Dracula - Knowledge

898:; in succumbing to the vampire women, Harker assumes the traditionally feminine role of sexual passivity while the vampire women assume the masculinised role of acting. Sexual depravity and aggression were understood by the Victorians as the exclusive domain of Victorian men, while women were expected to submit to their husband's sexual wishes. Harker's desire to submit, and the scene's origin as a dream Stoker had, highlights the divide between societal expectations and lived realities of men who wanted more freedom in their sexual lives. In the British version of the text, Harker hears the three vampire women whispering at his door, and Dracula tells them they can feed on him tomorrow night. In the American version, Dracula insinuates that he will be feeding on Harker that night: "To-night is mine! To-morrow is yours!" Nina Auerbach and 1422: 1157:, he highlights that the Count "can disgorge blood from his breasts" in addition to his teeth; that he is attracted to both Jonathan Harker and Mina Murray; appears both racially western and eastern; and how he is an aristocrat able to mingle with homeless vagrants. Stoker drew extensively from folklore in crafting Count Dracula, but many of the Count's physical attributes were typical of Gothic villains during Stoker's lifetime. In particular, his hooked nose, pale complexion, large moustache and thick eyebrows were likely inspired by the villains of Gothic fiction. Likewise, Stoker's selection of Transylvania has roots in the Gothic. Writers of the mode were drawn to Eastern Europe as a setting because travelogues presented it as a land of primitive superstitions. 922:. Carol A. Senf writes that Stoker was ambivalent about the New Woman phenomenon. Of the novel's five vampires, four are women, and all are aggressive, "wildly erotic", and driven only by their thirst for blood. Mina Harker, meanwhile, serves as the antithesis of the other female characters, and plays a singularly important role in Dracula's defeat. On the other hand, Judith Wasserman argues that the fight to defeat Dracula is really a battle for control over women's bodies. Senf points out that Lucy's sexual awakening, and her reversal of gender-based sexual roles, is what Abraham Van Helsing considers a threat. 3482:, Introduction: The Myth of Dracula's Reception: "firstly, generally positive reviews that include perhaps one, sometimes two negative remarks or reservations, of which I have discerned ten examples; secondly, generally mixed reviews in which scorn and praise are relatively balanced, of which I have found four examples13; and, thirdly, wholly or mostly negative reviews, of which I managed to locate only three examples. What remains are some seventy positive reviews and responses. And, in addition still are thirty-six different laudatory press notices".) 51: 1103: 676: 1114: 380:, an insane man who eats vermin to absorb their life force. After Dracula learns of the group's plot against him, he uses Renfield to enter the asylum. He secretly attacks Mina three times, drinking her blood each time and forcing Mina to drink his blood on the final visit. She is cursed to become a vampire after her death unless Dracula is killed. As the men find Dracula's properties, they discover many earth boxes within. The vampire hunters open each of the boxes and seal wafers of 1089:

narrative unity as the narrative unfolds. In the novel's first half, each narrator has a strongly characterised narrative voice, with Lucy's showing her verbosity, Seward's businesslike formality, and Harker's excessive politeness. These narrative styles also highlight the power struggle between vampire and his hunters; the increasing prominence of Van Helsing's broken English as Dracula gathers power represents the entrance of the foreigner into Victorian society.

8809: 558:. Gothic critic and lecturer Marie Mulvey-Roberts writes that vampires were traditionally depicted as "mouldering revenants, who dragged themselves around graveyards", but—like Báthory—Dracula uses blood to restore his youth. Recent scholarship has questioned whether Báthory's crimes were exaggerated by her political opponents, with others noting that very little is concretely known about her life. A book that Stoker used for research, 6368: 481: 1504: 731: 773: 1024:, and a "growing domestic unease" over the morality of imperial colonisation. Manifesting also in other works aside from Stoker's novel, narratives of reverse colonisation indicate a fear of the "civilised" world being invaded by the "primitive". What Dracula does to human bodies is not horrifying simply because he kills them, but because he transforms them into the 844:) with a preface written by Stoker. In the preface, Stoker writes that the events contained within the novel are true, and that "for obvious reasons" he had changed the names of places and people. Although scholars had been aware of the translation's existence since the 1980s because of Stoker's preface, none had thought to translate it back into English. 894:. The primary sexual threat posed by Count Dracula is, Christopher Craft writes, that he will "seduce, penetrate, drain another male", with Jonathan Harker's excitement about being penetrated by three vampire women serving as a mask and proxy for his homosexual desire. His excitement also inverts standard Victorian 396:, Romania, the hunters split up. Van Helsing and Mina go to Dracula's castle, where the professor destroys the vampire women. Jonathan Harker and Arthur Holmwood follow Dracula's boat on the river, while Quincey Morris and John Seward parallel them on land. After Dracula's box is finally loaded onto a wagon by 2140:

which is on Stoker's list of books that he consulted. But a careful examination of his Notes shows that while he did make a number of jottings (with page references) from this book, nothing is noted from the Bathory pages. And there is nothing in the novel that can be attributed directly to the short

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has attracted some, albeit limited, scholarly attention. Peter Arnds wrote that the Count's control over the Romani and his abduction of young children evokes real folk superstitions about Romani people stealing children, and that his ability to transform into a wolf is likewise related to xenophobic

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provides a list of Dracula's associations with antisemitic conceptions of Jewish people: his appearance, wealth, parasitic bloodlust, and "lack of allegiance" to one country. In terms of his appearance, Halberstam notes Dracula's resemblance to other fictional Jews; for example, his long, sharp nails

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has developed around the topic. Sexuality and seduction are two of the novel's most frequently discussed themes, especially as it relates to the corruption of English womanhood. Modern critical writings about vampirism widely acknowledge its link to sex and sexuality. Bram Stoker himself was possibly

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to between 1895 and 1897. Later scholarship has questioned these sets of dates. In the first extensive study of the notes, Joseph S. Bierman writes that the earliest date within them is 8 March 1890, for an outline of a chapter that "differs from the final version in only a few details". According to

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notes that many of the Count's characteristics have been adopted by artists succeeding Stoker in depicting vampires, turning those fixtures into clichés. Aside from the Count's ability to transform, McGrath specifically highlights his hatred of garlic, sunlight, and crucifixes. William Hughes writes

1474:), a Hungarian silent film which allegedly premiered in 1921, though this release date has been questioned by some scholars. Very little of the film has survived, and David J. Skal notes that the cover artist for the 1926 Hungarian edition of the novel was more influenced by the second adaptation of 1209:

that, when writing her now almost forgotten romances, she shut herself up in absolute seclusion, and fed upon raw beef, in order to give her work the desired atmosphere of gloom, tragedy and terror. If one had no assurance to the contrary, one might well suppose that a similar method and regimen had

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is narrated through a series of documents. The novel's first four chapters are related as the journals of Jonathan Harker. Scholar David Seed notes that Harker's accounts function as an attempt to translocate the "strange" events of his visit to Dracula's castle into the nineteenth-century tradition

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Dracula as Quincey stabs him in the heart. Dracula crumbles to dust, freeing Mina from her vampiric curse. Quincey is mortally wounded in the fight against the Romani. He dies from his wounds, at peace with the knowledge that Mina is saved. A note by Jonathan Harker seven years later states that the

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mixed reception stems from a low sample size. Of 91 contemporary reviews, Browning identified 10 as "generally positive"; 4 as "mixed" in their assessment; 3 as "wholly or mostly negative"; and the rest as positive and possessing no negative reservations. Among the positive reviews, Browning writes

2037:, p. 2: "If Stoker knew as much about Vlad as some scholars claim (for example, that he impaled thousands of victims), then why is this information not used in the novel? This is a crucial question, when one considers how much insignificant detail Stoker did incorporate from his many sources." 726:

Harry Ludlam, Bram’s first biographer, wrote that the book came to life in August 1895 on the author’s third visit to Cruden Bay in Scotland. ‘And here one day, to the sound of the sea on the Scottish shore, Count Dracula made his entry.’ The Stoker stayed in the Kilmarnock Arms Hotel, signing the

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to remain inscrutable to the Count, protecting his own identity, which Dracula threatens to destroy. Harker's journal, for example, embodies the only advantage during his stay at Dracula's castle: that he knows more than the Count thinks he does. The novel's disparate accounts approach a kind of

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was published in London in May 1897 by Archibald Constable and Company. It cost 6 shillings, and was bound in yellow cloth and titled in red letters. In 2002, Barbara Belford, a biographer, wrote that the novel looked "shabby", perhaps because the title had been changed at a late stage. Although

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in Whitby's public library while holidaying there with his wife and son in 1880. On the name, Stoker wrote: "Dracula means devil. Wallachians were accustomed to give it as a surname to any person who rendered himself conspicuous by courage, cruel actions or cunning". Stoker's initial plans for

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The novel's representation of vampirism has been discussed as symbolising Victorian anxieties about disease. The theme is discussed with far less frequency than others because it is discussed alongside other topics rather than as the central object of discussion. For example, some connect its

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described the novel as vampire literature's "centrepiece, rendering all other vampires BS or AS". It profoundly shaped the popular understanding of how vampires function, including their strengths, weaknesses, and other characteristics. Bats had been associated with vampires before

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was positively received by reviewers who pointed to its effective use of horror. In contrast, reviewers who wrote negatively of the novel regarded it as excessively frightening. Comparisons to other works of gothic fiction were common, including its structural similarity to

364:. Van Helsing places garlic flowers around her room and makes her a necklace of them. Lucy's mother removes the garlic flowers, not knowing they repel vampires. While Seward and Van Helsing are absent, Lucy and her mother are terrified by a wolf and Mrs. Westenra dies of a 6371: 914:. According to Showalter, Lucy represents the "sexual daring" of the New Woman, evidenced by how she wonders why a woman cannot marry three men if they all desire her. Mina, meanwhile, represents the New Woman's "intellectual ambitions", citing her occupation as a 815:, enthused about the novel to Stoker, predicting it would bring him immense financial success. She was wrong; the novel, although reviewed well, did not make Stoker much money and did not cement his critical legacy until after his death. Since its publication, 1032:

criminal. She explains that, at the time of the novel's composition and publication, the "threatening degenerate was commonly identified as the racial Other, the alien intruder who invades the country to disrupt the domestic order and enfeeble the host race".

