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and spiritual. More works were lost in a bush fire, and in 1970, in an open-sided shed in country
Victoria, as many as two thousand works were found abandoned, two thirds of which had been destroyed by the elements. Those that did survive were exhibited the following year in Melbourne, precipitating a resurgence of interest in Beckett. Catalogues, biographies and major exhibitions followed, and today she is represented in Australia's national and state galleries.
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413:. She was buried in the Cheltenham Memorial Park. A retrospective solo exhibition of Beckett's work was held at the Melbourne Athenaeum. During this time, Meldrum, despite being of the opinion that "There would never be a great woman artist", described Beckett as his most skilled pupil, saying that "she worked like a man", that she had done work "of which any nation would be proud", and that she "ranked as a great artist."
462:, and was highly productive. Her subjects were sea and beachscapes, and rural and suburban scenes, often enveloped in the atmospheric effects of early mornings or evening. Early critical appraisal of her paintings was mixed, with members of the conservative art establishment often finding fault in their "opaque" quality. Many critics found her difficult to categorise. Surveying her work in 1931, a critic for
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695:, the Art Gallery of South Australia staged the exhibition "Clarice Beckett: The Present Moment". Her most comprehensive retrospective to date, it featured 160 works, including a long-lost portrait that had recently been rediscovered. It drew large crowds and was the most successful ticketed solo exhibition in the museum's 140-year history. Between April and July 2023,
500:, the subject matter favoured by her teacher Meldrum, Beckett preferred the solo, outdoor process of painting landscapes. Her subjects were often drawn from the Beaumaris area, where she lived for the latter part of her life. She was one of the first of Meldrum's group to use a painting trolley, or mobile easel to make it easier to paint outdoors in different locations.
299:, characterised by a particular "misty" or atmospheric quality created by building "tone on tone". Meldrum maintained that art "should be a pure science based on optical analysis; its sole purpose being to place on the canvas the first ordered tonal impressions that the eye received. All adornments and narrative and literary references should be rejected".
179:. By 1926, she was creating landscapes unprecedented in Australian art for their "radical simplicity", and from 1930, she experimented further with a broader colour palette and more challenging compositions. In 1935, while painting the sea off Beaumaris during a winter storm, Beckett contracted pneumonia and died four days later, aged 48.
149:, a controversial outlier of the Australian art world who propounded his own tonalist painting system drawn from scientific principles. Beckett and others in Meldrum's circle, derided as "Meldrumites" by his critics, began staging group exhibitions in 1919. Beckett also exhibited with the Meldrum-inspired
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using as a studio the upper level of a shearing shed at the
Naringal property of the brother of her good friend, Maud Rowe. At home in Beaumaris, Beckett could only go out during the dawn and dusk to paint as most of her day was spent caring for her parents, more intensively from 1932 when her mother
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recalled that, "When Miss
Clarice Beckett held her first show at the Athenæum gallery in 1923 her work certainly found admirers, but the admiration was by no means general, and there was a good deal of confusion in the public mind as to whether she was a futurist, or only a new and dangerous variety
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In what has been called "one of the great disasters of
Australian art history", well over one thousand of Beckett's works were destroyed in the decades after her death, including many by her father that he deemed "unfinished"—works from her final years that were said by friends to be more abstracted
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During her lifetime, Beckett was not represented in any public collection in
Australia, though her sister donated one work and friend Maud Rowe bequeathed three to the Castlemaine Art Museum shortly after her death, with others going to the Art Gallery of Ballarat in 1937; now almost every major
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in and around
Beaumaris, and mostly at daybreak or towards evening, when she was exempted from domestic duties. In her method and choice of "everyday" subject matter, Beckett remained indebted to Meldrum, but her work also differed from that of other tonalists, in part due to its emotional and
493:, said that Beckett's work showed "a convincing illusion of actual space and air and light; the same refinement and delicacy of true color; the same regard for true form and character; and the same complete indifference to conventions and the mere clever handling of paint for the sake of it."
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With her parents' health failing, and after her sister's marriage in 1922, Beckett assumed household responsibilities that dictated the structure of the rest of her life, limiting her artistic endeavours. She did however regularly exhibit with other
Australian tonalists at the
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wrote that "one would imagine from the little scenes that Miss
Beckett has gathered, in the name of Australian art, that Australia was in a continual state of fog—all kinds of fogs—pink, blue, green and grey with an occasional mist that surely was never on land or sea."
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show expressed her particular version of his principles as being "an adaptation of art to nature, which belongs neither to the realm of the orthodox normalist or the avowed modern, but is a purely individual expression of certain sensations in light, form and color."
295:, she became associated with an artistic circle that he frequented. She studied under Meldrum for nine months, adopting aspects of his unique tonalist system of painting, the "Scientific Order of Impressions", which resulted in a style now known as
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As
Beckett developed her own style, she departed from Meldrum's dictum that tone should take precedence over colour. While Meldrum blamed social decadence for 'modern' artists' exaggerated interest in colour over tone and proportion, an uncredited
239:. To foster her artistic skill, she took private lessons in charcoal drawing in Ballarat. After her family's relocation to 22 Kensington Road, South Yarra, she finished her final year of school at the nearby Merton Hall campus of
235:, until 1903, where she revealed strong drawing ability and wrote a play, including a part for herself, which was performed by the students, and in 1905 won a competition for writing on the moral lessons of Walter Melville's play
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To give a sincere and truthful representation of a portion of the beauty of Nature, and to show the charm of light and shade, which I try to give forth in correct tones so as to give as nearly as possible an exact illusion of
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art styles, and for decades the movement was the subject of fierce controversy. Its practitioners were unpopular amongst other artists, and derided as "Meldrumites". Influential
Melbourne modernist artist and teacher
680:) was curated by Felicity Fenner and artist Jenny Bell for UNSW's Ivan Dougherty Gallery in 1995. Over 1999 and 2000, the retrospective exhibition "Politically incorrect: Clarice Beckett" was organised by the
212:, organist and manager of the Casteron's Colonial Bank, the site of Clarice's birth. Beckett had one sister, Hilda. Their grandfather was John Brown, a Scottish master builder, who had designed and built
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Rosalind Hollinrake, who was largely responsible for Beckett's revival in 1970, notes a use of colour to reinforce form, and more daring design, in the later years of the artist's short life. In 1971
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was especially derogatory, favouring, if anything, the flower studies that Beckett regarded as minor in comparison with her landscapes. By 1931, however, her friend and fellow Australian tonalist
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became seriously ill, before dying in 1934. Beckett's father, though becoming frail, moved from Beaumaris, after burning her paintings he considered were 'unfinished,' and died 12 June 1936 in
620:(c. 1932) was acquired by the Art Gallery of South Australia in 1979, making it the first of Beckett's works to enter the collection. The painting was the subject of a two-hour lecture by
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Five commercial gallery exhibitions of Beckett's work were staged from 1971 to 1980. The first museum exhibition of her work, "In a Certain Light" (a two-person show with photographer
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However, even in 2001, Tim Bonyhady, discussing the "Modern Australian Women" exhibition in which Beckett was included at the Art Gallery of South Australia, acknowledges its director
291:, whose controversial theories became a pivotal factor in her own art practice. Beckett had met Meldrum as early as 1906, when, through the friendship of Beatrix Hoile and her husband
133:, Victoria, Beckett was seen as extremely shy from a young age, as well as bright and artistic. In 1914, after moving to Melbourne with her family, she began a three-year study at the
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were "more adventurous than their male counterparts in what and how they painted," but baulks at his notion that they were "the major Australian artists of the 1920s and 1930s."
