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Cross of Lothair

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2576: 34: 1108: 2226: 25: 1348: 1470: 2216: 1276: 1708: 2158: 1418: 1543: 1740: 192:. There is a case for describing this as the reverse side, as some sources do, as it may have been carried that way in processions, with the plain engraved crucifixion facing forward, and the gem-encrusted face facing the emperor who followed the cross. The enamel is on the bands of the terminals that are interrupted by the points of the triangular sections. The gems in the centre rows are mounted in raised drum-like platforms, their sides decorated with arcades in filigree. The flat surface of the arms is decorated all over with filigree 1828: 2278: 1908: 1818: 1798: 1638: 1563: 1460: 2488: 2150: 1226: 1898: 1778: 1948: 1760: 1513: 2708: 1138: 2140: 2090: 2596: 2006: 2288: 2744: 2308: 2206: 1720: 1148: 1483: 2648: 1553: 1493: 1388: 1888: 2688: 2246: 1128: 2556: 1808: 1618: 1338: 1308: 1296: 1256: 1398: 1216: 2196: 2032: 1938: 1788: 1440: 1246: 1198: 2698: 2298: 2678: 2328: 1750: 1730: 1628: 1430: 1380: 1286: 1118: 1770: 2060: 1688: 2100: 1678: 1573: 1503: 1408: 1168: 2268: 2668: 2498: 2120: 2508: 1698: 2658: 2628: 2236: 1978: 1968: 1988: 2256: 1838: 1878: 1858: 327: 2478: 2638: 2042: 1958: 2468: 2052: 1668: 1648: 1450: 1583: 2616: 2546: 2176: 2022: 1918: 2732: 2070: 2536: 1360: 1868: 2080: 1848: 1523: 1370: 1236: 2318: 2186: 1593: 1188: 162: 1533: 2166: 2110: 1928: 1658: 1608: 1318: 1328: 1266: 1178: 2130: 2606: 2566: 1158: 1208: 527: 2586: 412:; for example, most rich crosses of similar date made more use of enamel. The two sides can be taken to represent Church and state, fittingly for an imperial donation that was carried in front of the Holy Roman Emperors as they processed into the church. The broad form of the design matches that of the small cross at the front of the 349:
in Cologne, which was a crucial work in developing the Western image of the dead crucified Christ, whose head is slumped to his shoulder, and whose sagging body forms a S shape, showing the marks of his suffering, here with blood spurting from the spear-wound in his side. Engraved backs are found in
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On the assumption that the Ottonians were aware that the cameo was a portrait of Augustus (some coins of that era showed Charlemagne and his successors as Roman Emperors with short hair and laurel wreaths), it served to link the Ottonian dynasty with the original Roman emperors, and assert them as
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This style of gem-studded gold decoration, re-using material from antiquity, was usual for the richest objects at the time. In particular, the motif of the glorified jewelled cross, a "transformation of the crude gibbet on which Christ died", goes back to
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The second largest gem, below Augustus, was probably Lothair's seal and has his portrait with the inscription "+XPE ADIVVA HLOTARIVM REG" ("O Christ, help King Lothar"). This served a similar function, linking the Ottonians with the
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Calkins, p. 115; agreement on the approximate date is unanimous among the works cited, except for Lasko p. 101, who sees no need to date it later than the 980s, and also describes it as an "altar cross"
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The Three Graces are the central purple gem two down from Augustus, and the lion is black, on the left of the top section of the main shaft. See the close-ups in the external links section.
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in Paris. It is now impossible to know the degrees of awareness of this iconographic recycling among the different categories of people creating and seeing these objects.
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Lasko, 49 points out that the inscription is not reversed, and so would not have read correctly on a wax impression, making it unlikely it was actually used as a seal
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The Lothair Cross is in this respect a somewhat conservative object, leaving the front free for imperial symbolism, and also perhaps as a deliberate revival of
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The cross is still used in processions today. On high feast days it is carried into Aachen Cathedral where it is placed next to the main altar during
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Form of cross typical of Early Christian and Early Medieval art, where the cross, or at least its front side, is principally decorated with jewels.
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and John Fleming, A World History of Art,1st edn. 1982 & later editions, Macmillan, London, page refs to 1984 Macmillan 1st edn. paperback.
