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Design Museum of Barcelona

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568:. The documentation is a testimony to the work of this centenarian workshop that was in operation from 1890 until 1984. Rigalt, Granell & Cia. faced many challenges throughout this period, which, while it always remained in the hands of the Granell family, included changes to its founding members. In this archive you can find accounting documents, drawings, sketches, inventories, publicity catalogues and photos from the stained-glass workshop. The largest number of documents that have been preserved are 500 sketches that include drawings of stained-glass and acid-etched glass. Thanks to these drawings, we can follow the artistic trends in stained-glass over the last 100 years. Included are drawings from the pre-modernist, modernist, noucentista, art deco, and works that reflect the abstract tendencies of the 80s. The donation comprises a total of 3,000 pieces, including prints (from different countries), diverse themed plates, brochures, business directories (among which include 534:. Collection of the reserves of the Associació de Dissenyadors Industrials del Foment de les Arts Decoratives (1957–2007) It contents documentation generated by the association in its everyday activities, being of work or management. Includes documentation related to its administration (foundational acts, meetings, members, reports, participation in international entities...), information management (archives, computer system...), external relations (public acts, relations with other private and public institutions...), human resources management, financial resources management, heritage management (movable and real state items), legal issues, promotion of industrial design (exhibitions, conferences, publications...) and services to the members (distribution lists, labour exchange, bulletins...). 245: 353:), sanitation (separative network to reuse rainwater), plumbing (minimum consumption control and regulation of flows, solar collectors for hot water production for a minimum of 70%), air conditioning (water chillers for air condensed high performance, low noise and acoustic protection, heat recovery chiller plants, natural gas boilers, free cooling when outdoor conditions permit, latent heat recovery in the extraction of air), electricity (low power, presence detectors, testers timed, photovoltaic panels for direct use of solar power), centralized management of all facilities. 1102: 82: 540:. The Archive is made up of documents collected from the stained-glass workshop Rigalt, Granell & Cia and is a testimony to the work of this centenarian workshop that was in operation from 1890 until 1984. Until now, the documentation from the stained-glass workshop Rigalt, Granell & Cia. was being preserved by the Granell family. The archive consists of diverse information about the artistic and technical aspects of the workshop whose work was central to the modernist period. Their work can be found at the 444:. The collection is presented during exhibitions and study galleries programmed by Disseny Hub Barcelona. The concept that initiated the Study Galleries was to create an area that combines the ideas of a temporary exhibition, a documentation centre and a museum repository but that has its own identity. Various objects are assembled according to their typologies and presented in a way that allows visitors to study, contemplate and reflect upon the museums collections. 453: 505:). These sources have received numerous donations over the years by professionals, individuals, institutions and businesses. Particularly noteworthy for their uniqueness and excellent state of preservation, the bibliographic reserves of the Museu Tèxtil i d'Indumentària are made up largely of two very large donations: the bequest of the Comtesa de Vilardaga and the donation by Sr. 501:. The initial bibliographic reserves contains over 9,000 published documents dating from the 16th century to the present day, as well as 1,600 of those dating from before 1950. The reserve originated in the old libraries of the Museus Tèxtil i d'Indumentària de Barcelona and the Museu d'Arts Decoratives de Barcelona, the Gabinet de les Arts Gràfiques de Barcelona and the BCD ( 25: 602:(DAAI) allows for the consultation of summaries of published articles from design publications dating back to 1973. It covers a wide variety of disciplines: Ceramics, glass, furniture, jewelry, graphic design, fashion design, textile design, interior design, architecture, web design, etc. It includes approximately 1200 new records every month. 410:
16th century right up to the modern day. The museum's collections include Coptic, Hispano-Arab, Gothic and Renaissance fabrics, as well as embroidery, a section on lacework and a collection of prints. Also worth mentioning is the jewelry collection, comprising approximately five hundred pieces that were made and produced in Spain.