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126:. Disregarded by the art establishment during her lifetime, and largely forgotten in the decades after her death, she is now considered one of Australia's greatest artists.
714:, where the artist studied, awards the Clarice Beckett Prize annually to a student for outstanding achievement in the study of Art at VCE level. She is also the eponym of
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In 1971, Beckett's sister alerted Hollinrake to a tragedy; more than 2,000 of her works had been left abandoned to the elements and vermin in an open-sided hay shed near
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No European critic would say that Miss Beckett belonged to any particular school, and that would be the highest compliment one could bestow. She ranked as a great artist.
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Beckett elucidated her artistic aims in what is her only known surviving written statement, published in the catalogue accompanying the sixth annual exhibition of the
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Rosalind Hollinrake, 'Beckett, Clarice Marjoribanks (1887–1935)', Australian Dictionary of Biography, National Centre of Biography, Australian National University,
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775:. An avid collector of Beckett's work, Crowe used real Beckett paintings from his personal collection, as well as some from the Art Gallery of New South Wales.
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Australian gallery holds examples of her work, including the National Gallery of Australia, which purchased eight of her works on the recommendation of artist
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Beckett never left Victoria and rarely travelled outside Melbourne, much of her adult life being spent caring for her ailing parents at their home in bayside
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1999–2000 "Politically incorrect: Clarice Beckett" A retrospective touring exhibition organised by The lan Potter Museum of Art, University of Melbourne:
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By 2001, her paintings had achieved six figure sums at auction. In 1936, a major memorial exhibition of 79 works was presented over 4–16 May at the
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Catalogue: "Misty Moderns – Australian Tonalists 1915–1950", written by curator Tracey Lock-Weir, Art Gallery of South Australia, Adelaide 2008
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artist colony, sent there when the Beaumaris home was cleared. An image of at least one of the lost works survives (see external links below).
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While painting the sea off Beaumaris during a storm in 1935, Beckett developed pneumonia and died four days later, aged 48, in a hospital at
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reviewed the show reverently, quoted Meldrum's comment that she "had done work of which any nation should be proud," and concluded that;
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The same year that Beckett joined Meldrum's school, her family moved from Bendigo to Melbourne's then-undeveloped bayside suburb of
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342:. She also joined painting and camping excursions with groups of other Australian tonalists, including the artists Lily and
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Modern Australian Women Artists : Paintings Prints and Potters : The Andree Harkness Collection. Amaled Pty 2020
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374:(c. 1930s) on the coast, as her paintings of these locations attest, and she often met with them at the Café Latin in
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Lock-Weir, Tracey (22 September 2009), "The sound of silence: twentieth-century Australian tonalism.(art feature)",
326:, into an existing dwelling on a double block at 14 Dalgetty Road on the corner of Tramway Parade, which they named
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Cosic, Miriam (1 April 2021). "Clarice Beckett: The Present Moment. Art Gallery of South Australia, until May 16".
1444:"Joseph Clifden BECKETT was the manager of the Colonial Bank at Casterton 1875-1903". Casterton Historical Society
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624:, who said Beckett was "the first to paint the suburbs of Australia ... Australia as it really is, as we know it."
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In 1919, Beckett became the first National Gallery student to break from the school and study under rival teacher
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1381:. Fisherman's Bend, Victoria: Art Gallery of South Australia, Distributed in Australia by Thames & Hudson.
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1995 "In a Certain Light" (with Olive Cotton), The University of New South Wales Ivan Dougherty Gallery, Sydney
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McFarlane, Jenny (1999). "Clarice Beckett's Open Road: Suggestions of an Unseen Dimension to the Familiar".
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by Beckett's sister and father, with prices ranging from 75 guineas (a value of A$ 7,228.00 in 2022) for
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wrote on the occasion of Beckett's 1979 Macquarie Galleries retrospective that launched Hollinrake's
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in country Victoria, the eldest daughter of Elizabeth Kate (née Brown) and Joseph Clifden Beckett, a
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She really was ahead of her time. I found it very interesting to compare her early best work with
319:, described Australian Tonalism as a "cult which muffles everything in a pall of opaque density".
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669:. Most were unsalvageable, but thirty well-preserved but neglected works were discovered at the
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1931 First Contemporary All-Australian Art Exhibition, at the International Art Centre of the
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Undertaking her primary education in Casterton, for secondary school Beckett was a boarder at
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and its suburbs, Beckett developed a personal style that contributed to the development of
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Beckett persistently and diligently painted, extending Meldrum's principles to subjects
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Clarice Beckett: Australian artist's place in global art history cemented in exhibition
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1279:, Melbourne has held three survey exhibitions of Beckett's work in 2000, 2002 and 2014.
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3374:"Niagara Galleries – Contemporary Art Gallery Melbourne, Australia – Clarice Beckett"
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1979 Macquarie Galleries, Sydney, accompanying launch of Rosalind Hollinrake's book
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3314:. Vol. CXXXIV, no. 4, 397. Victoria, Australia. 15 April 1933. p. 17
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1232:, The University of Melbourne, Melbourne, Victoria: 5 February 1999 – 28 March 1999
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with most at 10–40, to 3 guineas each for 'ten sketches.' An unnamed reviewer for
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Holt, Stephanie (1995). "Woman About Town: Urban Images of the 1920s and 1930s".
