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426:"Mrs. Neal met me in Paris. Had it not been for the exhibition nothing could have kept me from hurrying home by the first train, such was my longing to see my babies. My arrival there was the occasion of a great festival on the part of the children, who had the rooms you know so well handsomely decorated. They all seemed at first to be at least a head taller, but after a week they managed to get back to their old proportions. Thirteen months are a great deal upon a child's head."
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on wood by a friendly wood-engraver, who took an interest in him, and taught him the art. Soon after, he became the city's best ink drawer upon blocks used by engravers. In fact, his sketching ability was so good that he was hired, from time to time, by the police for likenesses of criminals for the
393:
In 1877, Neal made a year-long whirlwind trip to the United States, bouncing from city to city, traveling and painting as he went. In a personal letter dated
February 2, 1878 he writes back to a childhood friend and art collector, on Middlesex Street in Lowell, Massachusetts, addressed to Mrs. F.
129:. After two years he earned enough money to return to New England for a short while to take art classes at the Andover Academy, but returned to San Francisco when his money ran out. Once back, Neal quickly established himself as one of the city's best portrait artists. He painted portraits of Rev.
289:, whose daughter he subsequently married soon after he entered the academy, despite the "... difficulties and objections that took on the realistic guise of romance". Marie Ainmiller and David Neal were married December 9, 1862. They had a son,
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Just after 35 years of marriage, his wife died on
September 29, 1897. A few months later, Neal decided to return to the United States for a full two-year painting and exhibition tour. His trip started with a little scare, as the passenger ship
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was beginning, Neal and his family were trapped on the German side. He died on May 2, 1915, at the age of 76, as the Allies' blockade choked the life out of the city of Munich. All in all, Neal painted some seventy portraits.
325:, before he gained permission to paint, with which he was able to come and go as he pleased through the dean's private doors. After all, it was his father-in-law that had done a lot of the glass work in the abbey.
357:, Sir Benjamin S. Phillips. Just a few months later, Neal's mentor and father-in-law Max died on David and Marie's eighth wedding anniversary. Around the same time, Marie gave birth to their second son,
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by the 1st of May as I have an appointment there with a gentleman who desires to purchase my next large historical picture. I am at present painting Mr. & Mrs. Talbot and shall visit
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377:, an oil-on-canvas still life that became one of his first great successes. In 1873 Neal had an exhibition back in California at the San Francisco Art Academy. He later painted
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439:, and divided his time between the two countries with his address of Auen Strasse 74 & later Frauen Strasse 7, in Munich, Bavaria, as well as staying in
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A wealthy individual happened upon David as he was painting, and after a moment he simply asked; "When do you intend to go to Europe?"
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562:"In receipt of a clipping from your valuable paper, in which it is stated that "Max Neal... is said to be an American from
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Neal, his wife and sons stayed in Munich, but he traveled extensively to sell and exhibit his works, as he maintained his
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Collection Number: BANC MSS C-B 465, The
Bancroft Library, University of California, Berkeley, Berkeley, California
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in the early 1830s. His aunt
Elizabeth Dolhoff was very artistic, and his uncle Jesse Dolhoff was a great singer.
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David
Dalhoff Neal was born to father Stephen Bryant Neal and mother Mary (Dalhoff) Neal, on Middlesex Street, in
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So, with that, and after four years in San
Francisco, 1861 he was off to Munich to attend the Royal Academy.
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comments on Neal's works. Neal continued to paint portraits when in the States, including the daughters of
217:
1067:
Appletons' cyclopædia of
American biography, Volume 4, p.483-484, edited by James Grant Wilson, John Fiske
512:, and so on, including his second exhibition at the San Francisco Art Academy in 1898. On June 18, 1899,
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815:
History of
Northfield, New Hampshire 1780-1905: In two parts with many ... By Mrs. Lucy Rogers Hill Cross
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317:. Neal was confronted with major opposition in Westminster, being denied twice. It took a letter from
73:. Deciding to devote himself to the study of art, he then attended art classes at the recently opened
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on New Year's Eve, 1862. Now, 24 years old, he became a pupil of the Royal
Academy, Munich, under
85:. Here at the age of 15, he worked the docks as a wharf clerk with a wood shipping firm dealing in
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for a day or so and will have the pleasure of talking over the matter of your portrait with you."
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on
December 6, 1904 for clarification, and published as "to the Editor of the New York Times":
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One or more of the preceding sentences incorporates text from a publication now in the
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293:, on March 26, 1865, named after Marie's father, and who would later become a great German
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170:"Well, my wife and I are going to New York by the next steamer. You had better go along."
