235:(2010). Serpen River Book is a 72-page artist book combines Caycedo's illustrations and texts related to rivers with materials such as images, maps, poems, lyrics, and satellite photos, creating a collage reminiscent of the winding shape of a river. The content of the book is collected from Caycedo's work in communities in Colombia, Brazil, and Mexico affected by the industrialization and privatization of river systems. The book explores the impact of river privatization and industrialization on rivers and the surrounding communities.
211:
interviewing people affected by the privatization of waters and the building of dams. The fishing nets would be dyed and assembled with the various objects in her Los
Angeles studio. She dyed them 3 specific colors: black, red, and brown. These colors are supposed to reference the coloration of toxic
219:
Caycedo used the fishnets to symbolize an object that is the complete opposite of what a dam is. Caycedo told the New York Times, “The dam is corporate-made, impenetrable, unmovable It cuts the body of the river in two. It cuts the flow of the ecosystem. On the other side you have the fishing net,
319:(UNECE) in Astana, Kazakhstan (2018); the New Museum of Contemporary Art (NUMU) in Guatemala (2017); Clockshop in Los Angeles, California (2015); the Instituto de Visión in Bogotá, Colombia (2014); daadgalerie in Berlin, Germany (2013); and the Galerie du Jour in Paris, France (2013).
176:
By 2014, 200,000 Colombian residents had been displaced under of the resource extraction projects along with the river, and privatization of the land, and
Caycedo has been researched on the aftermath of the relocation to create this artwork. In 2019, she showed a performance piece,
108:, in San Marino, California, United States. This award focuses on the expansion of Huntington Library's art collections, with the aim that awarded artists create new works around the theme of identity. Caycedo also won the 2015 Creative Capital Visual Arts Award. In 2023
220:
which is man-made, small-scale, porous, flexible, malleable. It lets the water through but catches the sustenance.” The fishnets are also a symbol of the livelihoods displaced by dam building and water privatization.
295:
consists of two massive photomontages made of composite satellite imagery of three major dam sites. The piece suggests a hopeful not toward the end of the capitalist model of resource extraction.
269:
without having any money or no essential goods. She lived day-to-day by offering people basic skills, such as haircuts or
Spanish lessons, as an exchange for food or a place to stay for a night.
755:
284:
as part of the institution's contemporary arts initiative called "/five." The nine-and-a-half-minute video features ghost-like dancers inhabiting The
Huntington's collection.
378:
187:, Colombia. The performance, choreographed in collaboration with Rebeca Hernandez, sought to visualize the relations between dams and how humans manage bodies of water.
49:. Through contributing to community-based construction of environmental and historical memory, Caycedo seeks the ways of preventing violence against humans and nature.
720:
354:(LACMA) in Los Angeles, California (2017); Les Recontres d'Arles in Arles, France (2017); and the KW Institute for Contemporary Art in Berlin, Germany (2014).
207:
is a series of hanging sculptures made from handmade fishnets and other found objects. They were collected during her field research while she was at the
840:
246:(2003) is a video work based on both the real and fiction-based acting of Caycedo and her Colombian friend, performing a civil marriage ceremony.
212:
mudflow created by the failure of the building of the Fundão tailings dam at the
Germano iron ore mine of the Samarco Mariana Mining Complex near
1071:
968:
316:
745:
807:
173:
in
Colombia that are being affected by extractivist industries such as the construction of dams and the privatization of the river.