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Montsalvat : the intimate story of Australia's most exciting artists' colony
2018:
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Wallace-Crabbe, Robin (1999). "Eloquent Silence: Paintings by Clarice Beckett".
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McGuire, M. A. (1986). "'Life and Your Imagining': The Art of Clarice Beckett".
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Homage to Clarice Beckett (1887–1935) : Idylls of Melbourne and Beaumaris.
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Her review draws attention to Beckett's reductionism that "presage the work of
114:(21 March 1887 – 7 July 1935) was an Australian artist and a key member of the
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3064:. Vol. LX, no. 3868. Victoria, Australia. 6 October 1927. p. 38
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McGuire, Peg (2012). "'The Silver Thread': Clarice Beckett and Her Brother".
3260:. Vol. LII, no. 2750. Victoria, Australia. 10 June 1920. p. 21
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1238:(National Trust of Australia NSW), Sydney, NSW: 24 April 1999 – 13 June 1999
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Coleman, Richard (7 December 1979). "The rediscovering of Clarice Beckett".
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2871:"Is the priceless artwork in Russell Crowe’s new film real – and is it his?"
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1967:. Vol. 27, no. 1, 391. South Australia. 21 January 1939. p. 1
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1918 September, Victorian Artists' Society Spring Exhibition, East Melbourne
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1922 November, Victorian Artists' Society Spring Exhibition, East Melbourne
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http://adb.anu.edu.au/biography/beckett-clarice-marjoribanks-5178/text8701
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1923 October, Victorian Artists' Society Spring Exhibition, East Melbourne
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considered Beckett "a remarkable modernist," situating her as an equal to
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Burnie Regional Art Gallery, Burnie, Tasmania: 7 April 2000 – 22 May 2000
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A number of Beckett's paintings feature as a plot point in the 2022 film
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She is memorialised in Clarice Beckett's Lane in the Melbourne suburb of
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1923 April, Victorian Artists' Society Autumn Exhibition, East Melbourne
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referred to Beckett's work when discussing influences on his 1979 novel
567:, and "both a Meldrumite and a pioneering modernist." Artist and critic
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Despite a talent for portraiture and a keen public appreciation for her
2017:
Clarice Beckett; Rosalind Hollinrake; Ian Potter Museum of Art (1999).
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3036:. No. 15, 711. Victoria, Australia. 26 September 1927. p. 15
2710:"Clarice Beckett: The Present Moment | Art Gallery of South Australia"
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1922 May, Victorian Artists' Society Autumn Exhibition, East Melbourne
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2952:. No. 24, 359. Victoria, Australia. 2 September 1924. p. 14
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1689:. No. 13, 377. Victoria, Australia. 19 December 1918. p. 10
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3232:. No. 24, 533. Victoria, Australia. 28 November 1933. p. 7
3176:. No. 26, 264. Victoria, Australia. 17 October 1930. p. 13
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1717:. No. 13, 381. Victoria, Australia. 24 December 1918. p. 8
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1931 October, Melbourne Society of Women Painters, Athenaeum Gallery
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1930 October, Melbourne Society of Women Painters, Athenaeum Gallery
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1929 October, Melbourne Society of Women Painters, Athenaeum Gallery
3148:. No. 23, 570. Victoria, Australia. 24 October 1930. p. 8
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Fred Williams diary note, Saturday 30 October 1971, quoted in Lock
2287:. No. 23, 871. Victoria, Australia. 13 October 1931. p. 5
1995:. No. 19, 245. Victoria, Australia. 21 January 1939. p. 8
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McCulloch, Alan; McCulloch, Susan; McCulloch Childs, Emily (2006).
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of Meldrumite." Reviewing one of her shows, an earlier critic from
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153:, and staged the first of her ten annual solo exhibitions in 1923.
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3204:. No. 9286. Queensland, Australia. 3 November 1931. p. 8
3120:. No. 3212. Victoria, Australia. 28 November 1929. p. 15
1911:"Beckett art joins Misty Moderns in Langwarrin" by Teresa Murphy,
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Hollinrake, Rosalind (3 April 1985). "Painting against the tide".
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In 1926, Beckett painted during a six-month sojourn in Victoria's
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2980:. No. 24, 628. Victoria, Australia. 15 July 1925. p. 10
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2318:. No. 24187. Victoria, Australia. 18 October 1932. p. 5
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2222:. No. 3310. Victoria, Australia. 15 October 1931. p. 15
2156:. No. 15, 023. Victoria, Australia. 14 July 1925. p. 17
1935:
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1403:"Lost ‘butterfly catcher’ found in time for Clarice Beckett show"
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Orange Regional Gallery, Orange, NSW: 19 June 1999 – 18 July 1999
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145:, then for nine months attended the rival school of art theorist
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Smee, S. (24 April 1999). "Painter put her soul into suburbia",
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Bell, Jenny (2003). "Clarice Beckett: A Private Conversation".
3527:
Montsalvat: The Intimate Story of an Australian Artists' Colony
3092:. No. 22870. Victoria, Australia. 25 July 1928. p. 13
3008:. No. 22244. Victoria, Australia. 21 July 1926. p. 13
2924:. No. 21, 271. Victoria, Australia. 5 June 1923. p. 5
2896:. No. 23, 971. Victoria, Australia. 5 June 1923. p. 4
2673:
Affairs of the art : love, loss and power in the art world
2412:. Carlton, Vic.: Melbourne University Publishing. p. 133.
1939:. No. 25, 033. Victoria, Australia. 9 July 1935. p. 7
741:(2009) is a fictionalised account of Beckett's life. It co-won
688:, and Rosalind Hollinrake. It toured eight national galleries.
2578:. No. 25, 289. Victoria, Australia. 5 May 1936. p. 9
2459:
Bonyhady, Tim (27 January 2001). "A land of sweeping claims".
2135:
The Death of the Artist as Hero: Essays in History and Culture
1499:, published in hardcopy 1979, accessed online 5 November 2014.
2841:(2nd ed.). Milsons Point, N.S.W.: Vintage. p. 454.
583:," of forty years later, and "solitude and stillness" as her
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Gray, Anne; Jordan, Caroline; Hooper, Juliana, eds. (2020).
