felipe, is bitten by a venomous snake. The group amputates Felipe's leg with a machete to save his life, but he dies and is left behind. Upon locating the
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and is introduced to his guides, Chaco and his assistant, Miguel. After several days of trekking through the jungle, the rescue team encounters the Yacumo. They arrange the release of their hostage in exchange for being taken to the Yacumo village. Once there, the group is initially greeted with
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Robert
Firsching of AllMovie made similar criticisms of the film's content, saying: "While the film is undoubtedly gruesome enough to satisfy fans, its mixture of nauseating mondo animal slaughter, repulsive sexual violence, and pie-faced attempts at socially conscious moralizing make it rather
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was confiscated under the orders of a local magistrate, and Ruggero Deodato was charged with obscenity. As all copies were to be turned over to the authorities, the film was released in other countries like the United Kingdom via subterfuge. In January 1981, during the film's theatrical run in
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on the modern world. Sean Axmaker praised the structure and setup of the film, saying: "It's a weird movie with an awkward narrative, which Deodato makes all the more effective with his grimy sheen of documentary realism, while Riz Ortolani's unsettlingly lovely, elegiac score provides a weird
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After he finishes viewing the remaining footage, Monroe expresses his disgust toward the station's decision to air the documentary. He shows the executives the remaining unedited footage that only he has seen to convince them otherwise. The final two reels begin with the filmmakers locating a
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and decided that he would direct after all, citing it as a similarly violent film that was given a mainstream release in the United States. Although the screenplay, written by Christine Conradt, was completed, a financial conflict between Deodato and the film's producer led to the project's
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wrote a letter to Deodato, which stated (translated): "Dear Ruggero, what a movie! The second part is a masterpiece of cinematographic realism, but everything seems so real that I think you will get in trouble with all the world." In the ten days before it was seized, the film had grossed
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should give an indication of where its sympathies lie", while Schager says Deodato is "pathetically justifying the unrepentant carnage by posthumously damning his eaten filmmaker protagonists with a 'who are the real monsters – the cannibals or us?' anti-imperialism morale."
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concern the on-screen killings of animals. Deodato himself has condemned his past actions, saying: "I was stupid to introduce animals." Although six animal deaths appear onscreen, seven animals were killed for the production, as the scene depicting the monkey's death was
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said: "While it's hard to defend the director for some of the truly repugnant images with which he has chosen to convey his message, there is indeed an underlying point to the film, if one is able to look beyond the sometimes unwatchable images that assault the viewer."
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with five minutes and 44 seconds of cuts to remove scenes of animal cruelty and sexual violence; all but 15 seconds of these cuts were waived for a re-release in 2011. The latter also includes a new edit sponsored by Deodato, which reduces the violence toward animals.
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representative Sandro Perotti each received a four-month suspended sentence after they were all convicted of obscenity and violence. Deodato fought in the courts for three additional years to get his film unbanned. In 1984, the courts ruled in favor of Deodato, and
1763:. The BBFC made a similar conclusion regarding the censorship of scenes in which the deaths were quick and painless, noting: "Removing these sequences would be inconsistent with the BBFC's decisions to permit quick clean kills in several other films, such as
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and stormed off the set while its death scene was filmed; he had repeatedly pressed Deodato to let the animal go in the minutes leading up to filming. Pirkkanen cried after filming the butchering of a turtle, and crew members vomited off camera when a
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Multiple cast and crew members were uncomfortable with the film's graphic content, in particular the genuine killing of animals. Yorke described the shoot as having "a level of cruelty unknown to me" and was initially unsure if he was taking part in a
1412:, Nathan Wardinski observes that "the fictionalized native people of this film personify Western and specifically US attitudes toward the region and its people." The film is also relevant to the contentious history of western anthropologists and the
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of bodies being carried into the back of a truck. The longer version also includes different titles that correctly name the film crew as they appear in the final film, while the shorter version gives the names that originally appear in the script.
1370:. Carter explores this, claiming that " is shown through the interaction between Professor Monroe and the news agency that had backed the documentary crew. They continually push Monroe to finish editing the footage because blood and guts equal
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asserts this as well and believes that Deodato only uses his films to "put on a show". Robert Kerman contradicts these assertions, stating that Deodato did tell him of political concerns involving the media in the making of this film.
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did not operate properly, and the piranha were difficult to control. As a result, Deodato abandoned his efforts, and still photographs taken during the scene's setup are its only known depiction. The originally scripted version of
1577:, which was successfully prosecuted and banned. The film was not approved for release in the UK until 2001, albeit with nearly six minutes of mandated cuts. In 2011, the BBFC waived all but one of these previous edits and passed
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countries, and the difference between Western and non-Western cultures, yet these interpretations have also been met with criticism, with any perceived subtext deemed hypocritical or insincere due to the film's presentation.
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was innovative in its plot structure, specifically with the concept of the "found footage" being brought back to civilization and later viewed to determine the fate of the crew that shot it. This was later popularized as a
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with an R18+ rating for the uncut print, including the consumer advice, "High level sexual violence, high level violence, animal cruelty." In 2006, the film was rejected for classification and banned in its entirety by the
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denied that he ever signed any sort of contract of this kind nor was he asked to appear in court. Furthermore, actors Robert Kerman, Perry Pirkkanen, and Francesca Ciardi worked in films released during and shortly after
1514:. Although it has been rumored that Deodato was charged with murder, there is no evidence that the Italian authorities believed this to be the case. Neither Deodato nor the film's producers were ever charged with murder.
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to film exterior shots in the city. Leticia was only accessible by aircraft, and from there, the cast and crew had to travel by boat to reach the set. The interior shots of New York were filmed later in a studio in Rome.
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Film historian Andrew DeVos has argued that the animal deaths have been harshly condemned because of the film's classification as exploitation, whereas animal mutilations in films perceived by critics to be classics or
937:. The native extras also went unpaid for their work despite their involvement in numerous dangerous scenes, including a scene in which they were forced to stay inside a burning hut for a prolonged period of time.
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but released afterward. The screenplay included multiple scenes that did not make the film's final cut, including a scene in which a group of Ya̧nomamö cuts off the leg of a Shamatari warrior and feeds him to
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A friend of Pirkkanen was initially cast to play Alan Yates, but he dropped out of the film shortly before the production team left for the Amazon. He instead appears in the film as an ex-colleague of Yates.
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by Go Video in 1982 with approximately six minutes of cuts. These cuts were self-imposed by the distributor, possibly due to technical limitations of the tape. In 2001, the film was passed for release on
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production, Yorke originally wanted to be credited under the stage name Christopher Savage, although he ultimately decided it to be unnecessary due to the film's obscurity and remote filming location.
1961:. Deodato was originally hesitant about directing his new film, as he thought that he would make it too violent for American audiences. However, while he was in Prague filming his cameo appearance in
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and death. Jack is hit by a spear, and Alan shoots him to prevent his escape. The scene then moves to the crew filming the natives undressing Jack in their captivity and castrating him with a large
694:, were cast as Mark Tomaso and Faye Daniels, respectively, in part because they were native Italian speakers who also spoke English. Deodato also hired an American from the Actors Studio,
372:, agrees to lead a rescue mission in hopes of finding the missing filmmakers. In anticipation of his arrival, military personnel stationed in the rainforest conduct a raid on the local
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1669:, resulting in the death of two monkeys. Both of the animals were eaten by indigenous cast members, who consider monkey brains a delicacy. The animals that were killed onscreen were:
292:, particularly the presentation of the documentary crew's lost footage, which constitutes approximately half of the film. The treatment of this footage, which is noted for its visual
1805:, both of which use similar storytelling devices. Each film uses the idea of a lost film team making a documentary in the wilderness, and their footage returned. Advertisements for
1378:. Goodall and film historians David Slater and David Kerekes have also suggested that Deodato was attempting to comment on the documentary works of Antonio Climati with his film.
