John Coltrane - Knowledge

1485:. Jones left in early 1966, dissatisfied by sharing drumming duties with Ali and stating that, concerning Coltrane's latest music, "only poets can understand it". In interviews, Tyner and Jones both voiced their displeasure with the music's direction; however, they would incorporate some of the intensity of free jazz in their solo work. Later, both musicians expressed tremendous respect for Coltrane: regarding his late music, Jones stated: "Well, of course it's far out, because this is a tremendous mind that's involved, you know. You wouldn't expect Einstein to be playing jacks, would you?" Tyner recalled: "He was constantly pushing forward. He never rested on his laurels, he was always looking for what's next... he was always searching, like a scientist in a lab, looking for something new, a different direction... He kept hearing these sounds in his head..." Jones and Tyner both recorded tributes to Coltrane, Tyner with 1610:, although he also attributed the disease to Coltrane's heroin use at a previous period in his life. Frederick J. Spencer wrote that Coltrane's death could be attributed to his needle use "or the bottle, or both." He stated that "he needles he used to inject the drugs may have had everything to do with" Coltrane's liver disease: "If any needle was contaminated with the appropriate hepatitis virus, it may have caused a chronic infection leading to cirrhosis or cancer." He noted that despite Coltrane's "spiritual awakening" in 1957, "y then, he may have had chronic hepatitis and cirrhosis... Unless he developed a primary focus elsewhere in later life and that spread to his liver, the seeds of John Coltrane's cancer were sown in his days of addiction." 1762:: "I could feel it was going to happen sooner or later, so I wasn't really surprised when John moved out of the house in the summer of 1963. He didn't offer any explanation. He just told me there were things he had to do, and he left only with his clothes and his horns. He stayed in a hotel sometimes, other times with his mother in Philadelphia. All he said was, 'Naima, I'm going to make a change.' Even though I could feel it coming, it hurt, and I didn't get over it for at least another year." But Coltrane kept a close relationship with Naima, even calling her in 1964 to tell her that 90 percent of his playing would be prayer. They remained in touch until his death in 1967. Naima Coltrane died of a heart attack in October 1996. 622:

few Navy men to serve as a musician without having been granted musician's rating when he joined the Melody Masters, the base swing band. Because the Melody Masters was an all-white band, Coltrane was treated as a guest performer to avoid alerting superior officers of his participation in the band. He continued to perform other duties when not playing with the band, including kitchen and security details. By the end of his service, he had assumed a leadership role in the band. His first recordings, an informal session in Hawaii with Navy musicians, occurred on July 13, 1946. He played alto saxophone on a selection of jazz standards and bebop tunes. He was officially discharged from the Navy on August 8, 1946. He was awarded the

1082:. Garrett recalled playing a tape for Coltrane where "I was playing with another bass player. We were doing some things rhythmically, and Coltrane became excited about the sound. We got the same kind of sound you get from the East Indian water drum. One bass remains in the lower register and is the stabilizing, pulsating thing, while the other bass is free to improvise, like the right hand would be on the drum. So Coltrane liked the idea." Coltrane also recalled: "I thought another bass would add that certain rhythmic sound. We were playing a lot of stuff with a sort of suspended rhythm, with one bass playing a series of notes around one point, and it seemed that another bass could fill in the spaces." According to 549: 4361:

sideways. He did just about everything he could to 'em. And playing with the drums he didn't have to deal with chord changes and keys and stuff like that. So he was free to play however he wanted to play. There were times I played with Trane, he had a battery of drummers, like about three conga players, guys playing batas, shakers and barrels and everything. On one of his records he did that. At the Village Vanguard, live, we had a whole bunch of drummers plus the traps. And then sometimes he would have double traps. Like in Chicago, I played double traps with a young drummer coming up there, named Jack DeJohnette.

2055:... the Coltrane church is not a gimmick or a forced alloy of nightclub music and ethereal faith. Its message of deliverance through divine sound is actually quite consistent with Coltrane's own experience and message. ... In both implicit and explicit ways, Coltrane also functioned as a religious figure. Addicted to heroin in the 1950s, he quit cold turkey, and later explained that he had heard the voice of God during his anguishing withdrawal. ... In 1966, an interviewer in Japan asked Coltrane what he hoped to be in five years, and Coltrane replied, "a saint". 1916:

certain sounds and scales could "produce specific emotional meanings." According to Coltrane, the goal of a musician was to understand these forces, control them, and elicit a response from the audience. He said, "I would like to bring to people something like happiness. I would like to discover a method so that if I want it to rain, it will start right away to rain. If one of my friends is ill, I'd like to play a certain song and he will be cured; when he'd be broke, I'd bring out a different song and immediately he'd receive all the money he needed."

1790:. He and Alice moved in together and had two sons before he became "officially divorced from Naima in 1966, at which time and Alice were immediately married." John Jr. was born in 1964, Ravi in 1965, and Oranyan ("Oran") in 1967. According to the musician Peter Lavezzoli, "Alice brought happiness and stability to John's life, not only because they had children, but also because they shared many of the same spiritual beliefs, particularly a mutual interest in Indian philosophy. Alice also understood what it was like to be a professional musician." 5422: 5399: 51: 1139: 929: 839:" to describe the style Coltrane developed with Monk and was perfecting in Davis's group, now a sextet. His playing was compressed, with rapid runs cascading in very many notes per minute. Coltrane recalled: "I found that there were a certain number of chord progressions to play in a given time, and sometimes what I played didn't work out in eighth notes, sixteenth notes, or triplets. I had to put the notes in uneven groups like fives and sevens in order to get them all in." 7270: 7263: 2060: 1017: 7589: 1330: 1751:

Philadelphia. The love ballad he wrote to honor his wife, "Naima", was Coltrane's favorite composition. In 1956, the couple left Philadelphia with their six-year-old daughter and moved to New York City. In August 1957, Coltrane, Naima and Syeeda moved into an apartment on 103rd Street and Amsterdam Avenue in New York. A few years later, John and Naima Coltrane purchased a home at 116-60 Mexico Street in

781:, and played in Monk's quartet (July–December 1957), but, owing to contractual conflicts, took part in only one official studio recording session with this group. Coltrane recorded many sessions for Prestige under his own name at this time, but Monk refused to record for his old label. A private recording made by Juanita Naima Coltrane of a 1958 reunion of the group was issued by Blue Note Records as 7553: 1468: 2345: 7577: 7565: 1774:, Coltrane states that in 1957 he experienced "by the grace of God, a spiritual awakening which was to lead me to a richer, fuller, more productive life. At that time, in gratitude, I humbly asked to be given the means and privilege to make others happy through music." Further evidence of this universal view can be found in the liner notes of 1443:, a 38-minute piece that included solos by young avant-garde musicians. The album was controversial primarily for the collective improvisation sections that separated the solos. After recording with the quartet over the next few months, Coltrane invited Sanders to join the band in September 1965. While Coltrane frequently used 1213:(recorded 1961–62) is emblematic of Coltrane's versatility, as the quartet shed new light on standards such as "It's Easy to Remember". Despite a more polished approach in the studio, in concert the quartet continued to balance "standards" and its own more exploratory and challenging music, as can be heard on the albums 662:. Coltrane would continue to be under Sandole's tutelage from 1946 into the early 1950s. Coltrane additionally took saxophone lessons with Matthew Rastelli, a saxophone teacher at Granoff once a week for about two or three years, but the lessons stopped when Coltrane's G.I. Bill funds ran out. After touring with 2068:

an ordained deacon at the Saint John Coltrane African Orthodox Church who painted other icons of Coltrane for the Coltrane Church. Saint Barnabas Episcopal Church in Newark, New Jersey, included Coltrane on its list of historical black saints and made a "case for sainthood" for him in an article on its website.

701:. Heath recalls an incident in a hotel in San Francisco when after a complaint was issued, Coltrane took the horn out of his mouth and practiced fingering for a full hour. Such was his dedication; it was common for him to fall asleep with the horn still in his mouth or practice a single note for hours on end. 590:. In September that year, his 17th birthday, his mother bought him his first saxophone, an alto. From 1944 to 1945, Coltrane took saxophone lessons at the Ornstein School of Music with Mike Guerra. Between early to mid-1945, he had his first professional work as a musician: a "cocktail lounge trio" with 2103:

The discography below lists albums conceived and approved by Coltrane as a leader during his lifetime. It does not include his many releases as a sideman, sessions assembled into albums by various record labels after Coltrane's contract expired, sessions with Coltrane as a sideman later reissued with

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Coltrane is depicted as one of the 90 saints in the Dancing Saints icon of St. Gregory of Nyssa Episcopal Church in San Francisco. The icon is a 3,000-square-foot (280 m) painting in the Byzantine iconographic style that wraps around the entire church rotunda. It was executed by Mark Dukes,

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magazine called Coltrane and Dolphy players of "anti-jazz" in an article that bewildered and upset the musicians. Coltrane admitted some of his early solos were based mostly on technical ideas. Furthermore, Dolphy's angular, voice-like playing earned him a reputation as a figurehead of the New Thing,

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in upstate New York before he was shipped to Pearl Harbor, where he was stationed at Manana Barracks, the largest posting of African American servicemen in the world. By the time he got to Hawaii in late 1945, the Navy was downsizing. Coltrane's musical talent was recognized, and he became one of the

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replaced Workman as bassist. From then on, the "Classic Quartet", as it came to be known, with Tyner, Garrison, and Jones, produced searching, spiritually driven work. Coltrane was moving toward a more harmonically static style that allowed him to expand his improvisations rhythmically, melodically,

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this instrument ... And on tenor, I hadn't always played all over it, because I was playing certain ideas which would just run in certain ranges ... By playing on the soprano and becoming accustomed to playing from that low B-flat on up, it soon got so when I went to tenor, I found myself doing the

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was in a drummer thing. He just wanted to free himself from playing these strict changes. The bass player and the piano player would lay these chords down, you know, and he played just about everything he could play on these chords. He played 'em upside down. He'd turn 'em around. He played 'em

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wrote: "it is as if he and Sanders were speaking with 'the gift of tongues' - as if their insights were of such compelling force that they have to transcend ordinary ways of musical speech and ordinary textures to be able to convey that part of the essence of being they have touched." After the

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Coltrane's spiritual journey was interwoven with his investigation of world music. He believed in not only a universal musical structure that transcended ethnic distinctions, but also being able to harness the mystical language of music itself. His study of Indian music led him to believe that

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His preference for playing melody higher on the range of the tenor saxophone is attributed to his training on alto horn and clarinet. His "sound concept", manipulated in one's vocal tract, of the tenor was set higher than the normal range of the instrument. Coltrane observed how his experience

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In 1955, Coltrane married Naima (née Juanita Grubbs). Naima Coltrane, a Muslim convert, heavily influenced his spirituality. When the couple married, she had a five-year-old daughter named Antonia, later named Syeeda. Coltrane adopted Syeeda. He met Naima at the home of bassist Steve Davis in

586:. Beginning in December 1938, his father, aunt, and grandparents died within a few months of one another, leaving him to be raised by his mother and a close cousin. In June 1943, shortly after graduating from high school, Coltrane and his family moved to Philadelphia, where he got a job at a 1653:

According to drummer Rashied Ali, Coltrane had an interest in the drums. He would often have a spare drum set on concert stages that he would play. His interest in the drums and his penchant for having solos with the drums resonated on tracks such as "Pursuance" and "The Drum Thing" from

1278:, in December 1964. A culmination of much of Coltrane's work up to this point, this four-part suite is an ode to his faith in and love for God. These spiritual concerns characterized much of Coltrane's composing and playing from this point onward—as can be seen from album titles such as 1936: 1071:, was particularly influential; after hearing a Gilmore performance, Coltrane is reported to have said, "He's got it! Gilmore's got the concept!" The most celebrated of the Vanguard tunes, the 15-minute blues "Chasin' the 'Trane", was strongly inspired by Gilmore's music. 1613:

Coltrane's death surprised many in the music community who were unaware of his condition. Miles Davis said, "Coltrane's death shocked everyone, took everyone by surprise. I knew he hadn't looked too good ... But I didn't know he was that sick— or even sick at all."