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1934 September, Twenty Melbourne Painters, Athenaeum Gallery
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1933 September, Twenty Melbourne Painters, Athenaeum Gallery
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1932 September, Twenty Melbourne Painters, Athenaeum Gallery
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1931 September, Twenty Melbourne Painters, Athenaeum Gallery
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1930 September, Twenty Melbourne Painters, Athenaeum Gallery
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1929 September, Twenty Melbourne Painters, Athenaeum Gallery
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1928 September, Twenty Melbourne Painters, Athenaeum Gallery
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1927 September, Twenty Melbourne Painters, Athenaeum Gallery
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1926 September, Twenty Melbourne Painters, Athenaeum Gallery
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1925 September, Twenty Melbourne Painters, Athenaeum Gallery
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1931 October, Athenaeum Gallery (show opened by Max Meldrum)
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Max Meldrum and Aossicates: Their Art, Lives and Influences
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2012:
2010:
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1973 "Clarice Beckett", David Sumner Galleries, Adelaide
1618:"The subtle work of a much-neglected Australian artist"
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Lock, Tracey (20 September 2023). Game, Cathryn (ed.).
1259:, Ballarat, Victoria: 5 November 1999 – 16 January 2000
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staged the retrospective "Clarice Beckett—Atmosphere".
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In 1914, Beckett moved back to Melbourne to attend the
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Thomas, Daniel (2021). "Clarice Beckett's Edgy Calm".
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Strange country : why Australian painting matters
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1924 May, Twenty Melbourne Painters, Athenaeum Gallery
2023:. Ian Potter Museum of Art, University of Melbourne.
2007:
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Memorial exhibition : Athenaeum, May 4-16, 1936
2338:"Between sea and sky: a portrait of Clarice Beckett"
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movement. Known for her subtle, misty landscapes of
3735:(2). Royal Historical Society of Victoria: 276–285.
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1265:, Hobart, Tasmania: 3 February 2000 – 26 March 2000
3801:Between Sea and Sky: A Portrait of Clarice Beckett
2736:, Geelong Art Gallery. Retrieved 18 November 2022.
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2444:Borlase, Nancy (8 December 1979). "In Hostility".
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1320:The new McCulloch's encyclopedia of Australian art
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1069:1919 September, A Meldrum Group, Athenaeum Gallery
706:, and in the naming of Beckett Ward, one of seven
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3605:. Castlemaine Art Gallery and Historical Museum.
3470:In a Certain Light: Clarice Beckett, Olive Cotton
2181:. Port Melbourne: Thames & Hudson Australia.
2137:, Melbourne: Oxford University Press, 1988, p.70.
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1446:http://www.swvic.org/casterton/beckett_joseph.htm
641:'s early paintings, that same lyrical feeling ...
241:Melbourne Church of England Girls' Grammar School
204:Beckett was born on 21 March 1887 in the town of
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3643:. Australian Scholarly Publishing Pty, Limited.
2750:(4th ed.). New York: Springer. p. 54.
2651:, Cross, Malcolm, (artist.), Allen & Unwin,
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1736:Haese, Richard (1982), "Rebels and precursors",
1247:, Adelaide SA: 6 August 1999 – 19 September 1999
1166:1934 October, A Meldrum Group, Athenaeum Gallery
167:spiritual qualities, reflecting her interest in
2696:"Galleries are our anchors amid COVID closures"
1253:, Victoria: 30 September 1999 – 31 October 1999
1200:, 58 Wattle Valley Road, Canterbury, 29 October
3867:National Gallery of Victoria Art School alumni
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3565:The Present Moment: the Art of Clarice Beckett
2599:The lost mother : a story of art and love
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1379:The present moment: the art of Clarice Beckett
1113:1927 July, Women's Art Club, Athenaeum Gallery
3546:Misty Moderns: Australian Tonalists 1915-1950
2698:, artshub.com.au. Retrieved 18 November 2022.
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1072:1920 June, A Meldrum Group, Athenaeum Gallery
1282:2021 "Clarice Beckett: The present moment"
1176:1936 Athenaeum Gallery (Memorial Exhibition)
1075:1921 May, A Meldrum Group, Athenaeum Gallery
160:. She did however paint prolifically, often
3773:"Beckett, Clarice Marjoribanks (1887–1935)"
3770:
3714:(1). Art Association of Australia: 90–103.
3486:
3224:"Beckett Landscapes at the Meldrum Gallery"
1304:
416:
388:, 1926, painted during her stay at Naringal
3857:People educated at Melbourne Girls Grammar
3852:People educated at Ballarat Grammar School
3688:(2). Art and Australia Pty. Ltd.: 232–243.
3675:(1). Art and Australia Pty. Ltd.: 108–114.
3600:
3505:
3489:Clarice Beckett, the Artist and Her Circle
3322:– via National Library of Australia.
3268:– via National Library of Australia.
3240:– via National Library of Australia.
3212:– via National Library of Australia.
3184:– via National Library of Australia.
3156:– via National Library of Australia.
3128:– via National Library of Australia.
3100:– via National Library of Australia.
3072:– via National Library of Australia.
3044:– via National Library of Australia.
3016:– via National Library of Australia.
2988:– via National Library of Australia.
2960:– via National Library of Australia.
2932:– via National Library of Australia.
2904:– via National Library of Australia.
2835:Patrick, White (1996). Marr, David (ed.).
2627:Item held by National Gallery of Australia
2586:– via National Library of Australia.
2434:
2326:– via National Library of Australia.
2295:– via National Library of Australia.
2230:– via National Library of Australia.
2164:– via National Library of Australia.
2003:– via National Library of Australia.
1975:– via National Library of Australia.
1947:– via National Library of Australia.
1725:– via National Library of Australia.
1697:– via National Library of Australia.
1650:(3), Art and Australia Pty. Ltd.: 448(6),
1351:: CS1 maint: location missing publisher (
573:Clarice Beckett-The Artist and Her Circle.
31:
3744:(329). Art Monthly Australia Ltd.: 68–73.
3692:
3581:
3524:
3429:, 25 April 2021. Retrieved 25 April 2021.
3403:AGSA – The Art Gallery of South Australia
2115:. Melbourne. 2 September 1924. p. 10
1615:
1212:Clarice Beckett–The Artist and Her Circle
191:
3601:Perry, John R.; Perry, Peter W. (1996).
2707:
2517:Castlemaine Art Museum Collection Online
2492:Castlemaine Art Museum Collection Online
2458:
2241:
1829:Doubletime, women in Victoria, 150 years
612:
539:
513:
431:
420:
380:
275:
254:, completing three years of study under
195:
3726:
3705:
3638:
3448:
3357:
2834:
2745:
2548:
2443:
2405:
1183:Rosalind Humphries Galleries, Melbourne
401:, leaving an estate of £2520 to Hilda.
