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Carlo Alfredo Piatti

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invited him to appear as a guest performer at one of his recitals; stunned by what the boy could do on a borrowed cello, Liszt presented him with a superb new instrument. Piatti went on to become one of the most celebrated cellists of his day, as popular for the pieces he wrote as for the robust and
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The son of a violinist, Antonio Piatti, he originally began his studies on the violin before switching to the cello. As a cellist, he studied under his great-uncle, Gaetano Zanetti, a great cellist. After two years of studying, he joined the theater orchestra, where he played for three months - for
189:. He made his concert debut at 15 and started touring at 16. No one doubted the young virtuoso's skill on the instrument, but he did not draw large crowds. As a result, when Piatti fell ill during an engagement, he was forced to sell his cello to cover the medical costs. 222:, he took up the work with which he was most intimately connected for thirty-nine seasons. He retained until 1897 the post of first cello at these famous chamber concerts, during the latter half of each series. He played a 204:, having been given the original manuscript of the music in the morning, studied it on a train then played it at the concert that same evening with the composer as pianist playing from memory. 197:
From 1838, he journeyed over Europe, playing with extraordinary success in all the important cities of the continent. In 1844 he appeared before the London public at a Philharmonic Concert.
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In 1894 the fiftieth anniversary of his first appearance in London was celebrated by a reception given in honour of him and his lifelong friend
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ten shillings, half of which his grandfather took. After Zanetti's death, he became a pupil at the
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A marble bust of Piatti, attributed to "Giacomo Manzoni of Bergamo", is in the collection of the
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In 1852 he premiered (and became the dedicatee of) a Sonata Duo for cello and piano, Op. 32, by
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In 1882, he performed Beethoven's Trio in G major at St. James's Hall, London, with Madame
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Digitally typeset version of Morton Latham's personal biography of Alfedo Piatti
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and later Brahms' Quintet in F minor, where he was joined by Louis Ries and
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This article incorporates text from a publication now in the
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In 1864, he formed a trio to tour and perform with pianist
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Impromptu sopra un'aria di Purcell nella "Regina indiana"
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Introduction and Variations on a theme from Donizetti's
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Palmer, Fiona M. "Piatti, Alfredo Carlo (1822–1901)".
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He married in 1855 Mary Ann Lucy Welsh, daughter of
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Oxford University Press. 585:Transcriptions of works by other composers 93: 861:International Music Score Library Project 69:Learn how and when to remove this message 772: 723: 674: 629: 32:This article includes a list of general 16:Italian cellist and composer (1822–1901) 816:Oxford Dictionary of National Biography 645:Oxford Dictionary of National Biography 556:Elegia per la morta di Anton Rubinstein 169:Piatti was born at via Borgo Canale in 874: 521: 790: 561:Serenata for two cellos and orchestra 539:Serenata for two cellos and orchestra 425:Introduzione e Allegro alla Spagnuola 194:unsentimental way he performed them. 515:Rimembranze del "Trovatore" di Verdi 230:and is owned by the Mexican cellist 18: 927:19th-century Italian male musicians 922:20th-century Italian male musicians 857:Free scores by Carlo Alfredo Piatti 330:Capriccio on a theme from Niobe by 304:His pupils were many, and included 13: 812: 737:"Carlo Alfredo Piatti (1822–1901)" 349: 218:In 1859, on the foundation of the 38:it lacks sufficient corresponding 14: 943: 840: 566:Serenata for two cellos and piano 364:(Franz Schubert / Alfredo Piatti) 897:Italian male classical composers 808:. London: Smith, Elder & Co. 804:Dictionary of National Biography 760: 23: 847:Alfredo Piatti Official Website 714:, Vol. 1, January (1883), p.44. 534:Entreaty / Supplication / Bitte 392:Entreaty / Supplication / Bitte 318: 917:19th-century Italian musicians 729: 705: 692:www.sophie-drinker-institut.de 680: 635: 571: 398:Follia su un'aria di Geminiani 1: 794:"Piatti, Alfredo Carlo"  616: 549: 386:Elegia per la morte di Cavour 323: 226:which now is named after him 833:UK public library membership 662:UK public library membership 362:Am Meer, Serenade, Ave Maria 164: 7: 592:Twenty-One Hungarian Dances 499:for cello and piano, Op. 23 487:for cello and piano, Op. 19 481:for cello and piano, Op. 17 457:for cello and piano, Op. 20 433:for cello and piano, Op. 14 10: 948: 912:Italian Romantic composers 892:Italian classical cellists 493:for cello and piano, Op. 5 451:for cello and piano, Op. 6 445:for cello and piano, Op. 7 437:Gita in gondola / La Danza 421:for cello and piano, Op. 2 491:Souvenir de la Sonnambula 202:William Sterndale Bennett 148: 140: 122: 101: 92: 85: 337:I tuoi frequenti palpiti 177:, 4 miles from Bergamo. 852:Piatti 12 Caprices info 783:Encyclopædia Britannica 53:more precise citations. 902:Musicians from Bergamo 825:10.1093/ref:odnb/35521 654:10.1093/ref:odnb/29028 467:Passetemps Sentimental 345:for cello solo, Op. 25 313:Royal Academy of Music 932:20th-century cellists 791:Davey, Henry (1912). 778:Piatti, Carlo Alfredo 461:Ossian's song, Ballad 297:, as well as a cello 544:Theme and Variations 449:Mazurka Sentimentale 289:for voice and cello 273:Piatti composed two 159:Carlo Alfredo Piatti 87:Carlo Alfredo Piatti 907:Composers for cello 677:, pp. 574–575. 580:(On Holiday) (1891) 522:Cello and orchestra 511:for cello and piano 509:The race – La corsa 505:for cello and piano 475:for cello and piano 463:for cello and piano 439:for cello and piano 427:for cello and piano 418:Lucia di Lammermoor 412:for cello and piano 406:for cello and piano 400:for cello and piano 394:for cello and piano 388:for cello and piano 382:for cello and piano 376:for cello and piano 370:for cello and piano 479:SĂ©rĂ©nade Italienne 368:Canto di primavera 831:(Subscription or 660:(Subscription or 642:"Welsh, Thomas". 611:Sonata in E Major 605:Sonata in C Major 599:Sonata in D Major 503:Tema e Variazioni 239:Charlotte Tardieu 156: 155: 152:Teacher, musician 79: 78: 71: 939: 836: 828: 809: 806:(2nd supplement) 796: 787: 766: 764: 763: 752: 751: 749: 747: 733: 727: 721: 715: 709: 703: 702: 700: 698: 684: 678: 672: 666: 665: 657: 639: 633: 627: 473:Pioggia d'Aprile 343:Twelve Caprices 220:Popular Concerts 213:Mary Anne Wilson 187:Vincenzo Merighi 129: 111: 109: 97: 83: 82: 74: 67: 63: 60: 54: 49:this article by 40:inline citations 27: 26: 19: 947: 946: 942: 941: 940: 938: 937: 936: 872: 871: 843: 830: 776:, ed. 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Index

references
inline citations
improve
introducing
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Bergamo
Mozzo
Bergamo
Mozzo
Vincenzo Merighi
Franz Liszt
William Sterndale Bennett
Thomas Welsh
Mary Anne Wilson
Popular Concerts
Stradivarius
Carlos Prieto
Charlotte Tardieu
Camille Sivori
Wilma Neruda
Ludwig Straus
Charles Hallé
Joachim
Cadenabbia
cello concertos
concertino
cello sonatas
lieder
accompaniment

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