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Henderson, pp. 110–111 for the "Escrin", or Lasko 24-6 and figs. 23 & 24 for the 1790s drawing – he uses "Escrain". The Julia gem is
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Swartzenski, p. 42 and figs. The clearest photo illustration is in Schiller, II, fig. 395, and Lasko, p. 100 has a drawing.
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of the sun and moon with heads bowed and surmounted by their symbols. The Hand with the wreath was a common motif in
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dating from about 1000 AD, though its base dates from the 14th century. It was made in Germany, probably at
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All covered and illustrated in Lasko, or see Beckwith, pp. 138–143, and Swartzenski, p. 42 and figs.
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Calkins, 115, and most scholars except Lasko 101, who sees no need to date it later than the 980s.
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has many similarities, but has a sculpted Christ on the front, above a figurative enamel plaque.
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The oak core of the Lothair Cross is encased in gold and silver and encrusted with jewels and
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into a crucifixion, an iconography that was to have a long future. The Serpent, representing
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Monuments of Romanesque Art; The Art of Church Treasures in North-Western Europe
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many jewelled crosses of the period. The cross is now mounted on a 14th-century
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Catalogue of an exhibition in the Schnütgen Museum, Köln, 1985. 3 vols.
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stand, itself decorated with two small crucifixions and other figures.
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The reverse side of the Cross is a plain gold plate engraved with the
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The cross comes from the period when Ottonian art was evolving into
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See for example those illustrated in Legner, III, H28, H29 and H31
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dynasty, the successors of the Carolingian dynasty; possibly for
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portraits of themselves, to emphasize their authority from God.
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The cross takes its name from the large engraved greenish
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in Rome, and also used in art associated with the early
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seal near its base bearing the portrait and name of the
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The cross is an outstanding and moving example of the
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God's representatives on Earth. On the other hand, an
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Early Medieval Art: Carolingian, Ottonian, Romanesque
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holding a victor's wreath containing the dove of the
