63:
165:
22:
298:
Creative Time met with various figures within the art community including artists, curators, philanthropists and collectors over the course of three week long visits to the city in 2010. Following these meetings, Creative Time produced a study detailing suggestions to help bolster the art scene in Dallas, identifying 13 key elements to help the community thrive listed as follows:
342:
Given the large number of
Creative Time projects, it is impossible to exhaustively list the organization's accomplishment, which range from art installations at the 2008 Art Basel in Miami to the opening of a gallery under the Brooklyn Bridge in 1983. The inclusion of these more specific examples is
288:
currently serves as executive director. To this day, Creative Time continues to grow and prosper, each year giving both emerging and established artists opportunities to broaden their repertoires and explore the practice of art in the public realm. With these artists’ creations, Creative Time also
297:
In recent years, Creative Time has taken charge of many noted initiatives in the art world. In collaboration with the Dallas art community, Creative Time took part in a yearlong study to better understand the strengths and areas of growth within the Dallas art scene. In this study, members of
289:
allows millions of people of all ages and backgrounds to come in contact with contemporary art. Since its founding, Creative Time has collaborated with over 2000 artists, producing more than 335 public art projects.
272:
Creative Time initially gained widespread recognition for organizing ‘’Art on the Beach,’’ a project which brought together practitioners of many mediums and allowed for the creation of large-scale public works in
258:. Artists in the late 1960s and early 1970s were already experimenting with new media and new forms of art that could exist in the public sphere, outside the purview of conventional art galleries and museums.
269:
in Lower
Manhattan. Both landmarks had been unused for years before Creative Time reinvigorated them, through programs like Art in the Anchorage (1983–2001) and Projects at the Chamber (1982).
277:
between 1978 and 1985. Each summer, for three months, ‘’Art on the Beach’’ offered site-specific sculpture and performances that were open to the public and free of cost.
181:
Please remove or replace such wording and instead of making proclamations about a subject's importance, use facts and attribution to demonstrate that importance.
250:
Creative Time came to life amidst the deterioration of New York City's infrastructure and social fabric, combined with the mission of the newly established
673:
84:
77:
280:
Throughout ‘’Art on the Beach”, Creative Time was led by co-founder Anita
Contini, who served as director until Cee Scott Brown took over in 1987.
683:
688:
174:
552:
461:
678:
431:
In addition to these artists, Creative Time often partners with other cultural institutions in New York City and elsewhere, like the
266:
343:
intended to illustrate
Creative Time's diverse role in the art world from the organizations founding in 1974 to present day.
127:
668:
573:
99:
311:
Mid-sized and small art spaces that support the creation of new and experimental work by local and international artists
653:
645:
214:
196:
146:
106:
49:
251:
238:, site-specific, socially engaged artworks in the public realm, particularly in vacant spaces of historical and
113:
35:
482:. http://artdaily.com/news/33855/Creative-Time-Partners-with-Art-Basel-Miami-Beach-to-Redesign-Oceanfront.
95:
589:
521:
305:
Cultural institutions with international reach, innovative programs and historically relevant collections
553:
http://artdaily.com/news/33855/Creative-Time-Partners-with-Art-Basel-Miami-Beach-to-Redesign-Oceanfront
444:
261:
Early
Creative Time programs took over abandoned storefronts and neglected public spaces, such as the
73:
537:
231:
381:
505:, https://www.nytimes.com/1983/05/27/arts/art-brooklyn-bridge-unveils-its-own-gallery.html.
436:
120:
610:
8:
385:
574:
https://www.nytimes.com/1983/05/27/arts/art-brooklyn-bridge-unveils-its-own-gallery.html
432:
417:
373:
41:
254:
to promote the role of artists in a democratic society and introduce new audiences to
649:
641:
621:
274:
635:
624:, Fales Library and Special Collections at New York University Special Collections.
397:
355:
255:
615:
494:. https://cooper.edu/events-and-exhibitions/events/creative-time-summit-screening.