3458:, Introduction: The Myth of Dracula's Reception: "Rather, while the novel did receive, on the one hand, a few reviews that were mixed, it enjoyed predominantly a critically strong early print life. Dracula was, by all accounts, a critically-acclaimed novel." 388:

house, but he escapes. They learn that Dracula is fleeing to his castle in Transylvania with his last box. Mina has a faint psychic connection to Dracula, which Van Helsing exploits via hypnosis to track Dracula's movements. Guided by Mina, they pursue him.

368:; Lucy dies shortly thereafter. After her burial, newspapers report children being stalked in the night by a "bloofer lady" (beautiful lady), and Van Helsing deduces it is Lucy. The four go to her tomb and see that she is a vampire. They stake her heart, 1015:

Stephen Arata describes the novel as a case of "reverse colonisation"; that is, a fear of the non-white invading England and weakening its racial purity. Arata describes the novel's cultural context of mounting anxiety in Britain over the decline of the

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differs significantly from Stoker's novel. Character names were changed, the length was abridged, and it was more overtly sexual than the original. Dutch scholar Hans Corneel de Roos compared the translation favourably to Stoker's, writing that where

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of all kinds were associated with animals, the Romani were victims of persecution in Europe due to a belief that they enjoyed "unclean meat" and lived among animals. Stoker's description of the Slovaks draws heavily from a travel memoir by a British

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shortly before the novel's publication and performed only once, in order to establish his own copyright for such adaptations. Although the manuscript was believed lost, the British Library possesses a copy. It consists of extracts from the novel's

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Adaptations of the novel and its characters have contributed to its enduring popularity. Even within academic discussions, the boundaries between Stoker's novel and the character's adaptation across a range of media have effectively been blurred.

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was not the first piece of literature to depict vampires, but the novel has nonetheless come to dominate both popular and scholarly treatments of vampire fiction. Count Dracula is the first character to come to mind when people discuss vampires.

1398:, coincidentally also published in 1972, concur; Gabriel Ronay says the novel was "recognised by fans and critics alike as a horror writer's stroke of genius", and Anthony Masters mentions the novel's "enormous popular appeal". Since the 1970s, 3339:, Introduction: The Myth of Dracula's Reception: "Dracula's writing was seen by early reviewers and responders to parallel, if not supersede the Gothic horror works of such canonical writers as Mary Shelley, Ann Radcliffe, and Edgar Allan Poe." 727:

guest book, which still survives. In 1912, the year of Bram Stoker's death, Florence Stoker commemorated her husband and his famous book by contributing her recipe for The "Dracula" Salad' to a recipe book compiled by the local parish church.

3446:, Introduction: The Myth of Dracula's Reception: "That the sample of reviews relied upon by previous studies is scant at best has unfortunately resulted in the common misconception about the novel's early critical reception being 'mixed'". 5408: 688:

Prior to writing the novel, Stoker researched extensively, assembling over 100 pages of notes, including chapter summaries and plot outlines. The notes were sold by Bram Stoker's widow, Florence, in 1913, to a New York book dealer for

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opined that the novel was "praiseworthy" and absorbing, but could not recommend it to those who were not "strong". Stoker's prose was commended as effective in sustaining the novel's horror by many publications. A reviewer for the

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Visual representations of the Count have changed significantly over time. Early treatments of Dracula's appearance were established by theatrical productions in London and New York. Later prominent portrayals of the character by

6313: 1621:(1847) included an image of a bat on its cover illustration. But Stoker deepened the association by making Dracula able to transform into one. That was, in turn, quickly taken up by film studios looking for opportunities to use 751:

markedly differ from the final novel. Had Stoker completed his original plans, a German professor called Max Windshoeffel "would have confronted Count Wampyr from Styria", and one of the Crew of Light would have been slain by a

2025:, p. 150: "Unfortunately, no correspondence between Vambery and Stoker can be found today. Moreover, a search through all of the professor's published writings fails to reveal any comments on Vlad, Dracula, or vampires." 1050:; Halberstam highlights one particular fear that Jews would spread diseases of the blood, and one journalist's description of Jews as "Yiddish bloodsuckers". In contrast, Mathias Clasen writes parallels between vampirism and 1333:

called the novel a "literary failure"; they elaborated that coupling vampires with frightening imagery, such as insane asylums and "unnatural appetites", made the horror too overt, and that other works in the genre, such as

3470:, Introduction: The Myth of Dracula's Reception: "That the sample of reviews relied upon by previous studies is scant at best has unfortunately resulted in common misconception about the novel's early critical reception " 1985:

Vambery was able to report that 'the Impaler,' who had won this name for obvious reasons, was spoken of for centuries after as the cleverest and the most cunning, as well as the bravest of the sons of the 'land beyond the

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and later its sequels) built upon earlier versions. Chiefly, Dracula's early visual style involved a black-red colour scheme and slicked back hair. Lee's portrayal was overtly sexual, and also popularised fangs on screen.

1187:, Ireland, England, and colonialism. Calvin W. Keogh writes that Harker's voyage into Eastern Europe "bears comparison with the Celtic fringe to the west", highlighting them both as "othered" spaces. Keogh notes that the 906:

of the text, posit that Stoker thought the line would render the novel unpublishable in 1897 England, and that "the America that produced his hero Walt Whitman would have been more tolerant of men feeding on men".

314:; Dracula rescues Harker, and gives the women a small child bound inside a bag. Harker awakens in bed; soon after, Dracula leaves the castle, abandoning him to the women. Harker escapes and ends up delirious in a 709:

wrote that he knew "an old lady" who was approached to revise the original manuscript, but that Stoker found her too expensive. Stoker's first biographer, Harry Ludlam, wrote in 1962 that writing commenced on

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Laura Sagolla Croley expands: "Arata fails to see the class implications of Dracula's racial invasion. Social reformers and journalists throughout the century used the language of race to talk about the very

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Everyone stays at Dr. Seward's asylum as the men begin to hunt Dracula. Van Helsing finally reveals that vampires can only rest on earth from their homeland. Dracula communicates with Seward's patient,

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suggests that Stoker's failure to comply with United States copyright law contributed to its enduring status, writing that writers and producers did not need to pay a licence fee to use the character.

1012:. Unlike the major's description, Harker's description is overtly imperialistic, labelling the people as "barbarians" and their boats as "primitive", emphasising their perceived cultural inferiority. 1058:. Martin Willis, a researcher focused on the intersection of literature and disease, argues that the novel's characterisation of vampirism makes it both the initial infection and resulting illness. 527:, but an investigation by McNally and Florescu found nothing about "Vlad, Dracula, or vampires" within Vámbéry's published papers, nor in Stoker's notes about his meeting with Vámbéry. Academic and 5168: 1566:

write that the novel and its characters have been adapted for film, television, video games and animation over 700 times, with nearly 1000 additional appearances in comic books and on the stage.

356:. After his ship lands there, Dracula stalks Lucy. Mina receives a letter about her missing fiancé's illness, and goes to Budapest to nurse him. Lucy becomes very ill. Seward's old teacher, 1084:

writing. John Seward, Mina Murray and Jonathan Harker all keep a crystalline account of the period as an act of self-preservation; David Seed notes that Harker's narrative is written in

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Stoker's notes illuminate much about earlier iterations of the novel. For instance, they indicate that the novel's vampire was intended to be a Count, even before he was given the name

6263: 1556:, established a new default look for the character—a Romanian accent and long hair. The assortment of adaptations feature many different dispositions and characteristics of the Count. 326:

narrates the crew's disappearance until he alone remains, bound to the helm to maintain course. An animal resembling a large dog is seen leaping ashore when the ship runs aground at

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In their annotated version of Stoker's notes, Eighteen-Bisang and Miller dedicated an appendix to what the novel might have looked like had Stoker adhered to his original concept.

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has been the basis for numerous films and plays. Stoker himself wrote the first theatrical adaptation, which was presented at the Lyceum Theatre on 18 May 1897 under the title

434:, Stoker described his own temperament as "secretive to the world", but he nonetheless led a relatively public life. Stoker supplemented his income from the theatre by writing 795:

was unusually signed only 6 days prior to publication. For the first thousand sales of the novel, Stoker earned no royalties. Following serialisation by American newspapers,

1735:"New Woman" is a term that originated in the 19th century, and is used to describe an emerging class of intellectual women with social and economic control over their lives. 1042:

depiction of disease with race. Jack Halberstam points to one scene in which an English worker says that the repugnant odour of Count Dracula's London home smells like

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is also said to be a "folio novel — which is ... a sibling to the epistolary novel, posed as letters collected and found by the reader or an editor." Alexander Chee,

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Bierman, Stoker always intended to write an epistolary novel, but originally set it in Styria instead of Transylvania; this iteration did not explicitly use the word

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The full text of all contemporary reviews listed in the bibliography's "contemporary critical reviews" can be found, faithfully reproduced, in John Edgar Browning's

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critically of the Count's cultural omnipresence, noting that the character of Dracula has "seriously inhibited" discussions of the undead in Gothic fiction.

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has been the subject of significant academic interest, evidenced by its own peer-reviewed journal and the numerous books and articles discussing the novel.

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Sensation fiction is a genre characterised by the depiction of scandalous events—for example murder, theft, forgery, or adultery—within domestic settings.

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The novel's depiction of women continues to divide critics. Elaine Showalter writes that Lucy Westenra and Mina Harker represent different aspects of the

9158: 9003: 1261:. Another anonymous writer described Stoker as "the Edgar Allan Poe of the nineties". Other favourable comparisons to other Gothic novelists include the 1153:. Jerrold E. Hogle notes Gothic fiction's tendency to blur boundaries, pointing to sexual orientation, race, class, and even species. Relating this to 619:. Scholar Alison Milbank observes that as Dracula can transform into a dog, Carmilla can become a cat. According to author Patrick McGrath, "traces of 1347:

had a mixed critical reception upon publication. Carol Margaret Davison, for example, notes an "uneven" response from critics contemporary to Stoker.

1302:, regarded the novel as simultaneously sensational and domestic. One reviewer praised the "considerable power" of Stoker's prose and describing it as 1681:

Miller presented this article at the second Transylvanian Society of Dracula Symposium, but it has been reproduced elsewhere; for example, in the

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a reference within the text to Vámbéry, an "Arminius, of Buda-Pesh University", who is familiar with the historical Vlad III and is a friend of

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around 1895 or 1896. Following the rediscovery of Stoker's notes in 1972 by Raymond T. McNally and Radu Florescu, the two dated the writing of

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Many of these early reviews were charmed by Stoker's unique treatment of the vampire myth. One called it the best vampire story ever written.

