324:
1603:
1666:
1652:
307:
42:
1699:
1733:
1716:
1569:
1617:
1682:
583:
455:, '...it should be stressed that the severe classicism of Annibale's late style had an immediate life in Rome of only about a lustrum .' In turn, the Bolognese biographer Malvasia states that 'only Guido was put ahead of everyone else, Guido alone proclaimed and well treated, while , on the contrary, was either not recognized or constantly mistreated in the fees he got, so that he was left without commissions and rejected. Therefore, he was forced to go begging for work, with much effort, through intermediaries, and at any price... the same had been true of the
1750:
488:
634:
725:
1586:
1635:
666:) through the study and imitation of the best examples of ancient and Renaissance art. Imitation in this sense is not copying but a creative process inspired by rhetorical theory whereby revered models are not only emulated but surpassed. One of the most famous incidents in the history of art that centered on concepts of Imitation arose when Lanfranco accused Domenichino of plagiarism, specifically of having stolen the design of his great
2276:
2259:
768:, who in 1982 published the first catalogue raisonné of all of Domenichino's paintings and preparatory drawings, has resurrected the artist from the Victorian graveyard and reestablished his place among the most important and influential painters of seventeenth-century Italy. In 1996 the first major exhibition of his work was held at the
514:
in a garden pavilion of the Villa
Aldobrandini (Belvedere) in Frascati, where he was assisted by Giovanni Battista Viola, a Bolognese artist who, like Domenichino himself, was a pioneer in the development of classicistic landscape painting. From 1617 until 1621, Domenichino was absent from Rome,
694:
held and
Domenichino surely believed, the aim of the composer/artist was to "move the passion of the mind." To achieve that goal, Domenichino paid particular attention to expressive gestures. Some 1750 drawings in the Royal Collection at Windsor Castle attest to the assiduous study underlying
450:
Following
Annibale Carracci's death in 1609, the pupils who had followed Annibale's Roman style, including Domenichino and Francesco Albani, were not as successful at gaining the most prestigious commissions as Guido Reni. As Donald Posner stated in his influential thesis,
756:. The Carracci and their followers were condemned by Ruskin as being "insincere". For Ruskin, there was no entirely sincere nor any great art from the seventeenth century and all was doubly damned as being "eclectic." Modern scholarship, led by Luigi Serra,
574:
occupied him for the rest of his life. He painted four large lunettes, four pendentives, and twelve scenes in the soffits of the arches, all in fresco, plus three large altarpieces in oil on copper. He died, perhaps by poison at the hands of the jealous
670:
from an altarpiece of the same subject in
Bologna by his former teacher, Agostino Carracci. To prove his point, Lanfranco circulated a print after Agostino's painting, prompting painters and critics to take sides, most of whom—including
537:, 1626–27, SS. Giovanni Evangelista e Petronio dei Bolognesi, 1626–1629, Santa Maria della Vittoria, 1629–30, and St. Peter's, 1625–1630). He also executed numerous frescoes in Rome during the 1620s: a ceiling in the Palazzo Costaguti (
1602:
1932:
1651:
353:
of the
Carracci where, because of his small stature, he was nicknamed Domenichino, meaning "little Domenico" in Italian. He left Bologna for Rome in 1602 and became one of the most talented apprentices to emerge from
593:
At the time of his death, Domenichino's chief assistant was an obscure painter from Assisi, Francesco
Raspantino, who inherited his master's studio. Earlier, Domenichino's principal pupils were Alessandro Fortuna,
1665:
703:
of 1708, an effort to quantify and compare the greatness of painters in four categories (no artist ever achieved a score above 18 in any category), the French critic awarded
Domenichino 17 points for drawing
2078:
1867:
655:
Domenichino's work, developed principally from
Raphael's and the Carracci's examples, mirrors the theoretical ideas of his friend Giovanni Battista Agucchi, with whom the painter collaborated on a
682:
In addition to his interest in the theory of painting (he was well educated and bookish), Domenichino was devoted to music, not as a performer but to the invention of instruments suited to the
2223:
1681:
690:
dubbed the "seconda pratica." Like
Domenichino's paintings, its sources were in ancient models and aimed at clarity of expression capable of moving its audience. As the Florentine composer
544:); the choir and pendentives in Sant'Andrea della Valle, where he worked in fierce competition with Lanfranco, who painted the dome above Domenichino's pendentives; and the pendentives of
416:, Domenichino obtained further commissions in Rome. His most important project of the first decade was decoration of the Cappella dei Santissimi Fondatori in the medieval basilica of the
323:
786:, 1621–1629 (auctioned in London in December 2009 for more than £9.2 million, acquired by another buyer on condition that it be put on public display for three months every year).