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quality to the film team's footage, writing: "The viewer feels as if they are there with the crew, experiencing the horrors with them." Deodato was proud of other aspects of the
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in a river. This scene was to take place directly after Monroe's team rescues a smaller group of Ya̧nomamö from the Shamatari. Attempts were made to film this scene, but the
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terrorism. Deodato believed the news reports to be staged, an idea that became an integral aspect of the film's story. Additional story elements were also influenced by the
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888:, which may have been influential on Deodato's direction. After shooting with the film team was completed, Kerman flew down to film his scenes in the rainforest and then to
604:. Mondo films focused on sensational and graphic content from around the world, including local customs, violence, sexuality, and death. Deodato included similar content in
332:. The film was released from seizure in 1982. It was banned in the United Kingdom, Australia, South Africa and several other countries due to its graphic content, including
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and believed that journalists staged certain news angles in order to obtain more sensational footage. The Italian media was symbolized by the behavior in the film team in
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were produced in the years following its release. The titles of these films were changed following their original theatrical releases in order to associate the film with
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to attend his father's funeral. The locale also presented problems for the production, in particular the heat and sudden rain storms, which sporadically delayed filming.
553:. He accepted the project and immediately went in search of a producer, choosing his friend Francesco Palaggi. The two first flew to Colombia to scout filming locations.
2064:'s home video releases contain an "Animal Cruelty Free" version that omits the six animal deaths. Other versions also contain alternative footage shot specifically for
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365:, a documentary about indigenous cannibal tribes. The team comprises director Alan Yates, scriptwriter Faye Daniels, and two cameramen, Jack Anders and Mark Tomaso.
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that the film presents. Nick Schager criticized the brutality of the film, saying: "As clearly elucidated by its shocking gruesomeness—as well as its unabashedly
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Due to its graphic content, there are several different versions in circulation, edited to varying degrees. In the United Kingdom, it was originally released on
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itself is highly sensationalized. Firsching claims that "The fact that the film's sole spokesperson for the anti-exploitation perspective is played by porn star
340:. Although some nations have since revoked the ban, it is still upheld in several countries. Critical reception of the film is mixed, although it has received a
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Deodato's intentions regarding the Italian media coverage of the Red Brigades have also fallen under critical examination and has been expanded to include all
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is nothing more than a shoddy exercise in sadism and animal cruelty." Reviewer Andrew Parkinson also notes: "At the end, there is a basic attempt to validate
1363:, also contends the film's message is "the rape of the natural world by the unnatural; the exploitation of 'primitive' cultures for Western entertainment."
1214:. Although the courts later confiscated the film based on a citizen's complaint, the initial audience reaction was positive. After seeing the film, director
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has been the target of censorship by moral and animal activists. Other than graphic gore, the film contains several scenes of sexual violence and genuine
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compiled a list of 72 video releases that were not brought before the BBFC for certification and declared them prosecutable for obscenity. This list of "
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and several other countries. The movie was briefly released in the US by Trans American Films in 1985, but this release was commercially doomed because
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due to the genuine animal slayings, citing animal cruelty laws. Deodato, Franco Palaggi, Franco Di Nunzio, Gianfranco Clerici, producer Alda Pia and
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s Eric Henderson said it is "artful enough to demand serious critical consideration, yet foul enough to christen you a pervert for even bothering."
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achieved notoriety as its graphic violence aroused a great deal of controversy. After its premiere in Italy, it was ordered to be seized by a local
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The film's impalement scene was one of several scenes examined by the courts to determine whether the violence depicted was staged or genuine.
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771:. Kerman's girlfriend at the time was cast as one of the station executives, as she was available to film in both New York City and Rome.
748:, in which Kerman played an air traffic controller, and his performance impressed Deodato enough to have Kerman cast as Harold Monroe in
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exception", and that "this very instability gives the 'Green Inferno' film its authentic quality." David Carter of the cult horror
1374:." Lloyd Kaufman claims that this form of exploitative journalism can still be seen in the media today and in programming such as
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as the tenth greatest horror film of all time, and the film was included in a similar list of the top 25 horror films compiled by
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1001:. Deodato was particularly fond of the film's main theme, "Ti guarderò nel cuore", which was given lyrics and became a worldwide
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594:, a documentary filmmaker of whom Deodato was a fan. Jacopetti and his partner, Franco Prosperi, are credited with popularizing
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also faced censorship issues in other countries around the world. In 1981, video releases were not required to pass before the
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with fifteen seconds of cuts. It was determined that the only scene that breached the BBFC's guidelines was the killing of a
416:, although it is implied that the group themselves killed her and staged it as a murder by the natives for dramatic effect.
328:. Deodato, screenwriter Gianfanco Clerici, and producers Francesco Palaggi, Alda Pia, and Franco Di Nunzio were convicted of
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approximately $ 2 million. In Japan, it grossed $ 21 million, becoming the second highest-grossing film of that time after
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718:, was chosen in part because he was the right size for the costumes and boots, which had already been purchased. Because
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561:, who suggested the town as a location ideal for filming. Other locations had been considered, specifically those where
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In August 2022, UK based distributor 88 Films announced a newly restored 4K UHD Blu-ray will be available in November.
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1225:. Deodato has claimed the film has grossed as much as $ 200 million worldwide in the wake of its various re-releases.
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on various aspects of modern civilization by comparing Western society to that of the cannibals. David Carter says: "
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and was less than what had been agreed upon. He refused to continue shooting until he was paid the correct amount in
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also promoted the idea that the footage is genuine. Deodato has acknowledged the similarities between his film and
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in New Zealand. Cuts to retain an R18 classification were offered by the Office, but they were eventually refused.
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was chosen as the principal filming location after Deodato met a Colombian documentary filmmaker at the airport in
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there, thus avoiding the possible banning of the film. This did not save the movie, however, because in 1983, the
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These interpretations have also been criticized as hypocritical and poor justification for the film's content, as
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people (referred to as Yanomamö in the film). The Yanomami were brought to worldwide attention by anthropologist
1889:, posing that old chestnut of whether civilised man is actually more savage than the uncivilised tribespeople."
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2412:"The Meat of 'Cannibal Holocaust' and the Zombie Film That Never Was: The Definitive Ruggero Deodato Interview"
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Deodato conceived of the film's premise while talking to his son about news coverage of the terrorism of the
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2014:. The game is being developed by Fantastico Studios and was expected to be available from November 2020 for
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to locate a crew of filmmakers that have gone missing while filming a documentary on local cannibal tribes.
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Detractors, however, criticize the over-the-top gore and the genuine animal slayings and also point to the
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still fails where Deodato succeeds. Lenzi attempts to tackle cultural defilement and racial issues, but
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3922:"'Cannibal Holocaust' Video Game 'Cannibal' Retitled 'Borneo: A Jungle Nightmare'; Watch New Trailer"
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tribes interacting with mostly inexperienced American and Italian actors recruited in New York City.
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and distributed worldwide by Cult Epics. It would eventually get a two-disc DVD release in 2005 by
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Yorke experienced unfair payment practices when his first payment for the film came in the form of
344:. The film's plot and violence have been noted as commentary on journalism ethics, exploitation of
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style that mimicked an observational documentary, a technique Deodato had learned from his mentor
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3589:(9 December 1999). "The Facts About The Last Broadcast" (Interview). Interviewed by Guido Henkel.
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Although the snuff film allegations were successfully refuted, the Italian courts decided to ban
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actor who played Miguel was murdered, and production was again halted as the actor flew back to
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was granted a rating certificate of VM18 for a cut print. It would later be re-released uncut.
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after which she informs Monroe that Alan staged dramatic scenes to get more exciting footage.
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was contacted by West German film distributors to make a film similar to his previous work,
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The Gore-Met (December 2005). "A Forbidden Feast of Flesh". Rue Morgue Magazine #52, 30–32.
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is relevant to the historical relationship between the United States and Latin America. In
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Despite these interpretations, Deodato has said in interviews that he had no intentions in
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DeVos, Andrew (2010). "The More You Rape Their Senses, the Happier They Are: A History of
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It was revealed in April 2020, that the movie would be getting a video game sequel called
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The next day, Monroe and his guides head deeper into the rainforest to locate two warring
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resembles a Mondo film. The scene of Monroe bathing naked in a river and the scene of a
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began on 4 June 1979. The scenes featuring the film team were shot first with handheld
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Shortly afterward, they are attacked by the Ya̧nomamö tribe as revenge for the girl's
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tribe and take a young man hostage to negotiate with the natives. Monroe flies in via
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1877:. In a mixed review, film journalist Jay Slater claims: "Certainly a tough customer,
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rite have also been noted as being similar to scenes in Antonio Climati's Mondo film
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suggested that certain deaths depicted in the film were real, which would have made
1441:. There is evidence that Clerici used Chagnon's work as the basis for the script to
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are often ignored. DeVos cites several examples of this double standard, including
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hostility and learns that the filmmakers caused great unrest among the people.