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Back of the cross, with engraved crucifixion (right).
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Ornamenta Ecclesiae, Kunst und KĂĽnstler der Romanik.
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by Charles the Bald, was treated as an image of the
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He makes this assumption. 777:, Yale University Press, 1995 (2nd edn.) 723:, Thames & Hudson, 1964 (rev. 1969), 839:on the Aachen Cathedral Treasury website 474:See the close-up photo in external links 325: 160: 414:Imperial Crown of the Holy Roman Empire 2794: 236:", an elaborate treasure given to the 1065: 874: 799:Iconography of Christian Art, Vol. II 625:Henderson, 202–209, quotation, p. 208 2717:List of tallest crosses in the world 264:who had established the position of 2842:Augustus in ancient Roman sculpture 16:Jewelled cross dating from c.1000AD 13: 14: 2858: 830: 212:, also mounted on a raised drum. 2742: 2730: 2706: 2696: 2686: 2676: 2666: 2656: 2646: 2636: 2626: 2614: 2604: 2594: 2584: 2574: 2564: 2554: 2544: 2534: 2506: 2496: 2486: 2476: 2466: 2326: 2316: 2306: 2296: 2286: 2276: 2266: 2254: 2244: 2234: 2224: 2214: 2204: 2194: 2184: 2174: 2164: 2156: 2148: 2138: 2128: 2118: 2108: 2098: 2088: 2078: 2068: 2058: 2050: 2040: 2030: 2020: 2004: 1986: 1976: 1966: 1956: 1946: 1936: 1926: 1916: 1906: 1896: 1886: 1876: 1866: 1856: 1846: 1836: 1826: 1816: 1806: 1796: 1786: 1776: 1768: 1758: 1748: 1738: 1728: 1718: 1706: 1696: 1686: 1676: 1666: 1656: 1646: 1636: 1626: 1616: 1606: 1591: 1581: 1571: 1561: 1551: 1541: 1531: 1521: 1511: 1501: 1491: 1481: 1468: 1458: 1448: 1438: 1428: 1416: 1406: 1396: 1386: 1378: 1368: 1358: 1346: 1336: 1326: 1316: 1306: 1294: 1284: 1274: 1264: 1254: 1244: 1234: 1224: 1214: 1206: 1196: 1186: 1176: 1166: 1156: 1146: 1136: 1126: 1116: 1106: 1020:Cross of San Salvador de Fuentes 900: 537:Bibliothèque nationale de France 232:) at the top of the "Escrain de 220:portrait of Augustus's daughter 32: 23: 670: 661: 652: 643: 628: 619: 613:Calkins, 115, Lasko 99–106 and 607: 598: 583: 574: 565: 556: 547: 1005:Essen cross with large enamels 520: 511: 486: 477: 468: 459: 450: 441: 432: 157:Description and interpretation 1: 856:Central part of the back side 682: 417: 375: 331: 180:– a total of 102 gems and 35 2847:Otto III, Holy Roman Emperor 248:had a cross and the name of 144:Otto III, Holy Roman Emperor 7: 1091: 754:, 1972, rev. 1977, Penguin. 589:Schiller, p. 142. See also 530:, and the Caracalla gem is 169:cameo at the center of the 134:(835–869), and a nephew of 10: 2863: 974:Cross of Otto and Mathilde 465:Henderson, p. 261, n. 135. 228:, daughter of the emperor 113: 46:, "imperial side") of the 2812:Aachen Cathedral Treasury 2725: 2527: 2453: 2338: 2013: 2002: 1099: 1033: 992: 961: 915: 908: 735:Monuments of Medieval Art 97:Aachen Cathedral Treasury 2512:Staurogram/Monogrammatic 639:German Knowledge article 426: 2832:11th-century sculptures 2827:10th-century sculptures 2737:Christianity portal 852:(at the bottom section) 667:Honour and Fleming, 273 295:; here this represents 2550:Armenian eternity sign 1122:Anchored/Saint Clement 571:Schiller, pp. 108, 122 372:Bernward of Hildesheim 338: 330:The Mathilda Cross of 321:illuminated manuscript 173: 81: 76: 2662:Shield of the Trinity 1744:Portate/Saint Gilbert 948:Treasure of Guarrazar 329: 204:of the Roman Emperor 164: 2802:Processional crosses 2435:Rood/Triumphal cross 1872:Saint James/Santiago 1822:Saltire/Saint Andrew 1497:Grapevine/Saint Nino 1051:Cross of Chersonesus 1025:Cross of Stift Enger 787:Legner, Anton (ed). 