92:"I've always been very moved by pictures about slaughterhouses and meat, and to me that belong very much to the whole thing of the Crucifixion. There've been extraordinary photographs which have been done of animals just being taken up before they were slaughtered; and the smell of death. We don't know, of course, but it appears by these photographs that they're so aware of what is going to happen to them, they do everything to attempt to escape. I think these pictures were very much based on that kind of thing, which to me is very, very near this whole thing of the Crucifixion. I know for religious people, for Christians, the Crucifixion has a totally different significance. But as a non-believer, it was just an act of man's behaviour to another".
72:
The 1965 work closely follows the 1962 triptych in mood, colour and form and continues the artist's preoccupation with the imagery of the slaughterhouse. However, whereas the earlier work had an urgency and sense of struggle, the 1965 crucifixion shows defeated and butchered figures splayed on beds
80:
In the central panel, a half-human, half-animal hybrid figure is hung upside down from an angled scaffold structure. On the right-hand canvas, two men are shown watching the scene. They have been described by Davies as possibly being intended as "tormentors, witnesses, or fellow victims".
73:
and hanging upside down on hooks. In the left-hand panel, a human carcass is shown lying on the bed. The figure is covered in splintlike bandages which, according to the art critic Hugh Davies, suggest "the frilly parer collars used by butchers to dress up
68:
of 1962. For Bacon, images of the crucifixion were "a magnificent armature on which you can about your own feelings and sensations ... You are working on all sorts of very private feelings about behaviour and the way life is".
596:
522:
690:
514:
303:
22:
698:
311:
671:
244:
429:
773:
482:
58:
319:
714:
655:
203:
663:
538:
732:
620:
461:
706:
765:
29:
196:
807:
221:
162:
102:
176:
636:
604:
546:
490:
327:
189:
64:
335:
628:
612:
343:
749:
577:
737:
473:
252:
569:
287:
421:
797:
498:
46:
212:
453:
271:
53:
8:
743:
558:
802:
295:
236:
172:
158:
437:
445:
85:
49:. Across each of the three panels, the work shows three forms of violent death.
530:
791:
279:
181:
52:
This triptych was the third such which Bacon painted relating to the
378:
42:
21:
402:
386:
370:
394:
362:
74:
312:
Study for
Portrait II (After the Life Mask of William Blake)
672:
Portrait of Isabel
Rawsthorne Standing in a Street in Soho
515:
Triptych
Inspired by T.S. Eliot's Poem "Sweeney Agonistes"
775:
Love Is the Devil: Study for a
Portrait of Francis Bacon
483:
Three
Studies for Figures at the Base of a Crucifixion
59:
Three
Studies for Figures at the Base of a Crucifixion
320:
Version No. 2 of Lying Figure with
Hypodermic Syringe
430:
Study after Velázquez's
Portrait of Pope Innocent X
789:
656:Three Studies for a Portrait of Henrietta Moraes
664:Three Studies for a Portrait of Muriel Belcher
539:Triptych Inspired by the Oresteia of Aeschylus
197:
715:Study for a Self-Portrait—Triptych, 1985–86
597:Three Studies for a Portrait of George Dyer
523:Two Figures Lying on a Bed with Attendants
211:
204:
190:
733:List of large triptychs by Francis Bacon
621:Portrait of George Dyer and Lucian Freud
462:Study of Red Pope 1962. 2nd version 1971
20:
790:
128:
126:
767:Francis Bacon: The Logic of Sensation
185:
171:. London: Thames and Hudson, 2000.
157:. New York: Abbeville Press, 1986.
135:
123:
13:
103:List of paintings by Francis Bacon
30:Bayerische Staatsgemäldesammlungen
14:
819:
304:Three Studies from the Human Head
45:painted by the Irish-born artist
707:Three Studies for Self-Portrait
691:Three Studies for Self Portrait
605:Portrait of George Dyer Talking
547:Second Version of Triptych 1944
491:Three Studies for a Crucifixion
328:Study for a Bullfight, Number 2
65:Three Studies for a Crucifixion
336:Three Studies of the Male Back
114:
16:1965 painting by Francis Bacon
1:
629:Three Studies of Lucian Freud
613:Three Studies for George Dyer
153:Davies, Hugh; Yard, Sally,.
7:
750:Influences on Francis Bacon
96:
10:
824:
808:Paintings by Francis Bacon
738:Triptychs by Francis Bacon
147:
758:
725:
682:
647:
637:Portrait of Michel Leiris
588:
557:
472:
413:
354:
263:
253:Fragment of a Crucifixion
228:
219:
28:, 1965. 197.5cm x 147cm.
288:Study for Crouching Nude
169:The Violence of the Real
108:
578:Triptych, May–June 1973
499:Three Figures in a Room
245:Wound for a Crucifixion
213:Francis Bacon (artist)
33:
454:Study from Innocent X
422:Study after Velázquez
272:Figure in a Landscape
141:Davies & Yard, 45
132:Davies & Yard, 44
56:, and follows 1944's
24:
570:Triptych–August 1972
744:The Black Triptychs
344:Blood on the Floor
34:
785:
784:
222:List of paintings
815:
726:Summary articles
648:Female portraits
438:Figure with Meat
206:
199:
192:
183:
182:
142:
139:
133:
130:
121:
118:
823:
822:
818:
817:
816:
814:
813:
812:
788:
787:
786:
781:
754:
721:
678:
643:
584:
560:Black Triptychs
553:
468:
446:Untitled (Pope)
409:
350:
259:
224:
215:
210:
167:Zweite, Armin.