2968:
1873:, such as comparison of Western violence to perceived uncivilized cultures and
1853:
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3950:
Trash or Treasure?: Censorship and the Changing Meanings of the Video Nasties
3554:
3178:
2620:
2612:
2545:
2537:
2516:
2173:
2031:
2019:
1942:
1398:
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equally mixed, ranging from full orchestras to electronics and synthesizers.
889:
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768:
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345:
262:
91:
2819:
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had been shot, but Deodato rejected these locations due to lack of suitable
3837:
3814:
3586:
3378:. Office of Film and Literature Classification, New Zealand. Archived from
2624:
2549:
2358:
2177:
1689:
1685:
1616:
1424:
Darkness in El Dorado: How Scientists and Journalists Devastated the Amazon
1215:
1037:
994:
796:
757:
579:
281:
140:
37:
3791:
3509:
1487:
2698:
2193:. Weiner, Robert G.; Cline, John (Editors). Scarecrow Press, Inc., 2010.
2065:
2000:
1996:
1940:. Previously known for his work in Mondo films, Antonio Climati directed
1608:
1570:
711:
595:
4038:
1953:
In 2005, Deodato announced that he planned to make a companion piece to
3615:
Slater, Jay (2002). ""The Cannibal/The Zombie"". In Slater, Jay (ed.).
1929:
1831:
1826:
1511:
1469:
has been marketed as having been banned in over 50 countries. In 2006,
1305:
1262:
folks it purports to sympathize with —the actual savages involved with
985:
910:
839:
733:
600:
572:
528:
498:
377:
285:
1928:. In addition to the new title, Slater notes similarities between the
795:, namely the numerous moving shots using a standard, shoulder-mounted
3563:
2876:
1632:
1612:
1592:
1296:
gives the film an approval rating of 67% based on 18 reviews, with a
1251:
1002:
800:
723:
715:
413:
329:
300:
style of filmmaking that was later popularized in American cinema by
265:
as Harold Monroe, an anthropologist who leads a rescue team into the
3222:
The Spectacle of The Real: From Hollywood to 'Reality' TV and Beyond
1017:
The film's main theme was used in 2022 for the American teen series
997:, whom Deodato specifically requested because of Ortolani's work in
898:
558:
4026:
2793:
2477:
Making and Distributing Films in Europe: The Problem of Nationality
2023:
1995:
The film's influence has extended to other media as well. In 2001,
1984:, which takes its title from the fictional documentary produced in
1968:
1897:
1825:
was a major influence. Nonetheless, the film was cited by director
1736:
1413:
1301:
1243:
1207:
389:
373:
311:
3886:"HHFF Welcomes Controversial Italian Gore-Meister Ruggero Deodato"
3090:. New York: Harcourt Brace & Company. pp. 239, 209, 216.
2721:"Cannibal Holocaust - Limited Valentine's Edition of 2,000 Copies"
4112:
1892:
1747:
1724:
1700:
1678:
1604:
1600:
1361:
Sweet & Savage: The World Through the Shockumentary Film Lens
806:
Kerekes noted the animal slaughter and inclusion of footage from
781:
653:
424:
3908:
Infamous Movie Cannibal Holocaust Is Getting a Video Game Sequel
1465:
in the midst of controversy to this day. Due to this notoriety,
993:
The film's soundtrack was composed entirely by Italian composer
854:
2334:
2331:
Sweet and Savage: The World Through the Shockumentary Film Lens
1596:
1255:
272:
Produced as part of the contemporary cannibal trend of Italian
3602:
Found Footage Horror Films: Fear and the Appearance of Reality
3537:
Cinema Inferno: Celluloid Explosions from the Cultural Margins
2191:
Cinema Inferno: Celluloid Explosions from the Cultural Margins
1837:
1582:
1211:
914:
882:. This same style was also used by Climati in his Mondo film
567:
310:
was filmed primarily on location in the Amazon rainforest of
3143:. UK: VIPCO (Video Instant Picture Company). 2004. VIP666SE.
2215:. Jefferson, NC: McFarland & Company, Inc. p. 223.
1817:
received for being an original production. The producers of
1557:(BBFC), which had power to ban films in the United Kingdom.
1284:
has received accolades in various publications as well as a
1237:. Supporters of the film cite it as a serious and well-made
678:
spoke Italian as a native language had to star in the film.
590:, the depiction of whom was also influenced by the works of
2511:
Yorke, Carl Gabriel (12 May 2005). "Alan Yates Uncovered".
1666:
1435:
was questioned. The book was the basis for the documentary
869:
420:
2694:
Season 2 Soundtrack: Full List of Songs in Zendaya Series"
637:). He had collaborated with Deodato in his previous films
3997:"'Cannibal Holocaust' Gets 4K Ultra HD Release in the UK"
3705:. Baltimore: Midnight Marquee Press, Inc. pp. 34–35.
3634:. Baltimore: Midnight Marquee Press, Inc. pp. 63–65.
2825:(5th ed.). Fort Worth, Texas: Wadsworth Publishing.
2615:(12 November 2000). "Cannibal Holocaust DVD Commentary".
2213:
Proibito! A History of Italian Film Censorship, 1913-2021
2052:
2047:
1720:
1321:
3652:(Interview). Interviewed by Sage Stallone, Bob Murawski.
2038:
and delayed to Spring 2021, but has yet to be released.
3970:. UK: Shameless Screen Entertainment. 2011. B0051ZH8CC.
2817:(15 November 1996) . George and Louise Spindler (ed.).
2003:
released a song entitled "Cannibal Holocaust" from the
1918:
in different markets. In 1985, Mario Gariazzo directed
1829:
as a source of inspiration for the found footage films
861:
was filmed mainly in the Amazon rainforest in Colombia.
736:
under the pseudonym R. Bolla, including the well-known
3952:. Manchester: Manchester University Press. p. 59.
3686:: Review by Andrew Parkinson"". In Slater, Jay (ed.).
4090:
3482:. Film and Video Labelling Body of NZ. Archived from
2380:
2378:
2376:
2374:
2372:
2384:
1869:
has also been noted as containing similar themes to
598:, a genre of documentary, with their first release,
19:
This article is about the film. For other uses, see
16:
1980 Italian horror film directed by Ruggero Deodato
2851:"The Nick Schager Film Project: Cannibal Holocaust"
2387:
Killing for Culture: Death Film from Mondo to Snuff
2034:. However, in December 2020, the game was retitled
3506:"Pointless Cannibal Holocaust Sequel in the Works"
2818:
2574:: Review by Lloyd Kaufman". In Slater, Jay (ed.).
2369:
2041:
1479:as the 20th most controversial film of all time.
357:In 1979, an American film crew disappears in the
4231:
3910:". IGN. April 9, 2020. Retrieved August 8, 2020.
3722:Eaten Alive!: Italian Cannibal and Zombie Movies
3720:: Review by Jay Slater"". In Slater, Jay (ed.).
3688:Eaten Alive!: Italian Cannibal and Zombie Movies
3669:Eaten Alive!: Italian Cannibal and Zombie Movies
3667:: Review by Jay Slater"". In Slater, Jay (ed.).
3617:Eaten Alive!: Italian Cannibal and Zombie Movies
2748:Eaten Alive!: Italian Cannibal and Zombie Movies
2576:Eaten Alive!: Italian Cannibal and Zombie Movies
2114:
2112:
3980:: CS1 maint: others in cite AV media (notes) (
3599:
3356:. New Zealand: Tonight & Independent Online
3153:: CS1 maint: others in cite AV media (notes) (
3115:. Lanham, MD: Lexington Books. pp. 57–58.
3048:In the Jungle: The Making of Cannibal Holocaust
2746:: Review by Jay Slater". In Slater, Jay (ed.).
2640:In the Jungle: The Making of Cannibal Holocaust
2594:In the Jungle: The Making of Cannibal Holocaust
2363:In the Jungle: The Making of Cannibal Holocaust
2121:In the Jungle: The Making of Cannibal Holocaust
2110:
2108:
2106:
2104:
2102:
2100:
2098:
2096:
2094:
2092:
1925:Cannibal Holocaust 2: The Catherine Miles Story
1351:is not merely focused on the societal taboo of
810:as adding to the sense of reality of the film.