733:Calkins, Robert G.; 383:Hildesheim Cathedral 343:Crucifixion of Jesus 287:, with above it the 285:Crucifixion of Jesus 238:Abbey of Saint-Denis 2822:Roman Empire cameos 2817:Ottonian sculptures 2774: /  2702:Triskelion/Triskele 2144:Cuthbert's pectoral 1567:Jerusalem (Kingdom) 1557:Jerusalem/Crusaders 943:Cross of Desiderius 928:Cross of the Angels 811:Swarzenski, Hanns. 775:Ars Sacra, 800-1200 750:Henderson, George. 692:, NYU Press, 1997, 317:Holy Roman Emperors 262:Carolingian dynasty 2778:50.7751°N 6.0828°E 1015:Cross of Theophanu 923:Cross of Justin II 861:Lothair's seal gem 848:2018-08-03 at the 752:Early Medieval Art 339: 266:Holy Roman Emperor 174: 89:processional cross 2757: 2756: 2672:Sunwheel swastika 2055:Blanc croix rouge 1059: 1058: 1046:Cross of Adelheid 1000:Cross of Mathilde 795:Schiller, Gertrud 706:978-0-8147-1255-9 410:Carolingian style 399:Mathilda of Essen 387:Gisela of Hungary 208:holding an eagle 87:(jewelled cross) 2854: 2789: 2788: 2786: 2785: 2784: 2779: 2775: 2772: 2771: 2770: 2767: 2747: 2746: 2735: 2734: 2710: 2700: 2690: 2680: 2670: 2660: 2650: 2640: 2630: 2618: 2608: 2598: 2588: 2578: 2568: 2558: 2548: 2538: 2510: 2500: 2490: 2480: 2470: 2330: 2320: 2310: 2300: 2290: 2280: 2270: 2258: 2248: 2238: 2228: 2218: 2208: 2198: 2188: 2178: 2168: 2160: 2152: 2142: 2132: 2124:Cross cramponnĂ©e 2122: 2112: 2102: 2092: 2082: 2072: 2062: 2054: 2044: 2034: 2024: 2008: 2007: 1990: 1982:Syriac (Western) 1980: 1972:Syriac (Eastern) 1970: 1960: 1952:Serbian Orthodox 1950: 1940: 1930: 1920: 1910: 1900: 1890: 1880: 1870: 1860: 1850: 1840: 1830: 1820: 1810: 1802:Russian Orthodox 1800: 1790: 1780: 1772: 1762: 1752: 1742: 1732: 1722: 1710: 1700: 1690: 1680: 1670: 1660: 1650: 1640: 1630: 1620: 1610: 1595: 1585: 1575: 1565: 1555: 1545: 1535: 1525: 1515: 1505: 1495: 1485: 1472: 1462: 1452: 1442: 1432: 1420: 1410: 1400: 1390: 1382: 1372: 1362: 1350: 1340: 1330: 1320: 1310: 1298: 1288: 1278: 1268: 1258: 1248: 1238: 1228: 1218: 1210: 1200: 1190: 1180: 1170: 1160: 1150: 1140: 1130: 1120: 1110: 1086: 1079: 1072: 1063: 1062: 984:Cross of Peñalba 979:Cross of Lothair 933:Cross of Agilulf 895: 888: 881: 872: 871: 837:Cross of Lothair 737:, Dutton, 1979, 719:Beckwith, John. 688:Barasch, Moshe, 677: 674: 668: 665: 659: 656: 650: 647: 641: 632: 626: 623: 617: 611: 605: 602: 596: 587: 581: 578: 572: 569: 563: 560: 554: 551: 545: 524: 518: 515: 509: 508: 506: 505: 496:. Archived from 494:"Close-up photo" 490: 484: 481: 475: 472: 466: 463: 457: 454: 448: 445: 439: 436: 422: 419: 380: 377: 336: 333: 309:personifications 190:cloisonnĂ© enamel 171:Cross of Lothair 136:Charles the Bald 86: 71: 60:Cross of Lothair 48:Cross of Lothair 42:The front side ( 36: 27: 2862: 2861: 2857: 2856: 2855: 2853: 2852: 2851: 2792: 2791: 2783:50.7751; 6.0828 2782: 2780: 2776: 2773: 2768: 2765: 2763: 2761: 2760: 2758: 2753: 2749:Arts portal 2741: 2729: 2721: 2523: 2449: 2334: 2009: 2005: 2000: 1672:Order of Christ 1464:Globus cruciger 1280:Catherine wheel 1095: 1090: 1060: 1055: 1029: 988: 957: 938:Cross