1940:
562:
In spite of his activity in Rome, Domenichino decided to leave the city in 1631 to take up the most prestigious, and very lucrative, commission in Naples, the decoration of the
1715:
1698:
1819:
1026:
1011:
1208:
2282:
716:, yet only 9 as a colorist. Domenichino's composite score of 58 nonetheless was surpassed only by Raphael and Rubens, and it equalled that of the Carracci.
525:) in 1621, Domenichino returned to Rome. Appointed Papal Architect (he built little but left drawings for various projects, most notably for the façade of
1732:
1910:
662:
It represents what would become known as classic-idealist art, which aims to surpass the imperfections of nature by developing an "Idea of Beauty" (
2345:
476:
1976:
1035:
2388:
1616:
480:
for the church of San
Girolamo della Carità (signed and dated, 1614). It subsequently would be judged as being comparable to Raphael's great
1545:
1568:
563:
2238:, a fully digitized exhibition catalog from The Metropolitan Museum of Art Libraries, which contains material on Domenichino (see index)
2210:
1490:
533:, both in Rome), he nonetheless continued to be most active as a painter, obtaining many commissions for altarpieces in Roman churches (
659:. The portrait of Agucchi in York used to be attributed to Domenichino, but is now thought to be by Annibale Carracci, another friend.
695:
Domenichino's work—figural, architectural, decorative, landscape, even caricature—and to the painter's brilliance as a draftsman. In
306:
2056:
2337:
1879:
920:
2369:
2353:
1162:
782:
1585:
1522:
420:(1608–1610), some 20 kilometers outside Rome, where Odoardo Farnese was the titular abbot. Meanwhile, he had completed frescoes
2454:
2444:
2313:
2034:
1954:
1371:
41:
1749:
1392:
1262:, 1616–18, frescoes, Stanza di Apollo, Villa Aldobrandini (Belvedere), Frascati (now mostly in the National Gallery, London)
1070:
2012:
1482:
1346:
2247:
1283:
1280:
1277:
1024:
1022:
1020:
1018:
1009:
1203:
474:, was commissioned in 1612 and completed in 1615. Concurrently he painted his first, and most celebrated, altarpiece,
2469:
17:
2459:
1994:
1892:
1454:
1435:
1420:
1331:
1316:
1288:
1229:
1155:
2464:
2449:
515:
working in Bologna and at Fano, where during 1618–19 he frescoed the Nolfi chapel of the Fano Cathedral with
2233:
1918:
1634:
1223:
2361:
350:
2171:
1552:
1067:
2474:
1273:
1184:
595:
579:, before completing the fourth altarpiece or the cupola, which was subsequently frescoed by Lanfranco.