129:Born and raised in the country town of
3809:
3739:
3641:The Worlds and Work of Clarice Beckett
3508:Clarice Beckett: Politically Incorrect
3467:
2778:
2564:
2562:
2208:
2206:
2020:Clarice Beckett: politically incorrect
1666:
1664:
1549:. Melbourne. 8 April 1905. p. 10.
1207:, Melbourne (Retrospective Exhibition)
993:, 1933, Art Gallery of South Australia
963:, 1933, Art Gallery of South Australia
948:, 1932, Art Gallery of South Australia
918:, 1930, Art Gallery of New South Wales
873:, 1930, Art Gallery of South Australia
858:, 1929, Art Gallery of South Australia
825:, 1927, Art Gallery of South Australia
729:
722:, discovered in 2008 and named by the
3837:20th-century Australian women artists
3827:19th-century Australian women artists
3619:
3399:"Clarice Beckett: The present moment"
2555:. Prahran: F. & M. Pty. Ltd. Typ.
2390:
2361:
2359:
2304:
2302:
2273:
2271:
2240:Candice Bruce, 'Clarice Beckett', in
2174:
1925:
1923:
1921:
1893:. Melbourne. 22 July 1936. p. 12
1827:Lake, Marilyn; Kelly, Farley (1985).
1611:
1609:
1559:
1540:
1538:
978:, 1933, National Gallery of Australia
778:
354:and their families into the hills of
338:, and also with the Meldrum-inspired
3679:
3666:
3562:
3543:
2781:"Historical focus for Vogel winners"
2367:"Sun rises again for a misty modern"
2178:Percy Leason : an artist's life
2080:
2068:
1507:
1505:
1491:
1489:
1487:
1376:
1372:
1370:
1368:
1366:
1364:
1362:
1323:(Fourth ed.). Fitzroy BC, Vic.
1286:, Adelaide SA: 27 February – 16 May
1053:
504:Modernism and increasing abstraction
481:reviewer and staunch anti-modernist
3453:. Melbourne University Publishing.
2798:
2772:
2675:, Melbourne University Publishing,
2620:
2601:, Melbourne University Publishing,
2559:
2203:
1661:
1124:Melbourne Society of Women Painters
1004:
633:in 1971. Williams wrote on Beckett:
243:. The Beckett family then moved to
13:
3778:Australian Dictionary of Biography
3584:Art and Suburbia: A World Art Book
3567:. Art Gallery of South Australia.
3548:. Art Gallery of South Australia.
2779:McEvoy, Marc (18 September 2009).
2356:
2299:
2268:
2234:
1918:
1606:
1535:
1049:1933 November, The Meldrum Gallery
1022:1926 July 20–31, Athenaeum Gallery
14:
3883:
3794:
3624:. Thames & Hudson Australia.
2708:Ewington, Julie (13 April 2021).
2488:"Silver morning (Near Beaumaris)"
1831:. Ringwood, Vic.: Penguin Books.
1502:
1484:
1359:
1063:Autumn Exhibition, East Melbourne
1025:1927 September, Athenaeum Gallery
1016:1924 September, Athenaeum Gallery
808:Chestnut Avenue, Ballarat Gardens
445:Twenty Melbourne Painters Society
340:Twenty Melbourne Painters Society
302:The Australian tonalists opposed
151:Twenty Melbourne Painters Society
3832:20th-century Australian painters
3757:(2). Art and Australia Pty. Ltd.
3701:(2). Art and Australia Pty. Ltd.
2869:Quinn, Karl (23 November 2022).
1616:Christian, John (22 July 1999).
1263:Tasmanian Museum and Art Gallery
1031:1929 November, Athenaeum Gallery
983:
968:
953:
938:
923:
908:
893:
878:
863:
848:
830:
815:
800:
785:
724:International Astronomical Union
258:, one of the leading figures of
3862:People from Casterton, Victoria
3771:Hollinrake, Elizabeth (1979b).
3436:
3416:
3391:
3366:
3351:
3326:
3298:
3286:. 20 September 1930. p. 10
3272:
3244:
3216:
3188:
3160:
3140:"Miss Beckett's Art Exhibition"
3132:
3104:
3076:
3048:
3020:
2992:
2964:
2936:
2908:
2880:
2863:
2828:
2739:
2727:
2701:
2688:
2664:
2640:
2614:
2590:
2542:
2530:
2505:
2480:
2467:
2452:
2399:
2384:
2330:
2168:
2140:
2127:
2101:
2074:
2037:
1979:
1951:
1905:
1879:
1853:
1820:
1794:
1768:
1753:
1740:, Alpine Fine Arts Collection,
1729:
1701:
1673:
1635:
1580:
1553:
1171:Selected posthumous exhibitions
1046:1932 October, Athenaeum Gallery
1034:1930 October, Athenaeum Gallery
266:Meldrum and Australian tonalism
3720:10.1080/03146464.1986.11432882
3622:Percy Leason: An Artist's Life
3487:Hollinrake, Rosalind (1979a).
2083:"Australian Artists of To-Day"
1519:. 17 June 2015. Archived from
1513:"Clarice Marjoribanks Beckett"
1458:
1438:
1412:
1401:Lock, Tracey (30 March 2021).
1395:
1310:
1284:Art Gallery of South Australia
1245:Art Gallery of South Australia
998:
57:Casterton, Victoria, Australia
1:
3842:Artists from Victoria (state)
3506:Hollinrake, Rosalind (1999).
3334:"Auction Item – Leonard Joel"
2877:. Retrieved 30 November 2022.
1808:. 19 November 1918. p. 1
1409:. Retrieved 15 November 2022.
1291:
1216:1980 Gallery Huntly, Canberra
262:of Australian impressionism.
16:Australian artist (1887–1935)
3729:Victorian Historical Journal
3510:. Ian Potter Museum of Art.
2838:Patrick White : letters
2746:Mahoney, Terry, ed. (2016).
2734:"Clarice Beckett—Atmosphere"
2671:Strickland, Katrina (2013),
1709:"ARTISTS' TROUBLES REVIEWED"
1251:Bendigo Art Gallery, Bendigo
1028:1928 July, Athenaeum Gallery
1019:1925 July, Athenaeum Gallery
112:Clarice Marjoribanks Beckett
44:Clarice Marjoribanks Beckett
7:
3872:20th-century women painters
3525:Jorgensen, Sigmund (2014).
3338:auctions.leonardjoel.com.au
2694:Pickup, Jo (27 July 2021).
2647:Jorgensen, Sigmund (2014),
2406:Patrick, McCaughey (2014).
