Knowledge

Middle of the road (music)

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MOR" stations with scheduled programming other than the MOR music. Even though it was not a 50,000-watt station, WMAL in Washington DC achieved some of the highest ratings and revenue of all radio stations in the country by programming MOR music, news, sports, and very popular announcers.
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techniques, prominent melodies, and subtle orchestral arrangements. MOR is somewhat often used as a derogatory term for this type of music. Radio stations that played adult standards during the 1960s and 1970s were marketed as "MOR radio" in order to differentiate them from
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In recent years, the term "middle of the road" has been used pejoratively by genre-specific music aficionados to describe musicians who avoid "edgy" (innovative) material, and who calibrate their musical appeal to commercial, popular musical taste. Artists such as
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formats. In response, most eliminated music and transmitted only news and talk programs; some continued to play MOR music until the early 1990s. MOR (or at least formats bearing a strong resemblance to MOR) were still available as late as 2013; the
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According to music academic Norman Abjorensen, "middle of the road" has referred to a commercial radio format more often than a music genre, although "it has been used to describe a broad type of music" of numerous styles, usually characterized by
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network, a nationwide MOR satellite service, was available until 2006. Many of the styles and genres of music that had traditionally been heard on MOR formatted stations are currently heard on adult standards-formatted stations.
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Moreover, MOR has been used to pejoratively describe a musical band's creative and commercial progress from the innovative path to the tried-and-true-pop-catalogue path. For example,
647: 79:. The MOR genre creation was an evolutionary outcome of WNEW's reluctance to follow the Top 40 domination and adhere to traditional male and female vocals such as 261:
In time, as the listener demographic groups aged and popular music migrated to FM radio, MOR stations found themselves competing with
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said MOR "applied to radio formats that shun or put stringent tempo and volume restrictions on rock, although 'lite' and '
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states: "The band peppered the 80s with a number of hot singles (most of which can be found on the unstoppable side A of
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Tell it all brother: Why you should dig the groovy music of Kenny Rogers and the First Edition-Medium
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Russo, Alexander (2018). "Radio in the Television Era: 1950sā€“2000s". In Bodroghkozy, Aniko (ed.).
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genre. Music associated with this term is strongly melodic and uses techniques of
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The middle of the road music category has traditionally included these genres:
126: 213:, MOR's heyday was the 1960s and the 1970s. The 50,000-watt AM radio stations 865: 840: 394: 349: 341: 206: 80: 76: 59: 42: 38: 845: 820: 798: 386: 297: 293: 122: 84: 64: 45:
and light orchestral arrangements. The format was eventually rebranded as
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were notable performers in the middle of the road genre. Writing in