1195:. In this reading, Transylvania functions as a stand-in for Ireland. Several critics have described Count Dracula as an Anglo-Irish landlord. 6259: 1793:

There is some evidence that Bram Stoker died as a result of syphilis; Daniel Farson argues that he may have caught the disease while writing

562:, does have some information on Báthory, but Miller writes that he never took notes on anything from the short section devoted to her. In a 1306:. They were less fond of the parts set in England, finding the vampire suited better to tales set far away from home. The British magazine 535:

calls the link to Vlad III "tenuous", indicating that Stoker incorporated a large amount of "insignificant detail" from his research, and

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letters sent by him to the American poet Walt Whitman. Stoker began writing the novel one month following the imprisonment of his friend

180:, the narrative is related through letters, diary entries, and newspaper articles. It has no single protagonist and opens with solicitor 4467:

Leblanc, Benjamin H. (1997). "The Death of Dracula: A Darwinian Approach to the Vampire's Evolution". In Davison, Carol Margaret (ed.).

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Milbank, Alison (1998). "'Powers Old and New': Stoker's Alliances with Anglo-Irish Gothic". In Hughes, William; Smith, Andrew (eds.).

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her, and fill her mouth with garlic. Jonathan Harker and his now-wife Mina have returned, and they join the campaign against Dracula.

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to help the Count purchase a house near London. Ignoring the Count's warning, Harker wanders the castle at night and encounters

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deviates from Gothic tales before it by firmly establishing its time—that being the modern era. The novel is an example of the

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influence. According to Milbank, the story was a deleted first chapter from early in the original manuscript, and replicates

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Dracula is one of three figures Zanger links to the popular anxiety surrounding Jewish migration to England; the others are

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became regarded as a seminal piece of gothic fiction. Modern scholars explore the novel within its historical context—the

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Skal, David J. (2011). "Introduction—Dracula: Undead and Unseen". In Browning, John Edgar; Picart, Caroline Joan (eds.).

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Anglo-Saxon world cinematic fodder". Across the world, completed new adaptations can be produced as often as every week.

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was mostly written in the 1890s. Stoker produced over a hundred pages of notes for the novel, drawing extensively from

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writes that the perceived "eternal homelessness" of the Jewish people has contributed to discrimination against them.

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stereotyping. Jules Zanger links the novel's portrayal of the vampire to the immigration of Eastern European Jews to

286:, has been adapted for film over 30 times, and its characters have made numerous appearances in virtually all media. 278:

versions of their characters; for example, Count Dracula as the quintessential vampire, and Van Helsing as an iconic

1500:, Prana. The legal case lasted two or three years, and in May 1924, Prana agreed to destroy all copies of the film. 9208: 8888: 8790: 8768: 8763: 7993: 7715: 6776: 1683: 1416: 655:

has been suggested as a possible influence on Stoker. Bob Curran, a lecturer in Celtic History and Folklore at the

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in 1897 praised its capacity to entertain, but concluded that Stoker erred in including so much horror. Likewise,

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Aside from the historical, Count Dracula also has literary progenitors. Academic Elizabeth Signorotti argues that

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Davison, Carol Margaret (1997). "Blood Brothers: Dracula and Jack the Ripper". In Davison, Carol Margaret (ed.).

17: 1894:, p. 301: "Most of his novels are sentimental romances in which the hero tries to win the love of a woman." 9218: 9198: 9188: 9183: 8420: 8388: 7806: 7755: 7586: 6201: 4990: 1308: 734:

Florence Stoker's 1912 recipe for 'Dracula Salad', published in a recipe book compiled by Cruden parish church.

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edition of Bram Stoker's original notes for the book, Miller and her co-author Robert Eighteen-Bisang say in a

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Hughes, William (2012). "Fictional Vampires in the Nineteenth and Twentieth Century". In Punter, David (ed.).

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Lisa Hopkins reproduces the previous quotation, and confirms Farson's relation to Stoker, in her 2007 book on

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was well received. Reviewers frequently compared the novel to other Gothic writers, and mentions of novelist

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Other critics have concurred with Miller. Mathias Clasen describes her as "a tireless debunker of academic

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and the Doctors: Bad Blood, Menstrual Taboo and the New Woman". In Hughes, William; Smith, Andrew (eds.).

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purchased the rights to make a film version, it was discovered that Stoker had not fully complied with US

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succeeded by drawing together folklore, legend, vampire fiction and the conventions of the Gothic novel.

1379: 532: 218:. Some scholars have suggested that the character of Dracula was inspired by historical figures like the 5973:"Vampirism and the Degeneration of the Imperial Race: Stoker's Dracula as the Invasive Degenerate Other" 1492:

differs significantly from the novel, but that characters have clear counterparts. Bram Stoker's widow,

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horrors occurred both in foreign lands—in the far-away Carpathian Mountains—and at home, in Whitby and

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has been adapted a large number of times across virtually all forms of media. John Edgar Browning and

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England. Between 1881 and 1900, the number of Jews living in England had increased sixfold because of

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Dracula: Authoritative Text, Contexts, Reviews and Reactions, Dramatic and Film Variations, Criticism

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and literary vampires, conducted a review of the novel's early criticism in 2012 and determined that

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noted that the novel was, at times, unintentionally funny, pointing to Dracula's disdain for garlic.

1298: 603:, wrote a biography of the author; in it, he doubts that Stoker was aware of the lesbian elements of 426:

was a recognisable figure: he would greet evening guests, and served as assistant to the stage actor

360:, determines the nature of Lucy's condition, but refuses to disclose it. He diagnoses her with acute 352:. Lucy accepts Holmwood's, but all remain friends. Mina joins Lucy on holiday in Whitby. Lucy begins 7170: 5115:"The Rhetoric of Reform in Stoker's "Dracula": Depravity, Decline, and the Fin-de-Siècle "Residuum"" 1243:(1859) were especially common because of similarities in structure and style. A review appearing in 1028:. Monika Tomaszewska associates Dracula's status as the racial Other with his characterisation as a 8944: 8535: 8364: 8160: 8134: 7771: 7723: 7652: 7562: 7266: 7234: 7119: 7111: 7031: 4559:

McGrath, Patrick (1997). "Preface: Bram Stoker and his Vampire". In Davison, Carol Margaret (ed.).

1046:, making it a "Jewish smell". Jewish people were frequently described, in Victorian literature, as 933:, and specifically the Count's migration to Victorian England, is frequently read as emblematic of 760:

might have originally been intended to be a detective story, with a detective called Cotford and a

35: 7354: 9133: 8904: 8636: 8553: 8140: 8081: 7859: 7763: 7747: 7071: 1563: 903: 694: 230:, but there is widespread disagreement. Stoker's notes mention neither figure. He found the name 96: 4020:

Dracula in Visual Media: Film, Television, Comic Book and Electronic Game Appearances, 1921–2010

3991:

Dracula in Visual Media: Film, Television, Comic Book and Electronic Game Appearances, 1921–2010

3962:

Dracula in Visual Media: Film, Television, Comic Book and Electronic Game Appearances, 1921–2010

8968: 8952: 8936: 8912: 8686: 8463: 8356: 8249: 7985: 7945: 7852: 7474: 7370: 3062: 1009: 796: 761: 448: 419: 4854: 1025: 831: 8681: 8662: 8627: 8340: 8283: 8175: 8028: 7514: 7282: 7186: 6991: 6907: 6899: 6883: 6845: 6760: 6699: 6404: 5959: 1281: 937:, and a projection of fears about racial pollution. A number of scholars have indicated that 887: 777: 365: 4915: 4175:

Barsanti, Michael (2008). "Foreword". In Eighteen-Bisang, Robert; Miller, Elizabeth (eds.).

871: 599:(1872), "correcting" its emphasis on female desire. Bram Stoker's great-nephew, broadcaster 496: 9118: 8850: 8099: 7977: 7929: 7594: 7522: 7450: 7426: 6999: 6940: 6212: 5368:"Insiders/Outsiders: Conrad's "The Nigger of the "Narcissus" " and Bram Stoker's "Dracula"" 1549: 1247:

notes that the novel could almost have been written by Collins, and an anonymous review in

656: 307: 4958:"Tasting the Original Apple: Gender and the Struggle for Narrative Authority in "Dracula"" 663:, suggests that Stoker may have drawn some inspiration for Dracula from an Irish vampire, 547: 495:, but there is no consensus. In his 1962 biography of Stoker, Harry Ludlam suggested that 227: 8: 8896: 8482: 8307: 8146: 8063: 8055: 8047: 7936: 7912: 7843: 7676: 7490: 7338: 7015: 6983: 6853: 6752: 6603: 6568: 6460: 6161: 5178:"Feminism, Sex Role Exchanges, and Other Subliminal Fantasies in Bram Stoker's "Dracula"" 3988:

Stoker, Dacre (2011). "Foreword". In Browning, John Edgar; Picart, Caroline Joan (eds.).

1841:

Some sources say the legal battle lasted only two, while others give the number as three.

1534: 1512: 1348: 1029: 934: 536: 524: 464: 357: 211: 201: 6340: 5825:"Purity and Danger: Dracula, the Urban Gothic, and the Late Victorian Degeneracy Crisis" 5068: 5044: 3636: 9019: 8613: 8224: 7739: 7434: 7362: 7055: 6920: 6540: 6525: 6172: 6048: 5934: 5926: 5885: 5852: 5811: 5778: 5745: 5704: 5642: 5634: 5590: 5544: 5487: 5479: 5436: 5395: 5354: 5313: 5280: 5238: 5205: 5134: 5101: 5064: 5031: 4977: 4902: 4674: 1617: 1463: 827: 800: 697:, (equivalent to UK£208 in 2019). Following that, the notes became the property of 628: 508: 271: 215: 5654:

Rhodes, Gary D. (1 January 2010). "Drakula halála (1921):The Cinema's First Dracula".