150:
145:
140:
136:
131:
124:
119:
115:
111:
99:
86:David Sylvester
17:
12:
11:
5:
821:
811:
810:
805:
800:
798:1965 paintings
783:
782:
780:
779:
771:
762:
760:
756:
755:
753:
752:
747:
740:
735:
729:
727:
723:
722:
720:
719:
711:
703:
695:
686:
684:
683:Self-portraits
680:
679:
677:
676:
668:
660:
651:
649:
645:
644:
642:
641:
633:
625:
617:
609:
601:
592:
590:
589:Male portraits
586:
585:
583:
582:
574:
565:
563:
555:
554:
552:
551:
543:
535:
531:Triptych, 1976
527:
519:
511:
503:
495:
487:
478:
476:
470:
469:
467:
466:
458:
450:
442:
434:
426:
417:
415:
411:
410:
408:
407:
399:
391:
383:
375:
367:
358:
356:
352:
351:
349:
348:
340:
332:
324:
316:
308:
300:
292:
284:
276:
267:
265:
261:
260:
258:
257:
249:
241:
232:
230:
226:
225:
220:
217:
216:
209:
208:
201:
194:
186:
180:
179:
165:
163:978-1558592452
149:
146:
144:
143:
134:
122:
112:
110:
107:
106:
105:
98:
95:
94:
93:
15:
9:
6:
4:
3:
2:
820:
809:
806:
804:
801:
799:
796:
795:
793:
778:
776:
772:
770:
768:
764:
763:
761:
757:
751:
748:
746:
745:
741:
739:
736:
734:
731:
730:
728:
724:
717:
716:
712:
709:
708:
704:
701:
700:
699:Self-portrait
696:
693:
692:
688:
687:
685:
681:
674:
673:
669:
666:
665:
661:
658:
657:
653:
652:
650:
646:
639:
638:
634:
631:
630:
626:
623:
622:
618:
615:
614:
610:
607:
606:
602:
599:
598:
594:
593:
591:
587:
580:
579:
575:
572:
571:
567:
566:
564:
562:
561:
556:
549:
548:
544:
541:
540:
536:
533:
532:
528:
525:
524:
520:
517:
516:
512:
509:
508:
504:
501:
500:
496:
493:
492:
488:
485:
484:
480:
479:
477:
475:
471:
464:
463:
459:
456:
455:
451:
448:
447:
443:
440:
439:
435:
432:
431:
427:
424:
423:
419:
418:
416:
412:
405:
404:
400:
397:
396:
392:
389:
388:
384:
381:
380:
376:
373:
372:
368:
365:
364:
360:
359:
357:
353:
346:
345:
341:
338:
337:
333:
330:
329:
325:
322:
321:
317:
314:
313:
309:
306:
305:
301:
298:
297:
293:
290:
289:
285:
282:
281:
280:Painting 1946
277:
274:
273:
269:
268:
266:
262:
255:
254:
250:
247:
246:
242:
239:
238:
234:
233:
231:
227:
223:
218:
214:
207:
202:
200:
195:
193:
188:
187:
184:
178:
177:0-5000-9335-0
174:
170:
166:
164:
160:
156:
155:Francis Bacon
152:
151:
138:
129:
127:
117:
113:
104:
101:
100:
91:
90:
89:
87:
82:
78:
76:
70:
67:
66:
61:
60:
55:
50:
48:
47:Francis Bacon
44:
40:
39:
31:
27:
23:
19:
774:
766:
742:
713:
705:
697:
689:
670:
662:
654:
635:
627:
619:
611:
603:
595:
576:
568:
559:
545:
537:
529:
521:
513:
506:
505:
497:
489:
481:
460:
452:
444:
436:
428:
420:
401:
393:
385:
377:
369:
361:
342:
334:
326:
318:
310:
302:
294:
286:
278:
270:
251:
243:
235:
229:Crucifixions
168:
154:
137:
120:Zweite, 142.
116:
83:
79:
71:
63:
57:
51:
37:
36:
35:
25:
18:
777:(1998 film)
769:(1981 book)
507:Crucifixion
355:Head series
296:Two Figures
237:Crucifixion
84:Bacon told
54:Crucifixion
38:Crucifixion
26:Crucifixion
792:Categories
77:of meat".
62:, and the
41:is a 1965
803:Triptychs
718:(1985–86)
474:Triptychs
449:(c. 1954)
379:Head III
97:See also
43:triptych
32:, Munich
759:Related
403:Head VI
387:Head IV
371:Head II
264:Figures
148:Sources
710:(1979)
702:(1973)
694:(1973)
675:(1967)
667:(1966)
659:(1963)
640:(1976)
632:(1969)
624:(1967)
616:(1967)
608:(1966)
600:(1964)
581:(1973)
573:(1972)
550:(1988)
542:(1981)
534:(1976)
526:(1968)
518:(1967)
510:(1965)
502:(1964)
494:(1962)
486:(1944)
465:(1971)
457:(1962)
441:(1954)
433:(1953)
425:(1950)
406:(1949)
398:(1949)
395:Head V
390:(1949)
382:(1949)
374:(1949)
366:(1949)
363:Head I
347:(1986)
339:(1970)
331:(1969)
323:(1968)
315:(1955)
307:(1953)
299:(1953)
291:(1952)
283:(1946)
275:(1945)
256:(1950)
248:(1933)
240:(1933)
175:
161:
75:joints
414:Popes
109:Notes
173:ISBN
159:ISBN
794::
125:^
88:,
205:e
198:t
191:v
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