3964:Cannibal Holocaust: Ruggero Deodato's New Edit
3861:"Eli Roth on the Horrors of The Green Inferno"
3838:"'Cannibal Holocaust' Companion Piece D-E-A-D"
3788:"Ruggero Deodato Talks 'Cannibal Holocaust 2'"
2578:. London: Plexus Publishing. pp. 104–106.
2385:Kerekes, David; Slater, David (January 1996).
2259:
2257:
2255:
2253:
2160:
2158:
2156:
2154:
2152:
2150:
4076:
3549:
3535:". In Weiner, Robert G.; Cline, John (eds.).
2874:
2540:(15 November 2000). "Robert Kerman Exposed".
2506:
2450:
2448:
2148:
2146:
2144:
2142:
2140:
2138:
2136:
2134:
2132:
2130:
973:Thirty second audio sample of the theme from
3619:. London: Plexus Publishing. pp. 14–15.
3246:. Lanham, MD: Lexington Books. p. 184.
2765:. Super Unleaded Design, Inc. Archived from
2655:
2631:
2504:
2502:
2500:
2498:
2496:
2494:
2492:
2490:
2488:
2486:
2089:
1992:and other cannibal films from the same era.
1641:Office of Film and Literature Classification
3858:
3341:
3271:. Lanham, MD: Lexington Books. p. 11.
3137:Cannibal Holocaust 25th Anniversary Edition
3065:. Lanham, MD: Lexington Books. p. 74.
2967:. Future Publishing Limited. Archived from
2897:
2870:
2868:
2787:
2250:
1988:. Roth's film was intended as an homage to
465:as Jack Anders (credited as Perry Pirkanen)
4105:Phenomenal and the Treasure of Tutankhamen
4083:
4069:
4031:
3994:
3321:
3319:
3292:
3290:
3288:
3050:(Documentary). Italy: Alan Young Pictures.
2926:"The Most Controversial Films of All-Time"
2844:
2842:
2642:(Documentary). Italy: Alan Young Pictures.
2607:
2605:
2603:
2596:(Documentary). Italy: Alan Young Pictures.
2565:
2563:
2561:
2559:
2532:
2530:
2528:
2526:
2445:
2365:(Documentary). Italy: Alan Young Pictures.
2127:
2123:(Documentary). Italy: Alan Young Pictures.
1857:also stars Kerman and Pirkkanen, and star
1692:and its limbs, shell, and entrails removed
1385:but to make a film about cannibals. Actor
1210:on 7 February 1980 in the Italian city of
280:was inspired by Italian media coverage of
36:
3724:. London: Plexus Publishing. p. 190.
3690:. London: Plexus Publishing. p. 163.
3681:
3671:. London: Plexus Publishing. p. 159.
3266:
3241:
3110:
3060:
2848:
2760:
2750:. London: Plexus Publishing. p. 108.
2587:
2585:
2483:
2434:
2432:
2324:
2322:
2320:
2318:
2316:
2314:
2263:
1861:says it was made based on the success of
1482:
1233:Critics remain split on their stances of
629:wrote the script under the working title
3815:"Deodato Holds New 'Holocaust' Hostage?"
3758:
3756:
3567:(Interview). Interviewed by Joshua Klein
3181:: Entertainment Weekly Inc. 16 June 2006
3046:Barbareschi, Luca (interviewee) (2003).
2865:
2409:
2290:
1891:
1486:
853:
752:. Kerman went on to star in the Italian
647:, the latter of which was filmed before
527:
3790:. Bloody-Disgusting LLC. Archived from
3539:. The Scarecrow Press, Inc. p. 93.
3427:
3316:
3285:
3169:"The 25 Most Controversial Movies Ever"
3085:
2839:
2813:
2638:D'Offizi, Sergio (interviewee) (2003).
2600:
2569:
2556:
2523:
2470:
2468:
2351:
2328:
2164:
2119:Deodato, Ruggero (interviewee) (2003).
400:excerpt from his previous documentary,
4232:
3919:
3762:
3715:
3700:
3662:
3629:
3614:
3585:
3403:"BANNED: THE MOST CONTROVERSIAL FILMS"
3203:, p. 189 (Krause Publications, 2010).
2989:
2741:
2687:
2611:
2592:Gelend, Antonio (interviewee) (2003).
2582:
2536:
2429:
2311:
1920:Schiave bianche: violenza in Amazzonia
1495:Ten days after its premiere in Milan,
686:, two inexperienced students from the
4064:
3835:
3812:
3753:
3530:
3400:
3347:
2510:
2474:
2210:
2168:(12 November 2000). "Cult-Con 2000".
1978:cancellation. In 2013, Roth directed
1847:has been regarded as the apex of the
1643:in Australia lifted the ban, passing
1181:
1170:
1159:
1148:
1137:
1104:
1093:
1082:
1071:
1060:
706:Bill Williams subsequently contacted
3947:
3740:British Board of Film Classification
3302:British Board of Film Classification
3039:
2465:
2057:British Board of Film Classification
1228:
787:says that Deodato's methods added a
368:Harold Monroe, an anthropologist at
3718:Amazonia: The Catherine Miles Story
3650:Cannibal ferox DVD special features
3648:. "Cannibal ferox DVD Commentary".
3600:Heller-Nicholas, Alexandra (2014).
3430:"'Cannibal' banned in South Africa"
3376:"Cannibal Holocaust, OFLC decision"
2295:. Little White Lies. Archived from
2071:There are multiple versions of the
2068:markets that do not depict nudity.
1660:Many of the censorship issues with
732:had years of experience working in
480:Lionello Pio Di Savoia as Executive
21:Cannibal Holocaust (disambiguation)
13:
3995:Mendelsohn, Jon (27 August 2022).
3644:
2992:"25 Best Horror Films of All Time"
2877:"Cannibal Holocaust > Overview"
2688:Knight, Lewis (28 February 2022).
2479:, European Audiovisual Observatory
1335:
1319:. The film also came in eighth on
947:
14:
4446:
4345:Films directed by Ruggero Deodato
4169:The House on the Edge of the Park
4018:
3785:
3763:Butane, Johnny (25 August 2008).
2170:Cannibal Holocaust DVD Commentary
1681:in the film), killed with a knife
1655:
1266:are the ones behind the camera."
1242:undercurrent." Jason Buchanan of
1185:"Cannibal Holocaust (End Titles)"
1064:"Cannibal Holocaust (Main Theme)"
959:"Cannibal Holocaust (Main Theme)"
644:The House on the Edge of the Park
42:Italian theatrical release poster
4275:Animal cruelty incidents in film
3920:Wilson, Mike (2 December 2020).
3888:. Housecore Horror Film Festival
2902:. Slant Magazine. Archived from
2900:"Film Review:Cannibal Holocaust"
2790:"Cannibal Holocaust > Review"
2410:Ercolani, Eugenio (1 May 2020).
1448:
1026:
984:Problems playing this file? See
963:
834:to draw further similarities to
4420:Obscenity controversies in film
4129:Live Like a Cop, Die Like a Man
3988:
3956:
3941:
3913:
3900:
3878:
3852:
3836:Miska, Brad (3 February 2009).
3829:
3806:
3779:
3728:
3709:
3694:
3675:
3656:
3638:
3623:
3608:
3593:
3579:
3543:
3524:
3498:
3472:
3447:
3421:
3401:Davis, Laura (5 October 2010).
3394:
3368:
3348:Davis, Laura (16 August 2009).
3260:
3235:
3214:
3193:
3161:
3129:
3104:
3088:Yanomamo: The Last Days of Eden
3079:
3054:
3009:
2990:Snyder, Jon (28 October 2010).
2983:
2957:
2940:
2918:
2891:
2807:
2781:
2754:
2735:
2713:
2681:
2665:. Movie Grooves. Archived from
2663:"Cannibal Holocaust soundtrack"
2646:
2403:
2293:"Cannibal Holocaust DVD Review"
2268:. Savage Cinema. Archived from
2042:Alternate versions (home media)
1946:in 1988, which was released as
1591:was banned at various times in
1567:Director of Public Prosecutions
4305:Film censorship in New Zealand
4290:English-language Italian films
3428:Pearson, Bryan (16 May 2001).