81:. When Neal was 14, his father died and his fortunes were "impaired", so he set sail for
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680:, 1887 (displayed in Courtroom 400, Clarence M. Mitchell Jr. Courthouse, Baltimore, MD).
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Neal did not make it back to Munich till November, and not before his wife met him in
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had engine failure, and Neal along with the rest of the passengers drifted about the
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54:. His grandparents were Stephen Neal, and David Dalhoff and Sally (Bean) Dalhoff of
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in 1763, for whom he was named. His mother's family, the Beans, migrated from the
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ran a full-page article describing David Neal's works with two paintings printed,
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where he concentrated on the art of drawing, and then painting and the art of
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In 1857, at the age of 19, Neal settled in San Francisco. He was hired as a
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1146:"David Dalhoff Neal / Oliver Cromwell of Ely Visits Mr. John Milton / 1883"
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Who's who in America, Volume 26 By John W. Leonard, Albert Nelson Marquis
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Six of David Dalhoff Neal's personal letters are currently housed in the
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Who's who in America, Volume 1 By John W. Leonard, Albert Nelson Marquis
929:. Vol. 19 (11th ed.). Cambridge University Press. p. 320.
385:, the first awarded to an American. He stayed at the studio till 1876.
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141:, to name a few. While living in California, Neal became friends with
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297:. Under the direction of his father-in-law, David first travelled to
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402:, before I can engage to paint any more. I left three unpainted in
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began his career as an author and playwright, with works such as
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Cutting, that describes his hectic work schedule as an artist:
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38:(October 20, 1838 – May 2, 1915), was an American
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406:, which I had half promised to do. ...I must positively be in
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149:, with whom he learned many of his early painting techniques.
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19:
1222:"David Dalhoff Neal - Featured Artist Lot - Doyle New York"
230:, published in 1893 by Haskell Publishing Company in Boston
96:. After a year, he earned enough money to make his way to
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stock, was born in Munich, and has never been in America."
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1870 (Interior- hunting dog with kills) displayed at the
341:. Under Piloty, Neal's first painting was a portrait of
1078:"Search Collection | The Art Institute of Chicago"
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He attended Lowell grammar schools, and high school at
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Maryland State Archives-Guide to Special Collections
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Exhibition of the Society of American wood engravers
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633:1874 (a large historical composition shown at the
1043:"THE COLLIE AND THE CAT.; Max Neal Born in Munich"
656:) acquired through the Emily L. Ainsley Fund, 1978
652:, 1883 (interior, oil on canvas) displayed at the
398:"I have four engagements here to meet, and two in
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855:"Modern School of Art", Edited by Wilfrid Meynell
554:in New York, David had written to the editor of
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883:"David Neal - Artist, Art - David Dalhoff Neal"
1008:. Collectionsonline.lacma.org. Archived from
869:Artists in California, 1786-1940, Edan Hughes
650:Oliver Cromwell of Ely Visits Mr. John Milton
164:David replied; "As soon as I have the means."
121:. The first exhibit of his work was at the
107:
1199:. Digital.library.ptsem.edu. Archived from
641:The First Meeting of Mary Stuart and Rizzio
589:The Chapel of the Nonberg Convent, Salzburg
379:The First Meeting of Mary Stuart and Rizzio
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993:History of Lowell and its people, Volume 2
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804:campus under the "Adolph Sutro papers".