545:
526:
2103:
439:
at San Gregorio Magno, painted in competition with a fresco by Reni that faces it, and a ceiling with
2306:
2265:
1893:"La Vierge et l'Enfant Jésus avec saint Jean, dit aussi Le Silence, ou encore Le Silence du Carrache"
860:
603:
395:
373:
In addition to assisting Annibale with completion of his frescoes in the Galleria Farnese, including
2204:
2199:
1706:
913:
2218:
1244:
1078:
611:
534:
471:
428:
1814:
2190:
996:
556:
405:
385:
358:
supervision. As a young artist in Rome he lived with his slightly older Bolognese colleagues
2439:
2434:
2299:
8:
2228:
2064:
1786:
1113:
623:
417:
937:
896:
830:
757:
599:
582:
367:
2184:
2395:
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1145:
510:
in Santa Maria in Trastevere; and he had begun a cycle of ten frescoes depicting the
487:
355:
95:
2413:
1609:
Guardian angel signed Domenico Zampieri called Doenichino dated 1615 after cleaning
1365:
765:
567:
459:, which had been painted for a hundred and fifty scudi, whereas in the case of the
413:
359:
295:
283:
219:
213:
202:
144:
138:
2042:
1962:
1658:
River landscape with Boatmen and Fisherman, an elegant couple walking by the shore
2159:
The Domenichino Affair. Novelty, Imitation, and Theft in Seventeenth-century Rome
1791:
1212:
1030:
1015:
820:
769:
752:
648:
615:
607:
576:
530:
522:
2079:"Aparición de los ángeles a San Jerónimo – Colección – Museo Nacional del Prado"
2020:
750:
in the 1840s wrote his devastating attacks on Bolognese Baroque painting in his
696:
691:
633:
444:
432:
346:
1487:, 1631–1641, frescoes, Cappella del Tesoro di San Gennaro, Cathedral of Naples
724:
2428:
1756:
1689:
Apparition of the Virgin and Child and San Gennaro at the Miraculous Oil Lamp
1205:
Madonna of Loreto with Saints John the Baptist, Paterniano, and Anthony Abbot
1006:
804:
761:
746:
reflects Domenichino's high standing in the history of European taste— until
384:–05), he painted three of his own frescoes in the Loggia del Giardino of the
2203:
966:
619:
73:
2154:, exh. cat. with entries on the paintings by Richard E. Spear, Rome, 1996.
747:
400:
687:
679:—strongly defended Domenichino's work as being praiseworthy imitation.
409:
363:
1530:
959:, 1609, Palazzo Giustiniani, now Odescalchi, Bassano di Sutri (Rome)
1411:, 1625–1630, St. Peter's, Rome (now Santa Maria degli Angeli, Rome)
291:
114:
2183:
676:
672:
506:
By late 1616, Domenichino had designed the coffered ceiling with
342:
288:
124:
69:
337:–1610, oil on canvas, 143 x 115 cm, National Gallery of Scotland
2175:
1526:
1448:
1181:
The Virgin and Child with Saints John the Baptist and Petronius
879:
91:
2291:
1673:
Madonna and Child with St Petronius and St John the Evangelist
1304:
Saint Ignatius de Loyola's Vision of Christ and God the Father
249:
171:
2241:
2104:"Zampieri, Domenico, Il Domenichino – La cabeza del Bautista"
206:; October 21, 1581 – April 6, 1641), known by the diminutive
186:
156:
1556:, c.1625-1628, Museum & Gallery, Inc. in Greenville, SC.
463:
on the opposite wall four hundred scudi had gone to Guido.'
1082:
267:
255:
234:
225:
174:
165:
1187:(on deposit at the Galleria Nazionale d'Arte Antica, Rome)
443:
1609, in the Villa Odescalchi at Bassano di Sutri (today
349:. After quarreling with Calvaert, he left to work in the
240:
1820:
The American Heritage Dictionary of the English Language
1725:. Real Academia de Bellas Artes de San Fernando, Madrid.
345:, son of a shoemaker, and there initially studied under
1880:'Saved' Domenichino painting loaned to National Gallery
1868:
Glyndebourne family to sell Old Master for £10 million
1355:
An Allegory of Agriculture, Astronomy and Architecture
1272:, 1622–1627, frescoes in the pendentives and choir of
823:, Rome; fresco based on a design by Annibale Carracci
270:
261:
252:
246:
237:
228:
183:
180:
153:
147:
222:
162:
150:
2181:
1843:
The Roman Style of Annibale Carracci and His School
466:One of Domenichino's masterpieces, his frescoes of
453:
The Roman Style of Annibale Carracci and His School
264:
243:
231:
189:
168:
159:
2139:The Drawings of Domenichino ... at Windsor Castle
886:Landscape with fishermen, hunters and washerwomen
2426:
2214:. Vol. 8 (11th ed.). pp. 397–398.