3017:"IGN Top 10 Grind House Films"
2284:
2204:
2184:
1777:Found footage (film technique)
1270:distasteful morally as well."
1125:
1048:
523:
492:Enrico Papa as TV Interviewer
1:
3765:"Ruggero on Cannibals, Natas"
3269:Dissecting Cannibal Holocaust
3244:Dissecting Cannibal Holocaust
3113:Dissecting Cannibal Holocaust
3063:Dissecting Cannibal Holocaust
2617:Cannibal Holocaust DVD Extras
2542:Cannibal Holocaust DVD Extras
2513:Cannibal Holocaust DVD Extras
2082:
1922:, which was also released as
1555:British Board of Film Censors
1529:
1410:Dissecting Cannibal Holocaust
940:
543:began in 1979, when director
518:
4350:Films scored by Riz Ortolani
4330:Films about hunter-gatherers
4270:1980s Italian-language films
3859:Chris Tilly (1 March 2013).
3813:Miska, Brad (23 June 2008).
3682:Parkinson, Andrew (2002). ""
3329:. Refused-Classification.com
2619:(Interview). Interviewed by
2544:(Interview). Interviewed by
2515:(Interview). Interviewed by
2172:(Interview). Interviewed by
1936:and Riz Ortolani's score in
1716:, decapitated with a machete
1709:, also killed with a machete
1453:Since its original release,
1328:s list of the ten greatest "
1030:
774:
510:as Man on University Campus
7:
4385:Films shot in New York City
2853:. Nick Schager Film Project
1343:is seen by some critics as
710:to play the role. Yorke, a
10:
4451:
4410:Italian mockumentary films
4365:Films set in South America
4360:Films set in New York City
4335:Films about missing people
4320:Films about animal cruelty
4295:Film censorship in Iceland
3767:. Dread Central Media, LCC
3508:. Fangoria. Archived from
3267:Wardinski, Nathan (2024).
3242:Wardinski, Nathan (2024).
3111:Wardinski, Nathan (2024).
3086:Chagnon, Napoleon (1992).
3061:Wardinski, Nathan (2024).
2036:Borneo: A Jungle Nightmare
1774:
1723:, shot in the head with a
1625:Motion Picture Association
1359:" Mark Goodall, author of
1199:
1036:All tracks are written by
849:
668:
441:as Professor Harold Monroe
18:
4405:Italian independent films
4177:The Atlantis Interceptors
4099:
3646:Radice, Giovanni Lombardo
3604:. McFarland. p. 187.
3559:"The Blair Witch Project"
3350:"Gratuitous Gore and Sex"
2012:Ruggero Deodato, Cannibal
1934:The Catherine Miles Story
1770:
1431:although the accuracy of
1222:E.T. the Extraterrestrial
1152:"Relaxing in the Savanna"
1132:
1129:
1124:
1055:
1052:
1047:
922:was killed for the film.
885:Ultime grida dalla savana
818:compares these scenes to
625:The Italian screenwriter
486:Kate Weiman as Executive
471:Ricardo Fuentes as Miguel
468:Salvatore Basile as Chaco
228:
211:
203:
193:
179:7 February 1980
170:
160:
146:
136:
128:
120:
84:
67:
57:
47:
35:
30:
4300:Film censorship in Italy
4260:1980s exploitation films
3224:(Intellect Ltd., 2005).
2570:Kaufman, Lloyd (2002). "
2519:. Palo Alto, California.
1859:Giovanni Lombardo Radice
1300:of 5.5/10. British film
1097:"Massacre of the Troupe"
1086:"Cameramen's Recreation"
1075:"Adulteress' Punishment"
799:, forgoing the use of a
680:Luca Giorgio Barbareschi
673:Deodato decided to film
451:Luca Giorgio Barbareschi
4400:Italian adventure films
4370:Films set in the Amazon
4340:Films about snuff films
3840:. Bloody-Disgusting LLC
3817:. Bloody-Disgusting LLC
2211:Curti, Roberto (2023).
1950:in the United Kingdom.
1815:The Blair Witch Project
1811:The Blair Witch Project
1807:The Blair Witch Project
1802:The Blair Witch Project
1421:devastated by the book
698:, to play Jack Anders.
431:
352:
338:violence toward animals
303:The Blair Witch Project
4425:Rape and revenge films
4415:Italian splatter films
4380:Films shot in Colombia
4375:Films set in Venezuela
4325:Films about filmmaking
4137:Ultimo mondo cannibale
3736:"Cannibal Holocaust 2"
3716:Slater, Jay (2002). ""
3663:Slater, Jay (2002). ""
2627:. Tarrytown, New York.
2552:. Tarrytown, New York.
2475:Gyory, Michel (2000),
2389:. UK: Creation Books.
2361:(interviewee) (2003).
2329:Goodall, Mark (2006).
2180:. Tarrytown, New York.
1910:Unofficial sequels to
1907:
1492:
1483:Snuff film allegations
952:
862:
789:first-person narration
714:who had studied under
639:Ultimo mondo cannibale
584:journalistic integrity
536:
402:The Last Road to Hell,
4315:Films about massacres
4255:1980s adventure films
2742:Slater, Jay (2002). "
2438:Clerici, Gianfranco.
1948:Cannibal Holocaust II
1896:Ruggero Deodato with
1895:
1742:The Rules of the Game
1540:United Artists Europa
1500:France, the magazine
1490:
1433:Darkness in El Dorado
1005:hit under the title "
951:
935:United States dollars
866:Principal photography
857:
832:The Last Road to Hell
808:The Last Road to Hell
663:The Last Road to Hell
531:
165:United Artists Europa
4430:United Artists films
4153:Concorde Affaire '79
3701:Harper, Jim (2002).
3630:Harper, Jim (2002).
3480:"Cannibal Holocaust"
3298:"Cannibal Holocaust"
3174:Entertainment Weekly
2906:on 30 September 2007
2815:Chagnon, Napoleon A.
2460:Grindhouse Releasing
2062:Grindhouse Releasing
1675:South American coati
1637:Grindhouse Releasing
1472:Entertainment Weekly
1461:, issues which find
1438:Secrets of the Tribe
635:The Sons of the Moon
155:F.D. Cinematografica
4395:Found footage films
4280:Cannibal-boom films
4265:1980s Italian films
4217:The Washing Machine
3976:cite AV media notes
3948:Egan, Kate (2002).
3794:on 26 February 2007
3512:on 21 February 2007
3459:www.filmratings.com
3149:cite AV media notes
2875:Firsching, Robert.
2299:on 10 November 2014
1623:was rated X by the
1121:
1044:
844:Gualtiero Jacopetti
816:Troma Entertainment
767:, both directed by
745:The Concorde Affair
592:Gualtiero Jacopetti
550:Last Cannibal World
370:New York University
290:Gualtiero Jacopetti
274:exploitation cinema
4390:Films shot in Rome
4310:Film controversies
4245:1980 controversies
4161:Cannibal Holocaust
4091:Films directed by
4051:Cannibal Holocaust
4040:Cannibal Holocaust
3533:Cannibal Holocaust
3201:Horror Movie Freak
2971:on 3 November 2008
2948:Cannibal Holocaust
2763:"Digital Delirium"
2744:Cannibal Holocaust
2572:Cannibal Holocaust
2456:Cannibal Holocaust
2440:Cannibal Holocaust
2416:Bloody Disgusting!