169:(since 2012) is a body of video, artist book, and installation works that focus on Colombian communities residing around the
784:
37:
Born to
Colombian parents, Caycedo's art practice is based on environmental research focusing on the future of shared resources,
374:
304:
521:
935:
52:
Her work has been shown in museums around the world, including in a number of international biennales, such as the 2019
89:
712:
459:"The Hammer's 'Made in LA' Avoids Common Biennial Pitfalls to Paint a Compelling Portrait of a Vibrant Art Community"
184:
85:
691:
351:
128:
431:
1130:
347:
124:
104:
Caycedo was awarded the “Five
Initiative” from the Vincent Price Art Museum, in Monterey Park, California, and
1047:
832:
331:
53:
312:
659:
308:
910:
635:
335:
458:
887:
488:
61:
611:
1088:
542:
1140:
808:""We Need the River to be Free": Activists Fight the Privatization of Colombia's Longest River"
1112:
586:
38:
327:
257:(2002–09) was Caycedo's individual project, in which she stayed metropolitan cities such as
1135:
992:
8:
350:
in New York City, New York (2018); the Seoul Museum of Art in Seoul, Korea (2017); the
281:
136:
105:
806:
Angeles, Carolina
Caycedo Los; CA; USA; Jagua, Entre Aguas La; Colombia (2015-03-17).
777:
1065:
943:
750:
339:
132:
123:
Caycedo's work is included in several collections at major art museums including the
42:
27:
513:
69:
404:
208:
170:
140:
73:
65:
1016:"Carolina Caycedo Video to Go on View in the Huntington Library Art Gallery".
746:"Our rivers, ourselves: One artist's very personal take on the impact of dams"
1124:
947:
343:
323:
258:
154:
57:
432:"Carolina Caycedo « Contributors « Chicago Architecture Biennial"
213:
46:
861:
31:
683:
566:
93:
778:"The Hammer Museum Is Tapping Into Local Talent with Made in L.A."
145:
1048:"Prototypes 03: Carolina Caycedo & Zofia Rydet. Care Report"
888:"Cosmotarrayas / Comotarrafas / series, 2016 | Carolina Caycedo"
833:"La performance es más que arte vivo. ¿Dónde verlo en Medellín?"
266:
262:
23:
231:(2017) is part of Caroline Caycedo's ongoing artistic project
199:(2016) is an offshoot of her project longest ongoing project
660:"Getty Announces 2023/2024 Artist in Residence | Getty News"
1113:
https://www.coleccioncisneros.org/authors/carolina-caycedo
713:"2016 and 2017 AHAN: Studio Forum Acquisitions – Unframed"
157:, Los Angeles as a part of 2018 “Made in L.A.” biennial.
115:
In 2023-2024 residence in the Getty
Research Institute.
936:"Colombian Artist Seeks Justice for the Natural World"
84:
Caycedo received a Master of Fine Arts (MFA) from the
322:
Caycedo has participated in group exhibitions at the
88:
in 2012, and a Bachelor of Fine Arts (BFA) from the
969:"One Work: Carolina Caycedo's "Serpent River Book""
238:
911:"Carolina Caycedo: Cosmotarrayas | icaboston.org"
805:
131:. Her work is also included in Defining Line, an
1122:
151:To Drive Away Whiteness/Para alejar la blancura
146:To Drive Away Whiteness/Para alejar la blancura
1089:"Commonwealth and Council / Carolina Caycedo"
966:
612:"Commonwealth and Council / Carolina Caycedo"
543:"Commonwealth and Council / Carolina Caycedo"
375:"Carolina Caycedo | Artists | BANK"
317:United Nations Economic Commission for Europe
153:(2017) was a multi-media sculpture shown at
68:, 2009 San Juan Poligraphic Triennial, 2006
1070:: CS1 maint: numeric names: authors list (
885:
307:(ICA) in Boston, Massachusetts (2020); the
287:
272:
1111:“Carolina Caycedo,” Collección Cisneros,
830:
993:"Carolina Caycedo – Instituto de Visión"
933:
967:Meltz-Collazo, Sebastián (2021-09-17).
676:
346:in Los Angeles, California (2018); the
1123:
743:
1083:
1081:
1018:Athena Information Solutions PVT. LTD
905:
903:
775:
739:
737:
591:Colección Patricia Phelps de Cisneros
311:in Santa Ana, California (2019); the
223:
744:Mizota, Sharon (18 September 2017).