2244:Dictionary of women artists
1782:. 16 August 1917. p. 8
1681:""BLACKBALLING CANDIDATES""
1426:. 3 October 1890. p. 6
1157:1933 March, Meldrum Gallery
795:, 1925, Benalla Art Gallery
771:, directed by and starring
489:, writing a long review in
10:
3888:
3639:Ziegler, Edith M. (2022).
3472:. Ivan Dougherty Gallery.
2972:"Miss Beckett's Paintings"
2944:"Miss Beckett's Paintings"
2246:. London. pp. 232–4.
1959:"Can a Woman Be an Artist"
1931:"THE LATE CLARICE BECKETT"
1867:. 13 June 1936. p. 17
1472:. 24 March 1887. p. 1
1061:Victorian Artists' Society
933:, 1931, private collection
903:, 1930, private collection
888:, 1930, private collection
810:, 1927, private collection
507:
330:after their Bendigo home.
269:
216:, and its gardens, in the
3847:Australian women painters
3708:Australian Journal of Art
3582:McAuliffe, Chris (1996).
3468:Fenner, Felicity (1995).
3451:Colin Colahan: A Portrait
3360:The Sydney Morning Herald
2875:The Sydney Morning Herald
2785:The Sydney Morning Herald
2570:"Work of Clarice Beckett"
2549:Beckett, Clarice (1936).
2475:The Sydney Morning Herald
2461:The Sydney Morning Herald
2446:The Sydney Morning Herald
1198:Clarice Beckett 1887-1935
1089:Twenty Melbourne Painters
718:, a crater on the planet
608:
99:
89:
81:
62:
39:
30:
23:
1987:"Marriage Before Career"
1594:. 1 July 1914. p. 6
1455:accessed 5 November 2014
1230:Ian Potter Museum of Art
682:Ian Potter Museum of Art
417:Style and subject matter
404:
317:Contemporary Art Society
139:Australian impressionist
3742:Art Monthly Australasia
3449:Colahan, Colin (1996).
3378:niagaragalleries.com.au
2806:"Awards and Recipients"
1257:Art Gallery of Ballarat
686:University of Melbourne
252:National Gallery School
186:
135:National Gallery School
3620:Tasca, Margot (2014).
3028:"Woman's Work in Oils"
2714:Australian Book Review
2597:Summers, Anne (2009),
2279:"Miss Clarice Beckett"
2175:Tasca, Margot (2016).
2089:. Melbourne. p. 7
2048:. Amaled. p. 28.
931:Moonlight and Calm Sea
916:Evening, St Kilda Road
842:Castlemaine Art Museum
663:
643:
625:
561:Grace Cossington Smith
548:
522:
454:
440:
429:
389:
284:
201:
192:Family and early years
124:modernism in Australia
3563:Lock, Tracey (2021).
3544:Lock, Tracey (2008).
3529:. Allen & Unwin.
3173:The Argus (Melbourne)
2977:The Argus (Melbourne)
2949:The Argus (Melbourne)
2893:The Argus (Melbourne)
2081:A.C. (18 July 1931).
1738:Modern Australian art
1451:24 March 2020 at the
750:Dobbie Literary Award
746:/Vogel Literary Award
659:
635:
616:
543:
532:reviewer of her 1932
517:
449:
437:View Across the Yarra
435:
424:
384:
279:
199:
76:, Victoria, Australia
3803:, ABC Radio National
3084:"Miss Beckett's Art"
2242:Gaze, Delia. (ed.).
1776:"Our Bendigo Letter"
1562:"OUR BENDIGO LETTER"
1560:Signa (5 May 1914).
961:Hawthorn Tea Gardens
510:Australian modernism
237:A Girl's Cross Roads
3586:. Craftsman House.
3112:"Current Art Shows"
2816:on 14 November 2022
2214:"Current Art Shows"
1964:The Mail (Adelaide)
1887:"Wills And Estates"
1592:Bendigo Independent
1545:"News of the day".
1236:S. H. Ervin Gallery
1191:Macquarie Galleries
1126:, Athenaeum Gallery
1110:, Athenaeum Gallery
1091:, Athenaeum Gallery
1042:The Meldrum Gallery
886:Wet Night, Brighton
730:Cultural references
697:Geelong Art Gallery
647:Melbourne Athenaeum
336:Melbourne Athenaeum
297:Australian tonalism
293:Alexander Colquhoun
272:Australian tonalism
116:Australian tonalist
104:Australian tonalism
3196:"A Woman's Letter"
2621:Beckett, Clarice.
2538:The present moment
1915:, 12 November 2009
1806:Bendigo Advertiser
838:Boatshed Beaumaris
779:Selected paintings
759:The Twyborn Affair
626:
549:
523:
483:James S. MacDonald
441:
430:
390:
285:
256:Frederick McCubbin
202:
143:Frederick McCubbin
3751:Art and Australia
3695:Art and Australia
3682:Art and Australia
3669:Art and Australia
2757:978-1-4939-5042-3
2682:978-0-522-85862-4
2658:978-1-74331-272-8
2623:"Silent approach"
2608:978-0-522-85635-4
2419:978-0-522-86120-4
1747:978-0-933516-50-2
1644:Art and Australia
1388:978-1-921668-46-3
1277:Niagara Galleries
1054:Group exhibitions
1012:Athenaeum Gallery
976:Sandringham Beach
752:. Nobel laureate
710:municipal wards.