1990:Cannibal Holocaust
1986:Cannibal Holocaust
1955:Cannibal Holocaust
1938:Cannibal Holocaust
1916:Cannibal Holocaust
1912:Cannibal Holocaust
1908:
1871:Cannibal Holocaust
1863:Cannibal Holocaust
1845:Cannibal Holocaust
1823:Cannibal Holocaust
1819:The Last Broadcast
1796:The Last Broadcast
1782:Cannibal Holocaust
1662:Cannibal Holocaust
1645:Cannibal Holocaust
1629:Cannibal Holocaust
1621:Cannibal Holocaust
1589:Cannibal Holocaust
1579:Cannibal Holocaust
1575:Cannibal Holocaust
1559:Cannibal Holocaust
1551:Cannibal Holocaust
1545:Cannibal Holocaust
1536:Cannibal Holocaust
1524:Cannibal Holocaust
1519:Cannibal Holocaust
1508:Cannibal Holocaust
1497:Cannibal Holocaust
1493:
1477:Cannibal Holocaust
1467:Cannibal Holocaust
1463:Cannibal Holocaust
1459:cruelty to animals
1455:Cannibal Holocaust
1443:Cannibal Holocaust
1406:Cannibal Holocaust
1395:Cannibal Holocaust
1383:Cannibal Holocaust
1376:reality television
1349:Cannibal Holocaust
1341:Cannibal Holocaust
1311:Cannibal Holocaust
1282:Cannibal Holocaust
1264:Cannibal Holocaust
1235:Cannibal Holocaust
1205:Cannibal Holocaust
1119:
1042:
1011:Cannibal Holocaust
975:Cannibal Holocaust
953:
880:Roberto Rossellini
863:
859:Cannibal Holocaust
836:Cannibal Holocaust
828:Cannibal Holocaust
750:Cannibal Holocaust
739:Debbie Does Dallas
720:Cannibal Holocaust
708:Carl Gabriel Yorke
675:Cannibal Holocaust
649:Cannibal Holocaust
631:I figli della luna
627:Gianfranco Clerici
610:Cannibal Holocaust
606:Cannibal Holocaust
588:Cannibal Holocaust
541:Cannibal Holocaust
537:
445:Carl Gabriel Yorke
322:Cannibal Holocaust
308:Cannibal Holocaust
278:Cannibal Holocaust
259:Gianfranco Clerici
243:Cannibal Holocaust
97:Carl Gabriel Yorke
62:Gianfranco Clerici
31:Cannibal Holocaust
4355:Films set in 1979
4250:1980 horror films
4227:
4226:
3927:Bloody Disgusting
3906:Oloman, Jordan. "
3278:978-1-66691-402-3
3253:978-1-66691-402-3
3209:978-1-4402-0824-9
3122:978-1-66691-402-3
3072:978-1-66691-402-3
3021:IGN Entertainment
2898:Henderson, Eric.
2788:Buchanan, Jason.
2337:, UK: Headpress.
2242:value: checksum (
2199:978-0-8108-7656-9
2073:Last Road to Hell
1981:The Green Inferno
1971:, Deodato viewed
1821:have denied that
1729:point blank range
1563:straight-to-video
1345:social commentary
1290:Review aggregator
1280:In recent years,
1239:social commentary
1229:Critical response
1197:
1196:
1192:
1191:
1141:"Crucified Women"
1115:
1114:
968:
820:Vsevolod Pudovkin
658:underwater camera
555:Leticia, Colombia
363:The Green Inferno
359:Amazon rainforest
288:documentaries of
267:Amazon rainforest
239:
238:
4442:
4209:Phantom of Death
4085:
4078:
4071:
4062:
4061:
4035:
4030:
4029:
4027:Official website
4012:
4011:
4009:
4007:
3992:
3986:
3985:
3979:
3971:
3968:Deodato, Ruggero
3960:
3954:
3953:
3945:
3939:
3938:
3936:
3934:
3917:
3911:
3904:
3898:
3897:
3895:
3893:
3882:
3876:
3875:
3873:
3871:
3856:
3850:
3849:
3847:
3845:
3833:
3827:
3826:
3824:
3822:
3810:
3804:
3803:
3801:
3799:
3783:
3777:
3776:
3774:
3772:
3760:
3751:
3750:
3748:
3746:
3732:
3726:
3725:
3713:
3707:
3706:
3698:
3692:
3691:
3679:
3673:
3672:
3660:
3654:
3653:
3642:
3636:
3635:
3627:
3621:
3620:
3612:
3606:
3605:
3597:
3591:
3590:
3583:
3577:
3576:
3574:
3572:
3557:(22 July 1999).
3551:Sánchez, Eduardo
3547:
3541:
3540:
3528:
3522:
3521:
3519:
3517:
3502:
3496:
3495:
3493:
3491:
3476:
3470:
3469:
3467:
3465:
3451:
3445:
3444:
3442:
3440:
3425:
3419:
3418:
3416:
3414:
3398:
3392:
3391:
3389:
3387:
3372:
3366:
3365:
3363:
3361:
3345:
3339:
3338:
3336:
3334:
3323:
3314:
3313:
3311:
3309:
3304:. 5 October 2011
3294:
3283:
3282:
3264:
3258:
3257:
3239:
3233:
3218:
3212:
3197:
3191:
3190:
3188:
3186:
3177:. No. 882.
3165:
3159:
3158:
3152:
3144:
3141:Deodato, Ruggero
3133:
3127:
3126:
3108:
3102:
3101:
3083:
3077:
3076:
3058:
3052:
3051:
3043:
3037:
3036:
3034:
3032:
3027:on 10 April 2007
3023:. Archived from
3013:
3007:
3006:
3004:
3002:
2987:
2981:
2980:
2978:
2976:
2961:
2955:
2944:
2938:
2937:
2935:
2933:
2922:
2916:
2915:
2913:
2911:
2895:
2889:
2888:
2886:
2884:
2872:
2863:
2862:
2860:
2858:
2846:
2837:
2836:
2824:
2811:
2805:
2804:
2802:
2800:
2785:
2779:
2778:
2776:
2774:
2769:on 18 April 2008
2758:
2752:
2751:
2739:
2733:
2732:
2730:
2728:
2723:. Soundtrack.net
2717:
2711:
2710:
2708:
2706:
2685:
2679:
2678:
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2659:
2653:
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2609:
2598:
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2589:
2580:
2579:
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2534:
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2480:
2472:
2463:
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2427:
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2424:
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2407:
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2400:
2382:
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2326:
2309:
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2288:
2282:
2281:
2279:
2277:
2261:
2248:
2247:
2241:
2236:
2234:
2226:
2222:978-14766-8856-3
2208:
2202:
2188:
2182:
2181:
2166:Deodato, Ruggero
2162:
2125:
2124:
2116:
2005:eponymous record
1875:anti-imperialism
1791:Hollywood cinema
1699:, killed with a
1677:(mistaken for a
1631:was released on
1418:Napoleon Chagnon
1387:Luca Barbareschi
1358:
1327:
1298:weighted average
1127:
1122:
1118:
1050:
1045:
1041:
1031:
1009:". The music of
970:
969:
950:
840:Mondo filmmaking
704:Casting director
684:Francesca Ciardi
563:Gillo Pontecorvo
513:
504:
495:
489:
457:Francesca Ciardi
296:, innovated the
186:
184:
132:Vincenzo Tomassi
107:Luca Barbareschi
102:Francesca Ciardi
74:Franco Di Nunzio
40:
28:
27:
4450:
4449:
4445:
4444:
4443:
4441:
4440:
4439:
4230:
4229:
4228:
4223:
4095:
4093:Ruggero Deodato
4089:
4056:Rotten Tomatoes
4025:
4024:
4021:
4016:
4015:
4005:
4003:
3993:
3989:
3973:
3972:
3962:
3961:
3957:
3946:
3942:
3932:
3930:
3918:
3914:
3905:
3901:
3891:
3889:
3884:
3883:
3879:
3869:
3867:
3857:
3853:
3843:
3841:
3834:
3830:
3820:
3818:
3811:
3807:
3797:
3795:
3784:
3780:
3770:
3768:
3761:
3754:
3744:
3742:
3734:
3733:
3729:
3714:
3710:
3699:
3695:
3680:
3676:
3661:
3657:
3643:
3639:
3628:
3624:
3613:
3609:
3598:
3594:
3584:
3580:
3570:
3568:
3548:
3544:
3529:
3525:
3515:
3513:
3504:
3503:
3499:
3489:
3487:
3486:on 4 March 2016
3478:
3477:
3473:
3463:
3461:
3453:
3452:
3448:
3438:
3436:
3426:
3422:
3412:
3410:
3407:The Independent
3399:
3395:
3385:
3383:
3374:
3373:
3369:
3359:
3357:
3346:
3342:
3332:
3330:
3325:
3324:
3317:
3307:
3305:
3296:
3295:
3286:
3279:
3265:
3261:
3254:
3240:
3236:
3219:
3215:
3198:
3194:
3184:
3182:
3167:
3166:
3162:
3146:
3145:
3135:
3134:
3130:
3123:
3109:
3105:
3098:
3084:
3080:
3073:
3059:
3055:
3045:
3044:
3040:
3030:
3028:
3015:
3014:
3010:
3000:
2998:
2988:
2984:
2974:
2972:
2965:"Shock Horror!"
