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critical acclaim and he was well known both in the UK and abroad. Around 1908 his work began to lighten in colour, prior to this
Cameron's work had been criticised for being too dark with a heavy use of brown tones. Visits to France and Italy in the 1920s seemed to have a further influence on his works and brought about a much brighter palette. His painting can be characterised by an interest in tone and design over colour and detail. At the same time there was a shift in influence away from the Glasgow Boys and their decorative style and he became known for his atmospheric highland landscapes.
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309:. His first exhibition of 14 paintings received mixed reviews. Amongst the many good reviews others described his work as lacking in subtlety and substance with too much concentration on decoration. This was due in part to his romanticising of his subjects. From 1900 he stopped exhibiting portraits and figure studies, concentrating solely on landscapes and architectural subjects in both his painting and etching.
407:. They lived in the village for rest of their lives, as well as keeping a house in London. They also made regular trips abroad including visits throughout Italy and France. Italy provided the inspiration for a number of etchings of architectural subjects, with church interiors proving successful. His etchings, which examined light and shade, again show the influence of the Hague School as well as
463:(RsA) in 1904 (on his 6th attempt) and became RsA in 1918. Having previously been elected Associate of the Royal Academy (ARA) in the engraver class in 1911, in 1916 he was also elected ARA for his painting. He was elected a full Royal Academician (RA) in 1920. During these years Cameron's work was also exhibited at the
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Cameron was well known and liked in the art world and held a great many appointments to societies and boards. On the retirement of RsA president Sir James
Guthrie in 1919, it was suggested that Cameron stand for the presidency. Cameron declined however, citing too many existing responsibilities in
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Cameron's subjects included architectural studies, of which he produced a number of popular 'sets' and landscapes. He received various medals and awards for his etchings. He published a number of sets of etchings, including "The Clyde Set", "The North
Holland Set" and "The North Italian Set". In
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After 1907 Cameron's work showed a greater focus on
Scottish landscape subjects and from 1908 to 1917 he moved from etching to painting. Around this time he largely stopped including figures in his compositions, apart from in his architectural studies. By this time his works were receiving wide
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general his prints feature areas of great darkness, offset by highlights. Cameron would later become known for his church interiors and barren landscapes of
Scotland done in
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282:. The feathery lightness of these drypoints was in visual contrast with the rock and water of the subjects. He became highly sought after by collectors, until the
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In 1917–18 Cameron was commissioned by the
Canadian Government to paint the war in France. Cameron was knighted in 1924 and was a Trustee of the
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274:(RE) in 1889. In 1895 he was elected Fellow of the RE. He exhibited regularly from 1889 to 1902, before resigning his membership in 1903.
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251:, Scotland. One of five children, his sister Katharine (Kate) Cameron (1874-1965) was also an artist and sometimes included in the
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Cameron was the son of the Rev. Robert
Cameron of the United Presbyterian Church, and his wife Margaret Robertson, and was born in
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sketches of landscapes and architectural subjects. His earliest known oil painting dates to 1883. His work was influenced by the
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David Young
Cameron's biography & artwork from the Permanent Collection of the Gracefield Arts Centre in Dumfries, Scotland
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brought a collapse in prices for prints in general. He exploited his popularity by producing an unprecedented number of
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biography & virtual representation of David Young
Cameron's artwork of Gracefield Arts Centre at exploreart.co.uk
270:. Cameron became a skilled etcher and gained international recognition by the 1890s. He was elected associate of the
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231:(28 June 1865 – 16 September 1945) was a Scottish painter and, with greater success,
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of his prints, and is believed to hold the record at twenty-eight states in one case.
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in 1904 with the objective to promote the original print. He became a member of the
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As well as becoming well known as an etcher, Cameron also produced a great many
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Print REbels: Haden – Palmer – Whistler and the origins of the RE
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Greek
Secrets Revealed by Ian McHaffie ISBN 978-0-9525026-8-5
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International Society of Sculptors, Painters and Gravers
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The Edwardians and After: The Royal Academy, 1900-1950
611:"Percy Portsmouth (1873-1953), sculptor, a biography"
49:. Unsourced material may be challenged and removed.
513:in Scotland from 1933. In 1914 he was sculpted by
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690:University of Michigan – Sir David Young Cameron
493:, a commemoration of the dead of World War One.
475:, as well as showing in overseas exhibitions.
713:Profile on Royal Academy of Arts Collections
628:115 artworks by or after David Young Cameron
443:In 1901 Cameron became a member of the anti-
708:Sir David Young Cameron exhibition catalogs
653:Works in the National Galleries of Scotland
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459:in 1906. He was elected Associate of the
457:Royal Society of Painters in Watercolours
109:Learn how and when to remove this message
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16:Scottish painter and etcher (1865–1945)
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559:. Royal Academy of Arts. p. 71.
262:. From around 1881 he studied at the
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47:adding citations to reliable sources
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139:David Young Cameron by
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591:. Edinburgh: Atelier.
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587:Smith, Bill (1992).
43:improve this article
660:The Wilds of Assynt
491:Hall of Remembrance
395:. This was near to
284:Great Crash of 1929
260:The Glasgow Academy
127:David Young Cameron
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498:London.
424:Menteith
409:Whistler
397:Stirling
380:Ben Ledi
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