483:
481:
479:
453:
451:
426:
424:
399:
397:
395:
280:is a video work that debuted at The
409:Morris and Helen Belkin Art Gallery
303:Her work has been exhibited at the
13:
1078:
900:
734:
99:
14:
1152:
831:Castañeda, Ronal (2 April 2019).
787:from the original on 7 April 2019
511:
476:
448:
421:
392:
334:in Chicago, Illinois (2019); the
185:Museo de Arte Moderno de Medellín
135:public art exhibition curated by
118:
110:United States Artists Fellowship,
86:University of Southern California
64:, 2010 Pontevedra Biennial, 2009
1031:"Fishing Nets Instead of Dams".
514:"Carolina Caycedo – 32nd Bienal"
352:Los Angeles County Museum of Art
244:How to obtain a British passport
239:How to obtain a British passport
190:
129:Los Angeles County Museum of Art
1105:
1045:
1039:
1024:
1009:
985:
960:
927:
879:
854:
843:from the original on 2019-04-05
824:
799:
776:Wakim, Marielle (4 June 2018).
769:
758:from the original on 2019-04-07
723:from the original on 2019-04-07
705:
694:from the original on 2019-04-07
652:
628:
604:
524:from the original on 2018-12-20
436:chicagoarchitecturebiennial.org
381:from the original on 2019-06-01
342:in Berlin, Germany (2018); the
640:www.opensocietyfoundations.org
579:
559:
535:
505:
367:
348:Whitney Museum of American Art
298:
125:Whitney Museum of American Art
60:“Made in L.A.” biennial, 2016
1:
934:Thackara, Tess (2019-10-23).
360:
332:Chicago Architecture Biennial
305:Institute of Contemporary Art
54:Chicago Architecture Biennial
315:in Lodz, Poland (2019); the
160:
79:
7:
309:Orange County Museum of Art
249:
10:
1157:
1033:The New York Times Company
113:and Soros Arts Fellowship.
326:of Art, Wichita, Kansas (
1093:Commonwealth and Council
616:Commonwealth and Council
547:Commonwealth and Council
866:18th Street Arts Center
636:"Soros Arts Fellowship"
336:Museo de Arte São Paulo
293:The Collapse of a Model
288:The Collapse of a Model
278:Apariciones/Apparitions
273:Apariciones/Apparitions
90:University of the Andes
26:, United Kingdom) is a
338:in Brazil (2019); the
106:The Huntington Library
62:São Paulo Art Biennial
1131:Environmental artists
1052:Muzeum Sztuki w Łodzi
997:institutodevision.com
812:Creative Time Reports
39:environmental justice
837:www.elcolombiano.com
214:Minas Gerais, Brazil
96:, Colombia in 1999.
518:www.32bienal.org.br
512:Paulo, Bienal São.
940:The New York Times
717:unframed.lacma.org
684:"Carolina Caycedo"
587:"Carolina Caycedo"
405:"Carolina Caycedo"
282:Huntington Library
229:Serpent River Book
224:Serpent River Book
165:Caycedo's project
137:Nancy Baker Cahill
915:www.icaboston.org
886:carolinacaycedo.
751:Los Angeles Times
340:Hamburger Bahnhof
43:energy transition
1148:
1115:
1109:
1103:
1102:
1100:
1099:
1085:
1076:
1075:
1069:
1061:
1059:
1058:
1043:
1037:
1036:
1028:
1022:
1021:
1020:. July 30, 2019.