1294:, "Psalm", is, in fact, a musical setting for an original poem to God written by Coltrane, and printed in the album's liner notes. Coltrane plays almost exactly one note for each syllable of the poem, and bases his phrasing on the words. The album was composed at 1381:

register, as well as a mutated return of Coltrane's sheets of sound. In the studio, he all but abandoned soprano saxophone to concentrate on tenor. The quartet responded by playing with increasing freedom. The group's evolution can be traced through the albums

729:. Davis had been successful in the 1940s, but his reputation and work had been damaged in part by heroin addiction; he was again active and about to form a quintet. Coltrane was with this edition of the Davis band (known as the "First Great Quintet"—along with 1559:. Coltrane also continued to tour with the second quartet up until two months before his death; his penultimate live performance and final recorded one, a radio broadcast for the Olatunji Center of African Culture in New York City, was eventually released as 1630:

playing the soprano saxophone gradually affected his style on the tenor, stating "the soprano, by being this small instrument, I found that playing the lowest note on it was like playing ... one of the middle notes in the tenor ... I found that I would play

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on drums) from October 1955 to April 1957 (with a few absences). During this period Davis released several influential recordings that revealed the first signs of Coltrane's growing ability. This quintet, represented by two marathon recording sessions for

1838:. The last of these describes, in Lavezzoli's words, a "search for universal truth, a journey that Coltrane had also undertaken. Yogananda believed that both Eastern and Western spiritual paths were efficacious, and wrote of the similarities between 1525:

on piano, Garrison on bass, and Ali on drums. When touring, the group was known for playing long versions of their repertoire, many stretching beyond 30 minutes to an hour. In concert, solos by band members often extended beyond fifteen minutes.

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loved drums so much, if we would have a second set of drums on the stage, sometimes he would come up there and play them. I mean, he would sit behind the drums and play with the band, you know. He really had something about drums that he

670:, who was introduced to Coltrane's playing by his former Navy buddy, trumpeter William Massey, who had played with Coltrane in the Melody Masters. Although he started on alto saxophone, he began playing tenor saxophone in 1947 with 1372:

was recorded, Ayler's style became more prominent in Coltrane's music. A series of recordings with the Classic Quartet in the first half of 1965 show Coltrane's playing becoming abstract, with greater incorporation of devices like

697:. "Hasaan was the clue to...the system that Trane uses. Hasaan was the great influence on Trane's melodic concept." Coltrane became fanatical about practicing and developing his craft, practicing "25 hours a day" according to 2363:

was certified gold by JASRAC for selling over half a million copies in Japan. This album was certified gold in the United States in 2001. In 1982 he was awarded a posthumous Grammy for Best Jazz Solo Performance on the album

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The criticism of the quintet with Dolphy may have affected Coltrane. In contrast to the radicalism of his 1961 recordings at the Village Vanguard, his studio albums in the following two years (with the exception of

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in late 1965 or early 1966, Coltrane stated: "I feel the need for more time, more rhythm all around me. And with more than one drummer, the rhythm can be more multi-directional." In an August 1966 interview with

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Margry, Peter Jan and Wojcik, Daniel. (2017) "A Saxophone Divine. The Transformative Power of Saint John Coltrane's Jazz Music in San Francisco's Fillmore District', in: V. Hegner and P. J. Margry (editors),

1541:. In 1967, Coltrane entered the studio several times. Although pieces with Sanders have surfaced (the unusual "To Be" has both men on flute), most of the recordings were either with the quartet minus Sanders ( 1185:

and motivically. Harmonically complex music was still present, but on stage Coltrane heavily favored continually reworking his "standards": "Impressions", "My Favorite Things", and "I Want to Talk About You".

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During this period, critics were divided in their estimation of Coltrane, who had radically altered his style. Audiences, too, were perplexed; in France he was booed during his final tour with Davis. In 1961,

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that contained only his compositions. The album's title track is generally considered to have one of the most difficult chord progressions of any widely played jazz composition, eventually referred to as

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Charlie Parker, who Coltrane had first heard perform before his time in the Navy, became an idol, and he and Coltrane would play together occasionally in the late 1940s. He was a member of groups led by

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Although he rarely played alto, he owned a prototype Yamaha alto saxophone given to him by the company as an endorsement in 1966. He can be heard playing it on live albums recorded in Japan, such as

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Coltrane was born and raised in a Christian home. He was influenced by religion and spirituality beginning in childhood. His maternal grandfather, the Reverend William Blair, was a minister at an

3926: 3110: 1698:, serial number 125571, dated 1965) and soprano (Selmer Mark VI, serial number 99626, dated 1962) saxophones were auctioned on February 20, 2005, to raise money for the John Coltrane Foundation. 4778:, and I the flame into which it is offered. I am the sire of the world, and this world's mother and grandsire. I am he who awards to each the fruit of his action. I make all things clean. I am 1127:

that was denigrated by some jazz musicians (including Davis) and critics. But as Coltrane's style developed, he was determined to make every performance "a whole expression of one's being".

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ordain, and the rituals taught by the scriptures: all these I am, and the offering made to the ghosts of the fathers, herbs of healing and food, the mantram, the clarified butter. I the

2893: 947: 1681:, Coltrane repeatedly emphasized his affinity for drums, saying "I feel so strongly about drums, I really do." Later that year, Coltrane would record the music released posthumously on 1321:, and again in 2015 on the "Super Deluxe Edition" of The Complete Masters. A recently discovered second amateur recording titled "A Love Supreme: Live in Seattle" was released in 2021. 1242:

in New Jersey and recorded a session that was lost for decades after its master tape was destroyed by Impulse! Records to cut down on storage space. On June 29, 2018, Impulse! released

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joined the group as a second drummer. This was the end of the quartet. Claiming he was unable to hear himself over the two drummers, Tyner left the band shortly after the recording of

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To avoid being drafted by the Army, Coltrane enlisted in the Navy on August 6, 1945, the day the first U.S. atomic bomb was dropped on Japan. He was trained as an apprentice seaman at

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consists of two extended jams including the title track along with "Dear Old Stockholm", "After the Rain" and a blues. Coltrane later said he enjoyed having a "balanced catalogue".

1086:, one night: "Wilbur Ware came in and up on the stand so they had three basses going. John and I got off the stand and listened." Coltrane employed two basses on the 1961 albums 4919: 2523: 1447:

as an emotional exclamation-point, Sanders "was involved in the search for 'human' sounds on his instrument," and drastically expanding the vocabulary of his horn by employing

1626:'s band, he switched to tenor saxophone, the instrument he became known for playing. In the early 1960s, during his contract with Atlantic, he also played soprano saxophone. 1156: 6340: 3600: 3569: 974:

Coltrane formed his first quartet for live performances in 1960 for an appearance at the Jazz Gallery in New York City. After moving through different personnel, including

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In 1957, Coltrane had a religious experience that may have helped him overcome the heroin addiction and alcoholism he had struggled with since 1948. In the liner notes of

6164: 3816: 3140: 2767: 998:. Tyner, a native of Philadelphia, had been a friend of Coltrane for some years, and the two men had an understanding that Tyner would join the band when he felt ready. 791: 6403: 3763: 1742:. Critic Norman Weinstein observed the parallel between Coltrane's music and his experience in the southern church, which included practicing music there as a youth. 945: 4766:

Lavezzoli, p. 285: "Coltrane and one or two other musicians begin and end the piece by chanting in unison a verse from chapter nine ("The Yoga of Mysticism") of the

1455:, and "high register squeals could imitate not only the human song but the human cry and shriek as well." Regarding Coltrane's decision to add Sanders to the band, 3793: 3647: 2044:

Rev. F. W. King, describing the African Orthodox Church of Saint John Coltrane, said "We are Coltrane-conscious...God dwells in the musical majesty of his sounds."

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his name featured more prominently, or posthumous compilations, except for the one he approved before his death. See main discography link above for full list.

7664: 6466: 3688: 7884: 7764: 6389: 946: 1818:, "Amen", "Ascent", "Attaining", "Dear Lord", "Prayer and Meditation Suite", and "The Father and the Son and the Holy Ghost". His library of books included 6093: 5566: 1008:, which he began practicing while with Miles Davis. It was considered an unconventional move because the instrument was more associated with earlier jazz. 4813: 1459:

wrote "Those who had followed Coltrane to the edge of the galaxy now had the added challenge of a player who appeared to have little contact with earth."

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One of Coltrane's most acclaimed recordings, "Giant Steps" features harmonic structures more complex than were used by most jazz musicians of the time.

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After Coltrane's death, a congregation called the Yardbird Temple in San Francisco began worshipping him as God incarnate. The group was named after

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in 1993. A high quality tape of a concert given by this quartet in November 1957 was found later, and was released by Blue Note in 2005. Recorded by

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in 2007 citing his "masterful improvisation, supreme musicianship and iconic centrality to the history of jazz." He was inducted into the

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After being discharged from the Navy as a seaman first class in August 1946, Coltrane returned to Philadelphia, where the city's bustling

504:. Over the course of his career, Coltrane's music took on an increasingly spiritual dimension, as exemplified on his most acclaimed album 7844: 7804: 7699: 7634: 7125: 6884: 5043: 4569: 2956: 2383: 1221: 815:, is often considered his best album from this period. Four of its five tracks are original Coltrane compositions, and the title track, " 511: 4651: 2806: 7879: 7669: 7044: 5917: 689:

were doing in the '40s that I didn't understand, but that I felt emotionally." A significant influence, according to tenor saxophonist

4909: 2515: 510:(1965) and others. Decades after his death, Coltrane remains influential, and he has received numerous posthumous awards, including a 7834: 7704: 7674: 4591: 2038: 1580: 567: 7659: 7624: 6704: 6617: 6072: 6030: 5757: 5587: 4863: 2334: 2169: 1199:'s "Out of This World") were much more conservative. He recorded an album of ballads and participated in album collaborations with 1000: 766: 754: 4941: 4723: 2041:, San Francisco, is the only African Orthodox church that incorporates Coltrane's music and his lyrics as prayers in its liturgy. 7102: 6971: 6287: 6259: 6238: 6065: 6023: 5980: 5573: 5496: 5427: 3561: 2366: 2130: 1907:, and a recitation of a passage describing the primal verbalization "om" as a cosmic/spiritual common denominator in all things. 1731: 1244: 760: 748: 1032:, who had recorded his and Davis's sessions for Prestige. He recorded most of his albums for Impulse! at Van Gelder's studio in 7829: 7759: 7734: 7639: 6832: 6533: 6505: 6196: 6143: 6044: 5404: 2248: 4989: 2759: 7709: 7349: 7004: 6664: 6217: 5559: 5156: 4563: 4108: 3474: 3132: 2950: 2800: 2736: 1635:

same thing ... And this caused ... the willingness to change and just try to play... as much of the instrument as possible."

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Coltrane called this a time when "a wider area of listening opened up for me. There were many things that people like

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In 1955, Coltrane was freelancing in Philadelphia while studying with Sandole when he received a call from trumpeter

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as the "first syllable, the primal word, the word of power". The 29-minute recording contains chants from the Hindu

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Coltrane rejoined Davis in December 1957 after quitting his heroin addiction. In October of that year, jazz critic

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As Coltrane's interest in jazz became experimental, he added Pharoah Sanders (center; circa 1978) to his ensemble.

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An important moment in the progression of Coltrane's musical development occurred on June 5, 1945, when he saw

496:. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter 6431: 6375: 5828: 4671: 2224: 1820: 1209: 4409: 3882: 3061: 609:

magazine article in 1960 he recalled: "the first time I heard Bird play, it hit me right between the eyes."

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joined the group as a second horn. The quintet had a celebrated and extensively recorded residency at the

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Toward the end of his career, he experimented with flute in his live performances and studio recordings (

1452: 1313:, France, and in October 1965 in Seattle, Washington. A recording of the Antibes concert was released by 3956: 7543: 6086: 5966: 5256: 4234: 3725: 2398: 1735: 1513: 884: 631: 563: 562:, on September 23, 1926. His father was John R. Coltrane and his mother was Alice Blair. He grew up in 440: 386: 1521:

departure of Tyner and Jones, Coltrane led a quintet with Sanders on tenor saxophone, his second wife

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By late 1965, Coltrane was regularly augmenting his group with Sanders and other free jazz musicians.

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saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the

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district of Huntington, New York, where he resided from 1964 until his death, was added to the

1739: 618: 559: 98: 7094: 4553: 2940: 1650:). After Eric Dolphy died in June 1964, his mother gave Coltrane his flute and bass clarinet. 578:

in a community band before switching to the saxophone, after being influenced by the likes of

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National Library of Medicine, The lost years: The impact of cirrhosis on the history of jazz

1028:. The move to Impulse! meant that Coltrane resumed his recording relationship with engineer 7619: 7614: 7522: 7405: 7342: 7196: 6892: 6876: 6445: 6203: 5077: 3921: 2288: 1842:

and Christ. This openness to different traditions resonated with Coltrane, who studied the

1402: 1390: 938: 373: 115: 4599: 1553:) or as a duo with Ali. The latter duo produced six performances that appear on the album 1421:

In June 1965, he went into Van Gelder's studio with ten other musicians (including Shepp,

1345:, and Sun Ra. He was especially influenced by the dissonance of Ayler's trio with bassist 8: 7510: 7500: 7494: 6644: 6354: 6347: 5778: 5617: 3854: 3821: 2394: 1299: 843: 4945: 4853: 7410: 7225: 7204: 7160: 7145: 7012: 6930: 6756: 6649: 6547: 6396: 6150: 5987: 5945: 5891: 5702: 5363: 5109: 4858: 4818: 4727: 4186: 3463: 3105: 2888: 2402: 2375: 2320: 2122: 2004: 1859: 1752: 1668: 1646: 1555: 1543: 1487: 1295: 1265: 1259: 816: 799: 391: 355: 5421: 5341: 5290: 7324: 7306: 6868: 6245: 5691: 5624: 5398: 5370: 5347: 5326: 5296: 5272: 5217: 5195: 5189: 5171: 5152: 5114: 5060: 4665: 4559: 4532: 4318: 3710:

Porter, Lewis; DeVito, Chris; Fujioka, Yasuhiro; Wild, David; Schmaler, Wolf (2008).