of Gisulf 916:6th–9th century 911: 904: 899: 850:Wayback Machine 833: 817:Faber and Faber 685: 680: 675: 671: 666: 662: 657: 653: 648: 644: 633: 629: 624: 620: 612: 608: 603: 599: 591:Richard Herries 588: 584: 579: 575: 570: 566: 561: 557: 552: 548: 525: 521: 516: 512: 503: 501: 492: 491: 487: 482: 478: 473: 469: 464: 460: 455: 451: 446: 442: 437: 433: 429: 420: 403:Essen 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1963: 1959: 1955: 1953: 1949: 1945: 1943: 1939: 1935: 1933: 1929: 1925: 1923: 1919: 1915: 1913: 1909: 1905: 1903: 1899: 1895: 1893: 1892:Saint Patrick 1889: 1885: 1883: 1879: 1875: 1873: 1869: 1865: 1863: 1859: 1855: 1853: 1852:Saint Florian 1849: 1845: 1843: 1839: 1835: 1833: 1829: 1825: 1823: 1819: 1815: 1813: 1809: 1805: 1803: 1799: 1795: 1793: 1789: 1785: 1783: 1779: 1775: 1771: 1767: 1765: 1761: 1757: 1755: 1751: 1747: 1745: 1741: 1737: 1735: 1731: 1727: 1725: 1721: 1717: 1713: 1709: 1705: 1704: 1703: 1699: 1695: 1693: 1689: 1685: 1683: 1679: 1675: 1673: 1669: 1665: 1663: 1659: 1655: 1653: 1649: 1645: 1643: 1639: 1635: 1633: 1629: 1625: 1623: 1619: 1615: 1613: 1609: 1605: 1603: 1600: 1598: 1594: 1590: 1588: 1584: 1580: 1578: 1574: 1570: 1568: 1564: 1560: 1558: 1554: 1550: 1548: 1544: 1540: 1538: 1534: 1530: 1528: 1524: 1520: 1518: 1514: 1510: 1508: 1504: 1500: 1498: 1494: 1490: 1488: 1484: 1480: 1475: 1471: 1467: 1466: 1465: 1461: 1457: 1455: 1451: 1447: 1445: 1441: 1437: 1435: 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914: 907: 903: 896: 891: 889: 884: 882: 877: 876: 873: 867: 864: 862: 859: 857: 854: 851: 847: 844: 841: 838: 835: 834: 826: 825:0-571-10588-2 822: 818: 814: 810: 808: 807:0-85331-324-5 804: 800: 796: 793: 790: 786: 784: 780: 776: 772: 769: 767: 766:0-333-37185-2 763: 759: 756: 753: 749: 747: 744: 743:0-525-47561-3 740: 736: 732: 730: 729:0-500-20019-X 726: 722: 718: 715: 711: 707: 703: 699: 698:0-8147-1255-X 695: 691: 687: 686: 673: 664: 655: 646: 640: 636: 631: 622: 616: 610: 601: 595: 592: 586: 577: 568: 559: 550: 543: 539: 538: 533: 529: 523: 514: 500:on 2011-07-18 499: 495: 489: 480: 471: 462: 453: 444: 435: 431: 424: 415: 411: 406: 404: 400: 396: 392: 388: 384: 373: 369: 365: 361: 355: 353: 348: 344: 328: 324: 322: 318: 314: 310: 306: 302: 298: 294: 290: 286: 281: 279: 275: 271: 267: 263: 257: 255: 251: 247: 243: 239: 235: 231: 227: 223: 219: 213: 211: 207: 203: 199: 195: 191: 187: 183: 179: 178:engraved gems 172: 168: 163: 154: 152: 147: 145: 141: 137: 133: 129: 125: 121: 111: 109: 104: 102: 98: 94: 90: 85: 84: 78: 74: 70: 65: 64:Lothair Cross 61: 49: 45: 35: 26: 2837:Gold objects 2807:Crux gemmata 2759: 2619: 2502:Signum manus 2455:Christograms 2423:Processional 2356:Conciliation 2282:Saint Julian 2094:Consecration 1932:Saint Thomas 1912:Saint Philip 1862:Saint George 1132:Anuradhapura 1034:12th century 993:11th century 978: 962:10th century 902:Crux gemmata 866:Three Graces 812: 798: 788: 774: 771:Lasko, Peter 751: 746:Google books 734: 720: 710:Google books 689: 672: 663: 654: 645: 630: 621: 614: 609: 600: 585: 576: 567: 558: 549: 535: 522: 513: 502:. Retrieved 498:the original 488: 483:Calkins, 115 479: 470: 461: 452: 443: 434: 407: 393:, 1006, now 356: 340: 282: 274:Three Graces 258: 226:Julia Flavia 218:engraved gem 214: 175: 170: 148: 120:rock crystal 117: 105: 101:Ottonian art 83:crux gemmata 