1013:
1007:
1006:
1004:
1003:
989:
983:
982:
980:
979:
964:
958:
957:
955:
954:
931:
925:
924:
922:
921:
907:
898:
897:
895:
894:
883:
877:
876:
874:
873:
862:"BEYOND CONTROL"
858:
852:
851:
849:
848:
828:
822:
821:
819:
818:
803:
797:
796:
794:
792:
773:
767:
766:
764:
763:
741:
732:
731:
729:
728:
709:
703:
702:
700:
699:
680:
674:
673:
671:
670:
656:
650:
649:
647:
646:
632:
626:
625:
623:
622:
608:
602:
601:
599:
598:
583:
577:
576:
574:
573:
563:
557:
556:
554:
553:
539:
533:
532:
530:
529:
509:
503:
502:
500:
499:
485:
474:
473:
471:
470:
455:
446:
445:
443:
442:
428:
419:
418:
416:
415:
401:
390:
389:
387:
386:
371:
70:Whitney Biennial
30:artist based in
20:Carolina Caycedo
1156:
1155:
1151:
1150:
1149:
1147:
1146:
1145:
1121:
1120:
1119:
1118:
1110:
1106:
1097:
1095:
1087:
1086:
1079:
1063:
1062:
1056:
1054:
1044:
1040:
1030:
1029:
1025:
1015:
1014:
1010:
1001:
999:
991:
990:
986:
977:
975:
965:
961:
952:
950:
932:
928:
919:
917:
909:
908:
901:
892:
890:
884:
880:
871:
869:
860:
859:
855:
846:
844:
829:
825:
816:
814:
804:
800:
790:
788:
774:
770:
761:
759:
742:
735:
726:
724:
711:
710:
706:
697:
695:
688:www.whitney.org
682:
681:
677:
668:
666:
658:
657:
653:
644:
642:
634:
633:
629:
620:
618:
610:
609:
605:
596:
594:
585:
584:
580:
571:
569:
565:
564:
560:
551:
549:
541:
540:
536:
527:
525:
510:
506:
497:
495:
487:
486:
477:
468:
466:
457:
456:
449:
440:
438:
430:
429:
422:
413:
411:
403:
402:
393:
384:
382:
373:
372:
368:
363:
301:
290:
275:
252:
241:
226:
209:Magdalena River
193:
171:Magdalena River
163:
148:
121:
102:
100:Selected awards
82:
74:Venice Biennale
66:Havana Biennial
22:(born 1978, in
17:
16:American artist
12:
11:
5:
1154:
1144:
1143:
1138:
1133:
1117:
1116:
1104:
1077:
1038:
1023:
1008:
984:
959:
926:
899:
878:
853:
823:
798:
768:
733:
704:
675:
651:
627:
603:
578:
558:
534:
504:
493:The Huntington
475:
447:
420:
391:
365:
364:
362:
359:
300:
297:
289:
286:
274:
271:
251:
248:
240:
237:
225:
222:
192:
189:
180:Beyond Control
162:
159:
147:
144:
120:
119:Selected works
117:
101:
98:
81:
78:
15:
9:
6:
4:
3:
2:
1153:
1142:
1141:Living people
1139:
1137:
1134:
1132:
1129:
1128:
1126:
1114:
1108:
1094:
1090:
1084:
1082:
1073:
1067:
1053:
1049:
1042:
1035:. 2019-10-27.
