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Choirbook

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A choirbook was a major investment. Many of them were stark and utilitarian and show signs of heavy and constant use. At larger cathedrals, choirbooks were sometimes lavishly decorated and
29: 210: 220: 167: 207: 81:. The book is large enough for the entire choir to read from one book. Choirbooks were generally put on a stand with the smaller 100:. Since they represent an important expense, they were rarely owned by single people, but rather by families or institutions. 138: 251:
Ilko, Krisztina (2023). "Forging the Augustinian Past: The Rule-Giving of St Augustine in a Duecento Gradual".
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in front and the men in back. As the printing of music became easier and paper replaced
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Choirs of angels : painting in Italian choir books, 1300-1500
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digitalization project with videos of conservation work. (German)
163: 86: 16: 62: 38: 42: 170:(15th century). Museum of the Cathedral of Ávila, Spain 273: 246:. New York: The Metropolitan Museum of Art. 237: 15: 166:for Easter, "Resurrexi" illuminated by 274: 250: 103: 13: 231: 20:One opening (fol. 19v-20r) of the 14: 298: 201: 189: 175: 152: 137: 1: 7: 217:at Spanish National Library 10: 303: 30:Missa Ecce ancilla Domini 146:San Millán de la Cogolla 24:, showing the Kyrie of 225:Bavarian State Library 221:Die Chorbücher der BSB 50: 41:are on the left page, 19: 208:Digitized choirbooks 196:Circa 1500 woodcut 57:is a large format 51: 238:Boehm, B (2008). 182:Leiden Choirbook 130:Leiden choirbooks 120:Lambeth Choirbook 294: 268: 247: 223:introduction to 193: 179: 156: 141: 104:Major choirbooks 302: 301: 297: 296: 295: 293: 292: 291: 272: 271: 234: 232:Further reading 204: 197: 194: 185: 183: 180: 171: 168:Juan de Carrión 157: 148: 142: 125:Pepys Choirbook 115:Caius Choirbook 106: 12: 11: 5: 300: 290: 289: 284: 270: 269: 265:10.1086/723217 248: 233: 230: 229: 228: 218: 213:2013-08-23 at 203: 202:External links 200: 199: 198: 195: 188: 186: 181: 174: 172: 158: 151: 149: 144:Choirbooks at 143: 136: 133: 132: 127: 122: 117: 112: 110:Eton Choirbook 105: 102: 9: 6: 4: 3: 2: 299: 288: 285: 283: 282:Books by type 280: 279: 277: 266: 262: 259:(1): 95–126. 258: 254: 249: 245: 244: 241: 236: 235: 226: 222: 219: 216: 215:archive.today 212: 209: 206: 205: 192: 187: 178: 173: 169: 165: 162: 155: 150: 147: 140: 135: 134: 131: 128: 126: 123: 121: 118: 116: 113: 111: 108: 107: 101: 99: 94: 93:and octavos. 92: 88: 84: 80: 76: 72: 68: 64: 60: 56: 48: 44: 40: 36: 32: 31: 27: 23: 18: 256: 252: 243: 240: 95: 83:boy sopranos 54: 52: 28: 287:Music books 98:illuminated 79:Renaissance 75:Middle Ages 73:during the 43:contratenor 22:Chigi codex 276:Categories 71:cathedrals 59:manuscript 26:Ockeghem's 184:(16th c.) 161:gregorian 91:partbooks 55:choirbook 49:on right. 211:Archived 67:churches 61:used by 164:introit 87:vellum 63:choirs 47:bassus 35:Cantus 253:Gesta 39:tenor 159:The 77:and 45:and 37:and 261:doi 69:or 65:in 278:: 257:62 255:. 53:A 33:. 267:. 263::

Index


Chigi codex
Ockeghem's
Missa Ecce ancilla Domini
Cantus
tenor
contratenor
bassus
manuscript
choirs
churches
cathedrals
Middle Ages
Renaissance
boy sopranos
vellum
partbooks
illuminated
Eton Choirbook
Caius Choirbook
Lambeth Choirbook
Pepys Choirbook
Leiden choirbooks
Choirbooks at San Millán de la Cogolla
San Millán de la Cogolla
The gregorian introit for Easter, "Resurrexi" illuminated by Juan de Carrión (15th century). Museum of the Cathedral of Ávila, Spain
gregorian
introit
Juan de Carrión
Leiden Choirbook (16th c.)

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