5450:"Vampiric Seduction and Vicissitudes of Masculine Identity in Bram Stoker's "Dracula"" 2575: 384:

inside them, rendering them useless to Dracula. They attempt to trap the Count in his

9092: 9077: 8707: 8439: 8332: 7800: 7087: 7007: 6891: 6800: 6500: 6359: 6040: 5918: 5877: 5844: 5803: 5770: 5737: 5708: 5696: 5646: 5626: 5582: 5536: 5499:

Miller, Elizabeth (August 1996). "Filing for Divorce: Vlad Tepes vs. Count Dracula".

5471: 5440: 5428: 5387: 5358: 5346: 5305: 5272: 5230: 5197: 5126: 5093: 5056: 5035: 5023: 4969: 4935: 4894: 4860: 4839: 4818: 4799: 4789: 4768: 4747: 4726: 4705: 4695: 4662: 4652: 4623: 4602: 4576: 4566: 4545: 4524: 4503: 4484: 4474: 4455: 4445: 4426: 4416: 4393: 4370: 4351: 4328: 4311: 4301: 4282: 4272: 4242: 4223: 4213: 4192: 4182: 4163: 4153: 4132: 4122: 4103: 4093: 4072: 4053: 4034: 4024: 4005: 3995: 3976: 3966: 3945: 3924: 3907: 3897: 3876: 3857: 3836: 1583: 1081: 982: 567: 554:

has analogues in Báthory's described crimes, such as the use of a cage resembling an

381: 311: 235: 129: 7154: 5938: 5491: 1704:, Benjamin H. Leblanc reproduces her arguments in his critical history on the novel. 1458: 570:

that there is no evidence she inspired Stoker. In 2000, Miller's book-length study,

50: 9113: 9059: 8995: 8812: 8671: 8217: 8202: 7546: 7314: 7242: 7178: 7127: 6792: 6723: 6608: 6397: 5910: 5836: 5729: 5688: 5663: 5622: 5618: 5461: 5420: 5379: 5338: 5189: 5085: 5015: 4931: 4927: 3828: 1359:

had been "a critically acclaimed novel". Browning writes that the misconception of

1188: 1171:

became the subject of critical interest into Irish fiction during the early 1990s.

1123: 1072: 812: 590: 504: 223: 177: 4086:

Davison, Carol Margaret (1997). "Introduction". In Davison, Carol Margaret (ed.).

2330: 1262: 950: 9082: 8785: 8780: 8712: 8500: 8380: 7578: 7250: 7039: 6480: 6465: 6389: 6345: 5963: 4833: 4812: 4762: 4741: 4720: 4617: 4539: 4518: 4497: 4236: 3939: 1745: 1530: 1507: 1493: 1303: 1293: 1102: 968: 959: 706: 586: 439: 349: 181: 5972: 4238:

Vampires, Mummies, and Liberals: Bram Stoker and the Politics of Popular Fiction

2565: 2563: 2509: 2507: 2505: 675: 8447: 8188: 7953: 7684: 7570: 7530: 7466: 7330: 7194: 7135: 6634: 6624: 6598: 6576: 6490: 6110: 1762: 1622: 1369: 1234: 1220: 1192: 1180: 1150: 1017: 986: 652: 345: 303: 279: 247: 169: 166: 86: 82: 6141:

Publisher's Circular and Booksellers' Record of British and Foreign Literature

5998:

Wasserman, Judith (1977). "Women and Vampires: Dracula as a Victorian Novel".

5947: 5508:

Miller, Elizabeth (2006). "Filing for Divorce: Count Dracula vs. Vlad Tepes".

5466: 5449: 5078:""Kiss Me with those Red Lips": Gender and Inversion in Bram Stoker's Dracula" 5003: 4430: 3366: 1522: 578:

scholars, but non-specialists and popular film and television documentaries".

9107: 8774: 8717: 7969: 7708: 7692: 7668: 7644: 7636: 7258: 7047: 6639: 6475: 6455: 6314:"Celebrating Eiko Ishioka's extraordinary costumes for Bram Stoker's Dracula" 6044: 5922: 5881: 5848: 5807: 5774: 5741: 5700: 5630: 5586: 5540: 5475: 5432: 5391: 5350: 5309: 5276: 5234: 5201: 5130: 5097: 5060: 5027: 4973: 4947:

Caine, Hall (24 April 1912). "Bram Stoker. The story of a great friendship".

4939: 4898: 4803: 4709: 4666: 4580: 4488: 4459: 4196: 4167: 4136: 4107: 4038: 4009: 3980: 3911: 2560: 2502: 1700:

myths". In response to several lines of query as to the historical origin of

1603: 1429: 1258: 1206: 1113: 999: 899: 600: 512: 492: 435: 397: 333: 299: 283: 261: 189: 185: 31: 5667: 5409:"The Critics' Count: Revisions of Dracula and the Postcolonial Irish Gothic" 5294:"The Contribution of F. W. Murnau's "Nosferatu" To the Evolution of Dracula" 4315: 4286: 3832: 3230: 3134: 1454:

with Stoker's own handwriting providing direction and dialogue attribution.

8960: 7922: 7839: 7554: 7458: 7394: 6837: 6559: 5948:"The Slovaks and Gypsies of Bram Stoker's Dracula: Vampires in Human Flesh" 5219:"Alejandra Pizarnik's "La condesa Sangrienta" and the Lure of the Absolute" 4883:"The Occidental Tourist: "Dracula" and the Anxiety of Reverse Colonization" 4783: 4410: 4227: 1635: 1575: 1553: 1479: 1451: 1319: 1266: 1162: 973: 915: 431: 427: 401: 369: 353: 5692: 5342: 5019: 4689: 4646: 4560: 4468: 4439: 4176: 4147: 4116: 4087: 4018: 3989: 3960: 3891: 3820: 400:

men, the hunters converge and attack it. After routing the Romani, Harker

234:

in Whitby's public library while on holiday, thinking it meant 'devil' in

8873: 8641: 8272: 8265: 8181: 6629: 6485: 6470: 6420: 6083: 5792:"Repossessing the Body: Transgressive Desire in "Carmilla" and "Dracula"" 4295: 4266: 3264: 1612: 1539: 1425: 1285:, had kept the supernatural far away from the novelists' home countries, 1131: 1127: 1021: 945: 895: 880: 555: 423: 361: 341: 337: 173: 64: 6052: 6028: 5889: 5865: 5815: 5791: 5638: 5606: 5594: 5570: 5548: 5524: 5483: 5327:"Gothic Genealogies: Dracula, Bowen's Court, And Anglo-Irish Psychology" 5317: 5293: 5242: 5218: 5138: 5114: 4981: 4957: 4207: 3318: 788:

contracts were typically signed at least 6 months ahead of publication,

627:

castle. A short story written by Stoker and published after his death, "

136: 8928: 7700: 7538: 6130: 5856: 5824: 5782: 5758: 5749: 5717: 5424: 5399: 5367: 5284: 5260: 5209: 5177: 5105: 5077: 4906: 4882: 1047: 876: 459: 454: 385: 152: 147: 6061: 5930: 5898: 4916:"The Genesis and Dating of 'Dracula' from Bram Stoker's Working Notes" 8646: 8231: 7660: 6875: 6260:"The Icelandic Translation of 'Dracula' Is Actually a Different Book" 5676: 5326: 2387: 2385: 1484: 1367:

that 36 were unreserved in their praise, including publications like

1085: 1043: 919: 911: 664: 660: 563: 469: 295: 275: 219: 5840: 5733: 5383: 5193: 5089: 4599:

Dracula Was a Woman: In Search of the Blood Countess of Transylvania

3626: 3624: 3622: 2478: 2466: 2454: 2144: 1981:, p. 100: "Bram sought the help of Arminius Vambery in Budapest 1774:

In the novel, Harker specifies that the Slovaks are a type of gypsy.

393: 8195: 8001: 6495: 6377: 6354: 6202:

Vanity Fair: A Weekly Show of Political, Social, and Literary Wares

5914: 4114: 2581: 2442: 1885: 1749: 1579: 1055: 1004: 978: 753: 612: 595: 574:, was said by academic Noel Chevalier to correct "not only leading 484: 377: 315: 4517:

Lovecraft, H. P. (1965). Derleth, August; Wandrei, Donald (eds.).

3383: 3381: 2382: 2358: 8691: 7306: 7274: 5866:""Bram Stoker's Dracula: Possessed by the Spirit of the Nation?"" 5525:"Back to the Basics: Re-Examining Stoker's Sources for "Dracula"" 4297:

From Dickens to Dracula: Gothic, Economics, and Victorian Fiction

3691: 3619: 1503: 1176: 995: 955: 480: 323: 264:—and discuss its depiction of gender roles, sexuality, and race. 196:, and the Count moves to England and plagues the seaside town of 193: 5161:"Radu Florescu dead: Legacy of the Romanian 'Dracula professor'" 3425: 3342: 1191:

has been both symbolically and historically associated with the

730: 472:

on Irving—Stoker wrote only "to sell" and "had no higher aims".

274:. Many of the book's characters have entered popular culture as 192:. Harker escapes the castle after discovering that Dracula is a 7837: 6180: 5250:

Doniger, Wendy (20 November 1995). "Sympathy for the Vampire".

5045:"Attention, Predation, Counterintuition: Why Dracula Won't Die" 4085: 4067:

Dalby, Richard (1986). "Bram Stoker". In Sullivan, Jack (ed.).

3893:

From Demons to Dracula: The Creation of the Modern Vampire Myth

3485: 3378: 3372: 2569: 2513: 2091: 1318:

was widely considered to be frightening. A review appearing in

646: 623:" can be found in the three female vampires residing in Dracula 327: 322:

for England with boxes of earth from his castle. The captain's

197: 8842: 4645: 4412:

Beyond Dracula: Bram Stoker's Fiction and Its Cultural Context

4342:

Bierman, Joseph S. (1998). "A Crucial Stage in the Writing of

3306: 3294: 2686: 2370: 2016: 6382: 6111:

The Bookseller: A Newspaper of British and Foreign Literature

5677:""A Wilde Desire Took Me": the Homoerotic History of Dracula" 4562:

Bram Stoker's Dracula: Sucking through the Century, 1897–1997

4470:

Bram Stoker's Dracula: Sucking through the Century, 1897–1997

4255: 4118:

Bram Stoker's Dracula: Sucking through the Century, 1897–1997

4089:

Bram Stoker's Dracula: Sucking through the Century, 1897–1997

4050:

Vampires: A Field Guide to the Creatures That Stalk the Night

3140: 2536: 1819:

This footnote provides the page number for the 1994 edition;

964: 772: 546:(1983) suggests another historical figure as an inspiration: 130: 6121:

The Academy: A Weekly Review of Literature, Science, and Art

5004:"Dracula: Sense & Nonsense by Elizabeth Miller (review)" 4441:

Murderesses in German Writing, 1720–1860: Heroines of Horror

3354: 3246: 1394:

mentions the novel's "immediate success". Other works about

1210:

been adopted by Mr. Bram Stoker while writing his new novel

3679: 2727: 2725: 462:, a close friend of Stoker's, wrote an obituary for him in 6190:"Current Literature: Hutchinson & Co's Publications". 3959:

Browning, John Edgar; Picart, Caroline Joan, eds. (2011).