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and rock stations. Middle of the road was famously associated with
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infiltrated the MOR market in the late 1960s. In the early 1970s,
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Adult Contemporary-COM 418 Radio Programming and Production
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A Companion to the History of American Broadcasting
863: 579:Early '70s Radio: The American Format Revolution 245:in Hartford, Connecticut; and Canadian stations 253:in Vancouver, British Columbia, were known as " 167:and, later, revivalist recordings of the style 762: 265:FM stations and AM stations broadcasting the 769: 755: 300:(rock) are considered middle of the road. 582:. Bloomsbury Publishing USA. p. 62. 541: 523: 452: 719: 496: 453:Christgau, Robert (September 19, 1977). 690: 628: 575: 397:element that mainly carried MOR artists 362:wandered off into the MOR wilderness." 14: 864: 441:Historical Dictionary of Popular Music 419:. John Wiley & Sons. p. 138. 52: 750: 724:. In Sterling, Christopher H. (ed.). 414: 150: 71:stations; their flagship station was 629:Lynskey, Dorian (3 December 2003). 147:' are now the preferred evasions." 37:) is a commercial radio format and 24: 776: 713: 500:Encyclopedia of Radio 3-Volume Set 136:Christgau's Record Guide: The '80s 25: 888: 497:Sterling, Christopher H (2004). 684: 672: 652: 641: 622: 607: 613:Frere-Jones, Sasha. "On Top". 596: 569: 558: 517: 490: 487:. Retrieved December 29, 2018. 474: 446: 433: 408: 13: 1: 691:Tangari, Joe (June 6, 2005). 401: 205:As an AM radio format in the 660:"Train : She's On Fire" 282: 233:in Los Angeles, California; 225:in New York City, New York; 7: 722:"Middle of the Road Format" 679:Top 100 Albums of the 1980s 365: 229:in Minneapolis, Minnesota; 33:(also known by its acronym 10: 893: 619:, 3 April 2006, pp. 76ā€“77. 336:, Pitchfork writes that: " 784: 377:Album-oriented rock (AOR) 720:Engstrom, Erika (2004). 524:Keightley, Keir (2008). 503:. Routledge. p. 4. 249:in Toronto, Ontario and 241:in Seattle, Washington; 631:"Christmas in Popworld" 358:, among others, before 276:Unforgettable Favorites 200: 115:the Johnny Mann Singers 47:soft adult contemporary 27:Commercial radio format 576:Simpson, Kate (2011). 439:Abjorensen, N. (2017) 221:in Detroit, Michigan; 726:Encyclopedia of Radio 565:MOR/Nostalgia/Vintage 217:in Cincinnati, Ohio; 119:Simon & Garfunkel 668:. 12 September 2005. 455:"Pazz and Jop Diary" 53:Etymology and usage 826:Middle of the road 372:Full service radio 267:Music of Your Life 263:adult contemporary 190:songs and melodies 151:Traditional format 145:adult contemporary 31:Middle of the road 859: 858: 460:The Village Voice 107:the 5th Dimension 16:(Redirected from 884: 771: 764: 757: 748: 747: 743: 707: 706: 688: 682: 676: 670: 669: 656: 650: 645: 639: 638: 626: 620: 611: 605: 600: 594: 593: 573: 567: 562: 556: 555: 545: 543:10.2307/40071710 521: 515: 514: 494: 488: 485:Robert Christgau 481:CG 80s: Glossary 478: 472: 471: 469: 467: 450: 444: 437: 431: 430: 412: 311: 141:Robert Christgau 69:MetroMedia Radio 21: 18:Contemporary MOR 892: 891: 887: 886: 885: 883: 882: 881: 862: 861: 860: 855: 851:Traditional pop 794:Chill-out music 789:Beautiful music 780: 775: 740: 716: 714:Further reading 711: 710: 689: 685: 677: 673: 658: 657: 653: 646: 642: 627: 623: 612: 608: 601: 597: 590: 574: 570: 563: 559: 522: 518: 511: 495: 491: 479: 475: 465: 463: 451: 447: 438: 434: 427: 413: 409: 404: 393:channel with a 368: 355:The Joshua Tree 309: 285: 271:adult standards 203: 165:Traditional pop 153: 103:the Association 89:Ella Fitzgerald 55: 28: 23: 22: 15: 12: 11: 5: 890: 880: 879: 874: 857: 856: 854: 853: 848: 843: 838: 836:Orchestral pop 833: 828: 823: 818: 813: 808: 806:Elevator music 803: 802: 801: 791: 785: 782: 781: 778:Easy listening 774: 773: 766: 759: 751: 745: 744: 738: 715: 712: 709: 708: 683: 671: 651: 640: 621: 616:The New Yorker 606: 595: 589:978-1441129680 588: 568: 557: 536:(3): 309ā€“335. 