693:Adelaide Festival
603:Kathleen O'Connor
557:Patrick McCaughey
376:Exhibition Street
315:, founder of the
260:Heidelberg School
109:
108:
3879:
3789:
3787:
3785:
3758:
3745:
3736:
3723:
3702:
3689:
3676:
3654:
3635:
3616:
3597:
3578:
3559:
3540:
3521:
3502:
3483:
3464:
3430:
3420:
3414:
3413:
3411:
3409:
3395:
3389:
3388:
3386:
3384:
3370:
3364:
3363:
3355:
3349:
3348:
3346:
3344:
3330:
3324:
3323:
3321:
3319:
3311:The Australasian
3302:
3296:
3295:
3293:
3291:
3276:
3270:
3269:
3267:
3265:
3248:
3242:
3241:
3239:
3237:
3220:
3214:
3213:
3211:
3209:
3192:
3186:
3185:
3183:
3181:
3168:"Art Exhibition"
3164:
3158:
3157:
3155:
3153:
3136:
3130:
3129:
3127:
3125:
3108:
3102:
3101:
3099:
3097:
3080:
3074:
3073:
3071:
3069:
3052:
3046:
3045:
3043:
3041:
3024:
3018:
3017:
3015:
3013:
2996:
2990:
2989:
2987:
2985:
2968:
2962:
2961:
2959:
2957:
2940:
2934:
2933:
2931:
2929:
2912:
2906:
2905:
2903:
2901:
2888:"Art Exhibition"
2884:
2878:
2867:
2861:
2860:
2832:
2826:
2825:
2823:
2821:
2812:. Archived from
2810:perpetual.com.au
2802:
2796:
2795:
2793:
2791:
2776:
2770:
2769:
2743:
2737:
2731:
2725:
2724:
2722:
2720:
2705:
2699:
2692:
2686:
2685:
2668:
2662:
2661:
2644:
2638:
2637:
2635:
2633:
2618:
2612:
2611:
2594:
2588:
2587:
2585:
2583:
2566:
2557:
2556:
2546:
2540:
2534:
2528:
2527:
2525:
2523:
2509:
2503:
2502:
2500:
2498:
2484:
2478:
2471:
2465:
2464:
2456:
2450:
2449:
2441:
2432:
2431:
2403:
2397:
2396:
2388:
2382:
2381:
2379:
2377:
2363:
2354:
2353:
2351:
2349:
2344:. 11 August 2014
2334:
2328:
2327:
2325:
2323:
2306:
2297:
2296:
2294:
2292:
2275:
2266:
2265:
2238:
2232:
2231:
2229:
2227:
2210:
2201:
2200:
2172:
2166:
2165:
2163:
2161:
2148:"A Misty Effect"
2144:
2138:
2131:
2125:
2124:
2122:
2120:
2105:
2099:
2098:
2096:
2094:
2078:
2072:
2066:
2060:
2059:
2041:
2035:
2034:
2014:
2005:
2004:
2002:
2000:
1983:
1977:
1976:
1974:
1972:
1955:
1949:
1948:
1946:
1944:
1927:
1916:
1909:
1903:
1902:
1900:
1898:
1883:
1877:
1876:
1874:
1872:
1861:"Family Notices"
1857:
1851:
1850:
1824:
1818:
1817:
1815:
1813:
1798:
1792:
1791:
1789:
1787:
1772:
1766:
1757:
1751:
1750:
1733:
1727:
1726:
1724:
1722:
1705:
1699:
1698:
1696:
1694:
1677:
1671:
1668:
1659:
1658:
1639:
1633:
1632:
1630:
1628:
1613:
1604:
1603:
1601:
1599:
1584:
1578:
1577:
1575:
1573:
1557:
1551:
1550:
1542:
1533:
1532:
1530:
1528:
1523:on 11 March 2022
1517:Ballarat Grammar
1509:
1500:
1493:
1482:
1481:
1479:
1477:
1466:"Family Notices"
1462:
1456:
1442:
1436:
1435:
1433:
1431:
1416:
1410:
1399:
1393:
1392:
1374:
1357:
1356:
1350:
1342:
1314:
1308:
1305:Hollinrake 1979b
1302:
1108:Women's Art Club
1005:Solo exhibitions
987:
972:
957:
942:
927:
912:
897:
882:
867:
852:
834:
819:
804:
789:
735:Kristel Thornell
712:Ballarat Grammar
691:During the 2021
651:Along the Coast,
565:Margaret Preston
447:, held in 1924:
394:Western District
344:Justus Jorgensen
200:Beckett, aged 18
69:
53:
51:
35:
21:
20:
3887:
3886:
3882:
3881:
3880:
3878:
3877:
3876:
3807:
3806:
3797:
3792:
3783:
3781:
3761:
3657:
3651:
3632:
3613:
3594:
3575:
3556:
3537:
3518:
3499:
3480:
3461:
3439:
3434:
3433:
3421:
3417:
3407:
3405:
3397:
3396:
3392:
3382:
3380:
3372:
3371:
3367:
3356:
3352:
3342:
3340:
3332:
3331:
3327:
3317:
3315:
3304:
3303:
3299:
3289:
3287:
3278:
3277:
3273:
3263:
3261:
3250:
3249:
3245:
3235:
3233:
3222:
3221:
3217:
3207:
3205:
3194:
3193:
3189:
3179:
3177:
3166:
3165:
3161:
3151:
3149:
3138:
3137:
3133:
3123:
3121:
3110:
3109:
3105:
3095:
3093:
3082:
3081:
3077:
3067:
3065:
3056:"Women's World"
3054:
3053:
3049:
3039:
3037:
3026:
3025:
3021:
3011:
3009:
2998:
2997:
2993:
2983:
2981:
2970:
2969:
2965:
2955:
2953:
2942:
2941:
2937:
2927:
2925:
2914:
2913:
2909:
2899:
2897:
2886:
2885:
2881:
2868:
2864:
2849:
2833:
2829:
2819:
2817:
2804:
2803:
2799:
2789:
2787:
2777:
2773:
2758:
2744:
2740:
2732:
2728:
2718:
2716:
2706:
2702:
2693:
2689:
2683:
2669:
2665:
2659:
2645:
2641:
2631:
2629:
2619:
2615:
2609:
2595:
2591:
2581:
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2568:
2567:
2560:
2547:
2543:
2535:
2531:
2521:
2519:
2511:
2510:
2506:
2496:
2494:
2486:
2485:
2481:
2472:
2468:
2457:
2453:
2442:
2435:
2420:
2404:
2400:
2389:
2385:
2375:
2373:
2365:
2364:
2357:
2347:
2345:
2336:
2335:
2331:
2321:
2319:
2308:
2307:
2300:
2290:
2288:
2277:
2276:
2269:
2254:
2239:
2235:
2225:
2223:
2212:
2211:
2204:
2189:
2173:
2169:
2159:
2157:
2146:
2145:
2141:
2133:Bernard Smith,
2132:
2128:
2118:
2116:
2107:
2106:
2102:
2092:
2090:
2079:
2075:
2067:
2063:
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2513:"Wet Evening"
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2448:. p. 16.