3680: 3606: 3470: 3133:"John Coltrane: Legendary and Revolutionary Saxophonist in the History of Jazz Music" 3067: 2946: 2853: 2847: 2796: 2760:"John Coltrane: Legendary and Revolutionary Saxophonist in the History of Jazz Music" 2732: 2725: 2072: 1592: 1414: 1239: 1005: 231: 185: 778: 7569: 7384: 7251: 7152: 6622: 6459: 5796: 5720: 5594: 5522: 5312:

Spiritualizing the City: Agency and Resilience of the Urban and Urbanesque Habitat.

2030: 1996:

1982, St. John Coltrane Church, 2097 Turk Blvd, San Francisco, California 94115 by

1338: 1314: 1048: 1025: 1004:(1961) was the first album recorded by this band. It was Coltrane's first album on 915: 910: 863: 786: 743: 738: 241: 236: 226: 144: 5445: 5251: 4997: 4116: 770:. The "First Great Quintet" disbanded due in part to Coltrane's heroin addiction. 7477: 7453: 7441: 7435: 7401: 7238: 7218: 7211: 6990:

Years given are for the recording(s), not first release, unless stated otherwise.

6740: 6627: 6326: 6157: 6134: 6100: 5973: 5738: 4481:"John Coltrane - Owned & Stage Played Alto Saxophone With Full Documentation" 4264: 1863: 1713: 1588: 1549: 1426: 1422: 1124: 1114:

play bass on the 1961 Village Vanguard recordings of "India" and "Miles' Mode".

1029: 836: 774: 706: 678: 595: 501: 180: 5884: 5764: 3917:"Jazz Legend Archie Shepp Reflects On John Coltrane's Quest For Musical Freedom" 2312: 2177: 2037:; this involved changing Coltrane's status from a god to a saint. The resultant 1088: 646:

offered him many opportunities for both learning and playing. Coltrane used the

7516: 7447: 7429: 7417: 7372: 7076: 7052: 7036: 6801: 6713: 6632: 6266: 5910: 5856: 5673: 5599: 5545: 2264: 2026: 1787: 1695: 1656: 1522: 1274: 1227: 1181: 1111: 1079: 1040: 694: 659: 602: 587: 526: 506: 473: 292: 190: 4439:

Kofsky, Frank (2010). "Interview with John Coltrane". In DeVito, Chris (ed.).

4298:

Kofsky, Frank (2010). "Interview with John Coltrane". In DeVito, Chris (ed.).

3034: 7603: 7593: 7471: 7298: 7288: 7139: 6980: 6924: 6654: 6638: 6568: 5750: 5709: 5666: 5645: 5603: 5185: 5118: 5019: 3961: 3756:"John Coltrane – A Love Supreme (The Complete Masters): Super Deluxe Edition" 3684: 3640:"'A new room in the Great Pyramid': lost 1963 John Coltrane album discovered" 3219:

Coltrane, John; DeMicheal, Don (September 29, 1960). "Coltrane on Coltrane".

2985: 2161: 1897: 1825: 983: 859: 812: 808: 734: 714: 583: 530: 200: 789:, the performances confirm the group's reputation, and the resulting album, 7581: 7459: 7423: 7269: 7262: 7245: 7185: 7082: 6840: 6780: 6728: 6051: 5905: 5807: 5743: 5659: 5538: 5209: 4054: 4021: 3817:"New York Is Killing Me: Albert Ayler's Life and Death in the Jazz Capital" 3525: 3443: 3425: 3392: 3356: 3320: 3302: 3236: 3101:"CRITIC'S NOTEBOOK; The Miracle of Coltrane: Dead at 40, Still Vital at 75" 2563: 2545: 2192: 2014: 1991: 1891:, which symbolizes the infinite or the entire universe. Coltrane described 1875: 1678: 1603: 1584: 1572: 1456: 1434: 1430: 1374: 1362: 1358: 1354: 1346: 1342: 1196: 1094: 979: 878: 855: 842:

Coltrane stayed with Davis until April 1960, working with alto saxophonist

671: 655: 579: 515: 477: 407: 5464: 3546:

Wilmer, Val (2010). "Conversation with Coltrane". In DeVito, Chris (ed.).

3512:

Black Nationalism and the Revolution in Music: John Coltrane: An Interview

1529:

The group can be heard on several concert recordings from 1966, including

480:

after graduating from high school, where he studied music. Working in the

7557: 7167: 6000: 5731: 5533: 5286: 3374: 3338: 3284: 2153: 2082: 2063:

Musicians at St John Coltrane African Orthodox Church, San Francisco 2009

1802:, many of the titles of his songs and albums had spiritual connotations: 1688: 1673: 1517: 1476: 1448: 1444: 1083: 1044: 995: 987: 905: 847: 730: 726: 710: 698: 682: 667: 497: 466: 412: 4894: 2455: 1471:

Percussionist Rashied Ali (pictured in 2007) augmented Coltrane's sound.

7360: 7354: 6114: 6058: 5680: 5433: 5413: 3988: 2697: 1623: 1365:, and, under his influence, Impulse! became a leading free jazz label. 1172: 1074:

In 1961, Coltrane began pairing Workman with a second bassist, usually

1056: 975: 962: 867: 851: 832: 804: 690: 663: 489: 134: 5147:

DeVito, Chris; Fujioka, Yasuhiro; Schmaler, Wolf; Wild, David (2008).

1793: 1361:

as leader. Coltrane championed many young free jazz musicians such as

7465: 7366: 7231: 6540: 6410: 5580: 2406: 2356: 2138: 1871: 1851: 1843: 1607: 1378: 1350: 1309:

live only three times, recorded twice – in July 1965 at a concert in

1075: 1060: 820: 686: 647: 575: 493: 139: 4454: 1622:

Coltrane started out on alto saxophone, but in 1947, when he joined

803:, Coltrane's sole date as leader for Blue Note, featuring trumpeter 558:

Coltrane was born in his parents' apartment at 200 Hamlet Avenue in

7191: 6554: 5931: 4775: 3492: 3221: 2059: 1935: 1855: 1847: 1408: 1324: 1016: 571: 529:. The couple had three children: John Jr. (1964–1982), a bassist; 485: 129: 6362:

The Complete Columbia Recordings of Miles Davis with John Coltrane

5439: 1257:

Impulse! followed the successful "lost album" release with 2019's

1163:

The romantic ballad features Coltrane with pianist Duke Ellington.

7028: 6682: 5417: 2348:

John Coltrane House, 1511 North Thirty-third Street, Philadelphia

1839: 1778:(1965) in which Coltrane declares, "I believe in all religions." 1329: 1310: 6949: 5474: 5392: 5269:

The Coltrane Church: Apostles of Sound, Agents of Social Justice

2939:

Alexander, Leslie M.; Rucker, Walter C. Jr. (February 9, 2010).

7124: 5408: 4008:

This Is Our Music: Free Jazz, the Sixties, and American Culture

3562:"John Coltrane – The Complete 1961 Village Vanguard Recordings" 2942:

Encyclopedia of African American History [3 volumes&#93

2884:"Dennis Sandole, Jazz Guitarist And an Influential Teacher, 87" 2489:"The 2007 Pulitzer Prize Winners: Special Awards and Citations" 1068: 1011: 488:

idioms early in his career, Coltrane helped pioneer the use of

4375:"Rashied Ali (1935 – 2009), multi-directional drummer, speaks" 4340:"Rashied Ali (1935 – 2009), multi-directional drummer, speaks" 1467: 7552: 7020: 6561: 5105:"John Coltrane Documentary 'Chasing Trane' Gets Release Date" 4771: 1867: 1052: 1024:

In May 1961, Coltrane's contract with Atlantic was bought by

591: 481: 6309:

Evenings at the Village Gate: John Coltrane with Eric Dolphy

5448:

1957 Carnegie Hall performance in transcription and analysis

5292:

A Love Supreme: The Story of John Coltrane's Signature Album

4658:. December 1964. Archived from the original on June 8, 2011. 4552:

Porter, Lewis; DeVito, Chris; Wild, David (April 26, 2013).

2984:. The John Coltrane Foundation. May 11, 2007. Archived from 2344: 1711:. He can also be heard playing the Yamaha alto on the album 7377: 6484: 6165:

Thelonious Monk Quartet with John Coltrane at Carnegie Hall

5057:

100 Greatest African Americans: A Biographical Encyclopedia

4944:. Saint Gregory's of Nyssa Episcopal Church. Archived from 4910:"The Church of St. John Coltrane: Jazz and German Tourists" 1705:, and is pictured using it on the cover of the compilation 1516:, informing the "cosmic" transcendence of his late period. 792:

Thelonious Monk Quartet with John Coltrane at Carnegie Hall

462: 6404:

The Heavyweight Champion: The Complete Atlantic Recordings

2976: 2974: 2421:

A documentary on Jazz was made in 1990 by fellow musician

1940:

Coltrane icon at St. John Coltrane African Orthodox Church

898: 552:

Coltrane's first recordings were made when he was a sailor

461:(September 23, 1926 – July 17, 1967) was an American 323: 6341:

The Classic Quartet – Complete Impulse! Studio Recordings

3886: 2086: 870:. During this time he participated in the Davis sessions 7534:* indicates award given to widow in year after his death 1579:

on Long Island. His funeral was held four days later at

3709: 3063:

The John Coltrane Companion: Five Decades of Commentary

2971: 2439:, is a 2016 American film directed by John Scheinfeld. 1888: 1765: 1755:. This is the house where they would break up in 1963. 1512:

There is speculation that in 1965 Coltrane began using

1337:

In his late period, Coltrane showed an interest in the

693:, was the Philadelphia pianist, composer, and theorist 637: 4317:(2nd ed.). New York: Da Capo Press. p. 158. 3490:

Corbett, John. "John Gilmore: The Hard Bop Homepage".

2924:

Wilson, Joe (October 30, 1945). "Musically Speaking".

1720: 7541: 6671:

Before John Was a Jazz Giant: A Song of John Coltrane

3541: 3539: 3532:. The University of Michigan Press. pp. 198–199. 3469:(1st ed.). New York: Farrar, Straus and Giroux. 3432:. The University of Michigan Press. pp. 180–182. 3327:. The University of Michigan Press. pp. 178–180. 3309:. The University of Michigan Press. pp. 173–178. 2612: 2610: 1272:

The Classic Quartet produced its best-selling album,

4074:"The A Love Supreme Interviews: pianist McCoy Tyner" 2071:

Documentaries about Coltrane and the church include

1606:

speculated that the cause of Coltrane's illness was

1130: 773:

During the later part of 1957, Coltrane worked with

3786:"You've Never Heard John Coltrane Like This Before" 1794:

Spiritual influence in music, religious exploration

1207:, a baritone who specialized in ballads. The album 720: 7332:American Heritage Picture History of the Civil War 5362: 4441:Coltrane on Coltrane: The John Coltrane Interviews 4300:Coltrane on Coltrane: The John Coltrane Interviews 3670: 3548:Coltrane on Coltrane: The John Coltrane Interviews 3536: 3462: 3187: 2724: 2607: 1725: 1039:By early 1961, bassist Davis had been replaced by 3850:"Astral Traveling: The Ecstasy of Spiritual Jazz" 3218: 2107: 1583:in New York City. The service was started by the 7601: 4690: 4688: 4686: 4684: 4682: 4551: 4545: 4529:A Night in Tunisia: Imaginings of Africa in Jazz 4061:. The University of Michigan Press. p. 267. 4010:. University of Pennsylvania Press. p. 111. 3726:"John Coltrane – A Love Supreme: Deluxe Edition" 3450:. The University of Michigan Press. p. 181. 3399:. The University of Michigan Press. p. 180. 3363:. The University of Michigan Press. p. 177. 3243:. The University of Michigan Press. p. 145. 2570:. The University of Michigan Press. p. 294. 2552:. The University of Michigan Press. p. 272. 1758:About the breakup, Naima said in J. C. Thomas's 1462: 1325:1965: Adding to the quartet and avant-garde jazz 909:(1960), his first released album as leader for 5140: 4721: 4628: 4626: 4269:"Secret of John Coltrane's high notes revealed" 4263: 4208:Jazz and Death: Medical Profiles of Jazz Greats 4179:Jazz and Death: Medical Profiles of Jazz Greats 3672:"Long-lost John Coltrane album set for release" 3637: 2938: 2698:"Orlando Style Magazine July/August 2016 Issue" 1691:on drums supplemented by three percussionists. 1195:, 1962, which featured a blistering version of 492:and was one of the players at the forefront of 30:"Coltrane" redirects here. For other uses, see 4854:"Sunday religion, inspired by Saturday nights" 2516:"Son of jazz great Coltrane dies in car crash" 2033:. The congregation became affiliated with the 1494:Blues for Coltrane: A Tribute to John Coltrane 612: 7665:African-American United States Navy personnel 7110: 6965: 6698: 6281:The Olatunji Concert: The Last Live Recording 6274:The Complete 1961 Village Vanguard Recordings 5490: 5020:"Saint John Coltrane African Orthodox Church" 4697: 4679: 4210:. University Press of Mississippi. p. 7. 4205: 4181:. University Press of Mississippi. p. 6. 4140: 4136: 4134: 3883:"Albert Ayler: Testifying The Breaking Point" 3163:"Miles Davis and John Coltrane: Yin and Yang" 3059: 2932: 2583:Monument Eternal: The Music of Alice Coltrane 903:At the end of this period, Coltrane recorded 7885:United States Navy personnel of World War II 7765:Deaths from liver cancer in New York (state) 6601:Chasing Trane: The John Coltrane Documentary 5170:. Continuum International Publishing Group. 4623: 4504: 4502: 4191:: CS1 maint: multiple names: authors list ( 3345:. Farrar, Straus and Giroux. pp. 57–59. 3291:. Farrar, Straus and Giroux. pp. 52–53. 2436:Chasing Trane: The John Coltrane Documentary 1317:in 2002 on the remastered Deluxe Edition of 1012:1961–1962: First years with Impulse! Records 7126:Pulitzer Prize Special Citations and Awards 6885:Live at the Berkeley Community Theater 1972 5044:Saint John Coltrane African Orthodox Church 4228: 4226: 4172: 4170: 3189:"Jazz news: John Coltrane: Sheets of Sound" 2795:. Farrar, Straus and Giroux. pp. 12–. 2782: 1263:, made up of a 1964 soundtrack to the film 1123:also known as free jazz, a movement led by 826: 7117: 7103: 7045:Mosaic: A Celebration of Blue Note Records 6972: 6958: 6705: 6691: 5918:Selflessness: Featuring My Favorite Things 5497: 5483: 5420: 5397: 4847: 4845: 4843: 4841: 4808: 4806: 4131: 3957:"A Look Back At John Coltrane's Ascension" 3814: 3602:The History of Jazz and the Jazz Musicians 2716: 2483: 2481: 1934: 1566: 49: 7790:Grammy Lifetime Achievement Award winners 4982: 4724:"John Coltrane, "A Love Supreme" and GOD" 4526: 4520: 4499: 3950: 3948: 3946: 3944: 3880: 3505: 3503: 3006: 2039:St. John Coltrane African Orthodox Church 1666:, respectively. It resulted in the album 1506:Tribute to John Coltrane "A Love Supreme" 7755:Burials at Long Island National Cemetery 5317: 4852:Freedman, Samuel G. (December 1, 2007). 4851: 4223: 4167: 4005: 3409: 3381:. Farrar, Straus and Giroux. p. 58. 3253: 2585:. Wesleyan University Press. p. 47. 2352:In 1965, Coltrane was inducted into the 2343: 2335:List of John Coltrane recording sessions 2081:(1996), and a 2004 program presented by 2058: 1854:with equal sincerity." He also explored 1466: 1328: 1015: 570:. While in high school, Coltrane played 547: 541: 525:His second wife was pianist and harpist 6288:Live at the Half Note: One Down, One Up 5981:Both Directions at Once: The Lost Album 5574:John Coltrane with the Red Garland Trio 5465:John Coltrane Interviews from 1958–1966 5360: 5059:. Amherst, New York. Prometheus Books. 5030:from the original on September 27, 2007 4960:"John Coltrane: The case for sainthood" 4838: 4803: 4176: 4028:. Oxford University Press. p. 488. 4020: 3910: 3908: 3668: 3460: 3454: 3373: 3337: 3283: 3268: 3098: 2881: 2788: 2580: 2478: 2131:John Coltrane with the Red Garland Trio 2092: 1910: 1732:African Methodist Episcopal Zion Church 1377:, use of overtones, and playing in the 1245:Both Directions at Once: The Lost Album 1067:, a longtime saxophonist with musician 899:1959–1961: Period with Atlantic Records 14: 7820:Military personnel from North Carolina 7602: 6144:The Complete 1957 Riverside Recordings 6045:Miles Davis and the Modern Jazz Giants 5339: 5325:. New York: Herndon House Publishers. 5191:Ascension: John Coltrane and His Quest 5125:from the original on February 12, 2018 5102: 4438: 4372: 4337: 4297: 4106: 4053: 4038: 3987: 3954: 3941: 3766:from the original on February 24, 2021 3736:from the original on February 21, 2021 3545: 3524: 3509: 3500: 3442: 3424: 3412:Ascension: John Coltrane And His Quest 3391: 3355: 3319: 3301: 3256:Ascension: John Coltrane And His Quest 3235: 3041:from the original on December 11, 2021 2923: 2917: 2845: 2839: 2722: 2640: 2625: 2562: 2544: 1575:at the age of 40 on July 17, 1967, at 7895:Venerated African-American Christians 7098: 6953: 6686: 5588:Cattin' with Coltrane and Quinichette 5478: 5266: 5080:. North Carolina Music Hall of Fame. 4907: 4884: 4572:from the original on February 8, 2023 4461:from the original on January 31, 2011 4071: 3829:from the original on January 16, 2020 3691:from the original on January 11, 2022 3638:Beaumont-Thomas, Ben (June 8, 2018). 2959:from the original on February 8, 2023 2809:from the original on February 8, 2023 2704:from the original on February 4, 2017 2692: 2690: 2688: 2526:from the original on October 26, 2021 2466:from the original on November 7, 2022 27:American jazz saxophonist (1926–1967) 7630:20th-century American male musicians 6594:The World According to John Coltrane 6122:Miles Davis Quintet at Peacock Alley 5285: 5168:The Dawn of Indian Music in the West 4407: 4385:from the original on August 23, 2020 4350:from the original on August 23, 2020 4312: 4306: 4232: 4206:Spencer, M.D., Frederick J. (2002). 4177:Spencer, Frederick J., M.D. (2002). 3914: 3905: 3847: 3841: 3796:from the original on October 9, 2021 3550:. Chicago Review Press. p. 115. 2495:from the original on January 2, 2016 2428:The World According to John Coltrane 2411:National Register of Historic Places 2339: 1238:On March 6, 1963, the group entered 638:1946–1954: Immediate post-war career 6295:Offering: Live at Temple University 6211:Live at the Village Vanguard Again! 5953:The Africa/Brass Sessions, Volume 2 5084:from the original on March 22, 2019 4420:from the original on March 16, 2018 4107:Mandel, Howard (January 30, 2008). 3815:Richardson, Mark (April 28, 2016). 3619:from the original on March 24, 2022 3605:. Lulu Press, Inc. March 13, 2013. 3489: 3143:from the original on March 29, 2019 3113:from the original on March 29, 2019 3080:from the original on March 25, 2022 3007:Armstrong, Rob (February 8, 2013). 2305:Live at the Village Vanguard Again! 2185: 2146: 1881:In October 1965, Coltrane recorded 1721:Personal life and religious beliefs 1684:Offering: Live at Temple University 1641:Live at the Village Vanguard Again! 1532:Live at the Village Vanguard Again! 24: 7845:People from Hamlet, North Carolina 7805:Jazz musicians from North Carolina 7700:American jazz soprano saxophonists 7635:20th-century American saxophonists 6712: 6172:Thelonious Monk with John Coltrane 6010:Miles: The New Miles Davis Quintet 5822:Duke Ellington & John Coltrane 5231: 4996:. February 5, 2008. Archived from 4964:St. Barnabas Episcopal Church 4726:. allaboutjazz.com. Archived from 4487:from the original on July 29, 2016 4408:Jazz, All About (March 31, 2003). 4373:Mandel, Howard (August 13, 2009). 4338:Mandel, Howard (August 13, 2009). 4279:from the original on June 17, 2022 4245:from the original on June 15, 2018 4026:Visions of Jazz: The First Century 3969:from the original on July 30, 2020 3955:Aceves, Rusty (January 27, 2017). 3893:from the original on April 4, 2020 3572:from the original on July 30, 2022 3200:from the original on June 20, 2019 3015:from the original on July 13, 2015 2685: 2397:in Philadelphia, was designated a 2217:Duke Ellington & John Coltrane 1781: 1137: 927: 25: 7906: 7880:United States Navy Band musicians 7670:African Americans in World War II 6979: 6660:John W. Coltrane Cultural Society 5632:Kenny Burrell & John Coltrane 5504: 5384: 5214:John Coltrane: His Life and Music 4866:from the original on July 1, 2019 4059:John Coltrane: His Life and Music 3929:from the original on July 6, 2020 3862:from the original on June 5, 2022 3848:Beta, Andy (September 25, 2015). 