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to a family of craftsmen. His musical ability must have become apparent early, for he received an excellent training with the support of aristocratic patrons. In 1447 he became the official town organist of
Nuremberg, and the councilors even issued orders for him not to leave without their
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Anno 1473, on the evening of St. Paul's conversion died and was here buried the most ingenious master of all instruments and music, Cunrad Pauman , knight, born blind at
Nuremberg, God have mercy upon him.
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for the lute in
Germany; while it cannot be proven, it seems reasonable both because of Paumann's influence, and because of the ease with which music can be dictated using tablature.
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While exact records of his travels do not remain, they were clearly extensive, and everywhere he went he was greeted with astonishment; his renown as a performer and composer grew.
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idiom that it follows that
Paumann knew the music of the Franco-Flemish composers. Most likely he encountered it on his travels, for instance when he went to Milan.
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as court organist, who also gave him a house. Munich was officially his home for the remainder of his life, although he began to travel extensively.
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family was beginning to build their chapel into the most impressive singing and composition establishment in Europe:
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and others were all there; some of them may have heard him play, and may have exchanged musical ideas with him. In
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Most of his music is instrumental, and some of it considerably virtuosic. Only one vocal composition survives, a
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As rebellious as he was talented, Paumann left what was probably a stifling environment, traveling secretly to
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of approximately the same date; the double source is housed in the Berlin
Staatsbibliothek.
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Paumann's gift, his disability, his instrument, and his influence are all reminiscent of
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349:(Music Literature Outlines Series I). Bloomington, Indiana. Frangipani Press, 1986.
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of 1452, an instruction manual for improvisation, was combined with the
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Paumann, being blind, never wrote down his music, and may have been an
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for three voices; stylistically it is so close to the contemporary
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Techniques and Repertoire, Vol. 3: Late-Medieval
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above all. He has been credited with inventing the system of
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115:(c. 1410 – January 24, 1473) was a German
363:. Colfax, North Carolina. Wayne Leupold Editions, 2000.
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both made him attractive job offers. His travels in
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306:The New Grove Dictionary of Music and Musicians
174:were probably around 1470, when the Milanese
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378:International Music Score Library Project
347:Music in the Middle Ages and Renaissance
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35:Paumann (later 19th? century engraving)
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16:German organist, lutenist and composer
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245:composer of a hundred years before.
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345:Harold Gleason and Warren Becker,
221:Relief of Paumann with the epitaph
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439:German male classical organists
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374:Free scores by Conrad Paumann
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304:"Conrad Paumann", in
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194:he was knighted; in
399:German blind people
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249:Music and influence
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188:Alexander Agricola
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206:he performed for
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71:(aged 62–63)
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129:Renaissance
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388:Categories
323:References
255:improvisor
98:Pipe organ
267:tenorlied
259:tablature
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212:J.S. Bach
145:Nuremberg
133:Colorists
59:, Germany
57:Nuremberg
204:Ratisbon
196:Landshut
125:composer
121:lutenist
117:organist
380:(IMSLP)
376:at the
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192:Mantua
176:Sforza
168:Naples
153:Munich
76:Genres
292:Notes
202:; in
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164:Milan
351:ISBN
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310:ISBN
280:His
166:and
139:Life
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102:lute
64:Died
46:Born
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