3004: 2992: 2698: 1850:

Some sources say that "all prints were ordered destroyed".

4619:

In Search of Dracula: The History of Dracula and Vampires

4146:

Eighteen-Bisang, Robert; Miller, Elizabeth, eds. (2008).

3718: 3708: 3706: 3609: 3607: 3218: 3100: 3098: 3028: 2980: 2905: 2869: 2857: 2845: 2821: 2611: 2526: 2524: 2522: 2183: 2127: 2045: 2043: 2006: 2004: 1832:

This was necessary under the Stage Licensing Act of 1897.

799:

published an American edition in 1899. In the 1930s when

6151:

Saturday Review of Politics, Literature, Science and Art

6138: 3324: 2968: 2737: 2722: 2402: 2400: 2346: 2173: 2171: 2156: 2079: 1902: 1900: 1250:

Saturday Review of Politics, Literature, Science and Art

30:

This article is about the novel. For the character, see

4743:

Sexual Anarchy: Gender and Culture at the Fin de Siècle

4069:

The Penguin Encyclopedia of Horror and the Supernatural

3730: 3594: 3592: 3590: 3526: 3524: 3509: 3182: 2922: 2920: 2664: 2662: 2647: 2635: 2115: 1488:. Critic Wayne E. Hensley writes that the narrative of 1390:

mixed response. Raymond T. McNally and Radu Florescu's

679:

Stoker's handwritten notes about the novel's characters

5261:"Technologies of Monstrosity: Bram Stoker's "Dracula"" 3790: 3778: 3766: 3754: 3742: 3703: 3667: 3655: 3604: 3575: 3565: 3563: 3536: 3158: 3146: 3095: 3040: 3016: 2599: 2548: 2519: 2490: 2306: 2040: 2001: 1383:. Other critical works have rejected the narrative of 539:

asking why he would omit Vlad III's infamous cruelty.

5607:"On Dracula, the West, America, and Other Inventions" 4499:

A Biography of Dracula: The Life Story of Bram Stoker

4209:

The Man Who Wrote Dracula: A Biography of Bram Stoker

4145: 3548: 3206: 3194: 3170: 2893: 2833: 2484: 2472: 2460: 2448: 2397: 2391: 2364: 2340: 2318: 2270: 2260: 2258: 2243: 2231: 2219: 2168: 2150: 1972: 1948: 1936: 1897: 1891: 1279:

reviewer noted that while earlier Gothic works, like

701:, and then disappeared until they were bought by the 491:

Many figures have been suggested as inspirations for

6183:

Of Literature, Science, and Art (Fiction Supplement)

4178:

Bram Stoker's Notes for Dracula: A Facsimile Edition

4149:

Bram Stoker's Notes for Dracula: A Facsimile Edition

3587: 3521: 3497: 3110: 2956: 2944: 2932: 2917: 2809: 2797: 2785: 2674: 2659: 2623: 2282: 2207: 2195: 853:meandered, the translation was concise and punchy. 9004:

Snowbound: The Record of a Theatrical Touring Party

6158: 5899:"A Vampire in the Mirror: The Sexuality of Dracula" 4390:

Bram Stoker: History, Psychoanalysis and the Gothic

4367:

Bram Stoker: History, Psychoanalysis and the Gothic

4348:

Bram Stoker: History, Psychoanalysis and the Gothic

4325:

Bram Stoker: History, Psychoanalysis and the Gothic

3958: 3697: 3630: 3560: 3348: 3122: 3083: 3071: 2881: 2773: 2710: 2067: 2028: 1989: 1960: 1924: 1873: 1570:deemed Count Dracula—along with characters such as 1496:, initiated legal action against the studio behind 886:The novel's characters are often said to represent 870:as sexually charged have become so frequent that a 442:, and had published 18 books by his death in 1912. 6419: 6229: 6169: 5413:Cambridge Journal of Postcolonial Literary Inquiry 3921:Alice Freeman Palmer: The Evolution of a New Woman 3431: 3276: 2749: 2587: 2294: 2255: 2103: 2055: 1748:, who was often imagined as a Jewish butcher, and 1175:is set largely in England, but Stoker was born in 1003:beliefs about the Romani as animalistic. Although 184:taking a business trip to stay at the castle of a 9039:The Duties of Clerks of Petty Sessions in Ireland 6086:Review of Politics, Literature, Theology, and Art 5556:Moretti, Franco (1982). "The Dialectic of Fear". 4874: 4071:. New York City: Viking Press. pp. 404–406. 4023:. Jefferson, North Carolina: McFarland & Co. 2761: 1912: 991:(1895), who is depicted as animalistic and thin. 507:, commonly known as Vlad the Impaler. Professors 9105: 6220: 6209: 6198: 6077: 5146:Curran, Bob (2000). "Was Dracula an Irishman?". 4785:Reading Vampire Gothic through Blood: Bloodlines 4651:. David Punter. Hoboken: Wiley-Blackwell. 2012. 3419: 3411: 3393: 3387: 3291:, Introduction: The Myth of Dracula's Reception. 7411:Bara no Konrei ~Mayonaka ni Kawashita Yakusoku~ 6147: 6062:"A Sympathetic Vibration: Dracula and the Jews" 6029:""The Invisible Giant," 'Dracula', and Disease" 5759:""Dracula": Stoker's Response to the New Woman" 5175: 4814:Stage Blood: Vampires of the 19th Century Stage 4615: 4587: 3821:"Gypsies and Jews as Wolves in Realist Fiction" 3491: 3312: 2692: 2376: 2022: 875:homosexual; Talia Schaffer points to intensely 446:was Stoker's seventh published book, following 336:'s letter to her best friend, Harker's fiancée 6189: 6127: 6107: 4383: 3827:. London: Palgrave Macmillan. pp. 69–96. 3415: 3360: 3300: 3252: 2421:A Biography of Bram Stoker, Creator of Dracula 2097: 8858: 6405: 6010: 4859:. Penguin Publishing Group. pp. 312–13. 4832:Auerbach, Nina; Skal, David J., eds. (1997). 4346:". In Hughes, William; Smith, Andrew (eds.). 4323:Hughes, William; Smith, Andrew, eds. (1998). 4300:. Cambridge, UK: Cambridge University Press. 3646: 1149:is a common reference text in discussions of 6234:. San Francisco. 9 December 1899. p. 5. 5601: 4831: 4616:McNally, Raymond T.; Florescu, Radu (1994). 4588:McNally, Raymond T.; Florescu, Radu (1973). 3685: 2704: 1457:The first film to feature Count Dracula was 944:version of the vampire myth participates in 6558: 6273:"Bram Stoker's stage adaptation of Dracula" 6221:"A Fantastic Theme Realistically Treated". 6118: 6096: 6066:English Literature in Transition, 1880–1920 6012:"Why Christopher Lee's Dracula didn't suck" 5970: 5952:English Literature in Transition, 1880–1920 4322: 3272: 3268: 2974: 1859:Meaning "before Stoker" and "after Stoker". 294:Jonathan Harker, a newly qualified English 9159:Irish novels adapted into television shows 8865: 8851: 6412: 6398: 5945: 5789: 5447: 5258: 4852: 4256:Hogle, Jerrold E. (2002). "Introduction". 3010: 2998: 2911: 2875: 2863: 2851: 2827: 2617: 2542: 2189: 1257:improved upon the style of Gothic pioneer 318:hospital. Dracula takes a ship called the 241:Following its publication on 26 May 1897, 49: 7507:The Librarian: Curse of the Judas Chalice 6311: 6223:New-York Tribune (Illustrated Supplement) 5997: 5896: 5465: 5324: 5001: 4781: 4739: 4516: 4258:The Cambridge Companion to Gothic Fiction 3941:Bram Stoker's Dracula: The Critical Feast 3889: 3724: 3661: 3236: 3034: 2743: 2731: 2336: 2162: 2121: 1808:Bram Stoker's Dracula: The Critical Feast 1337:The Strange Case of Dr Jekyll and Mr Hyde 515:popularised the idea in their 1972 book, 503:, supplied Stoker with information about 487:, more commonly known as Vlad the Impaler 340:, describes her marriage proposals from 8413:The Incredible Adventures of Van Helsing 6114:. London. 3 September 1897. p. 816. 5674: 4590:Dracula: A Biography of Vlad the Impaler 4444:. New York: Cambridge University Press. 4260:. Cambridge: Cambridge University Press. 4174: 3937: 3479: 3467: 3455: 3443: 3336: 3288: 2653: 2641: 2433: 2324: 1502: 1420: 771: 756:. Stoker's earliest notes indicate that 729: 674: 519:. Benjamin H. LeBlanc writes that there 479: 9012:Dracula's Guest and Other Weird Stories 8758:Dracula's Guest and Other Weird Stories 8594: 8168:Mrs. Deadpool and the Howling Commandos 8161:Captain Britain and MI13: Vampire State 8116:Dracula – L'amour plus fort que la mort 6548:Dracula's Guest and Other Weird Stories 6270: 6194:. Adelaide. 22 January 1898. p. 8. 5863: 5822: 5568: 5555: 5291: 5249: 5158: 4913: 4760: 4596: 4558: 4537: 4466: 4364: 4341: 4293: 4264: 3994:. Jefferson, N.C.: McFarland & Co. 3965:. Jefferson, N.C.: McFarland & Co. 3919:Bordin, Ruth Birgitta Anderson (1993). 3873:Bram Stoker and The Man Who Was Dracula 3870: 3772: 3736: 3613: 3581: 3530: 3515: 3240: 3188: 3104: 2605: 2554: 2530: 2496: 2406: 2312: 2276: 2249: 2237: 2213: 2085: 2049: 2010: 1995: 1954: 1942: 1930: 1906: 1879: 1761:For further reading on the last point, 1641: 861: 14: 9106: 9052:Personal Reminiscences of Henry Irving 7403:Dark Prince: The True Story of Dracula 7096:Scooby-Doo! and the Reluctant Werewolf 6290: 6266:from the original on 15 December 2019. 6257: 6059: 6026: 5993:from the original on 15 November 2020. 5653: 5522: 5507: 5498: 5145: 5112: 5042: 4988: 4810: 4687: 4636: 4495: 4408: 4234: 4205: 4181:. Jefferson: McFarland & Co. Pub. 4152:. Jefferson: McFarland & Co. Pub. 4047: 3987: 3918: 3849: 3796: 3784: 3760: 3748: 3712: 3673: 3642: 3598: 3554: 3542: 3212: 3164: 3152: 3046: 3022: 2986: 2926: 2899: 2839: 2815: 2803: 2791: 2716: 2593: 2418: 2352: 2300: 2288: 2225: 2201: 2177: 2133: 2061: 2034: 1978: 1918: 1351:, a scholar whose research focuses on 918:, her keen mind, and her knowledge of 204:, investigate, hunt and kill Dracula. 8846: 8738: 8593: 7885: 7617: 6949:Hotel Transylvania 3: Summer Vacation 6732:Abbott and Costello Meet Frankenstein 6660: 6437: 6393: 6143:. London. 7 August 1897. p. 131. 6022:from the original on 11 January 2022. 5406: 5216: 5182:Frontiers: A Journal of Women Studies 5171:from the original on 12 January 2021. 5075: 4946: 4914:Bierman, Joseph S. (1 January 1977). 4880: 4718: 4066: 3818: 3503: 3224: 3200: 3176: 2962: 2950: 2938: 2887: 2779: 2680: 2668: 2629: 2073: 1966: 1343:Modern critics frequently write that 1179:, which was at that time part of the 550:. McNally argues that the imagery of 7419:Dracula: Pages from a Virgin's Diary 6176:. Glasgow. 10 June 1897. p. 10. 5756: 5715: 5529:Journal of the Fantastic in the Arts 5365: 4955: 4437: 4016: 3569: 3373:Of Literature, Science, and Art 1897 3265:Review of PLTA, "Recent Novels" 1897 3128: 3116: 3089: 3077: 2767: 2755: 2264: 2109: 270:is one of the most famous pieces of 97:Archibald Constable and Company (UK) 8397:Dracula 4: The Shadow of the Dragon 6817:The Legend of the 7 Golden Vampires 6238: 6205:. London. 29 June 1897. p. 80. 6185:. London. 12 June 1897. p. 11. 6123:. London. 31 July 1897. p. 98. 5176:Demetrakopoulos, Stephanie (1977). 4271:. Basingstoke: Palgrave Macmillan. 3399: 3063:"When Horror Is the Truth-teller", 1468: 405:Harkers have a son, named Quincey. 24: 9179:Novels adapted into radio programs 8108:Dracula – Entre l'amour et la mort 7443:Van Helsing: The London Assignment 7347:Nocturna: Granddaughter of Dracula 6225:. New York City. 19 November 1899. 6154:. London. 3 July 1897. p. 21. 6103:. London. 30 May 1897. p. 80. 4788:. Houndmills: Palgrave Macmillan. 4541:The Natural History of the Vampire 670: 25: 9235: 8522:Perfect Selection: Dracula Battle 8373:Dracula 3: The Path of the Dragon 6957:Hotel Transylvania: Transformania 6333: 6165:. London. 3 June 1897. p. 6. 6134:. London. 1 June 1897. p. 3. 5718:"The Narrative Method of Dracula" 4853:Stoker, Dacre; Holt, Ian (2009). 4544:. New York: G. P. Putnam's Sons. 2485:Eighteen-Bisang & Miller 2008 2473:Eighteen-Bisang & Miller 2008 2461:Eighteen-Bisang & Miller 2008 2449:Eighteen-Bisang & Miller 2008 2392:Eighteen-Bisang & Miller 2008 2365:Eighteen-Bisang & Miller 2008 2341:Eighteen-Bisang & Miller 2008 2151:Eighteen-Bisang & Miller 2008 1892:Eighteen-Bisang & Miller 2008 9088:William Thomson (brother-in-law) 8808: 8807: 8791:Bibliography of works on Dracula 8769:Transylvanian Society of Dracula 8764:Count Dracula in popular culture 7994:Young Dracula and Young Monsters 7355:Dracula: Sovereign of the Damned 7064:The Halloween That Almost Wasn't 6777:Dracula Has Risen from the Grave 6366: 6291:Rubery, Matthew (2 March 2011). 6230:"The Insanity of the Horrible". 6092:. London: 150–151. 31 July 1897. 5510:Dictionary of Literary Biography 5454:Victorian Literature and Culture 4415:. New York: Palgrave Macmillan. 3923:. University of Michigan Press. 3825:Lycanthropy in German Literature 3473: 3461: 3449: 3437: 3330: 3052: 1853: 1844: 1835: 1826: 1813: 1800: 1787: 1684:Dictionary of Literary Biography 1417:Count Dracula in popular culture 1112: 1101: 958:and antisemitic laws elsewhere. 