19:(born 1961) is a British photographer, artist and designer who was part of London's 1980s club scene. His work is known for its intimate nature, revealing an unseen side to his subjects, which are drawn from London's art world and queer scene. He has photographed amongst others,
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when he went to photograph him and their close friendship lasted until
Proctor's death in 2003. Procktor used Gwinnutt as the model for the figures of St John the Baptist and Jesus in his painting for the St John Baptist Chapel in
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In 2017 he published his first book, The White Camera
Diaries, which contains many of his 1980's photographs, love letters and the stories behind the images. <
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he began a series of events to raise money for The Peter
Tatchell Foundation and was subsequently invited to become a trustee of the Foundation (2013-2017)
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In a desire to diversify from photography and express himself as an artist, Gwinnutt looked to his life-time experience as a gay man and his pride in being
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2006. The design was an instant hit and caught the mood in the UK at the time which was acknowledging equal rights for gay people.
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Pink List of the top 100 most influential gay people in
Britain for creating the Pink Jack flag, a twist on the
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London In 2017 he had his first solo display at The
National Portrait Gallery entitled, Before We Were Men
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to identify homosexuals. It was later reclaimed by gay men as a badge of honour and became a recognised
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symbol. Gwinnutt's first experiments with the design were in 1999 but he officially launched it at
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Many of the world's leading publications have featured
Gwinnutt's portraits, including
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Horner, Lena (December 2000). "The In-Crowd. Lovers and lotahrios of the 1980s".
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and they became lovers White later penned a portrait of
Gwinnutt in his memoir,
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for inspiration. This led him to create the Pink Jack. A simple change to the
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472:"Englands Football Association backs LGBT fans at the World Cup in Russia"
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Gwinnutt's intimate portrait of White was used for the paperback cover of
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officially sanctioned
Gwinnutt's design for a banner for the English
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Twenty one of his portraits are in the collection of the
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60:gave Gwinnutt his first major solo exhibition,
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220:After photographing gay rights activist
186:was a symbol of oppression used by the
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343:. Unicorn Press. pp. 165–168.
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299:The Independent Saturday Magazine
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341:Patrick Procktor Art and Life
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205:In 2013 he was voted No16 on
159:In 1985 he was introduced to
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320:. National Portrait Gallery
278:. National Portrait Gallery
147:In 1983 he met the painter
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505:Photographers from London
450:www.companieshouse.org.uk
207:The Independent Newspaper
142:National Portrait Gallery
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366:The White Camera Diaries
272:"David Gwinnutt person"
389:White, Edmund (2014).
364:White, Edmund (2017).
312:Jaskott-Gill, Sabina.
270:Jaskott-Gill, Sabina.
419:"God Save The Queers"
339:Massey, Ian (2010).
240:Football Association
154:Chichester Cathedral
134:The Evening Standard
58:The Fine Art Society
417:Kowles, Katherine.
217:, London in 2006
80:Interview Magazine
29:Gilbert and George
474:. The Daily Beast
444:Gwinnutt, David.
403:978 1 4088 2045 2
375:978 1 5272 1312 8
350:978 1 906509 09 5
314:"Before Were Men"
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510:1961 births
62:The Visitor
494:Categories
455:11 January
257:References
211:Union Jack
180:Union Jack
324:6 January
282:6 January
248:World Cup
215:Europride
196:Europride
122:Gay Times
98:Le Figaro
301:: Cover.
116:Attitude
92:The Face
478:27 June
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176:British
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252:Russia
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200:London
128:Tatler
53:Career
393:Paris
235:>
188:Nazis
86:Vogue
480:2018
457:2019
431:2018
398:ISBN
370:ISBN
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326:2018
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244:LGBT
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