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Creem

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upheld the Judgment. In February 2012, the Court appointed a Receiver to seize all of Creem Media's assets to help satisfy the outstanding judgment. The Receiver then transferred all of the Intellectual Property from Creem Media, Inc to Riggs. CREEM International, Inc purchased the assets from Riggs to become the new successor company with all rights of ownership.
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photographer Robert Matheu formed Creem Media in 2001 with his cousin Jason Turner and Michigan businessman Ken Kulpa. They negotiated a five-year licensing deal with Levitt, with the option to purchase the magazine's intellectual property rights for $ 100,000. There was talk about a quarterly print
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Arnold Levitt bought the rights to the magazine in 1986 from Connie Kramer, and added titles including one devoted exclusively to metal along with numerous monthly special editions, before shutting down in 1989. In 1990, he licensed it to a group of Florida investors who published a bimonthly glossy
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Many of the staff members lived in the Walled Lake farmhouse, where there were occasional physical altercations between writers. One day, Marsh, who objected to Bangs' poorly housebroken dog, placed the dog's dung on Bangs' typewriter. This resulted in a fistfight that gave Marsh a gash on his head.
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In the winter of 1969, Barry Kramer owned the Detroit record store Full Circle, as well as Mixed Media, a head shop/bookstore, and was an unsuccessful concert promoter and band manager. After the local alternative paper rejected a concert review he had written, he decided to start publishing his own
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Creem Media was sued by T.A. Riggs Licensing LLC in 2010 for breach of contract. Creem Media lost that suit, and Riggs was awarded $ 575,000. Creem Media was either unable or unwilling to pay. In November 2011, Creem Media attempted to have the judgment set aside, but in January 2012, the Court
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joined soon after at age 19. The first issue was distributed only in Detroit, as a tabloid-sized newspaper, but then a deal was struck with a distributor. Many copies were ordered by porn shops who were confused by the faintly suggestive title, and who displayed it next to the similarly sized
528:. It was known for its irreverent, deprecatory and humorous tone, and became famous for its comical photo captions, which poked fun at rock stars, the industry, and even the magazine itself. The magazine dubbed the tall Plexiglas pyramid that was presented to the winner of the annual 532:"the Object From Space", and said it was endowed with the power to force celebrities to look ridiculous while holding it. Because of the magazine's location, it was among the first national publications to provide in-depth coverage of many popular Detroit-area artists, such as 838:) became the editor during its New York residence over 1992–93. Chris Nadler was the last editor before the magazine was shut down. Steve Peters and David Sprague were the final members remaining in the original editorial chain that reached back to 1969. 909:
As the five-year deadline of the licensing deal approached, Matheu sought investors, and got a $ 52,500 investment from Los Angeles disk jockey Chris Carter and Barry Kramer's son J.J. Kramer. Matheu provided the balance of the $ 100,000.
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Born in San Francisco in 1945, Marcus has spent nearly his entire life in the Frisco/Berkley/Oakland area, though he would write and edit for New York-centric publications Creem, Rolling Stone, and The Village
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Ownership of the magazine, trademark and intellectual property has changed hands numerous times since the death of publisher Barry Kramer in 1981, and the magazine's subsequent bankruptcy.
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For the magazine's first two years, its offices were at 3729 Cass Avenue in Detroit. An armed robbery of the offices prompted Kramer to move the operation to a 120-acre farm in
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logo was designed by Bob Wilson, who also wrote a regular comic strip, "Mike and Barney". The "Mr. Dream Whip" and "Boy Howdy" icons were designed by underground cartoonist
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served as the magazine's editor from 1971 to 1976. It suspended production in 1989 but attained a short-lived renaissance in the early 1990s as a tabloid. In June 2022,
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Turner started his career in the '70s, writing for the Los Angeles proto-punk fanzine Back Door Man, moved on to the storied Creem magazine for more than a decade.