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349:
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54:21 March 1887
42:
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3782:. Retrieved
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3426:
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3406:. Retrieved
3402:
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3381:. Retrieved
3377:
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3341:. Retrieved
3337:
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3288:. Retrieved
3284:Australasian
3283:
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3262:. Retrieved
3255:
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3234:. Retrieved
3227:
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3206:. Retrieved
3199:
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3150:. Retrieved
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3066:. Retrieved
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3010:. Retrieved
3003:
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2982:. Retrieved
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2954:. Retrieved
2947:
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2926:. Retrieved
2919:
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2898:. Retrieved
2891:
2882:
2874:
2865:
2837:
2830:
2818:. Retrieved
2814:the original
2809:
2800:
2788:. Retrieved
2784:
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2747:
2741:
2729:
2717:. Retrieved
2713:
2703:
2690:
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2630:. Retrieved
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2580:. Retrieved
2573:
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2224:. Retrieved
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2117:. Retrieved
2112:
2103:
2091:. Retrieved
2086:
2076:
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2039:
2019:
1997:. Retrieved
1990:
1981:
1969:. Retrieved
1962:
1953:
1941:. Retrieved
1934:
1912:
1907:
1895:. Retrieved
1890:
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1869:. Retrieved
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1810:. Retrieved
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1784:. Retrieved
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1719:. Retrieved
1712:
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1691:. Retrieved
1684:
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1637:
1625:. Retrieved
1621:
1596:. Retrieved
1591:
1588:"THE GUESTS"
1582:
1570:. Retrieved
1568:. p. 25
1565:
1555:
1546:
1525:. Retrieved
1521:the original
1516:
1474:. Retrieved
1469:
1460:
1440:
1428:. Retrieved
1423:
1414:
1406:
1397:
1378:
1319:
1312:
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1211:
1197:
1180:
1040:1932 March,
990:
975:
960:
945:
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915:
900:
885:
870:
856:Motor Lights
855:
837:
822:
807:
792:
766:
764:
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743:
739:Night Street
738:
733:
701:
690:
678:Olive Cotton
675:
664:
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636:
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617:
599:Dorrit Black
588:
584:
572:
552:
550:
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518:
495:
490:
487:Percy Leason
478:
476:
468:
463:
459:en plein air
457:
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408:
391:
385:
348:Percy Leason
332:
327:
321:
301:
286:
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236:
226:
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181:
163:en plein air
161:
155:
128:
111:
110:
68:(1935-07-07)
18:
3822:1935 deaths
3817:1887 births
3201:Cairns Post
3000:"Art Notes"
2916:"Art Notes"
2393:The Monthly
2371:aasd.com.au
2310:"Art Notes"
2109:"Art Notes"
1780:Bendigonian
1566:Bendigonian
1087:1923 July,
1010:1923 June,
999:Exhibitions
991:Tranquility
591:Ron Radford
498:still lifes
426:Wet Evening
411:Sandringham
366:(c. 1929),
328:St. Enoch's
313:George Bell
289:Max Meldrum
222:South Yarra
147:Max Meldrum
82:Nationality
66:7 July 1935
3811:Categories
3612:0959806679
3593:9766410291
3517:0734015933
3498:0333252438
3479:0733410014
3460:0522847102
3343:21 October
3252:"PAINTING"
3117:Table Talk
3033:The Herald
2766:1062305957
2719:21 October
2219:Table Talk
2153:The Herald
1992:The Herald
1721:4 November
1714:The Herald
1693:4 November
1686:The Herald
1527:10 October
1292:References
1151:, New York
1059:1918 May,
768:Poker Face
704:Black Rock
671:Montsalvat
585:leitmotif.
491:Table Talk
220:suburb of
214:Como House
85:Australian
50:1887-03-21
3383:25 August
2820:25 August
2790:25 August
2428:874555989
2197:954428284
2069:Lock 2021
1999:10 August
1971:10 August
1656:0004-301X
1347:cite book
1205:Realities
871:Sea Drift
477:In 1925,
439:, c. 1931
362:, and to
324:Beaumaris
308:modernist
283:, c. 1924
218:Melbourne
210:Freemason
173:Theosophy
158:Beaumaris
131:Casterton
120:Melbourne
74:Melbourne
3764:Webpages
3660:Journals
3427:ABC News
3408:23 March
3257:Advocate
3061:Advocate
2857:38815874
2262:37693713
1847:29002268
1622:wsws.org
1449:Archived
1407:In Daily
1339:80568976
1275:2000ff:
1193:, Sydney
946:Solitude
840:, 1928,
639:Blackman
534:Atheneum
452:reality.
399:St Kilda
372:San Remo
364:Anglesea
233:Ballarat
206:Casteron
169:Buddhism
141:painter
100:Movement
94:Painting
3784:7 March
3318:28 July
3290:8 March
3264:28 July
3236:28 July
3229:The Age
3208:28 July
3180:28 July
3152:28 July
3145:The Age
3124:28 July
3096:28 July
3089:The Age
3068:27 July
3040:27 July
3012:27 July
3005:The Age
2984:28 July
2956:28 July
2928:28 July
2921:The Age
2900:28 July
2748:Mercury
2632:28 July
2582:27 July
2575:The Age
2522:7 March
2497:7 March
2376:28 July
2348:28 July
2322:27 July
2315:The Age
2291:27 July
2284:The Age
2226:27 July
2160:27 July
2119:6 March
2113:The Age
2093:6 March
2087:The Age
1943:27 July
1936:The Age
1897:8 March
1891:The Age
1871:8 March
1812:8 March
1786:8 March
1762:The Age
1627:28 July
1598:8 March
1572:8 March
1547:The Age
1476:8 March
1430:8 March
1179:1971-2
720:Mercury
716:Beckett
667:Benalla
655:The Age
581:Olitski
555:critic
553:The Age
470:The Age
464:The Age
245:Bendigo
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547:, 1932
545:Sunset
521:, 1931
479:Herald
428:, 1927
360:Olinda
356:Eltham
137:under
3442:Books
3306:"ART"
1865:Argus
1470:Argus
1424:Argus
1203:1979
1196:1978
1189:1975
579:and
405:Death
368:Lorne
177:Freud
3786:2023
3645:ISBN
3626:ISBN
3607:ISBN
3588:ISBN
3569:ISBN
3550:ISBN
3531:ISBN
3512:ISBN
3493:ISBN
3474:ISBN
3455:ISBN
3410:2021
3385:2019
3345:2021
3320:2019
3292:2023
3266:2019
3238:2019
3210:2019
3182:2019
3154:2019
3126:2019
3098:2019
3070:2019
3042:2019
3014:2019
2986:2019
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2930:2019
2902:2019
2853:OCLC
2843:ISBN
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2792:2022
2762:OCLC
2752:ISBN
2721:2021
2677:ISBN
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2095:2023
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2025:ISBN
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1945:2019
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