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Cool S

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The Cool S is started by drawing six short line segments in two groups of three mutually parallel segments each, spaced evenly and separated by a gap approximately the same length of each line segment. On a Cartesian coordinate system, these segments can be described as (0,1)–(0,2) / (1,1)–(1,2) /
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The double 'S' markings on the center piece resemble other marks and gestures found in Basquiat's paintings from this time While it became less and less a part of Basquiat's art production, there are continued references to graffiti style in his paintings and works on paper, such as the 'S'
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No, this is not an original Stussy Logo I personally get asked this a lot, but people have been drawing this S long before Stussy was established. People have just assumed it was Stussy and it's sort of spread from there. It's actually quite
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in July 2020, but Mark May, the trademark owner, says he does not wish to own the trademark for financial reasons but rather "to preserve it and to truly revel in its irreverence".
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Two vee shapes are drawn at the top and bottom of the shape, connecting more line segments. One is upright: (0,1)–(1,0)–(2,1) and the other is inverted: (0,4)–(1,5)–(2,4)
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on children's notebooks or graffitied on walls. The exact origin of the Cool S is unknown, but it became prevalent around the early 1970s as a part of graffiti culture.
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since 1985) has stated that it was never a symbol of Stussy's Californian surf company. In 2010, the company uploaded a video to
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Two diagonal lines are drawn, connecting two of the line segments drawn in the prior step: (0,3)–(1,2) and (1,3)–(2,2)
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The exact origin of the symbol is unclear, but it is generally considered to be an artifact of
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Finally, two open ends are connected to the diagonal segment midpoints: (0,2)–(
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in 1974, feature the symbol numerous times, identical to its modern form.
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in which one of Jon Naar's 1973 photographs of the symbol can be seen.
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The Cool S consists of 14 line segments, forming a stylized, pointed
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The name "Superman S" comes from a belief that it was a symbol for
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A drawing of the Cool S and a four-step guide to drawing one
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from 1982 it is labelled as the "classic S of graff".
612:"That 'S' Thing Everyone Drew in School, What Is It?" 83: 680:"Meet the Guy Who Just Trademarked 'The S Thing'" 585:. New York: Enrico Navarra Gallery. p. 211. 703: 659:. StussyVideo. May 26, 2011 – via YouTube. 645:(video). Stüssy. 8 March 2010 – via Vimeo. 497:"Local Investigates: The Mysterious S Symbol" 287:, which were taken in 1973 and published in 277:children, over the course of generations. 554:"Why Did We All Have the Same Childhood?" 181:-shape. It has also been compared to the 389: 677: 609: 578: 704: 523: 469: 417: 463: 390:Shepherd, Rebecca (August 14, 2019). 603: 526:"Solve the Mystery of the Pointy S" 524:Neelon, Caleb (November 23, 2010). 13: 14: 738: 717:Graffiti and unauthorised signage 610:Morgans, Julian (July 23, 2016). 383: 678:Morgans, Julian (July 6, 2020). 551: 339:trademarked in the United States 104:Trademarked in the United States 41: 32: 671: 649: 635: 582:The Art of Jean-Michel Basquiat 200: 572: 545: 517: 489: 438: 411: 1: 376: 448:. 