1726: 1038: 505:. In 1971, Bangs became editor, and in 1976 he left the magazine; he never wrote for it again. On January 29, 1981, Kramer died of an accidental overdose of 392:, whose initial print run lasted from 1969 to 1989. It was first published in March 1969 by Barry Kramer and founding editor Tony Reay. Influential critic 1012:, and a quarterly oversized glossy print edition, which commenced publication in the fall of 2022, on a subscription-only basis, with no newsstand sales. 834:, was also published, as were countless special editions throughout the 1980s. Former William Morris agent, musician and journalist Mark J. Petracca (aka 1696: 1437: 1158: 924:
In 2007, Kramer sued in New York County and won, as the Court ruled that Creem Media could take no action without the approval of Carter and Kramer.
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Cory Hart watches amazededly as the Object forces Stephen Still and Cyndi Lauper to grin sheepishly for the rest of their lives beginning now!
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Matheu tired of the legal battle and resigned from the board of Creem Media in 2009. Creem Media, Inc. became defunct shortly thereafter.
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paper. Tony Reay, a clerk at Kramer's record store, became its first editor, and came up with its name, a tribute to his favorite band,
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Soon band member Roger "Buzz" Osborne started Cobain's schooling, lending him records and old copies of the '70s rock magazine Creem."
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In 2019, the Kramer-led Boy Howdy Productions, in partnership with Muse Production House and New Rose Films, wrapped production on a
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become a glossy color magazine sized for newsstand distribution, and within two years had secured a national distribution deal.
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s move to Los Angeles after it was purchased by Arnold Levitt, but both had already left the magazine before its move to
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Carter and Kramer claim that they were verbally promised one-third of Creem Media for their investment by Matheu.
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I worked for all of the usual suspects – Rolling Stone, Creem, Trouser Press, Spin, Sounds, the New York Times
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includes digital archives of all 224 issues of the original magazine, a website and weekly newsletter called
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publication in 2011. They launched a website and generated new content, primarily to maintain the brand.
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copy chief Dan Morrissey as executive editor and original staffer Jaan Uhelszki as editor-at-large.
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before the mainstream press. In the 1980s, it provided early coverage of upcoming rock bands such as
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The magazine's offices were geographically separated from most of the entertainment industry in the
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bands, especially bands based in Detroit. The term "punk rock" was coined in the May 1971 issue of
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after Levitt licensed the name to a publisher there, and its ultimate demise. Before licensing
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and subsequently released online through paid virtual cinema streaming rental in August 2020.
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was relaunched as a digital archive, website, weekly newsletter, and quarterly print edition.
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Matheu claims he never promised Carter and Kramer such a large share for their investment.
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to the New Yorkers, Levitt made Judy Wieder editor-in-chief of a heavy metal version of
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Eventually, the magazine was successful enough to move to editorial offices in downtown
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Turner and Kulpa claim they were never consulted about the deal, and never approved it.
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nailed it in a way that nobody else was. It informed a lot of people's sensibilities."
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had a circulation of over 200,000, making it the second largest rock magazine after
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Magazine, Rock Music, Detroit Identity, Mass Consumerism, and the Counterculture
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for "disrespecting musicians" after a particularly harsh review of the group
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included Barry Kramer, his partner (later his wife) Connie Warren Kramer,
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Hoffmann, Elizabeth A. (2012). "What is Workplace Dispute Resolution?".
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attorney and son of founder Barry Kramer. Management includes former
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said: "Having a certain sense of humor in the rock'n'roll culture –
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Smith had been writing pieces for Creem and other music magazines …
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The magazine is noted for having been an early champion of various
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in January 1987. Holdship and Kordosh were both involved in
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publisher John Martin as CEO, VP of content Fred Pessaro (
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referenced the magazine in his song "Detroit City" – "But
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Sonic cool : the life & death of rock 'n' roll
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kept a-talkin', and the streets still smokin' today".
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did help to popularize the term throughout the 1970s.