530:American Music 516: 509: 489: 473: 445: 432: 426:978-1118646052 425: 406: 405: 403: 400: 399: 398: 384: 379: 374: 367: 364: 346:New Year's Day 296:(country) and 284: 281: 202: 199: 198: 197: 194:Countrypolitan 191: 185: 179: 174: 168: 162: 160:Easy listening 152: 149: 127:the Carpenters 54: 51: 26: 9: 6: 4: 3: 2: 889: 878: 877:Radio formats 875: 873: 872:Popular music 870: 869: 867: 852: 849: 847: 844: 842: 841:Space age pop 839: 837: 834: 832: 829: 827: 824: 822: 819: 817: 814: 812: 809: 807: 804: 800: 797: 796: 795: 792: 790: 787: 786: 783: 779: 772: 767: 765: 760: 758: 753: 752: 749: 741: 735: 731: 727: 723: 718: 717: 704: 703: 698: 697:Album Review" 696: 687: 680: 675: 667: 666: 661: 655: 649: 644: 636: 632: 625: 618: 617: 610: 604: 599: 591: 585: 581: 580: 572: 566: 561: 553: 549: 544: 539: 535: 531: 527: 520: 512: 506: 502: 501: 493: 486: 482: 477: 462: 461: 456: 449: 442: 436: 428: 422: 418: 411: 407: 396: 395:home shopping 392: 388: 385: 383: 380: 378: 375: 373: 370: 369: 363: 361: 357: 356: 351: 347: 343: 342:I Will Follow 339: 335: 334: 329: 325: 321: 320: 315: 308: 307: 301: 299: 295: 291: 280: 277: 272: 268: 264: 259: 256: 252: 248: 244: 240: 236: 232: 228: 224: 220: 216: 212: 208: 207:United States 195: 192: 189: 186: 183: 180: 178: 175: 173: 169: 166: 163: 161: 158: 157: 156: 148: 146: 142: 138: 137: 132: 128: 124: 120: 116: 112: 108: 104: 100: 96: 94: 90: 86: 82: 81:Frank Sinatra 78: 74: 70: 66: 61: 60:vocal harmony 50: 48: 44: 43:vocal harmony 40: 39:popular music 36: 32: 19: 846:Sunshine pop 825: 821:Lounge music 799:Lofi hip hop 725: 700: 694: 686: 681:. Pitchfork. 674: 663: 654: 643: 635:The Guardian 634: 633:– via 624: 614: 609: 598: 578: 571: 560: 533: 529: 519: 499: 492: 476: 466:December 29, 464:. Retrieved 458: 448: 440: 435: 416: 410: 389:, a defunct 387:MOR Music TV 359: 353: 331: 323: 317: 312:s review of 304: 302: 294:Kenny Rogers 286: 260: 255:full-service 204: 154: 134: 101:groups like 97: 85:Tony Bennett 73:WNEW 1130 AM 56: 34: 30: 29: 816:Light music 693:"Coldplay: 391:music video 314:Duran Duran 182:Smooth jazz 170:Orchestral 131:John Denver 866:Categories 739:1135456496 510:1135456496 402:References 382:Middlebrow 340:recorded ' 177:Show tunes 730:Routledge 702:Pitchfork 306:Pitchfork 283:Criticism 274:Memories/ 188:Soft rock 99:Soft rock 93:Peggy Lee 552:40071710 366:See also 328:Coldplay 290:Westlife 184:melodies 139:(1990), 111:Bee Gees 77:New York 811:Exotica 695:X&Y 352:', and 333:X&Y 292:(pop), 196:ballads 172:ballads 736:  586:  550:  507:  423:  211:Canada 109:, the 65:Top 40 831:Muzak 548:JSTOR 310:' 298:Train 123:Bread 734:ISBN 584:ISBN 505:ISBN 468:2018 421:ISBN 360:they 348:', ' 344:', ' 269:and 251:CKNW 247:CFRB 243:WTIC 239:KOMO 237:and 235:KIRO 231:KMPC 227:WCCO 223:WNEW 209:and 201:Peak 129:and 117:and 91:and 665:NME 538:doi 350:Bad 330:'s 324:Rio 319:Rio 316:'s 219:WJR 215:WLW 75:in 35:MOR 868:: 732:. 728:. 699:. 662:. 546:. 534:26 532:. 528:. 483:. 457:. 338:U2 125:, 113:, 105:, 87:, 83:, 49:. 770:e 763:t 756:v 742:. 705:. 637:. 592:. 554:. 540:: 513:. 470:. 429:. 20:)

Index

Contemporary MOR
popular music
vocal harmony
soft adult contemporary
vocal harmony
Top 40
MetroMedia Radio
WNEW 1130 AM
New York
Frank Sinatra
Tony Bennett
Ella Fitzgerald
Peggy Lee
Soft rock
the Association
the 5th Dimension
Bee Gees
the Johnny Mann Singers
Simon & Garfunkel
Bread
the Carpenters
John Denver
Christgau's Record Guide: The '80s
Robert Christgau
adult contemporary
Easy listening
Traditional pop
ballads
Show tunes
Smooth jazz

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