2019-08-20. Archived from 269:, meaning that it is taught 7: 344: 314:, whose costume features a 10: 743: 260: 424:. It Books. p. 121. 285:graffiti in New York City 109: 99: 89: 79: 69: 59: 26: 21: 303:, and in the one titled 189:does. The Cool S has no 172: 418:Mailer, Norman (2009). 579:Hoffman, Fred (2017). 421:The Faith of Graffiti 361:Twin mountain drawing 290:The Faith of Graffiti 446:"Interview_Gribble1" 295:Jean-Michel Basquiat 125:, also known as the 657:"Stussy - Jon Naar" 643:"Stussy - Jon Naar" 505:. February 12, 2014 195:rotational symmetry 191:reflection symmetry 470:Lindwasser, Anna. 320:in a diamond shape 283:'s photographs of 165:that is typically 592:978-2-911596-53-7 431:978-0-06-196170-0 300:Charles the First 193:, but has 2-fold 119: 118: 734: 696: 695: 693: 691: 675: 669: 660: 653: 647: 646: 639: 633: 632: 626: 624: 607: 601: 600: 576: 570: 569: 567: 565: 549: 543: 542: 540: 538: 521: 515: 514: 512: 510: 493: 487: 486: 484: 482: 467: 461: 460: 458: 457: 442: 436: 435: 415: 409: 408: 406: 404: 387: 255: 254: 250: 245: 244: 240: 235: 234: 230: 225: 224: 220: 45: 36: 19: 18: 742: 741: 737: 736: 735: 733: 732: 731: 727:Doodling motifs 702: 701: 700: 699: 689: 687: 676: 672: 667:Wayback Machine 655: 654: 650: 641: 640: 636: 622: 620: 608: 604: 593: 577: 573: 563: 561: 558:theatlantic.com 550: 546: 536: 534: 522: 518: 508: 506: 495: 494: 490: 480: 478: 468: 464: 455: 453: 444: 443: 439: 432: 416: 412: 402: 400: 388: 384: 379: 366:Kilroy was here 347: 337:The symbol was 263: 252: 248: 247: 242: 238: 237: 232: 228: 227: 222: 218: 217: 203: 187:infinity symbol 183:infinity symbol 175: 159:popular culture 55: 54: 53: 52: 48: 47: 46: 38: 37: 17: 16:Graffiti symbol 12: 11: 5: 740: 730: 729: 724: 719: 714: 698: 697: 670: 648: 634: 602: 591: 571: 560:. The Atlantic 544: 531:Print Magazine 516: 488: 462: 437: 430: 410: 381: 380: 378: 375: 374: 373: 368: 363: 358: 353: 351:Henohenomoheji 346: 343: 262: 259: 258: 257: 236:) and (2,3)–(1 214: 211: 208: 202: 199: 174: 171: 117: 116: 111: 107: 106: 101: 100:Classification 97: 96: 91: 87: 86: 81: 77: 76: 71: 67: 66: 64:Textual object 61: 57: 56: 50: 49: 40: 39: 31: 30: 29: 28: 27: 24: 23: 15: 9: 6: 4: 3: 2: 739: 728: 725: 723: 722:Youth culture 720: 718: 715: 713: 710: 709: 707: 685: 681: 674: 668: 664: 658: 652: 644: 638: 631: 619: 618: 613: 606: 599: 594: 588: 584: 583: 575: 559: 555: 552:Beck, Julie. 548: 533: 532: 527: 520: 504: 503: 498: 492: 477: 473: 466: 452:on 2019-08-20 451: 447: 441: 433: 427: 423: 422: 414: 399: 398: 393: 386: 382: 372: 369: 367: 364: 362: 359: 357: 354: 352: 349: 348: 342: 340: 335: 333: 330:and later to 329: 325: 321: 319: 313: 308: 306: 302: 301: 296: 292: 291: 286: 282: 278: 276: 272: 268: 215: 212: 209: 205: 204: 198: 196: 192: 188: 184: 180: 170: 168: 164: 160: 156: 152: 148: 144: 140: 136: 132: 128: 124: 115: 112: 108: 105: 102: 98: 95: 92: 88: 85: 82: 78: 75: 72: 68: 65: 62: 58: 44: 35: 25: 20: 688:. Retrieved 683: 673: 663:Ghostarchive 661:Archived at 651: 637: 628: 621:. Retrieved 615: 605: 596: 581: 574: 562:. Retrieved 557: 547: 535:. Retrieved 529: 519: 507:. Retrieved 500: 491: 479:. Retrieved 475: 465: 454:. Retrieved 450:the original 440: 419: 413: 401:. 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Vice 589:  476:Ranker 428:  145:, the 141:, the 137:, the 133:, the 129:, the 123:Cool S 22:Cool S 328:Vimeo 173:Shape 692:2023 625:2019 617:Vice 587:ISBN 566:2024 539:2017 511:2017 483:2019 426:ISBN 405:2020 161:and 121:The 60:Type 708:: 682:. 627:. 614:. 595:. 556:. 528:. 499:. 474:. 394:. 275:to 271:by 246:,2 226:,2 197:. 694:. 568:. 541:. 513:. 485:. 459:. 434:. 407:. 318:S 256:) 253:2 249:1 243:2 239:1 233:2 229:1 223:2 219:1 179:S 84:S

Index



Textual object
Latin script
S
20th century
Trademarked in the United States
Childlore
graffiti
popular culture
childlore
doodled
S
infinity symbol
infinity symbol
reflection symmetry
rotational symmetry
childlore
Jon Naar
graffiti in New York City
The Faith of Graffiti
Jean-Michel Basquiat
Charles the First
Superman
stylized S in a diamond shape
Shawn Stussy
Vimeo
YouTube
trademarked in the United States
Henohenomoheji

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