2389:Portrait of Monsignor Giovanni Battista Agucchi
46:Domenichino, in a portrait by an unknown artist
1813:
790:The Virgin, Infant Jesus, and John the Baptist
431:, feigned stucco decoration of 1606–07 in the
2307:
1546:Real Academia de Bellas Artes de San Fernando
1492:Landscape with Tobias laying hold of the Fish
1376:, 1626, National Gallery Art, Washington D.C.
1351:, c, 1623–1625, Musée des Beax-Arts, Grenoble
484:and even as "the best picture in the world."
1933:"Landschaft mit der Taufe Christi, um 1603"
1858:E. Cropper, L. Pericolo (eds.) 2013, p. 65.
614:. Others who studied in his studio include
2314:
2300:
1536:The Appearance of the Angels to St. Jerome
1417:, 1616–17, Santa Maria di Trastevere, Rome
1405:, frescoes, 1603–04, Palazzo Farnese, Rome
1911:"Abraham Leading Isaac to Sacrifice 1602"
2229:Domenico at Ciudad de la pintura website
2198:
2102:Fernando, Real Academia de BBAA de San.
1856:Lives of Domenichino and Francesco Gessi
1422:Landscape with Erminia and the Shepherds
1131:(in collaboration with Agostino Tassi),
723:
719:
632:
581:
486:
370:, who later would become a chief rival.
322:
305:
2354:Archery Contest of Diana and her Nymphs
1389:–22/25, Pinacoteca Nazionale di Bologna
1163:Archery Contest of Diana and her Nymphs
521:With the election of a Bolognese pope (
14:
2427:
2148:, 2 vols., New Haven and London, 1982.
2132:Domenico Zampieri detto il Domenichino
1870:, London Evening Standard, 9 Sept 2009
1256:–1621, Pinacoteca Nazionale di Bologna
1110:–1620, Pinacoteca Nazionale di Bologna
839:(in collaboration with G. B. Viola?),
675:and the antiquarian-critic-biographer
287:) after his shortness, was an Italian
2295:
2219:Brief biography at Web Gallery of Art
1333:Landscape with Child overturning Wine
869:Portrait of Cardinal Girolamo Agucchi
651:, after a design by Annibale Carracci
282:
201:
2248:
2194:. New York: Robert Appleton Company.
2101:
1781:
1779:
1290:Landscape with Hercules and Acheloüs
1003:Legends of SS. Nilus and Bartholomew
963:The 'Consecratio' of a Roman Emperor
2172:41 artworks by or after Domenichino
1484:Scenes from the Life of San Gennaro
1075:Scenes of the Life of Saint Cecilia
1060:, J. Paul Getty Museum, Los Angeles
982:–35, Denis Mahon Collection, London
572:Scenes from the Life of San Gennaro
517:Scenes from the Life of the Virgin.
468:Scenes of the Life of Saint Cecilia
394:–04. With the support of Monsignor
24:
2346:The Last Communion of Saint Jerome
1705:The Rebuke of Adam and Eve, 1626,
1318:Landscape with The Flight to Egypt
1313:, Los Angeles County Museum of Art
1270:Scenes from the Life of St. Andrew
827:Abraham Leading Isaac to Sacrifice
564:Cappella del Tesoro di San Gennaro
412:, and Giovanni's brother Cardinal
25:
2486:
2165:
1776:
1437:Landscape with Hercules and Cacus
1200:, Royal Collection, Hampton Court
1138:, fresco Palazzo Costaguti, Rome)
775:
2274:
2257:
2235:Orazio and Artemisia Gentileschi
2188:. In Herbermann, Charles (ed.).
