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171:, a bohemian society of writers, painters and musicians to which other members of the Heidelberg School belonged. She is credited by some as 'among the first women to be elected' to it in 1886, though several other female artists were already members, and amateur poet and painter Alice Brotherton had been the first woman elected to the Club in 1883, followed by several other important women artists such as
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can almost hear the wind sighing and sobbing through her trees and that furtive movement of life beneath the beautiful undergrowth that trembles in her foregrounds. Her landscapes are truly poems, full of sentiment and feeling, and that artistic reticence so seldom met with, which never allows nature to be for one moment oppressed or overstepped, or the note forced under any pretence.-'A Lyrical
Painter',
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Miss Clara
Southern (Mrs J. Flinn) is a sweet and original singer of the Australian bush in colour, which, by the most skilful use of her pigments, she realises in all its beauty and charm, its majestic silences, its harmonies, and those mysterious distances we all know and feel when in its midst. We
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often visited her in
Warrandyte to paint the landscape. Her residence at cottage 'Blythe Bank' in Warrandyte was integral to the development of the artistic community there, with regular visits from the McCubbins and Colquhouns, and
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984:"Schedule 'B' National Memorials Ordinance 1928–1972 Street Nomenclature List of Additional Names with Reference to Origin: Commonwealth of Australia Gazette. Special (National: 1977–2012) – 8 Feb 1978"
148:, in 1860, the eldest of six children. She was the daughter of local timber merchant and farmer John Southern and Jane Elliott. From 1883 to 1887, Southern studied at the School of Design,
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291:. Together they built a cottage, and later a studio, at Blythe Bank, Warrandyte. Even after her marriage, Southern continued to exhibit under her own name.
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Mead, Stephen F. (December 2011). "The Search for
Artistic Professionalism in Melbourne: the activities of the Buonarotti Club, 1883–1887".
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Australian Women
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A l'hombre des jeunes filles et des fleurs: In the shadow of young girls and flowers, Benalla Art
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On 9 November 1905, Southern married local miner John Arthur Flinn at St. John's
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becoming her neighbour at 'Kipsy.' Many of her works capture the spirit of the area, such as
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is one of her better known works. It was one of 56 paintings included in Lloyd O'Neil's
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By 1908 Southern had established an artistic community of younger landscape painters at
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were a devastating risk in her township of
Warrandyte, and she contributed to the
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120:(3 October 1860 – 15 December 1940) was an Australian artist associated with the
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Look, Look Again, Lawrence Wilson Art
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from 1888. She taught art classes from her studio, and regularly joined her
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691:. Canberra: National Centre of Biography, Australian National University.
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Women and the Bush: Forces of Desire in the
Australian Cultural Tradition
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Exhibition in aid of the Hermannsburg Water Supply in Central Australia
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Clara was also supportive of charity and relief efforts, supporting
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McCulloch, Alan; McCulloch, Susan; McCulloch Childs, Emily (2006).
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Kyneton Guardian (Vic. : 1870–1880; 1914–1918)
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816:The new McCulloch's encyclopedia of Australian art
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1158:Clara Southern: Australian art and artists file
1782:National Gallery of Victoria Art School alumni
209:When in Melbourne Southern shared a studio at
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316:and her sister Una in an exhibition for the
1388:Winter morning after rain, Gardiner's Creek
1068:"Clara Southern : Abandoned farmhouse"
878:"Blog Post – The Victorian Artists Society"
761:. Rotary Club of Warrandyte Donvale. 2018.
685:Duke, Anne. "Southern, Clara (1860–1940)".
267:and Harold Herbert. Her teacher and mentor
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707:Duke, Anne. "Clara Southern (1860–1940)".
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1013:"Clara Southern b. 3 October 1860"
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167:During her studies she joined the
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1094:"Beach Scene – 2017.005"
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354:is named in her honour.
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393:The Yarra at Warrandyte
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933:"Marriage Certificate"
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1516:On the Wallaby Track
1412:A holiday at Mentone
1279:John Llewellyn Jones
789:"Artist's Footsteps"
543:, Private collection
526:, Private collection
469:, Private collection
412:, Private collection
395:, Private collection
378:, Private collection
376:The Back of the Barn
318:Hermannsburg Mission
255:, a township on the
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958:"A LYRICAL PAINTER"
853:The Latrobe Journal
562:Benalla Art Gallery
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1132:"Southern, Clara"
1092:Southern, Clara.
1019:. 13 April 2017.
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1614:Sydney Long
1604:Hans Heysen
1573:G. P. Nerli
1540:The Pioneer
1269:Ina Gregory
1224:Tom Roberts
942:17 February
628:Collections
621:2011–2012 -
576:1899–1917 -
570:Exhibitions
410:The Kitchen
274:Jo Sweatman
223:Tom Roberts
200:Lyceum Club
75:Nationality
1726:Categories
1706:Naturalism
1587:Influenced
1551:Influences
1484:Bush Idyll
1304:Jane Price
1140:. Sydney:
644:References
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278:'Evensong'
253:Warrandyte
247:Warrandyte
237:Heidelberg
198:, and the
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1699:See also
1500:Bailed Up
1476:Fire's on
1364:Paintings
1299:Leon Pole
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727:cite book
541:Bush Camp
326:Bushfires
289:Blackburn
261:Melbourne
241:Eaglemont
232:plein air
128:Biography
1130:(1949).
1021:Archived
886:Archived
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763:Archived
717:31 March
667:17 March
484:Evensong
352:Chisholm
177:May Vale
146:Victoria
87:Painting
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1333:Patrons
994:2 April
217:, with
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609:1975 -
596:1934 -
582:1907 -
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190:, the
186:, the
156:under
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988:Trove
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1079:2023
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996:2020
970:2020
944:2018
919:2020
894:2020
831:OCLC
821:ISBN
800:2020
739:help
719:2018
669:2018
280:and
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