224:. That is why the city of Barcelona was raised earlier in the decade of 2000 to create a single center, an integral space to allow the public to understand design in a broader consideration. It was decided to build a single unified space in Barcelona to house all collections and endowments related to the world of design. 409:
The Museu Tèxtil i d'Indumentària possesses countless objects and pieces of major artistic and historical value that make up their collections of garments, fabrics and jewellery. Regarding their collection of clothes, the museum allows you to take a journey through the history of textiles, from the
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Includes two floors and a mezzanine, denser activities, such as main exhibition hall, reservations, research and teaching, well-attended services, etc. Natural lighting and the relationship with the outside, despite being a basement, is achieved through the pit produced by the difference of levels,
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According to planning, it uses the minimum floor area in order not to reduce the space for public use. Cantilever extends into the square, allowing the planned building area. The set of the two bodies that make up the center enters through a single hall with double access: +7 m level., From Avila
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streets and the Glòries square, without affecting the view of the large central park. The cover of the subway is a public space linked to the future project of the Plaça de les Glòries park. The green carpet is one of the important components and it is made with natural or artificial elements to
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The entire project involves a high degree of environmental quality, sustainability and energy sufficiency. It may indicate the most important chapters: passive sustainability (material and structure of massive facades and finestram, storage and processing, pre-engineered systems, shading and
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and innovation that its approach assumed the 1930s. The Casa Bloc is open to everyone, with a regime of guided tours by reservation, from March 2012. Room 1/11 is a duplex measuring 60 square meters. It is located in Block 2, Level 1, Gate 11. The internal layout is very simple and clearly
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and the exchanger. From this square a set of stairs, escalators, and elevators reach all the services located in the basement and all the upper floors of various dimensions and characteristics, up to the conference room. The exterior of the building uses only two materials: metal plates
395:. The collections of the Museu de les Arts Decoratives were created from an important resource of industrial design and decorative art objects, that included salvers, carriages, furniture, wallpaper, clocks, tapestries and glasswork. 473:) is an apartment-museum run by the Design Museum of Barcelona. Inside you can visit the structure and the original look of the floor of this architectural complex, a reference architecture worker housing at the time of the 435:
type foundry, have contributed to the museum's expanding resources. In addition, certain artists and their families, have also donated graphic works and engraving moulds – as is the case of Miquel Plana and the families of
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The building consists of two parts: one underground (using the level change caused by the urbanization of the Glories square) and another emerging 14.5 metres (48 ft) above ground. The latter is a
671: 516:) to keep track of the number of consults each document receives. With this information, the documents that are the most in demand are always located in the reading room for ease of access. 310:
reflecting a kind of large forecourt. This lighting is reinforced with six skylights that emerge in the public and may be used as showcases for the contents and activities of the centre.
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The Gabinet de les Arts GrĂ fiques, a Cabinet of Graphic Arts, was a museum dedicated to visual communication design. The collections of the museum bring together significant samples of
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The most valuable documents, the oldest and those that are referred to the least, can be found in a deposit in the DHUB building. The Documentation center uses RFID technology (
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for this purpose. It was originally going to be named Barcelona Design Museum, then from 2008 to 2013 it was named Design Hub Barcelona, but finally it was renamed again as
392: 376: 509:. The majority of the bibliographic reserves can be found in the reading room and are accessible to the public. It has developed its own classification system: IMAG. 431:
Important printers such as; Elzeviriana, Bobes, Seix Barral and Tobella, Naips Comas (the makers of playing cards), Tallers Roca (the industrial bookbinders) and the
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Street, and at +14.5 m., From the square. This hall is a kind of street or public place, public or semi-almost a must to relate the square of the Glories, the
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The historic reserves of magazines and journals are still being catalogued. The centre keeps over 100 subscriptions to specialist magazines and journals.
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It offers its users some of the best specialized databases available. Requests and consultations should be carried out at the centre's facilities.
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is an online resource that provides integrated access to visual and textual content on clothing and fashion throughout history. It includes the
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such as punches, matrices and tracing plates, as well as, prints that include samples of binding, packaging, labels and posters.
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The Museu de les Arts Decoratives was a museum created in 1932. This historic museum contains a rich and diverse collection of
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The Museum also hosts a library dedicated to the greater areas in the world of design: product, fashion, information and
1035: 61: 612:, a collection of electronic books, dictionaries and other reference resources, as well as, an extensive image bank. 1070: 419: 195: 280:, laid the first stone. Construction ended in 2013, and the Design Museum of Barcelona opened its doors in 2014. 391:, thus converting it into the first and only statewide museum concerned with the preservation and exhibition of 349:
insulation, etc., Within the criteria of Distinctive Guarantee environmental quality of the Generalitat and the
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bias cut with the same width as the Avila Street, acting as an indicator of the relationship between the
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The Barcelona Design Museum is the result of merging several previously existing local museums:
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The Museum is the result of the merging of several previous existing museums, such as the
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Arias, Beatriz. «Un espai per conèixer el disseny». Diari Ara (23/03/2011)(in Catalan)
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They were the winners of a contest organized by the City of Barcelona in 2001.
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and laboratory. It focuses on 4 branches of design disciplines: space design,
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The Barcelona Design Museum is located at the DHUB building in the
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The archives of the documentation center currently include:
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collection. The opening of the new headquarters, located on
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The Room 1/11 of the Casa Bloc (1932–1939) (in Catalan,
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and easy maintenance. It includes a bar and restaurant.
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Rattenbury, Kester; Rob Bevan; Kiernan Long (2004).