631:", has been seen as evidence of 9169:LGBTQ-related horror literature 9154:Irish novels adapted into plays 9149:Irish novels adapted into films 8872: 7886: 7379:Sundown: The Vampire in Retreat 6363:, text version of 1897 edition. 6312:Sommerlad, Joe (13 July 2017). 5159:Dearden, Lizzie (20 May 2014). 4991:"How the Vampire Got His Fangs" 4392:. Basingston: Macmillan Press. 4384:Mulvey-Roberts, Marie (1998). " 4369:. Basingston: Macmillan Press. 4350:. Basingston: Macmillan Press. 4327:. Basingston: Macmillan Press. 3856:. Cambridge, MA: Polity Press. 3806: 2427: 2412: 1777: 1768: 1755: 1738: 1729: 1720: 1707: 1690: 1675: 856: 742:. Stoker likely found the name 8421:Renfield: Bring Your Own Blood 8389:Vampire Season Monster Defense 7826:Hotel Transylvania: The Series 7756:Hotel Transylvania: The Series 7618: 7587:The Last Voyage of the Demeter 6181:"Untitled review of Dracula". 6128:"Untitled review of Dracula". 6108:"Untitled review of Dracula". 5897:Stevenson, John Allen (1988). 5790:Signorotti, Elizabeth (1996). 5623:10.1080/00064246.2005.11413319 5575:Comparative Literature Studies 5113:Croley, Laura Sagolla (1995). 5008:ESC: English Studies in Canada 4989:Cengel, Katya (October 2020). 4875:Journal and newspaper articles 2582:Davison, "Blood Brothers" 1997 1662: 1653: 1410: 767: 683: 13: 1: 8349:Dracula 2: The Last Sanctuary 8154:X-Men: Apocalypse vs. Dracula 7499:Bram Stoker's Dracula's Guest 7483:Bram Stoker's Dracula's Curse 7219:Santo en el tesoro de Drácula 6271:Buzwell, Greg (14 May 2014). 6199:"Books to Read, and Others". 6078:Contemporary critical reviews 5823:Spencer, Kathleen L. (1992). 5605:; Winks, Christopher (2005). 4691:A New Companion to the Gothic 4648:A New Companion to the Gothic 4523:. Vol. 1. Arkham House. 4294:Houston, Gail Turley (2005). 3938:Browning, John Edgar (2012). 1866: 1052:sexually-transmitted diseases 819:has never been out of print. 807:, placing the novel into the 776:1899 first American edition, 475: 418:As the acting manager of the 408: 358:Professor Abraham Van Helsing 282:. The novel, which is in the 256:(1859). In the past century, 8751:Lugosi v. Universal Pictures 7203:Billy the Kid Versus Dracula 6809:The Satanic Rites of Dracula 6438: 6210:"Supped Full with Horrors". 5971:Tomaszweska, Monika (2004). 4932:10.1093/notesj/CCXXII.jan.39 4694:. Hoboken: Wiley-Blackwell. 4641:. New York: Parkstone Press. 4622:. Boston: Houghton Mifflin. 4597:McNally, Raymond T. (1983). 4592:. New York: Hawthorne Books. 4268:Bram Stoker: A Literary Life 2570:Davison, 'Introduction' 1997 2514:Davison, 'Introduction' 1997 1823:was first published in 1972. 1668:Although published in 1898, 1589: 1198: 1066: 892:performance of their genders 703:Rosenbach Museum and Library 7: 9174:Novels adapted into ballets 8739: 8515:Iubilaeum Anno Dracula 2001 8405:Dracula 5: The Blood Legacy 7104:Dracula: Dead and Loving It 6769:Dracula: Prince of Darkness 6376:public domain audiobook at 6258:Escher, Kat (19 May 2017). 6251: 5946:Tchaprazov, Stoyan (2015). 5325:Ingelbien, Raphaël (2003). 5259:Halberstam, Judith (1993). 5076:Craft, Christopher (1984). 4782:Stephanou, Aspasia (2014). 4761:Spooner, Catherine (2006). 4725:. New York: Stein and Day. 3853:Modernity and the Holocaust 3492:McNally & Florescu 1994 2377:McNally & Florescu 1973 2023:McNally & Florescu 1994 1472: The Death of Dracula 572:Dracula: Sense and Nonsense 10: 9240: 8977:The Lair of the White Worm 8092:Dracula: A Chamber Musical 7299:Count Dracula's Great Love 6785:Taste the Blood of Dracula 6384:Journal of Dracula Studies 6097:"A Romance of Vampirism". 5980:Journal of Dracula Studies 5722:Nineteenth-Century Fiction 5603:Retamar, Roberto Fernández 5523:Miller, Elizabeth (1999). 5448:Kuzmanovic, Dejan (2009). 5372:The Modern Language Review 5292:Hensley, Wayne E. (2002). 4881:Arata, Stephen D. (1990). 4740:Showalter, Elaine (1991). 4637:Miller, Elizabeth (2001). 4565:. Toronto: Dundurn Press. 4473:. Toronto: Dundurn Press. 4212:. London: Michael Joseph. 4121:. Toronto: Dundurn Press. 4092:. Toronto: Dundurn Press. 3890:Beresford, Mathew (2008). 3875:. London: Hachette Books. 3141:Hogle, 'Introduction' 2002 1615:'s existence—for example, 1510:as the title character in 1414: 1036: 468:, saying that—besides his 55:Cover of the first edition 29: 9129:Constable & Co. books 9124:19th-century Irish novels 9083:Thornley Stoker (brother) 9070: 9031: 8987: 8880: 8803: 8745: 8734: 8700: 8655: 8604: 8600: 8589: 8563: 8545: 8492: 8474: 8431: 8241: 8126: 8074: 8039: 8020: 7896: 7892: 7881: 7782: 7628: 7624: 7613: 7211:Blood of Dracula's Castle 7163:The Return of the Vampire 7146: 6967: 6918: 6864: 6827: 6742: 6671: 6667: 6661: 6656: 6617: 6591: 6509: 6448: 6444: 6433: 6299:. Oxford University Press 6216:. June 1899. p. 261. 6119:"Book Reviews Reviewed". 5569:Nandris, Grigore (1966). 5467:10.1017/S1060150309090263 5407:Keogh, Calvin W. (2014). 5298:Literature/Film Quarterly 5217:Fitts, Alexandra (1998). 4601:. New York: McGraw-Hill. 4538:Masters, Anthony (1972). 4241:. Duke University Press. 3325:Publisher's Circular 1897 1568:Roberto Fernández Retamar 1405: 994:The novel's depiction of 963:are compared to those of 705:in Philadelphia in 1970. 649:instead of Transylvania. 413: 142: 128: 120: 112: 102: 92: 78: 70: 60: 48: 27:1897 novel by Bram Stoker 9078:Florence Balcombe (wife) 8945:The Jewel of Seven Stars 7563:Dracula: The Dark Prince 7267:Dracula vs. Frankenstein 7235:Los Monstruos del Terror 7032:Dracula in the Provinces 6100:Lloyd's Weekly Newspaper 5675:Schaffer, Talia (1994). 5069:10.5325/style.46.3-4.378 5043:Clasen, Mathias (2012). 5002:Chevalier, Noel (2002). 4409:Hughes, William (2000). 3871:Belford, Barbra (2002). 3850:Bauman, Zygmunt (1991). 3811: 3698:Browning and Picart 2011 3686:Retamar & Winks 2005 3631:Browning and Picart 2011 3349:The Daily Telegraph 1897 2705:Auerbach & Skal 1997 2436:Dracula & Cruden Bay 1646: 1380:Lloyd's Weekly Newspaper 1092: 1061: 200:. A small group, led by 36:Dracula (disambiguation) 9209:Transylvania in fiction 8988:Short story collections 8637:Dracula (Marvel Comics) 8554:Love Song for a Vampire 8141:Dracula (Marvel Comics) 7860:Treehouse of Horror XXI 7792:Mystery and Imagination 7072:Fracchia contro Dracula 6695:(1931 Spanish-language) 6687:(1931 English-language) 6244:The Manchester Guardian 6027:Willis, Martin (2007). 5870:Irish University Review 5864:Stewart, Bruce (1999). 5757:Senf, Carol A. (1982). 4811:Stuart, Roxana (1994). 4722:The Truth About Dracula 4719:Ronay, Gabriel (1972). 4206:Farson, Daniel (1975). 3833:10.1057/9781137541635_5 3432:San Francisco Wave 1899 3277:The Glasgow Herald 1897 2434:Shepherd, Mike (2023). 2138:The Book of Were-Wolves 1564:Caroline Joan S. Picart 1321:The Manchester Guardian 1296:. An Australian paper, 925: 904:Norton Critical Edition 797:Doubleday & McClure 778:Doubleday & McClure 699:Charles Scribner's Sons 560:The Book of Were-Wolves 289: 8969:The Lady of the Shroud 8937:The Mystery of the Sea 8913:The Shoulder of Shasta 8357:Dracula: Crazy Vampire 7946:The Revenge of Dracula 7853:Treehouse of Horror IV 7475:The Batman vs. Dracula 6232:The San Francisco Wave 6060:Zanger, Jules (1991). 5366:Kane, Michael (1997). 4679:: CS1 maint: others ( 4496:Ludlam, Harry (1962). 4438:Kord, Susanne (2009). 4265:Hopkins, Lisa (2007). 4235:Glover, David (1996). 2543:Stoker & Holt 2009 2423:. New English Library. 2419:Ludlam, Harry (1977). 1582:—to be a part of the " 1572:Frankenstein's monster 1517: 1447:Dracula, or The Undead 1438: 1340:, had more restraint. 1216: 890:sexuality through the 781: 762:psychical investigator 735: 680: 501:University of Budapest 488: 449:The Shoulder of Shasta 212:Transylvanian folklore 172:novel by Irish author 34:. For other uses, see 9219:Novels set in castles 9199:Novels set in Romania 9189:Novels set in Hungary 9184:Novels by Bram Stoker 8456:Bram Stoker's Dracula 8341:Dracula: Resurrection 8324:Bram Stoker's Dracula 8316:Bram Stoker's Dracula 8176:Dracula (Dell Comics) 7515:House of the Wolf Man 7387:Bram Stoker's Dracula 7291:Bram Stoker's Dracula 7283:Scream Blacula Scream 7187:The Return of Dracula 6992:Batman Fights Dracula 6900:Shadow of the Vampire 6884:Nosferatu the Vampyre 6846:Dracula II: Ascension 6761:The Brides of Dracula 6716:House of Frankenstein 6592:Possible inspirations 6297:Oxford Bibliographies 5966:– via ProQuest. 5693:10.1353/elh.1994.0019 5668:10.1386/host.1.1.25/1 5343:10.1353/elh.2004.0005 5020:10.1353/esc.2002.0017 4956:Case, Alison (1993). 3944:. Apocryphile Press. 3819:Arnds, Peter (2015). 3420:New-York Tribune 1899 3412:Land of Sunshine 1899 3388:Vanity Fair (UK) 1897 1545:Bram Stoker's Dracula 1506: 1424: 1415:Further information: 1282:The Castle of Otranto 1203: 866:Academic analyses of 775: 733: 678: 585:is a response to the 499:, a professor at the 483: 452:(1895) and preceding 9204:Novels set in Whitby 9194:Novels set in London 9045:A Glimpse of America 8656:Relatives of Dracula 8605:Alternative versions 8210:Batman & Dracula 8100:Dracula, the Musical 7978:The Book of Renfield 7930:The Bloody Red Baron 7595:Dracula: A Love Tale 7000:Mad Mad Mad Monsters 6941:Hotel Transylvania 2 6213:The Land of Sunshine 6159:"Books of the Day". 6033:Studies in the Novel 5716:Seed, David (1985). 4995:Smithsonian Magazine 4048:Curran, Bob (2005). 