2963:
2962:
2958:
2953:Rotten Tomatoes
2945:
2941:
2931:
2929:
2924:
2923:
2919:
2909:
2907:
2896:
2892:
2882:
2880:
2873:
2866:
2856:
2854:
2849:Schager, Nick.
2847:
2840:
2833:
2812:
2808:
2798:
2796:
2786:
2782:
2772:
2770:
2761:Axmaker, Sean.
2759:
2755:
2740:
2736:
2726:
2724:
2719:
2718:
2714:
2704:
2702:
2686:
2682:
2672:
2670:
2669:on 13 June 2008
2661:
2660:
2656:
2651:
2647:
2637:
2636:
2632:
2610:
2601:
2591:
2590:
2583:
2568:
2557:
2535:
2524:
2509:
2484:
2473:
2466:
2453:
2446:
2437:
2430:
2420:
2418:
2408:
2404:
2397:
2383:
2370:
2357:
2356:
2352:
2345:
2327:
2312:
2302:
2300:
2289:
2285:
2275:
2273:
2272:on 2 April 2017
2266:"Savage Cinema"
2264:Carter, David.
2262:
2251:
2239:
2237:
2228:
2227:
2223:
2209:
2205:
2189:
2185:
2163:
2128:
2118:
2117:
2090:
2085:
2044:
2016:Nintendo Switch
1964:Hostel: Part II
1903:Hostel: Part II
1779:
1773:
1714:squirrel monkey
1707:boa constrictor
1658:
1639:. In 2005, the
1532:
1485:
1475:magazine named
1451:
1429:Patrick Tierney
1356:
1338:
1336:Interpretations
1325:
1294:Rotten Tomatoes
1231:
1202:
1193:
1174:"Drinking Coco"
1116:
1108:"Love with Fun"
1029:
991:
990:
982:
980:
979:
978:
977:
971:
964:
961:
954:
948:
943:
931:Colombian pesos
920:squirrel monkey
852:
777:
696:Perry Pirkkanen
671:
619:Savana violenta
614:forced abortion
545:Ruggero Deodato
534:Ruggero Deodato
526:
521:
516:
511:
508:Ruggero Deodato
502:
493:
487:
463:Perry Pirkkanen
459:as Faye Daniels
434:
355:
314:with a cast of
257:and written by
255:Ruggero Deodato
224:
196:
189:
182:
180:
173:
156:
151:
149:
124:Sergio D'Offizi
116:
80:
52:Ruggero Deodato
43:
24:
17:
12:
11:
5:
4448:
4438:
4437:
4432:
4427:
4422:
4417:
4412:
4407:
4402:
4397:
4392:
4387:
4382:
4377:
4372:
4367:
4362:
4357:
4352:
4347:
4342:
4337:
4332:
4327:
4322:
4317:
4312:
4307:
4302:
4297:
4292:
4287:
4285:Censored films
4282:
4277:
4272:
4267:
4262:
4257:
4252:
4247:
4242:
4225:
4224:
4222:
4221:
4213:
4205:
4201:The Barbarians
4197:
4189:
4181:
4173:
4165:
4157:
4149:
4141:
4133:
4125:
4117:
4109:
4100:
4097:
4096:
4088:
4087:
4080:
4073:
4065:
4059:
4058:
4047:
4036:
4020:
4019:External links
4017:
4014:
4013:
3987:
3966:(back cover).
3955:
3940:
3912:
3899:
3877:
3851:
3828:
3805:
3778:
3752:
3727:
3708:
3703:Italian Horror
3693:
3684:Cannibal Ferox
3674:
3665:Cannibal Ferox
3655:
3637:
3632:Italian Horror
3622:
3607:
3592:
3578:
3542:
3523:
3497:
3471:
3446:
3420:
3393:
3367:
3340:
3315:
3284:
3277:
3259:
3252:
3234:
3213:
3192:
3160:
3139:(back cover).
3128:
3121:
3103:
3096:
3078:
3071:
3053:
3038:
3008:
2982:
2956:
2939:
2928:. Filmsite.org
2917:
2890:
2864:
2838:
2831:
2806:
2780:
2753:
2734:
2712:
2680:
2654:
2645:
2630:
2613:Kerman, Robert
2599:
2581:
2555:
2538:Kerman, Robert
2522:
2482:
2464:
2444:
2428:
2402:
2395:
2368:
2350:
2343:
2310:
2291:Bitel, Anton.
2283:
2249:
2221:
2203:
2183:
2126:
2087:
2086:
2084:
2081:
2066:Middle Eastern
2043:
2040:
1900:on the set of
1887:Cannibal Ferox
1883:Cannibal Ferox
1879:Cannibal Ferox
1867:Cannibal Ferox
1854:Cannibal Ferox
1849:cannibal genre
1787:distinct style
1772:
1769:
1765:Apocalypse Now
1760:Apocalypse Now
1754:Wake in Fright
1732:
1731:
1717:
1710:
1703:
1693:
1682:
1657:
1656:Animal cruelty
1654:
1531:
1528:
1517:Rumors of the
1484:
1481:
1450:
1447:
1368:sensationalism
1337:
1334:
1286:cult following
1273:Slant Magazine
1230:
1227:
1201:
1198:
1195:
1194:
1190:
1189:
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972:
962:
957:
956:
955:
946:
945:
944:
942:
939:
851:
848:
826:, saying: "In
793:cinematography
776:
773:
764:Cannibal Ferox
754:cannibal films
670:
667:
539:Production on
525:
522:
520:
517:
515:
514:
505:
496:
490:
484:
483:Luigina Rocchi
481:
478:
472:
469:
466:
460:
454:
453:as Mark Tomaso
448:
442:
435:
433:
430:
361:while filming
354:
351:
346:South American
342:cult following
334:sexual assault
237:
236:
230:
226:
225:
223:
222:
219:
215:
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209:
208:
205:
201:
200:
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187:
176:
174:
171:
168:
167:
162:
161:Distributed by
158:
157:
154:
152:
147:
144:
143:
138:
134:
133:
130:
126:
125:
122:
121:Cinematography
118:
117:
115:
114:
112:Perry Pirkanen
109:
104:
99:
94:
88:
86:
82:
81:
79:
78:
77:Franco Palaggi
75:
71:
69:
65:
64:
59:
55:
54:
49:
45:
44:
41:
33:
32:
15:
9:
6:
4:
3:
2:
4447:
4436:
4435:Video nasties
4433:
4431:
4428:
4426:
4423:
4421:
4418:
4416:
4413:
4411:
4408:
4406:
4403:
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4258:
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4238:
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4219:
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4206:
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4186:
4182:
4179:
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4174:
4171:
4170:
4166:
4163:
4162:
4158:
4155:
4154:
4150:
4147:
4146:
4145:Last Feelings
4142:
4139:
4138:
4134:
4131:
4130:
4126:
4123:
4122:
4121:Waves of Lust
4118:
4115:
4114:
4110:
4107:
4106:
4102:
4101:
4098:
4094:
4086:
4081:
4079:
4074:
4072:
4067:
4066:
4063:
4057:
4053:
4052:
4048:
4046:
4042:
4041:
4037:
4034:
4028:
4023:
4022:
4002:
3998:
3991:
3983:
3977:
3969:
3965:
3959:
3951:
3944:
3929:
3928:
3923:
3916:
3909:
3903:
3887:
3881:
3866:
3862:
3855:
3839:
3832:
3816:
3809:
3793:
3789:
3786:Miska, Brad.