3650:from the original on June 8, 2018 3530:John Coltrane: His Life and Music 3448:John Coltrane: His Life and Music 3430:John Coltrane: His Life and Music 3397:John Coltrane: His Life and Music 3361:John Coltrane: His Life and Music 3325:John Coltrane: His Life and Music 3307:John Coltrane: His Life and Music 3241:John Coltrane: His Life and Music 3099:Ratliff, Ben (December 7, 2001). 2896:from the original on June 7, 2022 2849:John Coltrane: His Life and Music 2789:Ratliff, Ben (October 28, 2008). 2770:from the original on July 8, 2019 2727:John Coltrane: His Life and Music 2568:John Coltrane: His Life and Music 2550:John Coltrane: His Life and Music 2388:North Carolina Music Hall of Fame 2372:Grammy Lifetime Achievement Award 2370:, and in 1997 he was awarded the 2328: 1866:, the philosophical teachings of 1745: 1131:1962–1965: Classic Quartet period 658:with jazz guitarist and composer 605:perform for the first time. In a 7835:Jazz musicians from Philadelphia 7705:American jazz tenor saxophonists 7675:American Christian universalists 7587: 7575: 7563: 7551: 7320:The Defeat of the Spanish Armada 7268: 7261: 6418:The Major Works of John Coltrane 5843:John Coltrane and Johnny Hartman 5314:Milton Park: Routledge, 169–194. 5216:. University of Michigan Press. 5096: 5070: 5049: 5012: 4952: 4934: 4922:from the original on May 7, 2011 4901: 4878: 4794: 4785: 4760: 4751: 4742: 4715: 4706: 4652:"John Coltrane's liner notes to 4644: 4635: 4145:(liner notes). Impulse!. A-9110. 3881:Whitehead, Kevin (May 8, 2001). 3514:. Pathfinder Press. p. 235. 2882:Ratliff, Ben (October 8, 2000). 2852:. University of Michigan Press. 2731:. University of Michigan Press. 2505:With reprint of short biography. 2233:John Coltrane and Johnny Hartman 1500:Live in Japan 1978: Dear John C. 1251:John Coltrane and Johnny Hartman 1171:Problems playing this file? See 1153: 961:Problems playing this file? See 943: 783:Live at the Five Spot—Discovery! 746:in 1956, resulted in the albums 721:1955–1957: Miles and Monk period 279: 7660:African-American jazz composers 7625:20th-century American composers 6453:To the Beat of a Different Drum 6383:Dial Africa: The Savoy Sessions 6302:A Love Supreme: Live in Seattle 5864:The John Coltrane Quartet Plays 5103:McNary, Dave (March 16, 2017). 4614: 4598:. June 15, 2009. Archived from 4584: 4511: 4483:. Recordmecca. March 22, 2013. 4473: 4447: 4432: 4401: 4366: 4331: 4291: 4257: 4214: 4199: 4158: 4149: 4100: 4091: 4072:Maita, Joe (November 8, 2001). 4065: 4047: 4032: 4014: 3999: 3981: 3874: 3808: 3778: 3748: 3718: 3703: 3669:Vincent, Alice (June 8, 2018). 3662: 3631: 3593: 3584: 3554: 3518: 3483: 3436: 3418: 3403: 3385: 3367: 3349: 3331: 3313: 3295: 3277: 3262: 3247: 3229: 3212: 3180: 3155: 3125: 3092: 3053: 3027: 3009:"There Was No End to the Music" 3000: 2908: 2875: 2866: 2830: 2821: 2752: 2676: 2667: 2658: 2649: 2634: 2619: 2273:The John Coltrane Quartet Plays 1726:Upbringing and early influences 1672:with Ali. In an interview with 1591:Quartet. Coltrane is buried at 1385:The John Coltrane Quartet Plays 1357:, whose playing was honed with 1101:The John Coltrane Quartet Plays 301: 275: 6253:Live Trane: The European Tours 6190:"Live" at the Village Vanguard 5295:. Elvin Jones. Penguin Books. 5165: 4814:"The Church of Saint Coltrane" 3714:. Routledge. pp. 733–735. 3465:Coltrane: The story of a Sound 3379:Coltrane: The Story of a Sound 3343:Coltrane: The Story of a Sound 3289:Coltrane: The Story of a Sound 3066:. Schirmer Books. p. 29. 2846:Porter, Lewis (January 1998). 2792:Coltrane: The Story of a Sound 2723:Porter, Lewis (January 1998). 2598: 2589: 2574: 2556: 2538: 2508: 2456:"John Coltrane A Love Supreme" 2448: 2380:100 Greatest African Americans 2201:"Live" at the Village Vanguard 2108:Prestige and Blue Note records 1617: 628:Asiatic–Pacific Campaign Medal 619:Sampson Naval Training Station 436:Asiatic–Pacific Campaign Medal 13: 1: 7830:Musicians from North Carolina 7760:Combs College of Music alumni 7735:Avant-garde jazz saxophonists 7640:20th-century Christian saints 7505:Graduate School of Journalism 7339:George Washington, Vols. I-IV 6432:Ken Burns Jazz: John Coltrane 6376:Countdown: The Savoy Sessions 5267:Baham, Nicholas III (2015) . 5184: 4908:Hyena, Hank (June 16, 1998). 4527:Weinstein, Norman C. (1933). 3995:. Serpent's Tail. p. 43. 1919: 1821:The Gospel of Sri Ramakrishna 1463:1965–1967: The second quartet 1180:In 1962, Dolphy departed and 882:, and the concert recordings 392:Pacific Fleet Ceremonial Band 7710:American male jazz composers 6587:The Church of Saint Coltrane 5369:. New York: Schirmer Books. 5257:Resources in other libraries 5141:General and cited references 5055:Asante, Molefi Kete (2002). 4558:. Routledge. pp. 323–. 4455:"John Coltrane's Saxophones" 4109:"John Coltrane: Divine Wind" 3915:Bray, Ryan (March 2, 2016). 3414:. Da Capo. pp. 212–213. 3035:"John Coltrane's Work Ethic" 3011:. Hidden City Philadelphia. 2442: 2401:in 1999. His last home, the 2078:The Church of Saint Coltrane 2047:Samuel G. Freedman wrote in 1587:Quartet and finished by the 1034:Englewood Cliffs, New Jersey 536: 7: 7815:Miles Davis Quintet members 7650:20th-century jazz composers 6817:Radha-Krsna Nama Sankirtana 6749:Huntington Ashram Monastery 6087:Miles & Monk at Newport 6080:Someday My Prince Will Come 5365:The John Coltrane Companion 5208: 5149:The John Coltrane Reference 5041:See also wikipedia article: 4555:The John Coltrane Reference 4531:. Hal Leonard. p. 61. 3712:The John Coltrane Reference 2945:. ABC-CLIO. pp. 178–. 2836:DeVito et al., pp. 367–368. 2416: 1889:sacred syllable in Hinduism 1581:St. Peter's Lutheran Church 1254:album, released that July. 1020:Coltrane in Amsterdam, 1961 920: 885:Miles & Monk at Newport 717:in the early to mid-1950s. 613:1945–1946: Military service 10: 7911: 7890:United States Navy sailors 7730:Avant-garde jazz flautists 7725:Avant-garde jazz composers 7715:American male saxophonists 7685:American jazz clarinetists 4443:. A Cappella. p. 294. 4302:. A Cappella. p. 306. 3273:. Sher Music. p. 145. 2630:. Da Capo. pp. 14–17. 2520:United Press International 2399:National Historic Landmark 2332: 2096: 1958:Hamlet, North Carolina, US 1766:1957 "spiritual awakening" 1736:High Point, North Carolina 1110:. Both Reggie Workman and 823:", have become standards. 666:, he joined a band led by 632:World War II Victory Medal 564:High Point, North Carolina 441:World War II Victory Medal 387:Naval Station Pearl Harbor 29: 7810:Jazz soprano saxophonists 7750:Blue Note Records artists 7680:American jazz bandleaders 7532: 7487: 7394: 7277: 7259: 7132: 7063: 6996: 6987: 6911: 6901:The Carnegie Hall Concert 6720: 6610: 6578: 6476: 6439:The Last Giant: Anthology 6334:The Best of John Coltrane 6318: 6181: 6131: 5997: 5795: 5719: 5690: 5521: 5512: 5252:Resources in your library 5166:Lavezzoli, Peter (2006). 5146: 5026:. BBC documentary. 2004. 4670:: CS1 maint: unfit URL ( 3627:– via Google Books. 2982:"John Coltrane Biography" 2099:John Coltrane discography 2027:Charlie "Yardbird" Parker 2013: 2003: 1990: 1976: 1962: 1945: 1933: 1926: 1290:. The fourth movement of 1269:, recorded in June 1964. 449: 423: 400: 379: 369: 361: 349: 341: 336: 332: 318: 314: 250: 219: 209: 173: 153: 122: 105: 85: 75: 65: 60: 48: 41: 32:Coltrane (disambiguation) 7875:Spiritual jazz musicians 7860:Prestige Records artists 7800:Impulse! Records artists 7720:Atlantic Records artists 6765:Journey in Satchidananda 6108:Jazz at the Plaza Vol. I 5772:Coltrane Plays the Blues 4816:. Movies & TV Dept. 2581:Berkman, Franya (2010). 1972:Huntington, New York, US 1904:Tibetan Book of the Dead 1786:In 1963, he met pianist 827:1958: Davis and Coltrane 795:, is very highly rated. 568:William Penn High School 469:and 20th-century music. 7825:Modal jazz saxophonists 7695:American jazz flautists 7690:American jazz composers 7175:St. Louis Post-Dispatch 6773:Universal Consciousness 6369:The Prestige Recordings 5440:Coltrane Church Website 4915:San Francisco Chronicle 4748:Lavezzoli, pp. 286–287. 4712:Lavezzoli, pp. 280–281. 4641:Lavezzoli, pp. 272–273. 4043:. Da Capo. p. 207. 4006:Anderson, Iain (2007). 3993:As Serious as your Life 3410:Nisenson, Eric (2009). 3269:Berkman, David (2013). 3258:. Da Capo. p. 171. 3254:Nisenson, Eric (2009). 2491:. The Pulitzer Prizes. 2035:African Orthodox Church 2029:, whom they equated to 1998:African Orthodox Church 1981:African Orthodox Church 1835:Autobiography of a Yogi 1567:1967: Illness and death 1497:(1987), and Jones with 1149:'In a Sentimental Mood' 652:Granoff School of Music 624:American Campaign Medal 520:African Orthodox Church 431:American Campaign Medal 7865:Pulitzer Prize winners 7785:Free jazz saxophonists 7770:Free jazz clarinetists 7645:20th-century flautists 7408:. A special award for 6655:5893 Coltrane asteroid 5567:Wheelin' & Dealin' 5361:Woideck, Carl (1998). 4822:. 2012. Archived from 4592:"John Coltrane: Naima" 4141:John Coltrane (1966). 3510:Kofsky, Frank (1970). 3060:Woideck, Carl (1998). 2827:DeVito et al., p. 367. 2645:. Da Capo. p. 20. 2384:special Pulitzer Prize 2349: 2064: 2057: 1740:Hamlet, North Carolina 1472: 1349:, who had worked with 1334: 1231:(both recorded 1963). 1142: 1021: 932: 560:Hamlet, North Carolina 553: 512:special Pulitzer Prize 265:Juanita Naima Coltrane 99:Hamlet, North Carolina 61:Background information 7870:Savoy Records artists 7855:Post-bop saxophonists 7840:Pablo Records artists 7795:Hard bop saxophonists 6232:Afro Blue Impressions 6017:'Round About Midnight 5346:. New York: Da Capo. 5340:Thomas, J.C. (1975). 5323:Coltrane: A Biography 4948:on December 18, 2010. 4722:Emmett G. Price III. 4119:on September 29, 2009 4115:(221). Archived from 4039:Thomas, J.C. (1976). 3762:. November 20, 2015. 3461:Ratliff, Ben (2007). 