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about punk by loaning him records and old copies of
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Bowe (October 2007). 1488: 1373:CREEM: America's Only Rock 'N' Roll Magazine 1081: 1079: 1077: 955:CREEM: America's Only Rock 'n' Roll Magazine 479:was hired, originally to write a feature on 560:, as well as other Midwestern acts such as 66:Learn how and when to remove these messages 1697:1989 disestablishments in New York (state) 1431: 1429: 1176: 1116: 1032: 1030: 1028: 1026: 1024: 830:A young female audience-targeted spinoff, 272: 1402:Co-operative Workplace Dispute Resolution 1364: 1251: 1074: 243:Learn how and when to remove this message 225:Learn how and when to remove this message 163:Learn how and when to remove this message 1482: 1435: 1399: 1224: 1143: 1085: 1036: 640:. It was also among the first to praise 1436:McKinley, James C. Jr (July 27, 2011). 1426: 1231:Matheu, Robert; Bowe, Brian J. (2007). 1182: 1021: 901:and rock journalism of the era. Former 14: 1684: 1533: 1461: 1316: 388:and entertainment company, founded in 1548: 1617: 1591: 1549:Hipes, Patrick (February 11, 2020). 1257: 1189:Daily Herald (Arlington Heights, IL) 941: 708:Publishers, editors and writers for 520:, which was then primarily based in 174: 101:adding citations to reliable sources 72: 31: 1489:Neyfakh, Leon (November 27, 2007). 1317:Hirsch, Caroline (August 2, 2011). 1237:(1st ed.). New York: Collins. 1086:Holdship, Bill (January 16, 2008). 883:The release of writer and director 656:. It also focused on Detroit acts. 24: 1347:"Night after Night: Jan. 10, 2013" 1287: 1183:Guarino, Mark (October 12, 2001). 25: 1743: 1640: 1534:Harvey, Dennis (March 18, 2019). 841: 803:The magazine moved its office to 47:This article has multiple issues. 1707:Magazines disestablished in 1989 1647:Creem Digital Archive, 1969-2023 1037:McCollum, Brian (June 1, 2022). 964: 872:Change of ownership and disputes 788:, Mark J. Norton, Alan Niester, 263: 179: 77: 36: 1692:1969 establishments in Michigan 1611: 1585: 1571: 1557: 1542: 1527: 1513: 1470:. Associated Press. p. M13 1455: 1393: 1319:"Laura Levine: New York Rocker" 1310: 1258:Cwik, Greg (January 15, 2013). 862:, a parody of the then-popular 88:needs additional citations for 55:or discuss these issues on the 1717:Magazines published in Detroit 1618:Haan, Michael (June 1, 2022). 1592:Ruiz, Matthew (June 1, 2022). 1462:Karoub, Jeff (July 17, 2011). 1202: 1157:: 66. May 1985. Archived from 1110: 1056: 887:'s semi-autobiographical film 720:, Richard Riegel, Ric Siegel, 600:gave exposure to artists like 278:December 1977 cover featuring 13: 1: 1712:Magazines established in 1969 1672:Can't Forget the Motor City: 1404:. Routledge. pp. 25–46. 1210:"Alice Cooper – Detroit City" 1015: 760:), Laura Levine, Judy Adams, 1652:Creem website and newsletter 571: 7: 1478:– via Newspapers.com. 205:the claims made and adding 10: 1748: 442: 1092:Metro Times (Detroit, MI) 756:, Trixie A. Balm (a.k.a. 361: 351: 341: 327: 319: 304: 296: 286: 271: 262: 1117:Harrington, Joe (2002). 