1748:
1731:
1714:
1697:
1680:
1664:
1650:
1633:
1615:
1601:
1584:
1567:
1101:Landscape with Sylvia and Satyrs
1097:, Glasgow Art Gallery and Museum
850:Landscape with Flight into Egypt
837:Landscape with Baptism of Christ
477:The Last Communion of St. Jerome
218:
203:[doˈmeːnikoddzamˈpjɛːri]
143:
40:
2321:
2124:
2095:
2071:
2049:
2027:
2005:
1987:
1969:
1947:
1502:–1612, National Gallery, London
1156:Pinacoteca Nazionale di Bologna
628:
2013:"Paesaggio con fortificazioni"
1995:"Le Ravissement de saint Paul"
1925:
1903:
1885:
1873:
1861:
1848:
1835:
1807:
1792:Merriam-Webster.com Dictionary
1691:, 1637–38, Cathedral of Naples
1642:Saint Cecilia Playing the Viol
441:Scenes from the Life of Diana,
437:The Flagellation of St. Andrew
328:The Adoration of the Shepherds
13:
1:
2455:17th-century Italian painters
2445:16th-century Italian painters
1823:(5th ed.). HarperCollins
1765:
1509:
1496:
1473:
1460:
1441:
1426:
1383:
1358:
1337:
1322:
1307:
1294:
1250:
1235:
1216:
1194:
1167:
1132:
1119:
1104:
1091:
1054:
1041:
989:
976:
973:Landscape with Fortifications
957:Scenes from the Life of Diana
947:
924:
906:
889:
872:
853:
840:
813:
797:
732:
641:
622:, and his future biographer,
549:
538:
496:
421:
388:
378:
331:
314:
2205:"Domenichino Zampieri"
2182:Leigh Harrison Hunt (1913).
2161:, New Haven and London, 2005
1770:
1593:Last Communion of St. Jerome
1246:Martyrdom of St Peter Martyr
1224:North Carolina Museum of Art
668:Last Communion of St. Jerome
508:The Assumption of the Virgin
457:Flagellation of Saint Andrew
7:
1999:Louvre site des collections
1897:Louvre site des collections
1595:, 1614, Pinacoteca Vaticana
1515:, Hermitage, St. Petersburg
1456:Saint Cecilia with an Angel
1066:, 1614, Vatican Pinacoteca
1064:Last Communion of St Jerome
351:Accademia degli Incamminati
27:Italian painter (1581–1641)
10:
2491:
2394:now usually attributed to
2338:Adoration of the Shepherds
1845:(New York: 1962), p. 236.
1185:Pinacoteca di Brera, Milan
934:Flagellation of St. Andrew
921:Adoration of the Shepherds
596:Giovanni Battista Ruggieri
546:San Silvestro al Quirinale
2406:
2380:
2370:Saint John the Evangelist
2329:
2200:Rossetti, William Michael
1479:–28, Prado Museum, Madrid
1409:Martyrdom of St Sebastian
944:The Ascension of St. Paul
861:Allen Memorial Art Museum
783:Saint John the Evangelist
396:Giovanni Battista Agucchi
120:
110:
102:
80:
51:
39:
32:
2470:Italian Baroque painters
1560:
1523:M. Žilinskas Art Gallery
1415:Assumption of the Virgin
1088:Landscape with St Jerome
624:Giovanni Pietro Bellori.
341:Domenichino was born in
2460:Italian Roman Catholics
2211:Encyclopædia Britannica
1882:, Guardian, 18 May 2010
1742:, Prado Museum, Madrid.
1723:The head of the Baptist
1707:National Gallery of Art
1553:St. John the Evangelist
1542:The Head of the Baptist
1538:, Prado Museum, Madrid.