228:commissioned the construction of a building in the 747: 672:"El nou Museu del Disseny obrirĂ  al maig del 2014" 798:MBM Architects. Specification of the project 2001 447: 1141: 578:Religiöse Malerein fĂĽr Kirchedekoration de Viena 413: 398: 364: 807: 38:for grammar, style, cohesion, tone, or spelling 610:Berg Encyclopedia of World Dress and Fashion 868:"Museu Tèxtil i d'IndumentĂ ria | DHUB" 248:Streetworks related to the Glòries building 214:Barcelona is a city historically linked to 1100: 62:Learn how and when to remove this message 801: 451: 243: 574:Aus der Deutschen Glasmalerei de Berlin 492: 1150:Art museums and galleries in Barcelona 1142: 489:differentiates the day and the night. 546:Hospital de la Santa Creu i Sant Pau 218:, with old institutions such as the 18: 1160:Modernist architecture in Barcelona 760:. Laurence King. pp. 142–143. 584:Montaner y SimĂłn editors collection 13: 808:Michelin / MFPM (1 January 2011). 14: 1186: 1087: 343: 206:, was set gradually during 2014. 80: 23: 1155:Modern art museums in Catalonia 1053: 1028: 1003: 978: 953: 935: 910: 885: 860: 843:"Museu de les Arts Decoratives" 835: 300: 792: 783: 774: 722: 710:www.michelangelofoundation.org 698: 689: 664: 639: 514:Radio Frequency Identification 448:The Casa Bloc Apartment Museum 313: 236:(Design Museum of Barcelona). 234:Museu del Disseny de Barcelona 221:Foment de les Arts Decoratives 147:Museu del Disseny de Barcelona 1: 1175:Industrial design collections 633: 600:Design and Applied Arts Index 420:Gabinet de les Arts GrĂ fiques 414:Gabinet de les Arts GrĂ fiques 405:Museu Tèxtil i d'IndumentĂ ria 399:Museu Tèxtil i d'IndumentĂ ria 371:Museu de les Arts Decoratives 365:Museu de les Arts Decoratives 196:Gabinet de les Arts GrĂ fiques 192:Museu Tèxtil i d'IndumentĂ ria 188:Museu de les Arts Decoratives 706:"Design Museum of Barcelona" 590: 7: 814:. MICHELIN. pp. 108–. 616: 542:Palau de la MĂşsica Catalana 522: 503:Barcelona Centre de Disseny 239: 10: 1191: 1011:"Rigalt i Granell Archive" 462: 417: 402: 368: 356: 209: 154:Design Museum of Barcelona 554:LluĂ­s Domènech i Montaner 393:Spanish industrial design 127: 110: 100: 92: 88: 79: 653:(in Spanish). 2022-12-21 538:Rigalt i Granell Archive 377:European decorative arts 475:Second Spanish Republic 75:Barcelona Design Museum 1061:"List of publications" 623:List of design museums 562:Josep Puig i Cadafalch 486:Joan Baptista Subirana 460: 274:Joan Manuel Tresserras 249: 1165:Disseny Hub Barcelona 734:Disseny Hub Barcelona 455: 385:Industrial Revolution 258:MBM architecture firm 256:. It was designed by 247: 1126:41.40222°N 2.18750°E 606:Berg Fashion Library 570:Les Vitraux de Paris 493:Documentation center 254:Plaça de les Glòries 230:Plaça de les Glòries 200:Plaça de les Glòries 115:JosĂ© Luis de Vicente 1122: /  893:"Jewlry collection" 811:Mini GuĂ­a Barcelona 757:Architects of Today 628:Pilar VĂ©lez Vicente 167:world, acting as a 76: 16:Museum in Barcelona 947:2012-08-28 at the 482:Josep Torres ClavĂ© 461: 250: 177:information design 74: 42:You can assist by 1131:41.40222; 2.18750 986:"ADI FAD Archive" 942:Wallpaper exhibit 918:"Study galleries" 821:978-2-06-714985-4 767:978-1-85669-492-6 306:reinforced sheet 143: 142: 72: 71: 64: 1182: 1137: 1136: 1134: 1133: 1132: 1127: 1123: 1120: 1119: 1118: 1115: 1104: 1099: 1098: 1096:Official website 1082: 1081: 1079: 1078: 1069:. Archived from 1057: 1051: 1050: 1048: 1047: 1038:. Archived from 1032: 1026: 1025: 1023: 1022: 1013:. Archived from 1007: 1001: 1000: 998: 997: 988:. 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Index

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Venue of the Museum
Barcelona
José Luis de Vicente
ca
dissenyhub.barcelona/en
Barcelona
design
museum
product design
information design
fashion
Museu de les Arts Decoratives
Museu Tèxtil i d'Indumentària
Gabinet de les Arts GrĂ fiques
Plaça de les Glòries
Torre Agbar
design
Foment de les Arts Decoratives
Oriol Bohigas
Plaça de les Glòries

Plaça de les Glòries
MBM architecture firm
Oriol Martorell
Oriol Bohigas
David Mackay
Joan Manuel Tresserras

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