3271:The Jazz Harmony Book 3194:News.allaboutjazz.com 2641:Thomas, J.C. (1976). 2626:Thomas, J.C. (1976). 2378:named him one of his 2347: 2118:(debut solo LP; 1957) 2062: 2053: 1830:Paramahansa Yogananda 1703:Second Night in Tokyo 1470: 1332: 1141: 1019: 931: 551: 542:1926–1945: Early life 459:John William Coltrane 362:Years of service 71:John William Coltrane 7523:Joseph Pulitzer, Jr. 7406:Oscar Hammerstein II 7367:Theodor Seuss Geisel 7343:James Thomas Flexner 7303:Old Road to Paradise 7197:The Kansas City Star 6893:Kirtan: Turiya Sings 6204:New Thing at Newport 6135:Thelonious Monk 5000:on December 22, 2015 4942:"The Dancing Saints" 4826:on December 30, 2012 4097:Porter, pp. 265–266. 3922:Consequence of Sound 3049:– via YouTube. 2682:DeVito et al., p. 5. 2616:DeVito et al., p. 3. 2604:DeVito et al., p. 2. 2595:DeVito et al., p. 1. 2289:New Thing at Newport 2093:Selected discography 1911:Study of world music 1403:New Thing at Newport 1341:of Ornette Coleman, 1219:(recorded 1961–63), 476:, Coltrane moved to 278: 1953; 116:Huntington, New York 7780:Free jazz flautists 7775:Free jazz composers 7655:ABC Records artists 7511:Frank D. Fackenthal 7501:Columbia University 7495:William Allen White 7182:Cyrus L. Sulzberger 6355:The Coltrane Legacy 6348:Coltrane for Lovers 4990:"Alan Klingenstein" 4897:on August 12, 2006. 4885:Polatnick, Gordon. 4602:on January 21, 2017 4313:Cole, Bill (2001). 4273:The Daily Telegraph 4233:Ruhlmann, William. 4078:Jerry Jazz Musician 3792:. October 9, 2021. 2988:on December 6, 2015 2395:John Coltrane House 2393:A former home, the 2382:. He was awarded a 2374:. In 2002, scholar 1928:Saint John Coltrane 1887:, referring to the 1577:Huntington Hospital 1305:The quartet played 844:Cannonball Adderley 654:, where he studied 472:Born and raised in 7850:Post-bop composers 7745:Bebop saxophonists 7248:(2020, posthumous) 7226:Richard Lee Strout 7219:Gannett Newspapers 7205:The New York Times 7161:The New York Times 7146:William O. Dapping 7013:From the Round Box 6757:Ptah, the El Daoud 6645:Philadelphia house 6151:Thelonious Himself 5967:Dear Old Stockholm 5946:Interstellar Space 5758:My Favorite Things 5319:Simpkins, Cuthbert 4859:The New York Times 4819:The New York Times 4730:on January 3, 2009 4703:Lavezzoli, p. 281. 4694:Lavezzoli, p. 286. 4632:Lavezzoli, p. 271. 4517:Lavezzoli, p. 270. 3106:The New York Times 2889:The New York Times 2872:Porter, pp. 50–51. 2712:– via Issuu. 2664:Porter, pp. 15–17. 2413:on June 29, 2007. 2403:John Coltrane Home 2376:Molefi Kete Asante 2350: 2170:My Favorite Things 2065: 2049:The New York Times 1956:September 23, 1926 1860:Jiddu Krishnamurti 1753:St. Albans, Queens 1694:Coltrane's tenor ( 1669:Interstellar Space 1556:Interstellar Space 1488:Echoes of a Friend 1473: 1335: 1266:The Cat in the Bag 1143: 1022: 1001:My Favorite Things 986:, he kept pianist 933: 554: 374:Seaman first class 356:United States Navy 96:September 23, 1926 7539: 7538: 7325:Garrett Mattingly 7307:Margaret Widdemer 7092: 7091: 6947: 6946: 6877:Carnegie Hall '71 6869:Translinear Light 6732:(1966–1968, with 6680: 6679: 6506:Central Park West 6425:Jupiter Variation 6260:Bye Bye Blackbird 6246:The European Tour 6239:The Paris Concert 5960:First Meditations 5625:Standard Coltrane 5457:by Lee Tanner in 5343:Chasin' the Trane 5238:Library resources 5194:. Da Capo Press. 5158:978-0-415-97755-5 4887:"The Jazz Church" 4791:Nisenson, p. 183. 4770:: Rites that the 4565:978-1-135-11257-8 4267:(June 12, 2011). 4041:Chasin' the Trane 3590:Nisenson, p. 179. 3476:978-0-374-12606-3 3196:. June 19, 2009. 2952:978-1-85109-774-6 2802:978-1-4299-9862-8 2738:978-0-472-10161-0 2700:. June 28, 2016. 2643:Chasin' the Trane 2628:Chasin' the Trane 2367:Bye Bye Blackbird 2357:Jazz Hall of Fame 2340:Awards and honors 2073:Alan Klingenstein 2023: 2022: 1977:Venerated in 1901:and the Buddhist 1760:Chasin' the Trane 1687:, which features 1593:Pinelawn Cemetery 1571:Coltrane died of 1415:First Meditations 1240:Van Gelder Studio 1158: 1006:soprano saxophone 972: 971: 948: 891:Jazz at the Plaza 835:coined the term " 811:, and trombonist 650:to enroll at the 453: 452: 186:soprano saxophone 16:(Redirected from 7902: 7592: 7591: 7590: 7580: 7579: 7578: 7568: 7567: 7566: 7556: 7555: 7547: 7385:Edmund S. Morgan 7272: 7265: 7252:Darnella Frazier 7153:Edmonton Journal 7119: 7112: 7105: 7096: 7095: 6974: 6967: 6960: 6951: 6950: 6707: 6700: 6693: 6684: 6683: 6623:Coltrane changes 6618:List of sessions 6197:Live at Birdland 6001:Miles Davis 5779:Coltrane's Sound 5739:Bags & Trane 5618:Settin' the Pace 5499: 5492: 5485: 5476: 5475: 5424: 5401: 5396: 5395: 5393:Official website 5380: 5368: 5357: 5336: 5306: 5282: 5227: 5205: 5181: 5162: 5135: 5134: 5132: 5130: 5100: 5094: 5093: 5091: 5089: 5078:"2009 Inductees" 5074: 5068: 5053: 5047: 5039: 5037: 5035: 5016: 5010: 5009: 5007: 5005: 4986: 4980: 4979: 4977: 4975: 4966:. Archived from 4956: 4950: 4949: 4938: 4932: 4931: 4929: 4927: 4905: 4899: 4898: 4893:. Archived from 4882: 4876: 4875: 4873: 4871: 4849: 4836: 4835: 4833: 4831: 4810: 4801: 4798: 4792: 4789: 4783: 4764: 4758: 4755: 4749: 4746: 4740: 4739: 4737: 4735: 4719: 4713: 4710: 4704: 4701: 4695: 4692: 4677: 4675: 4669: 4660: 4648: 4642: 4639: 4633: 4630: 4621: 4618: 4612: 4611: 4609: 4607: 4588: 4582: 4581: 4579: 4577: 4549: 4543: 4542: 4524: 4518: 4515: 4509: 4508:Porter, pp. 5–6. 4506: 4497: 4496: 4494: 4492: 4477: 4471: 4470: 4468: 4466: 4451: 4445: 4444: 4436: 4430: 4429: 4427: 4425: 4405: 4399: 4398: 4392: 4390: 4370: 4364: 4363: 4357: 4355: 4335: 4329: 4328: 4310: 4304: 4303: 4295: 4289: 4288: 4286: 4284: 4261: 4255: 4254: 4252: 4250: 4230: 4221: 4218: 4212: 4211: 4203: 4197: 4196: 4190: 4182: 4174: 4165: 4162: 4156: 4153: 4147: 4146: 4138: 4129: 4128: 4126: 4124: 4104: 4098: 4095: 4089: 4088: 4086: 4084: 4069: 4063: 4062: 4051: 4045: 4044: 4036: 4030: 4029: 4018: 4012: 4011: 4003: 3997: 3996: 3985: 3979: 3978: 3976: 3974: 3952: 3939: 3938: 3936: 3934: 3912: 3903: 3902: 3900: 3898: 3878: 3872: 3871: 3869: 3867: 3845: 3839: 3838: 3836: 3834: 3812: 3806: 3805: 3803: 3801: 3782: 3776: 3775: 3773: 3771: 3752: 3746: 3745: 3743: 3741: 3722: 3716: 3715: 3707: 3701: 3700: 3698: 3696: 3674: 3666: 3660: 3659: 3657: 3655: 3635: 3629: 3628: 3626: 3624: 3597: 3591: 3588: 3582: 3581: 3579: 3577: 3558: 3552: 3551: 3543: 3534: 3533: 3522: 3516: 3515: 3507: 3498: 3497: 3487: 3481: 3480: 3468: 3458: 3452: 3451: 3440: 3434: 3433: 3422: 3416: 3415: 3407: 3401: 3400: 3389: 3383: 3382: 3371: 3365: 3364: 3353: 3347: 3346: 3335: 3329: 3328: 3317: 3311: 3310: 3299: 3293: 3292: 3281: 3275: 3274: 3266: 3260: 3259: 3251: 3245: 3244: 3233: 3227: 3226: 3216: 3210: 3209: 3207: 3205: 3191: 3184: 3178: 3177: 3175: 3173: 3159: 3153: 3152: 3150: 3148: 3139:. 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Records 2147:Atlantic records 2031:John the Baptist 2009:December 8 (AOC) 1985:Episcopal Church 1969: 1955: 1953: 1938: 1924: 1923: 1339:avant-garde jazz 1302:on Long Island. 1222:Live at Birdland 1160: 1159: 1140: 1049:Village Vanguard 950: 949: 930: 921: 916:Coltrane changes 864:Philly Joe Jones 787:Voice of America 739:Philly Joe Jones 351: 328: 325: 305: 303: 283: 281: 277: 253: 212: 145:avant-garde jazz 112: 95: 93: 78: 68: 55:Coltrane in 1963 53: 39: 38: 21: 7910: 7909: 7905: 7904: 7903: 7901: 7900: 7899: 7740:Bebop composers 7600: 7599: 7598: 7588: 7586: 7576: 7574: 7564: 7562: 7550: 7542: 7540: 7535: 7528: 7483: 7478:Aretha Franklin 7454:Thelonious Monk 7442:George Gershwin 7436:William Schuman 7402:Richard Rodgers 7390: 7313:Kenneth Roberts 7273: 7267: 7266: 7257: 7239:Capital Gazette 7212:Walter Lippmann 7128: 7123: 7093: 7088: 7059: 7005:Moving Pictures 6992: 6983: 6978: 6948: 6943: 6907: 6862:Glorious Chants 6856:Infinite Chants 6833:Transfiguration 6741:A Monastic Trio 6716: 6711: 6681: 6676: 6628:Sheets of sound 6606: 6574: 6548:Moment's Notice 6472: 6327:Alternate Takes 6314: 6218:Live in Seattle 6177: 6133: 6127: 6101:At Newport 1958 5999: 5993: 5974:Stellar Regions 5799: 5791: 5786:The Avant-Garde 5723: 5715: 5694: 5686: 5525: 5517: 5508: 5503: 5455:Images of Trane 5416:discography at 5391: 5390: 5387: 5377: 5354: 5333: 5303: 5279: 5263: 5262: 5261: 5246: 5245: 5241: 5234: 5232:Further reading 5224: 5202: 5178: 5159: 5143: 5138: 5128: 5126: 5101: 5097: 5087: 5085: 5076: 5075: 5071: 5054: 5050: 5033: 5031: 5018: 5017: 5013: 5003: 5001: 4988: 4987: 4983: 4973: 4971: 4970:on May 10, 2009 4958: 4957: 4953: 4940: 4939: 4935: 4925: 4923: 4906: 4902: 4891:Elvispelvis.com 4883: 4879: 4869: 4867: 4850: 4839: 4829: 4827: 4812: 4811: 4804: 4800:Porter, p. 211. 4799: 4795: 4790: 4786: 4765: 4761: 4757:Porter, p. 265. 