1034:
1027:
1019:
1012:
998:
994:
988:
974:
970:
963:
949:
945:
941:
937:
930:
916:
912:
906:
904:
889:
882:
867:
863:
857:
842:
838:
834:
827:
813:
809:
802:
786:
782:
779:
772:
757:
753:
752:
747:
740:
738:
722:
718:
714:
708:
693:
689:
685:
679:
665:
664:www.getty.edu
661:
655:
641:
637:
631:
617:
613:
607:
592:
588:
582:
568:
567:"2018 | five"
562:
548:
544:
538:
523:
519:
515:
508:
494:
490:
484:
482:
480:
464:
460:
454:
452:
437:
433:
427:
425:
410:
406:
400:
398:
396:
380:
376:
370:
366:
358:
355:
353:
349:
345:
344:Hammer Museum
341:
337:
333:
329:
325:
324:Ulrich Museum
320:
318:
314:
313:Muzeum Sztuki
310:
306:
296:
294:
285:
283:
279:
270:
268:
264:
260:
256:
247:
245:
236:
234:
230:
221:
217:
215:
210:
206:
202:
198:
197:Cosmotarrayas
191:Cosmotarrayas
188:
186:
182:
181:
174:
172:
168:
158:
156:
155:Hammer Museum
152:
143:
142:
138:
134:
130:
126:
116:
114:
111:
107:
97:
95:
91:
87:
77:
75:
71:
67:
63:
59:
58:Hammer Museum
55:
50:
48:
45:and cultural
44:
40:
35:
33:
29:
25:
21:
1107:
1096:. Retrieved
1092:
1055:. Retrieved
1051:
1041:
1032:
1026:
1017:
1011:
1000:. Retrieved
996:
987:
976:. Retrieved
972:
962:
951:. Retrieved
939:
929:
918:. Retrieved
914:
891:. Retrieved
881:
870:. Retrieved
868:. 2013-10-23
865:
856:
845:. Retrieved
836:
826:
815:. Retrieved
811:
801:
789:. Retrieved
780:
771:
760:. Retrieved
749:
725:. Retrieved
716:
707:
696:. Retrieved
687:
678:
667:. Retrieved
663:
654:
643:. Retrieved
639:
630:
619:. Retrieved
615:
606:
595:. Retrieved
593:. 2015-08-31
590:
581:
570:. Retrieved
561:
550:. Retrieved
546:
537:
526:. Retrieved
517:
507:
496:. Retrieved
492:
467:. Retrieved
465:. 2018-06-11
462:
439:. Retrieved
435:
412:. Retrieved
408:
383:. Retrieved
369:
356:
321:
302:
292:
291:
277:
276:
254:
253:
243:
242:
232:
228:
227:
218:
205:Cosmotarraya
204:
200:
196:
194:
179:
178:
175:
166:
164:
150:
149:
122:
112:
109:
103:
83:
51:
47:biodiversity
36:
19:
18:
1136:1978 births
973:ARTnews.com
463:artnet News
328:In the Wake
299:Exhibitions
72:, and 2003
32:Los Angeles
1125:Categories
1098:2020-03-11
1057:2020-03-13
1002:2020-03-13
978:2024-03-21
953:2021-10-19
920:2020-03-13
893:2021-10-19
872:2020-03-13
847:2019-04-07
817:2020-03-13
762:2019-04-07
727:2019-04-07
698:2019-04-07
669:2024-02-04
645:2024-02-04
621:2024-02-04
597:2020-03-13
572:2020-03-13
552:2020-03-13
528:2019-04-07
498:2020-03-13
469:2020-03-13
441:2020-03-13
414:2020-03-13
385:2019-06-01
361:References
195:Caycedo’s
139:and Debra
28:multimedia
948:0362-4331
781:lamag.com
357:Fall of
330:, 2019);
233:Be Dammed
216:in 2015.
201:Be Dammed
167:Be Dammed
161:Be Dammed
80:Education
1066:cite web
841:Archived
785:Archived
756:Archived
721:Archived
692:Archived
522:Archived
379:Archived
259:New York
255:Daytoday
250:Daytoday
791:7 April
489:"Verso"
183:at the
141:Scacco.
56:, 2018
946:
267:Vienna
265:, and
263:London
94:Bogotá
24:London
1046:CG2.
1072:link
944:ISSN
793:2019
127:and
92:in
34:.
1127::
1091:.
1080:^
1068:}}
1064:{{
1050:.
995:.
971:.
942:.
938:.
913:.
902:^
864:.
839:.
835:.
810:.
783:.
754:.
748:.
736:^
719:.
715:.
690:.
686:.
662:.
638:.
614:.
589:.
545:.
520:.
516:.
491:.
478:^
461:.
450:^
434:.
423:^
407:.
394:^
377:.
261:,
203:.
133:AR
76:.
41:,
1101:.
1074:)
1060:.
1005:.
981:.
956:.
923:.
896:.
875:.
850:.
820:.
795:.
765:.
730:.
701:.
672:.
648:.
624:.
600:.
575:.
555:.
531:.
501:.
472:.
444:.
417:.
388:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.