938:brand and its archives. 703: 1732:Popular music magazines 1410:10.4324/9781315574226-3 959:Greenwich Entertainment 27:American music magazine 1195:on February 22, 2021. 895:Philip Seymour Hoffman 384:) is an American rock 356:https://www.creem.com/ 1495:The New York Observer 953:documentary entitled 558:Parliament-Funkadelic 473:Walled Lake, Michigan 1678:by Michael J. Kramer 998:Entertainment Weekly 740:, Richard C. Walls, 684:kept a Rockin', the 664:Roger "Buzz" Osborne 596:movements early on. 530:American Music Award 503:Birmingham, Michigan 433:? and the Mysterians 97:improve this article 1663:by Margaret Moser, 1501:on October 10, 2008 1161:on January 17, 2013 1070:. October 12, 2020. 770:John "The Mad" Peck 380:(often stylized in 300:CREEM Magazine, LLC 259: 1442:The New York Times 1290:"The Torch Singer" 1212:. songmeanings.net 1043:Detroit Free Press 618:The New York Dolls 576:By the mid-1970's 255: 190:possibly contains 1581:. August 7, 2020. 1567:. August 7, 2020. 1419:978-1-315-57422-6 1386:978-0-06-137456-2 768:, Susan Whitall, 373: 372: 253: 252: 245: 235: 234: 227: 192:original research 173: 172: 165: 147: 70: 16:(Redirected from 1739: 1666:Austin Chronicle 1635: 1634: 1632: 1630: 1615: 1609: 1608: 1606: 1604: 1589: 1583: 1582: 1579:"CREEM MAGAZINE" 1575: 1569: 1568: 1561: 1555: 1554: 1546: 1540: 1539: 1531: 1525: 1524: 1517: 1511: 1510: 1508: 1506: 1497:. 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Archived from 1083: 1072: 1071: 1060: 1054: 1053: 1051: 1049: 1034: 865:Dewar's Profiles 860:Creem's Profiles 832:Creem Rock-Shots 784:, Gregg Turner, 722:Robert Christgau 626:The Replacements 315: 313: 276: 267: 260: 254: 248: 241: 230: 223: 219: 216: 210: 207:inline citations 183: 182: 175: 168: 161: 157: 154: 148: 146: 105: 81: 73: 62: 40: 39: 32: 21: 1747: 1746: 1742: 1741: 1740: 1738: 1737: 1736: 1682: 1681: 1657:Boy Howdy: The 1643: 1638: 1628: 1626: 1616: 1612: 1602: 1600: 1590: 1586: 1577: 1576: 1572: 1563: 1562: 1558: 1547: 1543: 1532: 1528: 1519: 1518: 1514: 1504: 1502: 1487: 1483: 1473: 1471: 1460: 1456: 1446: 1444: 1434: 1427: 1420: 1398: 1394: 1387: 1379:. p. 166. 1369: 1365: 1352: 1350: 1345: 1344: 1340: 1327: 1325: 1315: 1311: 1298: 1296: 1286: 1282: 1268: 1266: 1256: 1252: 1245: 1229: 1225: 1215: 1213: 1208: 1207: 1203: 1181: 1177: 1164: 1162: 1149: 1148: 1144: 1137: 1115: 1111: 1101: 1099: 1098:on May 21, 2008 1084: 1075: 1062: 1061: 1057: 1047: 1045: 1035: 1022: 1018: 1004:The relaunched 967: 947: 874: 844: 774:John Mendelsohn 766:Penny Valentine 726:Richard Meltzer 706: 574: 445: 311: 309: 308:March 1969 282: 249: 238: 237: 236: 231: 220: 214: 211: 196: 184: 180: 169: 158: 152: 149: 106: 104: 94: 82: 41: 37: 28: 23: 22: 15: 12: 11: 5: 1745: 1735: 1734: 1729: 1724: 1719: 1714: 1709: 1704: 1699: 1694: 1680: 1679: 1669: 1654: 1649: 1642: 1641:External links 1639: 1637: 1636: 1610: 1584: 1570: 1556: 1541: 1526: 1512: 1481: 1454: 1425: 1418: 1392: 1385: 1377:Collins Living 1363: 1338: 1323:The New Yorker 1309: 1294:The New Yorker 1280: 1250: 1243: 1223: 1201: 1175: 