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Concert aria

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for operas, that is those that were written as additions to the score after its initial completion or as possible substitutions for other arias. These are sometimes performed in concerts because they are no longer required for their original purpose, though they were not, strictly speaking, composed
134:) composed for singer and orchestra, written specifically for performance in concert rather than as part of an opera. Concert arias have often been composed for particular singers, the composer always bearing that singer's voice and skill in mind when composing the work. 266: 216: 259:, who was only 18 at the time. Sopranos who are able to cope with the aria's demands have been few and far between, and the aria is usually omitted from performances of 263:. It has been therefore redesignated a concert aria, to be presented in concerts by such rare singers as are able to deliver its fiendishly difficult coloratura. 271: 245:, the highest musical note ever scored for the human voice) that come shortly before the end. This aria was composed in order to be inserted into 446: 427: 86: 388: 58: 105: 65: 43: 72: 39: 483: 462: 442: 54: 280: 168: 290: 466: 242: 300: 146: 32: 310: 255:, and also specifically to showcase the superlative vocal skills of Mozart's sister-in-law, 226: 178: 149:
most frequently performed today, but there are many examples by other composers, such as:
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List of concert arias, songs and canons by Wolfgang Amadeus Mozart
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Among the more well-known of Mozart's concert arias are:
349: 337: 46:. Unsourced material may be challenged and removed. 475: 372: 370: 368: 366: 364: 387:"Nehmt meinen Dank, ihr holden Gönner!" ( 106:Learn how and when to remove this message 417: 376: 469:. PTC 5186885 – via academia.edu. 404: 361: 355: 343: 267:"Nehmt meinen Dank, ihr holden Gönner!" 233:316, for soprano, with its two famous G 210: 476: 44:adding citations to reliable sources 15: 13: 435: 14: 500: 418:Libonati, Rodrigo Maffei (2008). 430:from the original on 2009-10-27. 20: 31:needs additional citations for 381: 153:"Son qual nave ch'agitata" by 1: 325: 142:for performance in concert. 7: 10: 505: 214: 463:Il Pomo d'Oro (orchestra) 291:Vorrei spiegarvi, oh Dio! 321:obbligato, and orchestra 243:Guinness Book of Records 157:(written for the famous 137:The term also refers to 405:Garrett, David (2011). 303:", K. 528, written for 293:", K. 418, written for 283:", K. 505, written for 197:"Scena di Berenice" by 147:Wolfgang Amadeus Mozart 420:"Mozart Concert Arias" 407:Romantic Concert Arias 281:Ch'io mi scordi di te? 276:, K. 383, for soprano. 311:Per questa bella mano 145:The concert arias of 227:Popoli di Tessaglia! 211:Mozart concert arias 179:Ludwig van Beethoven 40:improve this article 484:Musical terminology 459:Antonello Manacorda 241:- according to the 237:notes (i.e., the G 205:Felix Mendelssohn 191:and orchestra by 116: 115: 108: 90: 496: 470: 431: 414: 392: 385: 379: 374: 359: 353: 347: 341: 301:Bella mia fiamma 275: 155:Riccardo Broschi 111: 104: 100: 97: 91: 89: 48: 24: 16: 504: 503: 499: 498: 497: 495: 494: 493: 474: 473: 455:Lisette Oropesa 453:(liner notes). 441: 438: 436:Further reading 396: 395: 386: 382: 375: 362: 354: 350: 342: 338: 328: 313:", K. 612, for 305:Josepha Duschek 269: 236: 219: 213: 203:"Infelice!" by 139:insertion arias 122:is normally an 112: 101: 95: 92: 49: 47: 37: 25: 12: 11: 5: 502: 492: 491: 486: 472: 471: 451:Ombra Compagna 437: 434: 433: 432: 415: 394: 393: 380: 360: 348: 335: 334: 327: 324: 323: 322: 307: 297: 287: 277: 264: 234: 215:Main article: 212: 209: 208: 207: 201: 195: 181: 171: 165: 114: 113: 55:"Concert aria" 28: 26: 19: 9: 6: 4: 3: 2: 501: 490: 487: 485: 482: 481: 479: 468: 464: 461:(conductor), 460: 456: 452: 448: 444: 443:Rice, John A. 440: 439: 429: 425: 421: 416: 413:. ABC4764434. 412: 408: 403: 402: 401: 400: 390: 384: 378: 377:Libonati 2008 373: 371: 369: 367: 365: 357: 352: 345: 340: 336: 333: 332: 320: 316: 312: 308: 306: 302: 298: 296: 295:Aloysia Weber 292: 288: 286: 285:Nancy Storace 282: 278: 273: 268: 265: 262: 258: 257:Aloysia Weber 254: 253: 248: 244: 240: 232: 228: 224: 223: 222: 218: 206: 202: 200: 196: 194: 190: 186: 182: 180: 176: 172: 170: 166: 163: 160: 156: 152: 151: 150: 148: 143: 140: 135: 133: 129: 125: 121: 110: 107: 99: 88: 85: 81: 78: 74: 71: 67: 64: 60: 57: –  56: 52: 51:Find sources: 45: 41: 35: 34: 29:This article 27: 23: 18: 17: 450: 423: 411:ABC Classics 406: 398: 397: 383: 358:, p. 5. 356:Garrett 2011 351: 346:, p. 8. 344:Garrett 2011 339: 330: 329: 260: 250: 239:above high C 220: 199:Joseph Haydn 169:Juan Arriaga 167:"Ermina" by 144: 136: 131: 120:concert aria 119: 117: 102: 93: 83: 76: 69: 62: 50: 38:Please help 33:verification 30: 457:(soprano), 319:double bass 270: [ 175:Ah! perfido 478:Categories 326:References 193:Alban Berg 66:newspapers 467:Pentatone 249:'s opera 162:Farinelli 445:(2021). 428:Archived 424:re:opera 185:Der Wein 159:castrato 128:operatic 96:May 2015 399:Sources 261:Alceste 252:Alceste 189:soprano 130:scene ( 80:scholar 409:(CD). 272:scores 187:" for 82:  75:  68:  61:  53:  489:Arias 389:Score 331:Notes 274:] 247:Gluck 177:" by 132:scena 87:JSTOR 73:books 315:bass 124:aria 59:news 229:", 126:or 42:by 480:: 465:. 449:. 426:. 422:. 363:^ 317:, 231:K. 118:A 391:) 309:" 299:" 289:" 279:" 235:6 225:" 183:" 173:" 164:) 109:) 103:( 98:) 94:( 84:· 77:· 70:· 63:· 36:.

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"Concert aria"
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JSTOR
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aria
operatic
insertion arias
Wolfgang Amadeus Mozart
Riccardo Broschi
castrato
Farinelli
Juan Arriaga
Ah! perfido
Ludwig van Beethoven
Der Wein
soprano
Alban Berg
Joseph Haydn
Felix Mendelssohn
List of concert arias, songs and canons by Wolfgang Amadeus Mozart
Popoli di Tessaglia!
K.
above high C

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