4756: 4752: 4747: 4743: 4733: 4731: 4720: 4716: 4711: 4707: 4702: 4698: 4693: 4680: 4663: 4662: 4654:A Love Supreme" 4650: 4649: 4645: 4640: 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114: 110: 97: 91: 89: 76: 66: 56: 44: 35: 28: 23: 22: 15: 12: 11: 5: 7908: 7898: 7897: 7892: 7887: 7882: 7877: 7872: 7867: 7862: 7857: 7852: 7847: 7842: 7837: 7832: 7827: 7822: 7817: 7812: 7807: 7802: 7797: 7792: 7787: 7782: 7777: 7772: 7767: 7762: 7757: 7752: 7747: 7742: 7737: 7732: 7727: 7722: 7717: 7712: 7707: 7702: 7697: 7692: 7687: 7682: 7677: 7672: 7667: 7662: 7657: 7652: 7647: 7642: 7637: 7632: 7627: 7622: 7617: 7612: 7597: 7596: 7584: 7572: 7560: 7537: 7536: 7533: 7530: 7529: 7527: 7526: 7520: 7517:John Hohenberg 7514: 7508: 7498: 7491: 7489: 7485: 7484: 7482: 7481: 7475: 7469: 7463: 7457: 7451: 7448:Duke Ellington 7445: 7439: 7433: 7430:Milton Babbitt 7427: 7421: 7418:Roger Sessions 7415: 7398: 7396: 7392: 7391: 7389: 7388: 7382: 7373:Art Spiegelman 7370: 7364: 7358: 7346: 7336: 7328: 7316: 7310: 7292: 7281: 7279: 7275: 7274: 7260: 7258: 7256: 7255: 7249: 7243: 7235: 7229: 7223: 7215: 7209: 7201: 7189: 7179: 7171: 7165: 7157: 7149: 7143: 7136: 7134: 7130: 7129: 7122: 7121: 7114: 7107: 7099: 7090: 7089: 7087: 7086: 7080: 7077:Alice Coltrane 7074: 7067: 7065: 7061: 7060: 7058: 7057: 7053:Spirit Fiction 7049: 7041: 7037:Blending Times 7033: 7025: 7017: 7009: 7000: 6998: 6994: 6993: 6988: 6985: 6984: 6977: 6976: 6969: 6962: 6954: 6945: 6944: 6942: 6941: 6940:(2023–present) 6933: 6931:Dix Hills home 6928: 6922: 6915: 6913: 6909: 6908: 6906: 6905: 6897: 6889: 6881: 6873: 6865: 6859: 6853: 6845: 6837: 6829: 6821: 6813: 6805: 6802:Carlos Santana 6793: 6785: 6777: 6769: 6761: 6753: 6745: 6737: 6724: 6722: 6718: 6717: 6714:Alice Coltrane 6710: 6709: 6702: 6695: 6687: 6678: 6677: 6675: 6674: 6667: 6665:Tribute albums 6662: 6657: 6652: 6650:Dix Hills home 6647: 6642: 6636: 6633:Alice Coltrane 6630: 6625: 6620: 6614: 6612: 6608: 6607: 6605: 6604: 6597: 6590: 6582: 6580: 6576: 6575: 6573: 6572: 6565: 6558: 6551: 6544: 6537: 6530: 6523: 6516: 6509: 6502: 6495: 6488: 6480: 6478: 6474: 6473: 6471: 6470: 6463: 6456: 6449: 6442: 6435: 6428: 6421: 6414: 6407: 6400: 6393: 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5487: 5479: 5473: 5472: 5467: 5462: 5449: 5443: 5437: 5431: 5425: 5411: 5402: 5386: 5385:External links 5383: 5382: 5381: 5375: 5358: 5352: 5337: 5331: 5315: 5307: 5301: 5283: 5278:978-0786494965 5277: 5260: 5259: 5254: 5248: 5247: 5236: 5235: 5233: 5230: 5229: 5228: 5222: 5206: 5200: 5186:Nisenson, Eric 5182: 5176: 5163: 5157: 5142: 5139: 5137: 5136: 5095: 5069: 5048: 5011: 4981: 4951: 4933: 4900: 4877: 4837: 4802: 4793: 4784: 4759: 4750: 4741: 4714: 4705: 4696: 4678: 4643: 4634: 4622: 4620:Porter, p. 61. 4613: 4583: 4564: 4544: 4537: 4519: 4510: 4498: 4472: 4457:. drrick.com. 4446: 4431: 4414:All About Jazz 4400: 4365: 4330: 4323: 4305: 4290: 4256: 4222: 4213: 4198: 4166: 4157: 4148: 4130: 4099: 4090: 4064: 4046: 4031: 4013: 3998: 3980: 3940: 3904: 3873: 3840: 3807: 3777: 3747: 3717: 3702: 3661: 3630: 3611: 3592: 3583: 3553: 3535: 3517: 3499: 3482: 3475: 3453: 3435: 3417: 3402: 3384: 3366: 3348: 3330: 3312: 3294: 3276: 3261: 3246: 3228: 3211: 3179: 3154: 3124: 3091: 3072: 3052: 3026: 2999: 2970: 2951: 2931: 2916: 2907: 2874: 2865: 2858: 2838: 2829: 2820: 2801: 2781: 2751: 2737: 2715: 2684: 2675: 2666: 2657: 2648: 2633: 2618: 2606: 2597: 2588: 2573: 2555: 2537: 2507: 2477: 2446: 2444: 2441: 2418: 2415: 2361:A Love Supreme 2341: 2338: 2333:Main article: 2330: 2329:Sessionography 2327: 2326: 2325: 2317: 2309: 2301: 2293: 2285: 2277: 2269: 2265:A Love Supreme 2261: 2253: 2245: 2237: 2229: 2221: 2213: 2205: 2197: 2187: 2184: 2183: 2182: 2174: 2166: 2158: 2148: 2145: 2144: 2143: 2135: 2127: 2119: 2109: 2106: 2097:Main article: 2094: 2091: 2021: 2020: 2017: 2011: 2010: 2007: 2001: 2000: 1994: 1988: 1987: 1978: 1974: 1973: 1970:(aged 40) 1964: 1960: 1959: 1947: 1943: 1942: 1939: 1931: 1930: 1927: 1921: 1918: 1912: 1909: 1800:A Love Supreme 1795: 1792: 1783: 1780: 1772:A Love Supreme 1767: 1764: 1747: 1746:First marriage 1744: 1727: 1724: 1722: 1719: 1696:Selmer Mark VI 1657:A Love Supreme 1619: 1616: 1568: 1565: 1523:Alice Coltrane 1464: 1461: 1370:A Love Supreme 1353:, and drummer 1326: 1323: 1319:A Love Supreme 1307:A Love Supreme 1292:A Love Supreme 1275:A Love Supreme 1205:Johnny Hartman 1201:Duke Ellington 1182:Jimmy Garrison 1168: 1162: 1152: 1147: 1146: 1145: 1136: 1135: 1134: 1132: 1129: 1112:Jimmy Garrison 1080:Donald Garrett 1041:Reggie Workman 1013: 1010: 994:, and drummer 970: 969: 958: 952: 942: 937: 936: 935: 926: 925: 924: 900: 897: 828: 825: 779:Five Spot Café 777:at New York's 722: 719: 695:Hasaan Ibn Ali 660:Dennis Sandole 639: 636: 614: 611: 603:Charlie Parker 588:sugar refinery 546: 545: 543: 540: 538: 535: 527:Alice Coltrane 507:A Love Supreme 474:North Carolina 455:Musical artist 454: 451: 450: 447: 446: 444: 443: 438: 433: 427: 425: 421: 420: 418: 417: 416: 415: 404: 402: 398: 397: 395: 394: 389: 383: 381: 377: 376: 371: 367: 366: 363: 359: 358: 353: 347: 346: 343: 339: 338: 334: 333: 330: 329: 320: 316: 315: 312: 311: 309: 308: 297: 293:Alice Coltrane 291: 290: 289: 288: 271: 267: 264: 263: 262: 261: 256: 254: 248: 247: 245: 244: 239: 234: 229: 223: 221: 217: 216: 213: 207: 206: 204: 203: 198: 193: 191:alto saxophone 188: 183: 177: 175: 171: 170: 168: 167: 164: 161: 157: 155: 151: 150: 148: 147: 142: 137: 132: 126: 124: 120: 119: 113:(aged 40) 107: 103: 102: 87: 83: 82: 79: 73: 72: 69: 63: 62: 58: 57: 54: 46: 45: 42: 26: 9: 6: 4: 3: 2: 7907: 7896: 7893: 7891: 7888: 7886: 7883: 7881: 7878: 7876: 7873: 7871: 7868: 7866: 7863: 7861: 7858: 7856: 7853: 7851: 7848: 7846: 7843: 7841: 7838: 7836: 7833: 7831: 7828: 7826: 7823: 7821: 7818: 7816: 7813: 7811: 7808: 7806: 7803: 7801: 7798: 7796: 7793: 7791: 7788: 7786: 7783: 7781: 7778: 7776: 7773: 7771: 7768: 7766: 7763: 7761: 7758: 7756: 7753: 7751: 7748: 7746: 7743: 7741: 7738: 7736: 7733: 7731: 7728: 7726: 7723: 7721: 7718: 7716: 7713: 7711: 7708: 7706: 7703: 7701: 7698: 7696: 7693: 7691: 7688: 7686: 7683: 7681: 7678: 7676: 7673: 7671: 7668: 7666: 7663: 7661: 7658: 7656: 7653: 7651: 7648: 7646: 7643: 7641: 7638: 7636: 7633: 7631: 7628: 7626: 7623: 7621: 7618: 7616: 7613: 7611: 7610:John Coltrane 7608: 7607: 7605: 7595: 7585: 7583: 7573: 7571: 7561: 7559: 7554: 7549: 7548: 7545: 7531: 7524: 7521: 7518: 7515: 7512: 7509: 7506: 7502: 7499: 7496: 7493: 7492: 7490: 7486: 7479: 7476: 7473: 7472:Hank Williams 7470: 7467: 7464: 7461: 7458: 7455: 7452: 7449: 7446: 7443: 7440: 7437: 7434: 7431: 7428: 7425: 7422: 7419: 7416: 7413: 7412: 7407: 7403: 7400: 7399: 7397: 7393: 7386: 7383: 7380: 7379: 7374: 7371: 7368: 7365: 7362: 7359: 7356: 7352: 7351: 7347: 7344: 7340: 7337: 7334: 7333: 7329: 7326: 7322: 7321: 7317: 7314: 7311: 7308: 7304: 7300: 7299:Carl Sandburg 7296: 7293: 7290: 7289:Sara Teasdale 7286: 7283: 7282: 7280: 7276: 7271: 7264: 7253: 7250: 7247: 7244: 7241: 7240: 7236: 7233: 7230: 7227: 7224: 7221: 7220: 7216: 7213: 7210: 7207: 7206: 7202: 7199: 7198: 7193: 7190: 7187: 7183: 7180: 7177: 7176: 7172: 7169: 7166: 7163: 7162: 7158: 7155: 7154: 7150: 7147: 7144: 7141: 7140:Frank I. Cobb 7138: 7137: 7135: 7131: 7127: 7120: 7115: 7113: 7108: 7106: 7101: 7100: 7097: 7084: 7081: 7078: 7075: 7072: 7071:John Coltrane 7069: 7068: 7066: 7062: 7055: 7054: 7050: 7047: 7046: 7042: 7039: 7038: 7034: 7031: 7030: 7026: 7023: 7022: 7018: 7015: 7014: 7010: 7007: 7006: 7002: 7001: 6999: 6995: 6991: 6986: 6982: 6981:Ravi Coltrane 6975: 6970: 6968: 6963: 6961: 6956: 6955: 6952: 6939: 6938: 6934: 6932: 6929: 6926: 6925:Ravi Coltrane 6923: 6920: 6919:John Coltrane 6917: 6916: 6914: 6910: 6903: 6902: 6898: 6895: 6894: 6890: 6887: 6886: 6882: 6879: 6878: 6874: 6871: 6870: 6866: 6863: 6860: 6857: 6854: 6851: 6850: 6846: 6843: 6842: 6838: 6835: 6834: 6830: 6827: 6826: 6825:Transcendence 6822: 6819: 6818: 6814: 6811: 6810: 6806: 6803: 6799: 6798: 6797:Illuminations 6794: 6791: 6790: 6789:Lord of Lords 6786: 6783: 6782: 6778: 6775: 6774: 6770: 6767: 6766: 6762: 6759: 6758: 6754: 6751: 6750: 6746: 6743: 6742: 6738: 6735: 6734:John Coltrane 6731: 6730: 6726: 6725: 6723: 6719: 6715: 6708: 6703: 6701: 6696: 6694: 6689: 6688: 6685: 6673: 6672: 6668: 6666: 6663: 6661: 6658: 6656: 6653: 6651: 6648: 6646: 6643: 6640: 6639:Ravi Coltrane 6637: 6634: 6631: 6629: 6626: 6624: 6621: 6619: 6616: 6615: 6613: 6609: 6603: 6602: 6598: 6596: 6595: 6591: 6589: 6588: 6584: 6583: 6581: 6579:Documentaries 6577: 6570: 6566: 6563: 6559: 6556: 6552: 6549: 6545: 6542: 6538: 6535: 6531: 6528: 6524: 6521: 6517: 6514: 6510: 6507: 6503: 6500: 6496: 6493: 6489: 6486: 6482: 6481: 6479: 6475: 6469: 6468: 6467:Trane's Modes 6464: 6462: 6461: 6460:Trane's Blues 6457: 6455: 6454: 6450: 6448: 6447: 6443: 6441: 6440: 6436: 6434: 6433: 6429: 6427: 6426: 6422: 6420: 6419: 6415: 6413: 6412: 6408: 6406: 6405: 6401: 6399: 6398: 6394: 6392: 6391: 6387: 6385: 6384: 6380: 6378: 6377: 6373: 6371: 6370: 6366: 6364: 6363: 6359: 6357: 6356: 6352: 6350: 6349: 6345: 6343: 6342: 6338: 6336: 6335: 6331: 6329: 6328: 6324: 6323: 6321: 6317: 6311: 6310: 6306: 6304: 6303: 6299: 6297: 6296: 6292: 6290: 6289: 6285: 6283: 6282: 6278: 6276: 6275: 6271: 6269: 6268: 6264: 6262: 6261: 6257: 6255: 6254: 6250: 6248: 6247: 6243: 6241: 6240: 6236: 6234: 6233: 6229: 6227: 6226: 6225:Live in Japan 6222: 6220: 6219: 6215: 6213: 6212: 6208: 6206: 6205: 6201: 6199: 6198: 6194: 6192: 6191: 6187: 6186: 6184: 6180: 6174: 6173: 6169: 6167: 6166: 6162: 6160: 6159: 6155: 6153: 6152: 6148: 6146: 6145: 6141: 6140: 6138: 6136: 6130: 6124: 6123: 6119: 6117: 6116: 6112: 6110: 6109: 6105: 6103: 6102: 6098: 6096: 6095: 6091: 6089: 6088: 6084: 6082: 6081: 6077: 6075: 6074: 6070: 6068: 6067: 6063: 6061: 6060: 6056: 6054: 6053: 6049: 6047: 6046: 6042: 6040: 6039: 6035: 6033: 6032: 6028: 6026: 6025: 6021: 6019: 6018: 6014: 6012: 6011: 6007: 6006: 6004: 6002: 5996: 5990: 5989: 5985: 5983: 5982: 5978: 5976: 5975: 5971: 5969: 5968: 5964: 5962: 5961: 5957: 5955: 5954: 5950: 5948: 5947: 5943: 5941: 5940: 5936: 5934: 5933: 5929: 5927: 5926: 5922: 5920: 5919: 5915: 5912: 5908: 5907: 5903: 5901: 5900: 5896: 5894: 5893: 5889: 5887: 5886: 5882: 5880: 5879: 5875: 5873: 5872: 5868: 5866: 5865: 5861: 5859: 5858: 5854: 5852: 5851: 5847: 5845: 5844: 5840: 5838: 5837: 5833: 5831: 5830: 5826: 5824: 5823: 5819: 5817: 5816: 5812: 5810: 5809: 5805: 5804: 5802: 5798: 5794: 5788: 5787: 5783: 5781: 5780: 5776: 5774: 5773: 5769: 5767: 5766: 5762: 5760: 5759: 5755: 5753: 5752: 5751:Coltrane Jazz 5748: 5745: 5741: 5740: 5736: 5734: 5733: 5729: 5728: 5726: 5722: 5718: 5712: 5711: 5710:Coltrane Time 5707: 5705: 5704: 5700: 5699: 5697: 5693: 5689: 5683: 5682: 5678: 5676: 5675: 5671: 5669: 5668: 5664: 5662: 5661: 5657: 5655: 5654: 5650: 5648: 5647: 5643: 5641: 5640: 5636: 5634: 5633: 5629: 5627: 5626: 5622: 5620: 5619: 5615: 5613: 5612: 5608: 5605: 5604:Kenny Burrell 5601: 5597: 5596: 5592: 5590: 5589: 5585: 5583: 5582: 5578: 5576: 5575: 5571: 5569: 5568: 5564: 5562: 5561: 5557: 5555: 5554: 5550: 5548: 5547: 5543: 5540: 5536: 5535: 5531: 5530: 5528: 5524: 5520: 5516: 5511: 5507: 5506:John Coltrane 5500: 5495: 5493: 5488: 5486: 5481: 5480: 5477: 5471: 5468: 5466: 5463: 5460: 5456: 5453: 5452:John Coltrane 5450: 5447: 5446:John Coltrane 5444: 5441: 5438: 5435: 5434:John Coltrane 5432: 5429: 5428:John Coltrane 5426: 5423: 5419: 5415: 5414:John Coltrane 5412: 5410: 5406: 5405:John Coltrane 5403: 5400: 5394: 5389: 5388: 5378: 5376:0-02-864790-4 5372: 5367: 5366: 5359: 5355: 5353:0-306-80043-8 5349: 5345: 5344: 5338: 5334: 5332:0-915542-82-X 5328: 5324: 5320: 5316: 5313: 5308: 5304: 5302:0-14-200352-2 5298: 5294: 5293: 5288: 5284: 5280: 5274: 5271:. McFarland. 