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A further aim of the
Dertigers was the effort to achieve a literary greatness that would make its mark in world literature. In an attempt to express their humanity to the fullest, the poetry of the Dertigers has a confessional quality in which the poet seems to be overheard in the midst of a prayer
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or confession. The resultant effect of these ambitious goals was a heightened respect for the professionalism of the poet; the choice of the precise word stood as an ever-present poetic goal. Nonetheless, the
Dertigers continued to refine their language closer to the
46:("The Rich Fool") appeared in that year. The Dertigers strove to write a more emotionally intense, soul-baring poetry than their predecessors. They eschewed gentlemanliness and bourgeois convention in order to produce a more honest and intimate poetry.
54:, the "language of the people." While the descriptions of nature that characterized Tweede Asem poets remain, these depictions of the landscape are harnessed to attempts to create mood and atmosphere within the poet's own soul.
38:("Second Breath") writers of the first decades of the 20th century; the year of 1934 is often selected as the breakthrough date for the Dertigers:
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who achieved new heights of eloquence in the young language's early decades of the 20th century.
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The leading figures of the
Dertigers are the brothers
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20:, or "writers of the thirties," are a group of
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73:. Also associated with this movement are
100:Inleiding tot die Afrikaanse Letterkunde
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34:The Dertigers arose after the
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102:. Pretoria and Cape Town.
98:Lindenberg, E. (1980).
75:C. M. van den Heever
120:South African poets
59:N. P. van Wyk Louw
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125:Afrikaner people
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79:I. D. du Plessis
71:Elisabeth Eybers
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44:Die ryke dwaas
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63:W. E. G. Louw
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26:South African
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40:W.E.G. Louw
36:Tweede Asem
114:Categories
85:References
52:spreektaal
24:-language
67:Uys Krige
22:Afrikaans
18:Dertigers
77:, and
69:, and
29:poets
61:and
16:The
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