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were executed to impersonate human sounds. "Le
Stregghe" is one of his best examples in which his unique ability to create such lively, almost cinematographic effects is achieved. Sivori understood that he was the only violinist alive (in the late 1800s) who could immortalize Paganini's art of violin playing and unique Operatic interpretations. The school of violin playing was rapidly changing and Paganini's art was rapidly forgotten. He lived for many years in Paris, and died in Genoa on February 19, 1894.
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Camillo Sivori also collaborated with
Giuseppe Verdi. In 1893 Verdi heard Sivori performed at his private music soiree and noted Sivori's impeccable technique, agility and musicianship. Sivori's performances ideas were directly influenced by Opera characters. His violin techniques, in many instances
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From 1827 Sivori began the career of a travelling virtuoso, which lasted almost without interruption until 1864. On
November 18, 1846, he performed at the Howard Athenaeum in Boston, where he played Il Campanello and Carnival of Venice. He played Mendelssohn's concerto for the first time in England
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Sivori was known to adapt many peculiar pieces such that he could play them, and many of these pieces, once thought absurd, have now become quite popular. However,
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Sivori's favourite violin was the
Vuillaume violin, which he received as a gift from Paganini. It was an impeccably close copy of Paganini's famous
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in 1846, and was in
England again in the seasons of 1851 and 1864. In 1864, he formed a permanent trio with cellist
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140:(June 6, 1817 – February 18, 1894) was an Italian virtuoso violinist and composer.
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One or more of the preceding sentences incorporates text from a publication now in the
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The
Paganini of the Double Bass: Bottesini in Britain (Chris West, 2021)
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Anecdotal description of the relationship between
Paganini and Sivori
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He owned many valuable instruments, including violins by
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He collaborated with composers of his day, including
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133:A portrait of a young Camillo Sivori, in 1841
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168:Agostino Dellepiane
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