5270: 5265: 5264: 5258: 5255: 5253: 5250: 5249: 5244: 5243:John Coltrane 5239: 5225: 5223:0-472-08643-X 5219: 5215: 5211: 5210:Porter, Lewis 5207: 5203: 5201:0-306-80644-4 5197: 5193: 5192: 5187: 5183: 5179: 5177:0-8264-1815-5 5173: 5169: 5164: 5160: 5154: 5151:. Routledge. 5150: 5145: 5144: 5124: 5120: 5116: 5112: 5111: 5106: 5099: 5088:September 10, 5083: 5079: 5073: 5066: 5065:1-57392-963-8 5062: 5058: 5052: 5045: 5042: 5029: 5025: 5021: 5015: 4999: 4995: 4991: 4985: 4969: 4965: 4961: 4955: 4947: 4943: 4937: 4921: 4917: 4916: 4911: 4904: 4896: 4892: 4888: 4881: 4865: 4861: 4860: 4855: 4848: 4846: 4844: 4842: 4825: 4821: 4820: 4815: 4809: 4807: 4797: 4788: 4781: 4777: 4773: 4769: 4768:Bhagavad Gita 4763: 4754: 4745: 4729: 4725: 4718: 4709: 4700: 4691: 4689: 4687: 4685: 4683: 4676: 4673: 4667: 4659: 4656: 4655: 4647: 4638: 4629: 4627: 4617: 4601: 4597: 4593: 4587: 4571: 4567: 4561: 4557: 4556: 4548: 4540: 4538:0-87910-167-9 4534: 4530: 4523: 4514: 4505: 4503: 4486: 4482: 4476: 4460: 4456: 4450: 4442: 4435: 4419: 4415: 4411: 4410:"Rashied Ali" 4404: 4397: 4384: 4380: 4376: 4369: 4362: 4349: 4345: 4341: 4334: 4326: 4320: 4316: 4315:John Coltrane 4309: 4301: 4294: 4278: 4274: 4270: 4266: 4260: 4244: 4240: 4236: 4229: 4227: 4217: 4209: 4202: 4194: 4188: 4180: 4173: 4171: 4161: 4152: 4144: 4137: 4135: 4118: 4114: 4110: 4103: 4094: 4083:September 20, 4079: 4075: 4068: 4060: 4056: 4055:Porter, Lewis 4050: 4042: 4035: 4027: 4023: 4022:Giddins, Gary 4017: 4009: 4002: 3994: 3990: 3984: 3968: 3964: 3963: 3962:SFJAZZ Center 3958: 3951: 3949: 3947: 3945: 3928: 3924: 3923: 3918: 3911: 3909: 3892: 3888: 3884: 3877: 3861: 3857: 3856: 3851: 3844: 3828: 3824: 3823: 3818: 3811: 3795: 3791: 3787: 3781: 3765: 3761: 3757: 3751: 3735: 3731: 3727: 3721: 3713: 3706: 3690: 3686: 3682: 3678: 3677:The Telegraph 3673: 3665: 3649: 3645: 3641: 3634: 3618: 3614: 3612:9781257544486 3608: 3604: 3603: 3596: 3587: 3571: 3567: 3563: 3557: 3549: 3542: 3540: 3531: 3527: 3526:Porter, Lewis 3521: 3513: 3506: 3504: 3495: 3494: 3486: 3478: 3472: 3467: 3466: 3457: 3449: 3445: 3444:Porter, Lewis 3439: 3431: 3427: 3426:Porter, Lewis 3421: 3413: 3406: 3398: 3394: 3393:Porter, Lewis 3388: 3380: 3376: 3370: 3362: 3358: 3357:Porter, Lewis 3352: 3344: 3340: 3334: 3326: 3322: 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Bible, 1845: 1841: 1837: 1836: 1831: 1827: 1826:Bhagavad Gita 1823: 1822: 1817: 1813: 1809: 1805: 1801: 1791: 1789: 1779: 1777: 1773: 1763: 1761: 1756: 1754: 1743: 1741: 1737: 1733: 1718: 1716: 1715: 1710: 1709: 1708:Live in Japan 1704: 1699: 1697: 1692: 1690: 1686: 1685: 1680: 1675: 1671: 1670: 1665: 1664: 1659: 1658: 1651: 1649: 1648: 1643: 1642: 1636: 1633: 1627: 1625: 1615: 1611: 1609: 1605: 1600: 1598: 1594: 1590: 1586: 1582: 1578: 1574: 1564: 1562: 1558: 1557: 1552: 1551: 1546: 1545: 1540: 1539: 1538:Live in Japan 1534: 1533: 1527: 1524: 1519: 1515: 1510: 1508: 1507: 1502: 1501: 1496: 1495: 1490: 1489: 1484: 1483: 1478: 1469: 1460: 1458: 1454: 1450: 1446: 1442: 1441: 1436: 1432: 1428: 1424: 1419: 1417: 1416: 1411: 1410: 1405: 1404: 1399: 1398: 1393: 1392: 1387: 1386: 1380: 1376: 1371: 1366: 1364: 1360: 1356: 1352: 1348: 1344: 1340: 1331: 1322: 1320: 1316: 1312: 1308: 1303: 1301: 1297: 1293: 1289: 1285: 1281: 1277: 1276: 1270: 1268: 1267: 1262: 1261: 1255: 1253: 1252: 1247: 1246: 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Wells 7237: 7217: 7203: 7195: 7186:Arthur Krock 7173: 7159: 7151: 7083:Flying Lotus 7070: 7051: 7043: 7035: 7027: 7019: 7011: 7003: 6989: 6935: 6918: 6899: 6891: 6883: 6875: 6867: 6861: 6855: 6849:Divine Songs 6847: 6841:Turiya Sings 6839: 6831: 6823: 6815: 6807: 6800:(1974, with 6795: 6787: 6781:World Galaxy 6779: 6771: 6763: 6755: 6747: 6739: 6733: 6729:Cosmic Music 6727: 6669: 6599: 6592: 6585: 6477:Compositions 6465: 6458: 6451: 6446:Living Space 6444: 6437: 6430: 6423: 6416: 6409: 6402: 6395: 6390:Feelin' Good 6388: 6381: 6374: 6367: 6360: 6353: 6346: 6339: 6332: 6325: 6319:Compilations 6307: 6300: 6293: 6286: 6279: 6272: 6265: 6258: 6251: 6244: 6237: 6230: 6223: 6216: 6209: 6202: 6195: 6188: 6170: 6163: 6158:Monk's Music 6156: 6149: 6142: 6120: 6113: 6106: 6099: 6092: 6085: 6078: 6071: 6064: 6057: 6052:Kind of Blue 6050: 6043: 6036: 6029: 6022: 6015: 6008: 5986: 5979: 5972: 5965: 5958: 5951: 5944: 5937: 5930: 5923: 5916: 5906:Cosmic Music 5904: 5897: 5890: 5885:Kulu Sé Mama 5883: 5876: 5869: 5862: 5855: 5848: 5841: 5834: 5827: 5820: 5813: 5808:Africa/Brass 5806: 5784: 5777: 5770: 5765:Olé Coltrane 5763: 5756: 5749: 5744:Milt Jackson 5737: 5730: 5708: 5701: 5679: 5672: 5665: 5660:Black Pearls 5658: 5653:The Believer 5651: 5644: 5637: 5630: 5623: 5616: 5609: 5593: 5586: 5579: 5572: 5565: 5558: 5551: 5544: 5539:Tadd Dameron 5532: 5505: 5458: 5454: 5364: 5342: 5322: 5311: 5291: 5287:Kahn, Ashley 5268: 5242: 5213: 5190: 5167: 5148: 5129:December 13, 5127:. 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In 1972, 2297:Meditations 2241:Impressions 2154:Giant Steps 2083:Alan Yentob 2019:All artists 1808:Meditations 1776:Meditations 1674:Nat Hentoff 1618:Instruments 1602:Biographer 1597:Farmingdale 1518:Nat Hentoff 1503:(1978) and 1491:(1972) and 1482:Meditations 1477:Rashied Ali 1445:overblowing 1288:Meditations 1233:Impressions 1228:Newport '63 1216:Impressions 1203:and singer 1084:Eric Dolphy 1045:Eric Dolphy 996:Elvin Jones 992:Steve Davis 988:McCoy Tyner 906:Giant Steps 888:(1963) and 848:Red Garland 846:; pianists 731:Red Garland 727:Miles Davis 711:Earl Bostic 699:Jimmy Heath 668:Jimmy Heath 498:Miles Davis 174:Instruments 154:Occupations 7604:Categories 7361:E.B. White 7355:Alex Haley 7285:Love Songs 7133:Journalism 6499:Blue Train 6397:Gold Coast 6115:1958 Miles 6059:Jazz Track 6038:Milestones 5988:Blue World 5925:Transition 5892:Expression 5703:Blue Train 5681:Two Tenors 5459:Jazz Times 5430:infography 5024:Diverse.tv 4734:October 9, 4324:030681062X 3800:October 9, 2321:Expression 2123:Blue Train 1952:1926-09-23 1920:Veneration 1647:Expression 1624:King Kolax 1544:Expression 1397:Transition 1260:Blue World 1173:media help 1057:modal jazz 990:, bassist 976:Steve Kuhn 963:media help 873:Milestones 868:Jimmy Cobb 858:; bassist 852:Bill Evans 833:Ira Gitler 807:, bassist 805:Lee Morgan 800:Blue Train 733:on piano, 691:Odean Pope 664:King Kolax 644:jazz scene 514:, and was 342:Allegiance 166:bandleader 135:modal jazz 92:1926-09-23 67:Birth name 7570:Biography 7466:Bob Dylan 7411:Oklahoma! 7232:Herb Caen 6937:The Curse 6921:(husband) 6541:Lazy Bird 6513:Countdown 6411:High Step 5871:Ascension 5692:Blue Note 5611:Lush Life 5581:Soultrane 5560:Interplay 5321:(1989) . 5289:(2003) . 5119:0042-2738 5004:April 16, 4830:April 16, 4424:March 16, 4187:cite book 3855:Pitchfork 3822:Pitchfork 3685:0307-1235 3623:March 29, 3147:March 29, 3117:March 29, 2443:Citations 2425:, called 2407:Dix Hills 2390:in 2009. 2354:Down Beat 2281:Ascension 2139:Soultrane 2015:Patronage 1992:Canonized 1872:Aristotle 1852:astrology 1804:Ascension 1608:hepatitis 1563:in 2001. 1440:Ascension 1379:altissimo 1351:Paul Bley 1300:Dix Hills 1280:Ascension 1107:Ascension 1076:Art Davis 1061:free jazz 821:Lazy Bird 687:Tab Smith 648:G.I. Bill 576:alto horn 537:Biography 516:canonized 494:free jazz 365:1945–1946 232:Blue Note 215:1945–1967 140:free jazz 7503:and the 7497:* (1944) 7192:Max Kase 7142:* (1924) 7085:(cousin) 7079:(mother) 7073:(father) 6809:Eternity 6555:Mr. P.C. 6073:Steamin' 6031:Relaxin' 5939:Infinity 5932:Sun Ship 5850:Crescent 5815:Coltrane 5797:Impulse! 5721:Atlantic 5639:Stardust 5595:The Cats 5553:Coltrane 5523:Prestige 5212:(1999). 5188:(1995). 5123:Archived 5082:Archived 5028:Archived 4994:HuffPost 4974:April 3, 4920:Archived 4864:Archived 4776:oblation 4666:cite web 4570:Archived 4485:Archived 4465:April 7, 4459:Archived 4418:Archived 4383:Archived 4348:Archived 4277:Archived 4243:Archived 4239:AllMusic 4123:June 29, 4113:The Wire 4057:(1999). 4024:(1998). 3991:(2018). 3967:Archived 3927:Archived 3891:Archived 3860:Archived 3827:Archived 3794:Archived 3770:July 19, 3764:Archived 3740:July 19, 3734:Archived 3689:Archived 3648:Archived 3617:Archived 3576:July 30, 3570:Archived 3568:. 1997. 3528:(1999). 3493:DownBeat 3446:(1999). 3428:(1999). 3395:(1999). 3377:(2007). 3359:(1999). 3341:(2007). 3323:(1999). 3305:(1999). 3287:(2007). 3239:(1999). 3222:DownBeat 3198:Archived 3167:Jazzwise 3141:Archived 3111:Archived 3078:Archived 3039:Archived 3019:July 12, 3013:Archived 2992:June 29, 2957:Archived 2894:Archived 2807:Archived 2768:Archived 2702:Archived 2566:(1999). 2548:(1999). 2524:Archived 2499:June 29, 2493:Archived 2464:Archived 2417:In media 2257:Crescent 2209:Coltrane 2115:Coltrane 2085:for the 1856:Hinduism 1848:Kabbalah 1663:Crescent 1632:all over 1561:an album 1509:(1994). 1453:growling 1409:Sun Ship 1315:Impulse! 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