1506:Mary Magdalene in Glory
1274:Sant'Andrea della Valle
1129:Truth Disclosed by Time
1077:, 1612–1615, frescoes,
914:Galleria Doria Pamphilj
810:A Virgin with a Unicorn
638:A Virgin with a Unicorn
527:Sant'Andrea della Valle
470:in the Polet Chapel of
375:A Virgin with a Unicorn
366:, and worked alongside
301:
2224:Domenico in the Louvre
2152:Domenichino, 1581–1641
1759:with angels and a lamb
1576:Portrait of Guido Reni
1380:Martyrdom of St. Agnes
1373:Rebuke of Adam and Eve
1348:Rebuke of Adam and Eve
1115:Alexander and Timoclea
1079:San Luigi dei Francesi
1047:, Prado Museum, Madrid
1005:, 1608–1610, Abbey of
903:Landscape with Fording
819:–05, Farnese Gallery,
794:The Madonna of Silence
739:
729:St John the Evangelist
652:
612:Giovanni Angelo Canini
590:
587:The Sacrifice of Isaac
535:San Lorenzo in Miranda
503:
472:San Luigi dei Francesi
461:Adoration of the Cross
418:Abbey of Grottaferrata
338:
320:
284:[domeniˈkiːno]
2465:Painters from Bologna
2450:Italian male painters
2191:Catholic Encyclopedia
1432:–1625?, Louvre, Paris
1398:Apollo and Hyacinthus
1152:Madonna of the Rosary
997:Pinacoteca Capitolina
727:
720:Criticism from Ruskin
649:Palazzo Farnese, Rome
636:
585:
557:San Carlo ai Catinari
493:Landscape with Tobias
490:
427:–05 in the church of
406:Cardinal Aldobrandini
326:
309:
2137:John Pope-Hennessy,
2108:Academia Colecciones
2083:www.museodelprado.es
2057:"The Way to Calvary"
1625:Diana and her Nymphs
1343:–1605, Louvre, Paris
1266:The Four Evangelists
657:Treatise on Painting
529:and for the plan of
2381:Formerly attributed
2185:"Domenichino"
2157:Elizabeth Cropper,
2035:"The Cumaean Sibyl"
846:, Kunsthaus, Zurich
602:called Barbalonga,
435:, a large scene of
356:Annibale Carracci's
2144:Richard E. Spear,
1981:Ackland Art Museum
1915:Kimbell Art Museum
1470:Sacrifice of Isaac
1466:–18, Louvre, Paris
1300:–23, Louvre, Paris
1241:–21, Louvre, Paris
1231:Rinaldo and Armida
1211:2012-04-14 at the
1029:2012-04-14 at the
1014:2012-04-14 at the
938:San Gregorio Magno
897:Ackland Art Museum
831:Kimbell Art Museum
758:John Pope-Hennessy
740:
653:
591:
504:
339:
321:
311:The Way to Calvary
2475:Catholic painters
2422:
2421:
2396:Annibale Carracci
1795:. Merriam-Webster
1175:Galleria Borghese
1146:Galleria Borghese
863:, Oberlin College
133:Domenico Zampieri
130:
129:
96:Kingdom of Naples
56:Domenico Zampieri
18:Domenico Zampieri
16:(Redirected from
2482:
2414:Bolognese School
2316:
2309:
2302:
2293:
2292:
2287:
2279:
2278:
2277:
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2250:
2215:
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2119:
2118:
2116:
2115:
2099:
2093:
2092:
2090:
2089:
2075:
2069:
2068:
2063:. Archived from
2053:
2047:
2046:
2045:on Dec 18, 2005.
2041:. Archived from
2031:
2025:
2024:
2023:on Nov 27, 2005.
2019:. Archived from
2009:
2003:
2002:
1991:
1985:
1984:
1977:"66 18 1 view 2"
1973:
1967:
1966:
1965:on Oct 31, 2007.
1961:. Archived from
1951:
1945:
1944:
1943:on Jul 27, 2006.
1939:. Archived from
1937:Kunsthaus Zürich
1929:
1923:
1922:
1921:on Dec 27, 2005.
1917:. Archived from
1907:
1901:
1900:
1889:
1883:
1877:
1871:
1865:
1859:
1852:
1846:
1839:
1833:
1832:
1830:
1828:
1811:
1805:
1804:
1802:
1800:
1783:
1752:
1740:A Triumphal Arch
1735:
1718:
1701:
1684:
1668:
1654:
1637:
1619:
1605:
1588:
1571:
1514:
1511:
1501:
1498:
1478:
1475:
1465:
1462:
1446:
1443:
1431:
1428:
1388:
1385:
1366:Galleria Sabauda
1363:
1360:
1342:
1339:
1327:
1324:
1312:
1309:
1299:
1296:
1255:
1252:
1249:(after Titian),
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697:Roger de Piles
692:Giulio Caccini
664:idea del bello
630:
627:
512:Life of Apollo
491:Domenichino –
445:Bassano Romano
433:Palazzo Mattei
347:Denis Calvaert
303:
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1142:Cumaean Sybil
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762:Evelina Borea
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298:of painters.