63: 59: 57: 47: 43: 2781: / 2642:Scientology 2482:IX monogram 2339:By function 2272:Saint Alban 2074:Carolingian 1962:Short Sword 1922:Saint Piran 1902:Saint Peter 1842:Saint David 1724:Patriarchal 1577:Latin/Roman 1402:Evangelists 1182:Balkenkreuz 1172:Arrow/Barby 758:Hugh Honour 379: 1000 289:Hand of God 250:Saint Peter 242:Virgin Mary 234:Charlemagne 132:Lotharingia 124:Carolingian 77:Lotharkreuz 44:Kaiserseite 2796:Categories 2766:50°46′30″N 2312:Two-barred 2014:Historical 1882:Saint John 1832:Saint Chad 1773:Resistance 1587:Macedonian 1476:'s variant 1474:Archbishop 1270:Canterbury 1142:Archangels 712:(See also 683:References 658:Lasko, 100 504:2009-12-29 421: 973 391:Regensburg 368:crucifixes 347:Gero Cross 335: 973 293:Holy Ghost 130:, King of 128:Lothair II 2769:6°04′58″E 2459:Chrismons 2418:Preaching 2260:Quarterly 2230:Nestorian 2170:Gammadion 2153:Engrailed 1392:Ethiopian 1240:Byzantine 1220:Bulgarian 272:with the 246:Caracalla 69:‹See Tfd› 2692:Swastika 2652:Shamrock 2580:Kolovrat 2570:Irminsul 2528:See also 2428:Lalibela 2408:Pectoral 2403:Necklace 2393:Memorial 2361:Heraldry 2351:Blessing 2210:Lorraine 2180:Jewelled 2026:Avellane 1764:Quadrate 1652:Novgorod 1622:Maronite 1547:Jeremiah 1527:Huguenot 1364:Crucifix 1342:Crosslet 1312:CercelĂ©e 1260:Camargue 1230:Burgundy 1162:Armenian 846:Archived 819:, 1974, 270:amethyst 206:Augustus 198:sardonyx 194:tendrils 186:filigree 167:Augustus 140:Ottonian 2600:Mjölnir 2590:Lauburu 2560:Ichthys 2492:Labarum 2472:Chi Rho 2445:Wayside 2398:Mission 2322:Victory 2292:Templar 2250:Pierced 2240:Peñalba 2200:Lazarus 2190:Katanga 2161:ErminĂ©e 1942:Serbian 1792:Russian 1712:FitchĂ©e 1692:Patonce 1662:Occitan 1597:Maltese 1487:Gnostic 1444:Fourchy 1332:Cossack 1300:Variant 1250:Calvary 1202:Bottony 1192:Bolnisi 1112:Alcoraz 1093:Crosses 397:), and 313:mosaics 301:Trinity 210:sceptre 114:History 93:Cologne 79:) is a 50:(left). 2440:Summit 2413:Plague 2388:Mercat 2383:Market 2366:Nordic 2331:Voided 2104:Coptic 2084:Chouan 2064:Brigid 1782:Ringed 1754:Potent 1702:PattĂ©e 1642:Nordic 1632:Moline 1612:Marian 1602:Marada 1454:Fylfot 1434:Forked 1422:Fitchy 1412:Fleury 1383:Double 1352:Fitchy 1322:Coptic 1290:Celtic 1211:Branch 823:  805:  781:  764:  741:  727:  704:  696:  615:passim 401:(973, 364:Christ 352:Gothic 182:pearls 126:ruler 73:German 2371:Pisan 2346:Altar 2220:Neith 2134:Crown 2046:Black 1812:Salem 1734:Pommy 1682:Papal 1507:Greek 542:Titus 427:Notes 305:Satan 230:Titus 222:Julia 202:cameo 2621:Rota 2610:Rose 2540:Ankh 2378:High 2036:Aviz 1537:Iron 821:ISBN 803:ISBN 779:ISBN 762:ISBN 739:ISBN 725:ISBN 714:here 702:ISBN 694:ISBN 637:and 594:here 532:here 528:here 278:onyx 224:(or 188:and 165:The 151:mass 58:The 2682:Sun 2519:Rho 2516:Tau 1992:Tau 385:), 62:or 2798:: 2457:, 815:, 797:, 773:, 708:, 700:, 418:c. 381:, 376:c. 332:c. 75:: 2514:/ 1994:/ 1085:e 1078:t 1071:v 894:e 887:t 880:v 716:) 544:. 507:. 416:( 389:( 374:( 66:(

Index



‹See Tfd›
German
crux gemmata
processional cross
Cologne
Aachen Cathedral Treasury
Ottonian art
Romanesque art
rock crystal
Carolingian
Lothair II
Lotharingia
Charles the Bald
Ottonian
Otto III, Holy Roman Emperor
mass

Augustus
engraved gems
pearls
filigree
cloisonné enamel
tendrils
sardonyx
cameo
Augustus
sceptre
engraved gem

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