1142: 1135: 1109: 1073: 1055: 1019: 1017: 1014: 966: 963: 946: 940: 922: 921: 918: 915: 873: 870: 843: 842:Graphic design 840: 800:in the 1980s. 794:Colman Andrews 782:Sylvie Simmons 758:Lauren Agnelli 750:Peter Laughner 738:Jeffrey Morgan 705: 702: 690:Thurston Moore 573: 570: 444: 441: 386:music magazine 371: 370: 365: 359: 358: 353: 349: 348: 343: 339: 338: 329: 325: 324: 321: 317: 316: 306: 302: 301: 298: 294: 293: 291:Music magazine 288: 284: 283: 277: 269: 268: 251: 250: 233: 232: 187: 185: 178: 171: 170: 85: 83: 76: 71: 45: 44: 42: 35: 26: 18:Creem Magazine 9: 6: 4: 3: 2: 1744: 1733: 1730: 1728: 1725: 1723: 1720: 1718: 1715: 1713: 1710: 1708: 1705: 1703: 1700: 1698: 1695: 1693: 1690: 1689: 1687: 1677: 1675: 1670: 1668: 1667: 1662: 1660: 1655: 1653: 1650: 1648: 1645: 1644: 1625: 1621: 1614: 1599: 1598:Pitchfork.com 1595: 1588: 1580: 1574: 1566: 1560: 1552: 1545: 1537: 1530: 1522: 1516: 1500: 1496: 1492: 1485: 1469: 1465: 1458: 1443: 1439: 1432: 1430: 1421: 1415: 1411: 1407: 1403: 1396: 1388: 1382: 1378: 1374: 1367: 1360: 1348: 1342: 1335: 1324: 1320: 1313: 1306: 1295: 1291: 1284: 1277: 1265: 1261: 1254: 1246: 1244:9780061374562 1240: 1236: 1235: 1227: 1211: 1205: 1198: 1194: 1190: 1186: 1179: 1172: 1160: 1156: 1152: 1146: 1138: 1136:0-634-02861-8 1132: 1128: 1123: 1122: 1113: 1097: 1093: 1089: 1082: 1080: 1078: 1069: 1065: 1059: 1044: 1040: 1033: 1031: 1029: 1027: 1025: 1020: 1013: 1011: 1007: 1002: 1000: 999: 994: 993:BrooklynVegan 990: 986: 982: 981: 976: 972: 965:2022 relaunch 962: 960: 956: 952: 944: 939: 937: 932: 929: 925: 919: 916: 913: 912: 911: 907: 904: 900: 896: 893:in 2000, and 892: 891: 890:Almost Famous 886: 885:Cameron Crowe 881: 877: 869: 867: 866: 861: 857: 853: 849: 839: 837: 833: 828: 826: 822: 818: 814: 813:New York City 810: 806: 801: 799: 795: 791: 790:Robert Duncan 787: 783: 779: 775: 771: 767: 763: 762:Jaan Uhelszki 759: 755: 754:Cameron Crowe 751: 747: 743: 739: 735: 731: 727: 723: 719: 715: 711: 701: 699: 695: 691: 687: 683: 679: 675: 673: 669: 665: 661: 657: 655: 651: 647: 643: 639: 635: 631: 627: 623: 619: 615: 611: 607: 603: 599: 595: 591: 588:picked up on 587: 583: 582:Rolling Stone 579: 569: 567: 563: 559: 555: 551: 547: 543: 539: 535: 531: 527: 526:New York City 523: 519: 518:United States 514: 512: 508: 507:nitrous oxide 504: 498: 496: 492: 489:by publisher 488: 487: 486:Rolling Stone 482: 478: 474: 469: 467: 463: 461: 455: 451: 440: 438: 434: 431:column about 430: 426: 422: 418: 414: 410: 406: 401: 399: 395: 391: 387: 383: 379: 378: 369: 366: 364: 360: 357: 354: 350: 347: 344: 340: 337: 333: 330: 326: 323:United States 322: 318: 307: 303: 299: 295: 292: 289: 285: 281: 275: 270: 266: 261: 258: 247: 244: 229: 226: 218: 215:December 2018 208: 204: 200: 194: 193: 188:This article 186: 177: 176: 167: 164: 156: 153:December 2018 145: 142: 138: 135: 131: 128: 124: 121: 117: 114: –  113: 109: 108:Find sources: 102: 98: 92: 91: 86:This article 84: 80: 75: 74: 69: 67: 60: 59: 54: 53: 48: 43: 34: 33: 30: 19: 1673: 1664: 1658: 1627:. 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