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125:in 1857, and his second was at the 1859
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381:, which won him the great medal of the
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1099:"After the Hunt by David Dalhoff Neal"
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843:June 18, 1899, article, New York Times
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1032:Who's who in America, Volume 26 p.821
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1197:"Princeton Seminary Digital Library"
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963:Volume IX, Edited by Wilfrid Meynell
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785:Daughters of the American Revolution
369:. Around the same time Neal painted
373:(1870) which later became known as
313:, where he painted the interior of
301:, where he painted the interior of
13:
1308:20th-century American male artists
1303:19th-century American male artists
1293:American people of Russian descent
1288:Artists from Lowell, Massachusetts
995:By Frederick William Coburn, p.532
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802:University of California, Berkeley
739:(collection of F. Cutting, Boston)
737:Chapel of the Kings at Westminster
483:Second major U.S. tour (1897–1900)
123:San Francisco Mechanics' Institute
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627:1873 (interior- child in thought)
389:First major U.S. tour (1877–1878)
333:In 1869 he entered the studio of
1298:American people of Dutch descent
1125:"David (Dalhoff) Neal on artnet"
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614:Los Angeles County Museum of Art
443:'s house at 1111 Carnegie Hall,
152:In an interview with art critic
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179:Royal Academy years (1862–1868)
58:, Dolhoffs that emigrated from
1283:20th-century American painters
1273:19th-century American painters
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725:Countress Leschenfeld-Kofering
601:Interior of St. Mark's, Venice
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353:where it was purchased by the
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1:
943:. Amazon.imdb.com. 2009-05-01
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457:Mark Hopkins Institute of Art
383:Royal Bavarian Academy of Art
345:, which was exhibited at the
706:Whistler House Museum of Art
451:in New York, as well as the
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218:Whistler House Museum of Art
23:David Dalhoff Neal, age 49,
7:
781:Declaration of Independence
546:(co-author). When the play
137:, Judge Hoffman, and Mayor
10:
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1006:"LACMA Collections Online"
941:"Max Neal (I) - Biography"
664:Royal Gallery of Stuttgart
654:Boston Museum of Fine Arts
595:On the Grand Canal, Venice
449:National Academy of Design
285:under famous glass artist
662:, 1884, displayed at the
447:. He was a member of the
361:, who later would become
283:architectural perspective
108:San Francisco (1857–1861)
56:Canterbury, New Hampshire
1224:. Invaluable. 2010-12-23
961:The Modern School of Art
885:. Askart.com. 2006-09-16
762:, 1912 (female portrait)
756:, 1912 (female portrait)
733:a Scandinavian merchant.
605:Art Institute of Chicago
422:, where he later wrote:
168:"Eight hundred dollars."
27:by fellow German artist
926:Encyclopædia Britannica
775:Portraits of the three
731:Portrait of Mr. Saraoaw
669:Portrait of a Gentleman
550:was to be given at the
459:. In the publication,
291:Maximilian Dalhoff Neal
71:Lawrence, Massachusetts
1278:American male painters
754:Junge Frau mit Rosenbl
603:1869 displayed at the
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548:The Collie and the Cat
540:The Collie and the Cat
463:, in 1888, art critic
461:Modern Art and Artists
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319:Arthur Penrhyn Stanley
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127:California State Fair
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1052:. December 16, 1904.
771:John Brown in Prison
715:Portrait of actress
708:in his home town of
552:Irving Place Theatre
520:Portrait of Mille N.
355:Lord Mayor of London
166:"How much have you?"
921:Neal, David Dalhoff
744:Henry William Green
704:, displayed at the
477:Gladys Mills Phipps
323:Dean of Westminster
216:, displayed at the
1050:The New York Times
702:'s House in Venice
556:The New York Times
515:The New York Times
303:St Mark's Basilica
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214:'s House in Venice
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36:David Dalhoff Neal
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1148:. Davidrumsey.com
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315:Westminster Abbey
210:The Courtyard of
102:Isthmus of Panama
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139:Adolph Sutro
131:Mark Hopkins
111:
68:
49:
35:
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1268:1915 deaths
1263:1838 births
1080:. Artic.edu
576:World War I
568:New England
530:Later years
469:Ogden Mills
228:Consolation
135:Ogden Mills
114:draughtsman
83:New Orleans
64:Netherlands
46:Early years
1257:Categories
1228:2012-05-18
1207:2010-01-18
1152:2010-01-18
1131:2010-01-18
1105:2012-05-18
1084:2010-01-18
1016:2012-05-18
947:2012-05-18
889:2010-01-18
792:References
777:New Jersey
750:Collection
686:Otto Sutro
631:James Watt
502:Washington
367:Heidelberg
343:James Watt
255:Otto Sutro
143:Bret Harte
100:, via the
748:Princeton
506:Cleveland
431:1879-1897
295:dramatist
87:Brazilian
25:engraving
574:Just as
536:Max Neal
534:His son
510:New York
498:Atlantic
490:Pretoria
400:New York
279:Kaulbach
94:mahogany
91:Honduran
914::
800:on the
746:, 1901
564:Hoboken
494:Hamburg
492:out of
404:Chicago
337:, then
311:England
275:Hamburg
908:
710:Lowell
700:Titian
689:, 1889
671:, 1886
643:, 1876
597:, 1869
475:, and
412:Boston
408:Munich
351:London
307:Venice
269:(1886)
258:(1889)
244:(1883)
212:Titian
201:(1870)
60:Russia
40:artist
31:, 1887
1046:(PDF)
420:Paris
299:Italy
621:1873
591:1864
542:and
522:and
145:and
89:and
923:".
365:at
349:in
77:in
1259::
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