3782:
3766:
3759:
3757:
3741:
3737:
3731:
3723:
3719:
3712:
3704:
3697:
3689:
3685:
3678:
3670:
3666:
3659:
3651:
3647:
3641:
3633:
3626:
3618:
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3179:New York City
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1027:Track listing
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872:cameras in a
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822:'s theory of
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785:Savage Cinema
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263:Robert Kerman
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4004:. Retrieved
4000:
3990:
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3931:. Retrieved
3925:
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3890:. Retrieved
3880:
3868:. Retrieved
3864:
3854:
3842:. Retrieved
3831:
3821:29 September
3819:. Retrieved
3808:
3796:. Retrieved
3792:the original
3781:
3771:29 September
3769:. Retrieved
3743:. Retrieved
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3581:
3569:. Retrieved
3562:
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3514:. Retrieved
3510:the original
3500:
3488:. Retrieved
3484:the original
3474:
3462:. Retrieved
3458:
3449:
3437:. Retrieved
3433:
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3411:. Retrieved
3406:
3396:
3384:. Retrieved
3380:the original
3370:
3358:. Retrieved
3353:
3343:
3331:. Retrieved
3306:. Retrieved
3268:
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3081:
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3056:
3047:
3041:
3029:. Retrieved
3025:the original
3020:
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2999:. Retrieved
2995:
2985:
2973:. Retrieved
2969:the original
2959:
2947:
2942:
2930:. Retrieved
2920:
2908:. Retrieved
2904:the original
2893:
2881:. Retrieved
2855:. Retrieved
2820:
2809:
2797:. Retrieved
2783:
2771:. Retrieved
2767:the original
2756:
2747:
2743:
2737:
2725:. Retrieved
2715:
2703:. Retrieved
2697:
2691:
2683:
2671:. Retrieved
2667:the original
2657:
2648:
2639:
2633:
2625:Bob Murawski
2616:
2593:
2575:
2571:
2550:Bob Murawski
2541:
2512:
2476:
2455:
2439:
2419:. Retrieved
2415:
2405:
2386:
2362:
2353:
2330:
2301:. Retrieved
2297:the original
2286:
2274:. Retrieved
2270:the original
2212:
2206:
2190:
2186:
2178:Bob Murawski
2169:
2120:
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2070:
2045:
2035:
2011:
2009:
1994:
1989:
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1686:Arrau turtle
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1617:South Africa
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1380:
1365:
1360:
1353:flesh eating
1348:
1340:
1339:
1320:
1314:
1310:
1304:
1281:
1279:
1271:
1268:
1263:
1258:portrait of
1249:
1234:
1232:
1220:
1216:Sergio Leone
1204:
1203:
1038:Riz Ortolani
1035:
1018:
1016:
1010:
998:
995:Riz Ortolani
992:
983:
974:
928:
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903:
895:
883:
873:
864:
858:
835:
831:
827:
807:
805:
784:
778:
762:
758:Eaten Alive!
756:
749:
743:
737:
728:
719:
700:
674:
672:
662:
648:
642:
638:
634:
630:
624:
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609:
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599:
587:
580:Red Brigades
577:
566:
548:
540:
538:
512:(uncredited)
503:(uncredited)
494:(uncredited)
488:(uncredited)
477:as Executive
418:
410:
406:
401:
398:
388:tribes, the
386:endocannibal
383:
367:
362:
356:
336:and genuine
321:
320:
307:
301:
282:Red Brigades
277:
271:
253:directed by
242:
241:
240:
195:Running time
172:Release date
141:Riz Ortolani
25:
4185:Cut and Run
3870:17 November
3844:2 September
3555:Myrick, Dan
3308:23 December
3031:21 November
3001:10 November
2975:21 November
2910:15 February
2883:16 February
2857:15 February
2799:16 February
2773:15 February
2699:Radio Times
2673:13 February
2276:6 September
2240:|isbn=
2001:Necrophagia
1997:Death metal
1690:decapitated
1609:New Zealand
1573:" included
734:adult films
712:stage actor
596:Mondo films
524:Development
261:. It stars
68:Produced by
48:Directed by
4240:1980 films
4234:Categories
4193:Body Count
4006:5 December
3933:6 December
3798:14 January
3571:16 January
3516:13 January
3490:12 January
3386:27 January
3333:15 January
3185:1 February
2879:. AllMovie
2727:6 February
2303:20 October
2083:References
1827:Paco Plaza
1775:See also:
1667:shot twice
1583:coatimundi
1530:Censorship
1512:snuff film
1330:grindhouse
1306:Total Film
1260:indigenous
999:Mondo Cane
986:media help
941:Soundtrack
911:snuff film
601:Mondo cane
573:rainforest
519:Production
499:David Sage
378:floatplane
326:magistrate
316:indigenous
246:is a 1980
199:96 minutes
183:1980-02-07
148:Production
58:Written by
3892:7 January
3745:30 August
3564:The Onion
3413:2 October
3327:"Films C"
2932:6 January
2231:cite book
1959:Cannibals
1957:entitled
1737:art films
1697:tarantula
1633:laserdisc
1613:Singapore
1593:Australia
1332:" films.
1252:hypocrisy
1208:premiered
801:steadicam
775:Direction
724:non-union
716:Uta Hagen
532:Director
414:virginity
394:Shamatari
390:Ya̧nomamö
330:obscenity
212:Languages
129:Edited by
4001:Collider
3464:5 August
3455:"Search"
3439:5 August
3409:. London
3360:19 March
2821:Yanomamö
2794:AllMovie
2692:Euphoria
2458:). DVD.
2421:5 August
2024:Xbox One
1969:Eli Roth
1898:Eli Roth
1414:Yanomami
1302:magazine
1292:website
1244:AllMovie
1120:Side two
1043:Side one
1020:Euphoria
890:New York
838:and the
654:piranhas
392:and the
312:Colombia
137:Music by
85:Starring
4113:Zenabel
3434:Variety
3354:Tonight
2462:, 2005.
2055:by the
1748:El Topo
1725:shotgun
1701:machete
1679:muskrat
1605:Iceland
1601:Finland
1372:ratings
1309:ranked
1200:Release
850:Filming
824:montage
782:webzine
669:Casting
425:machete
294:realism
248:Italian
235:100,000
221:Spanish
218:English
204:Country
181: (
150:company
4220:(1993)
4212:(1988)
4204:(1987)
4196:(1986)
4188:(1985)
4180:(1983)
4172:(1980)
4164:(1980)
4156:(1979)
4148:(1978)
4140:(1977)
4132:(1976)
4124:(1975)
4116:(1969)
4108:(1968)
3275:
3250:
3228:
3207:
3119:
3094:
3069:
2829:
2705:13 May
2393:
2341:
2335:London
2238:Check
2219:
2197:
2032:mobile
1974:Hostel
1906:(2007)
1771:Legacy
1757:, and
1597:Norway
1256:racist
1133:Length
1056:Length
899:Bogotá
797:camera
722:was a
559:Bogotá
374:Yacumo
229:Budget
2996:Wired
1999:band
1930:score
1838:REC 2
1503:Photo
1326:'
1316:Wired
1212:Milan
1130:Title
1053:Title
915:coati
568:Burn!
286:Mondo
207:Italy
4045:IMDb
4008:2022
3982:link
3935:2020
3894:2015
3872:2015
3846:2009
3823:2008
3800:2007
3773:2008
3747:2017
3573:2007
3518:2007
3492:2014
3466:2024
3441:2024
3415:2014
3388:2008
3362:2010
3335:2007
3310:2013
3273:ISBN
3248:ISBN
3226:ISBN
3205:ISBN
3187:2014
3155:link
3117:ISBN
3092:ISBN
3067:ISBN
3033:2021
3003:2010
2977:2021
2934:2012
2912:2007
2885:2007
2859:2007
2827:ISBN
2801:2007
2775:2007
2729:2017
2707:2023
2675:2007
2423:2024
2391:ISBN
2339:ISBN
2305:2011
2278:2006
2244:help
2217:ISBN
2195:ISBN
2030:and
1967:for
1835:and
1799:and
1650:OFLC
1188:3:53
1177:3:24
1166:3:40
1155:3:08
1144:2:20
1111:2:53
1100:3:52
1089:3:11
1078:3:21
1067:2:55
1007:More
870:16mm
761:and
682:and
641:and
432:Cast
421:rape
353:Plot
233:US$
4054:at
4043:at
3865:IGN
2951:at
2053:DVD
2048:VHS
1932:in
1832:REC
1793:by
1789:in
1767:."
1727:at
1721:pig
1684:an
1427:by
1322:IGN
1126:No.
1049:No.
1003:pop
842:of
814:of
690:in
565:'s
4236::
3999:.
3978:}}
3974:{{
3924:.
3863:.
3755:^
3738:.
3561:.
3553:;
3457:.
3432:.
3405:.
3352:.
3318:^
3300:.
3287:^
3171:.
3151:}}
3147:{{
3019:.
2994:.
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