346:
The vast array of projects in recent years include skywriting over
Manhattan in ‘’
409:
262:
440:
413:
285:
281:
462:
NYU's Fales
Library and Special Collections Guide to the Creative Time Archive
662:
534:
Creative Time
Releases Recommendations for Fostering the Arts in Dallas – SMU
486:
Creative Time
Releases Recommendations for Fostering the Arts in Dallas – SMU
421:
401:
320:
Residency programs for national and international artists to create in Dallas
637:
Creative Time : the book : 33 years of public art in New York City
393:
369:
347:
308:
Great patrons who support the creation, presentation and acquisition of art
239:
476:. https://www.smu.edu/Meadows/TheMovement/MeadowsPrize/2010-CreativeTime.
405:
377:
359:
549:
Creative Time
Partners with Art Basel Miami Beach to Redesign Oceanfront
480:
Creative Time Partners with Art Basel Miami Beach to Redesign Oceanfront
389:
364:
235:
590:
https://www.smu.edu/Meadows/TheMovement/MeadowsPrize/2010-CreativeTime
522:
https://www.smu.edu/Meadows/TheMovement/MeadowsPrize/2010-CreativeTime
425:
351:
302:
A sustainable artist community and opportunities for live/work space
62:
586:
Creative Time – Start a Movement – Meadows School of the Arts – SMU
518:
Creative Time – Start a Movement – Meadows School of the Arts – SMU
474:
Creative Time – Start a Movement – Meadows School of the Arts – SMU
338:
Civic championing of the arts through policies and urban planning.
368:(2014). Creative Time has also collaborated with such artists as
314:
Skilled and visionary arts leaders in institutions big and small
564:
Glueck, Grace. “Art: Brooklyn Bridge Unveils Its Own Gallery.”
497:
Glueck, Grace. “Art: Brooklyn Bridge Unveils Its Own Gallery.”
488:. https://www.smu.edu/News/2011/meadows-prize-report-01feb2011.
329:
Public art to engage broad audiences and activate public spaces
605:
456:
317:
Excellent contemporary art galleries with international reach
234:
arts organization founded in 1974 to support the creation of
538:
https://www.smu.edu/News/2011/meadows-prize-report-01feb2011
335:
Experienced art writers featured daily in primary news media
323:
Master of Fine Arts programs to train and attract artists
284:
took the reins as director from 1993 to September 2015.
640:(New York : Princeton Architectural Press, 2007)
492:CREATIVE TIME SUMMIT SCREENING | The Cooper Union
292:
660:
618:Official LinkedIn Account for Creative Time.
175:promotes the subject in a subjective manner
50:Learn how and when to remove these messages
634:Pasternak, Anne and Ruth A. Peltason, ed.
611:Creative Time at Google Cultural Institute
674:Arts organizations based in New York City
215:Learn how and when to remove this message
197:Learn how and when to remove this message
147:Learn how and when to remove this message
326:Arts education in Dallas public schools
684:Arts organizations established in 1973
661:
83:Please improve this article by adding
689:1973 establishments in New York City
265:Anchorage and the Great Hall of the
158:
56:
15:
172:This article contains wording that
13:
628:
177:without imparting real information
14:
700:
599:
470:, http://creativetime.org/about/.
31:This article has multiple issues.
679:Performance art in New York City
163:
61:
20:
252:National Endowment for the Arts
39:or discuss these issues on the
616:Creative Time LinkedIn Account
579:
558:
542:
527:
511:
350:’’ (a 2001 collaboration with
293:Reception and Notable Projects
1:
450:
85:secondary or tertiary sources
7:
669:Public art in New York City
10:
705:
445:Metropolitan Museum of Art
245:
428:, among thousands more.
466:“About Creative Time.”
606:Creative Time homepage
457:Creative Time homepage
72:relies excessively on
622:Creative Time Records
382:Felix Gonzalez-Torres
437:Queens Museum of Art
230:is a New York–based
386:Chrysanne Stathacos
267:Chamber of Commerce
566:The New York Times
499:The New York Times
433:Dia Art Foundation
418:Temporary Services
374:Diller + Scofidio
332:Engaged audiences
275:Battery Park City
225:
224:
217:
207:
206:
199:
157:
156:
149:
131:
54:
696:
593:
583:
577:
562:
556:
546:
540:
531:
525:
515:
398:Takashi Murakami
356:Tribute in Light
256:contemporary art
220:
213:
202:
195:
191:
188:
182:
167:
166:
159:
152:
145:
141:
138:
132:
130:
89:
65:
57:
46:
24:
23:
16:
704:
703:
699:
698:
697:
695:
694:
693:
659:
658:
631:
629:Further reading
602:
597:
596:
584:
580:
568:, 27 May 1983.