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19:
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2269:from Commons
2264:
2243:
2234:
2209:
2189:
2174: at the
2158:
2151:
2145:
2138:
2131:
2125:Bibliography
2112:. Retrieved
2110:(in Spanish)
2107:
2097:
2086:. Retrieved
2082:
2073:
2065:the original
2060:
2051:
2043:the original
2038:
2029:
2021:the original
2016:
2007:
1998:
1989:
1980:
1971:
1963:the original
1958:
1949:
1941:the original
1936:
1927:
1919:the original
1914:
1905:
1896:
1887:
1875:
1863:
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1825:. Retrieved
1818:
1809:
1797:. Retrieved
1790:
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1624:
1623:Detail from
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661:
656:
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637:
629:Ideas on art
620:Pietro Testa
592:
586:
571:
561:
531:Sant'Ignazio
520:
516:
511:
507:
505:
492:
481:
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429:Sant'Onofrio
399:
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340:
327:
310:
207:
132:
131:
86:(1641-04-06)
74:Papal States
2440:1641 deaths
2435:1581 births
2349:(1612–1614)
2323:Domenichino
2244:Domenichino
2146:Domenichino
1521:, XVII c.,
1513: 1620
1500: 1610
1477: 1627
1464: 1617
1445: 1622
1430: 1623
1387: 1619
1362: 1624
1341: 1603
1326: 1623
1311: 1622
1298: 1622
1254: 1619
1239: 1620
1220: 1618
1198: 1620
1191:Saint Agnes
1171: 1616
1144:, 1616–17,
1136: 1622
1123: 1615
1108: 1615
1095: 1610
1058: 1610
1045: 1609
993: 1610
980: 1634
951: 1606
928: 1607
910: 1604
893: 1604
876: 1604
857: 1605
844: 1603
833:, Ft. Worth
817: 1604
801: 1605
748:John Ruskin
736: 1621
714:composition
686:or to what
645: 1604
559:(1628–30).
553: 1628
542: 1622
500: 1610
425: 1604
401:maggiordomo
392: 1603
382: 1604
335: 1607
318: 1610
208:Domenichino
103:Nationality
34:Domenichino
2429:Categories
2114:2020-03-25
2088:2020-03-25
2039:artyzm.com
1955:"p08 g118"
1766:References
882:, Florence
710:expression
708:), 17 for
688:Monteverdi
523:Gregory XV
410:Gregory XV
408:and later
364:Guido Reni
62:1581-10-21
2330:Paintings
2017:Artonline
1959:Artonline
1827:24 August
1799:24 August
1771:Citations
1627:, 1616–17
1578:, 1603–04
1548:, Madrid.
1531:Lithuania
1402:Narcissus
772:in Rome.
712:, 15 for
589:, 1627–28
368:Lanfranco
2392:(1604) (
2202:(1911).
1841:Posner,
1276:, Rome
1209:Archived
1027:Archived
1012:Archived
969:, Madrid
936:, 1609,
829:, 1602,
280:Italian:
199:Italian:
121:Movement
115:Painting
2407:Related
1451:, Paris
1368:, Turin
1278:Matthew
744:Balance
706:dessein
701:Balance
677:Bellori
673:Poussin
616:Poussin
570:. His
566:of the
343:Bologna
294:of the
292:painter
289:Baroque
125:Baroque
106:Italian
70:Bologna
2365:(1622)
2357:(1616)
2176:Art UK
1644:, 1618
1527:Kaunas
1449:Louvre
1177:, Rome
1148:, Rome
999:, Rome
940:, Rome
916:, Rome
880:Uffizi
738:–1629)
610:, and
555:) and
398:, the
360:Albani
92:Naples
2283:Texts
2266:Media
2061:Getty
1561:Works
1519:Sibyl
1447:–23,
1364:–25,
1222:–19,
1173:–17,
930:–1610
912:–05,
895:–05,
878:–05,
859:–06,
502:–1613
2178:site
1829:2019
1801:2019
1400:and
1284:Luke
1281:Mark
1268:and
1083:Rome
1069:and
764:and
742:The
362:and
302:Life
81:Died
52:Born
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796:),
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404:to
172:ɛər
2431::
2208:.
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2015:.
1997:.
1979:.
1957:.
1935:.
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1895:.
1817:.
1789:.
1778:^
1544:,
1529:,
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