563:
559:
547:
543:
532:
528:
516:
512:
501:, 27 May 1983.
453:
410:Elizabeth Streb
295:
263:Brooklyn Bridge
248:
221:
210:
209:
208:
203:
192:
186:
183:
180:
168:
164:
153:
142:
136:
133:
96:"Creative Time"
90:
88:
82:
78:primary sources
66:
25:
21:
12:
11:
5:
702:
692:
691:
686:
681:
676:
671:
657:
656:
630:
627:
626:
625:
619:
613:
608:
601:
600:External links
598:
595:
594:
578:
557:
541:
526:
509:
508:
507:
506:
495:
489:
483:
477:
471:
464:
459:
452:
449:
441:Lincoln Center
414:Tania Bruguera
340:
339:
336:
333:
330:
327:
324:
321:
318:
315:
312:
309:
306:
303:
294:
291:
286:Justine Ludwig
282:Anne Pasternak
247:
244:
223:
222:
205:
204:
171:
169:
162:
155:
154:
69:
67:
60:
55:
29:
28:
26:
19:
9:
6:
4:
3:
2:
701:
690:
687:
685:
682:
680:
677:
675:
672:
670:
667:
666:
664:
655:
654:1-56898-696-3
651:
647:
646:9781568986968
643:
639:
638:
633:
632:
623:
620:
617:
614:
612:
609:
607:
604:
603:
591:
587:
582:
575:
571:
567:
561:
554:
550:
545:
539:
535:
530:
523:
519:
514:
510:
504:
500:
496:
493:
490:
487:
484:
481:
478:
475:
472:
469:
468:Creative Time
465:
463:
460:
458:
455:
454:
448:
446:
442:
438:
434:
429:
427:
423:
422:Marc Horowitz
419:
415:
411:
407:
403:
402:Shirin Neshat
399:
395:
391:
387:
383:
379:
375:
371:
367:
366:
361:
357:
353:
349:
344:
337:
334:
331:
328:
325:
322:
319:
316:
313:
310:
307:
304:
301:
300:
299:
290:
287:
283:
278:
276:
270:
268:
264:
259:
257:
253:
243:
241:
240:architectural
237:
233:
229:
228:Creative Time
219:
216:
201:
198:
190:
178:
176:
170:
161:
160:
151:
148:
140:
129:
126:
122:
119:
115:
112:
108:
105:
101:
98: –
97:
93:
92:Find sources:
86:
80:
79:
75:
70:This article
68:
64:
59:
58:
53:
51:
44:
43:
38:
37:
32:
27:
18:
17:
636:
585:
581:
569:
565:
560:
548:
544:
533:
529:
517:
513:
502:
498:
491:
485:
479:
473:
467:
430:
394:Jenny Holzer
370:Vito Acconci
363:
358:(2002), and
345:
341:
296:
279:
271:
260:
249:
227:
226:
211:
193:
187:October 2010
184:
173:
143:
137:October 2010
134:
124:
117:
110:
103:
91:
71:
47:
40:
34:
33:Please help
30:
570:NYTimes.com
503:NYTimes.com
406:Sonic Youth
378:David Byrne
360:Kara Walker
663:Categories
451:References
443:, and the
390:Red Grooms
365:A Subtlety
242:interest.
236:innovative
107:newspapers
74:references
36:improve it
426:Superflex
352:Vik Muniz
232:nonprofit
42:talk page
246:History
121:scholar
652:
644:
435:, the
348:Clouds
123:
116:
109:
102:
94:
128:JSTOR
114:books
650:ISBN
642:ISBN
424:and
100:news
362:'s
354:),
76:to
665::
648:;
588:.
572:,
551:.
536:.
520:.
447:.
439:,
420:,
416:,
412:,
408:,
404:,
400:,
396:,
392:,
388:,
384:,
380:,
376:,
372:,
87:.
45:.
592:.
576:.
555:.
524:.
218:)
212:(
200:)
194:(
189:)
185:(
179:.
150:)
144:(
139:)
135:(
125:·
118:·
111:·
104:·
81:.
52:)
48:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