3896:. London: Reaktion. 3313:Saturday Review 1897 2693:Demetrakopoulos 1977 1821:In Search of Dracula 1672:was written in 1890. 1642:Notes and references 1550:Francis Ford Coppola 1548:(1992), directed by 1392:In Search of Dracula 1122:Colorized stills of 1020:, the rise of other 862:Gender and sexuality 826:was translated into 657:University of Ulster 517:In Search of Dracula 308:Carpathian Mountains 9224:Irish horror novels 9164:Invasion literature 9144:Irish Gothic novels 8595:Original characters 8483:The Fury of Dracula 8147:The Tomb of Dracula 7937:Dracula Cha Cha Cha 7844:Treehouse of Horror 7677:Dracula: The Series 7171:Drakula İstanbul'da 7080:Transylvania 6-5000 6976:Transylvania 6-5000 6892:Nosferatu in Venice 6854:Dracula III: Legacy 6569:Dracula the Un-dead 6461:Abraham Van Helsing 6293:"Sensation Fiction" 6277:The British Library 6162:The Daily Telegraph 6148:"Review: Dracula". 5535:(2 (38)): 187–196. 5254:. pp. 608–612. 4949:The Daily Telegraph 4856:Dracula The Un-Dead 4764:Contemporary Gothic 3416:The Advertiser 1898 3361:The Advertiser 1898 3301:The Bookseller 1897 3253:The Daily Mail 1897 3243:, pp. 239–240. 3227:, pp. 195–196. 2989:, pp. 302–304. 2584:, pp. 147–148. 2545:, pp. 312–313. 2098:Mulvey-Roberts 1998 1611:as a result of the 1375:The Daily Telegraph 1349:John Edgar Browning 1274:The Daily Telegraph 935:invasion literature 883:for homosexuality. 832:Valdimar Ásmundsson 544:Dracula Was A Woman 525:Abraham Van Helsing 465:The Daily Telegraph 312:three vampire women 202:Abraham Van Helsing 45: 8300:Dracula the Undead 8225:Wolves at the Gate 7962:Dracula the Undead 7056:Love at First Bite 6984:Mad Monster Party? 6933:Hotel Transylvania 6700:Dracula's Daughter 6526:Powers of Darkness 6173:The Glasgow Herald 5425:10.1017/pli.2014.8 4767:. Reaktion Books. 2355:, pp. 99–100. 2141:Bathory sections." 1943:Belford & 2002 1618:Varney the Vampire 1518: 1439: 1331:San Francisco Wave 1240:The Woman in White 1229:Upon publication, 841:Powers of Darkness 782: 764:called Singleton. 736: 681: 542:Raymond McNally's 509:Raymond T. McNally 489: 272:English literature 253:The Woman in White 43: 9139:Epistolary novels 9101: 9100: 9093:Bram Stoker Award 8905:The Watter's Mou' 8889:The Primrose Path 8840: 8839: 8799: 8798: 8730: 8729: 8726: 8725: 8585: 8584: 8581: 8580: 8572:Son of the Dragon 8333:Dracula Unleashed 7877: 7876: 7873: 7872: 7869: 7868: 7801:Buffy vs. Dracula 7609: 7608: 7605: 7604: 7451:The Vulture's Eye 7088:The Monster Squad 7008:Blood for Dracula 6801:Dracula A.D. 1972 6652: 6651: 6648: 6647: 6587: 6586: 6501:Brides of Dracula 6360:Project Gutenberg 6240:"Review: Dracula" 6084:"Recent Novels". 6000:Midwest Quarterly 5763:Victorian Studies 5611:The Black Scholar 5265:Victorian Studies 4920:Notes and Queries 4887:Victorian Studies 4866:978-0-525-95129-2 4845:978-0-393-97012-8 4824:978-0-87972-660-7 4817:. Popular Press. 4774:978-1-86189-301-7 4753:978-0-14-011587-1 4701:978-1-4443-5492-8 4658:978-1-4443-5492-8 4572:978-1-55488-105-5 4509:978-0-572-00217-6 4480:978-1-55488-105-5 4451:978-0-521-51977-9 4422:978-1-349-40967-9 4399:978-1-349-26840-5 4376:978-1-349-26840-5 4357:978-1-349-26840-5 4334:978-1-349-26840-5 4278:978-1-4039-4647-8 4248:978-0-8223-1798-2 4188:978-0-7864-5186-9 4159:978-0-7864-5186-9 4128:978-1-55488-105-5 4099:978-1-55488-105-5 4030:978-0-7864-3365-0 4001:978-0-7864-3365-0 3972:978-0-7864-3365-0 3951:978-1-937002-21-3 3903:978-1-86189-742-8 3863:978-0-745-63809-6 3842:978-1-137-54163-5 3067:, October 2, 2023 2100:, pp. 83–84. 2088:, pp. 46–47. 1527:a 1931 adaptation 1432:in the 1931 film 983:George du Maurier 801:Universal Studios 548:Elizabeth Báthory 430:. In a letter to 382:sacramental bread 228:Elizabeth Báthory 158: 157: 113:Publication place 16:(Redirected from 9231: 9214:Victorian novels 9060:Famous Impostors 8996:Under the Sunset 8897:The Snake's Pass 8867: 8860: 8853: 8844: 8843: 8811: 8810: 8736: 8735: 8672:Vampire Hunter D 8602: 8601: 8591: 8590: 8308:Drac's Night Out 8218:Victorian Undead 8203:Sword of Dracula 7905:The Dracula Tape 7894: 7893: 7883: 7882: 7835: 7834: 7626: 7625: 7615: 7614: 7547:Saint Dracula 3D 7243:Cuadecuc, vampir 7179:Blood of Dracula 7128:Zora the Vampire 6793:Scars of Dracula 6724:House of Dracula 6669: 6668: 6658: 6657: 6609:Vlad the Impaler 6556: 6555: 6446: 6445: 6435: 6434: 6414: 6407: 6400: 6391: 6390: 6370: 6369: 6362: 6328: 6326: 6324: 6308: 6306: 6304: 6287: 6285: 6283: 6267: 6247: 6235: 6226: 6217: 6206: 6195: 6186: 6177: 6166: 6155: 6144: 6135: 6124: 6115: 6104: 6093: 6073: 6056: 6023: 6018:. 13 June 2015. 6007: 5994: 5992: 5977: 5967: 5942: 5893: 5860: 5819: 5786: 5753: 5712: 5671: 5650: 5598: 5565: 5552: 5517: 5504: 5495: 5469: 5444: 5403: 5362: 5337:(4): 1089–1105. 5321: 5288: 5255: 5246: 5223:Letras Femeninas 5213: 5172: 5155: 5142: 5109: 5072: 5055:(3–4): 378–398. 5039: 4998: 4985: 4952: 4943: 4910: 4870: 4849: 4828: 4807: 4778: 4757: 4736: 4713: 4684: 4678: 4670: 4642: 4633: 4612: 4593: 4584: 4555: 4534: 4520:Selected Letters 4513: 4492: 4463: 4434: 4403: 4380: 4361: 4338: 4319: 4290: 4261: 4252: 4231: 4200: 4171: 4140: 4111: 4082: 4063: 4052:. Career Press. 4042: 4013: 3984: 3955: 3934: 3915: 3886: 3867: 3846: 3800: 3794: 3788: 3782: 3776: 3770: 3764: 3758: 3752: 3746: 3740: 3734: 3728: 3722: 3716: 3710: 3701: 3695: 3689: 3683: 3677: 3671: 3665: 3659: 3653: 3640: 3634: 3628: 3617: 3611: 3602: 3596: 3585: 3579: 3573: 3567: 3558: 3552: 3546: 3540: 3534: 3528: 3519: 3513: 3507: 3501: 3495: 3489: 3483: 3477: 3471: 3465: 3459: 3453: 3447: 3441: 3435: 3429: 3423: 3409: 3403: 3397: 3391: 3385: 3376: 3370: 3364: 3358: 3352: 3346: 3340: 3334: 3328: 3322: 3316: 3310: 3304: 3298: 3292: 3286: 3280: 3273:The Academy 1897 3262: 3256: 3250: 3244: 3239:, p. 1089; 3234: 3228: 3222: 3216: 3210: 3204: 3198: 3192: 3186: 3180: 3174: 3168: 3162: 3156: 3150: 3144: 3138: 3132: 3126: 3120: 3114: 3108: 3102: 3093: 3087: 3081: 3075: 3069: 3056: 3050: 3044: 3038: 3032: 3026: 3020: 3014: 3008: 3002: 2996: 2990: 2984: 2978: 2975:Tomaszweska 2004 2972: 2966: 2960: 2954: 2948: 2942: 2936: 2930: 2924: 2915: 2909: 2903: 2897: 2891: 2885: 2879: 2873: 2867: 2861: 2855: 2849: 2843: 2837: 2831: 2825: 2819: 2813: 2807: 2801: 2795: 2789: 2783: 2777: 2771: 2765: 2759: 2753: 2747: 2741: 2735: 2729: 2720: 2714: 2708: 2702: 2696: 2690: 2684: 2678: 2672: 2666: 2657: 2651: 2645: 2639: 2633: 2627: 2621: 2615: 2609: 2603: 2597: 2591: 2585: 2579: 2573: 2567: 2558: 2552: 2546: 2540: 2534: 2528: 2517: 2511: 2500: 2494: 2488: 2482: 2476: 2470: 2464: 2458: 2452: 2446: 2440: 2439: 2431: 2425: 2424: 2416: 2410: 2404: 2395: 2389: 2380: 2374: 2368: 2362: 2356: 2350: 2344: 2334: 2328: 2322: 2316: 2310: 2304: 2298: 2292: 2286: 2280: 2274: 2268: 2262: 2253: 2247: 2241: 2235: 2229: 2223: 2217: 2211: 2205: 2199: 2193: 2187: 2181: 2175: 2166: 2160: 2154: 2148: 2142: 2131: 2125: 2119: 2113: 2107: 2101: 2095: 2089: 2083: 2077: 2071: 2065: 2059: 2053: 2047: 2038: 2032: 2026: 2020: 2014: 2008: 1999: 1993: 1987: 1984: 1976: 1970: 1964: 1958: 1952: 1946: 1940: 1934: 1928: 1922: 1916: 1910: 1904: 1895: 1889: 1883: 1877: 1860: 1857: 1851: 1848: 1842: 1839: 1833: 1830: 1824: 1817: 1811: 1804: 1798: 1791: 1785: 1781: 1775: 1772: 1766: 1759: 1753: 1742: 1736: 1733: 1727: 1724: 1718: 1711: 1705: 1694: 1688: 1679: 1673: 1666: 1660: 1657: 1552:and costumed by 1542:'s portrayal in 1473: 1470: 1389: 1365: 1291: 1278: 1225: 1189:Eastern Question 1124:Edward Van Sloan 1116: 1105: 1073:epistolary novel 943: 872:cottage industry 834:under the title 813:Charlotte Stoker 794: 692: 644: 637: 626: 591:Sheridan Le Fanu 533:Elizabeth Miller 440:sensation novels 226:or the Countess 224:Vlad the Impaler 178:epistolary novel 132: 104:Publication date 53: 46: 42: 21: 9239: 9238: 9234: 9233: 9232: 9230: 9229: 9228: 9104: 9103: 9102: 9097: 9066: 9027: 9020:Dracula's Guest 8983: 8876: 8871: 8841: 8836: 8795: 8786:Dracula tourism 8781:Dracula Society 8741: 8722: 8713:Count von Count 8696: 8692:Shiklah Dracula 8651: 8606: 8596: 8577: 8559: 8541: 8488: 8470: 8427: 8381:Dracula: Origin 8237: 8122: 8085:(Czech musical) 8070: 8035: 8016: 8010:Out of the Dark 7918:(1992–present) 7888: 7865: 7833: 7778: 7620: 7601: 7363:Dracula's Widow 7251:Vampyros Lesbos 7142: 7040:Dracula and Son 6963: 6922: 6914: 6860: 6823: 6738: 6674: 6663: 6644: 6613: 6583: 6554: 6541:Dracula's Guest 6505: 6486:Dr. John Seward 6481:Arthur Holmwood 6466:Jonathan Harker 6440: 6429: 6418: 6367: 6352: 6346:Standard Ebooks 6336: 6331: 6322: 6320: 6318:The Independent 6302: 6300: 6281: 6279: 6262:. Smithsonian. 6254: 6080: 5990: 5975: 5841:10.2307/2873424 5734:10.2307/3044836 5558:New Left Review 5384:10.2307/3734681 5194:10.2307/3346355 5165:The Independent 5148:History Ireland 5090:10.2307/2928560 5082:Representations 4877: 4867: 4846: 4838:. W.W. Norton. 4825: 4796: 4775: 4754: 4733: 4702: 4672: 4671: 4659: 4630: 4609: 4573: 4552: 4531: 4510: 4502:. W. Foulsham. 4481: 4452: 4423: 4400: 4377: 4358: 4335: 4308: 4279: 4249: 4220: 4189: 4160: 4129: 4100: 4079: 4060: 4031: 4002: 3973: 3952: 3931: 3904: 3883: 3864: 3843: 3814: 3809: 3804: 3803: 3795: 3791: 3783: 3779: 3771: 3767: 3759: 3755: 3747: 3743: 3735: 3731: 3723: 3719: 3711: 3704: 3696: 3692: 3684: 3680: 3672: 3668: 3660: 3656: 3641: 3637: 3629: 3620: 3612: 3605: 3597: 3588: 3580: 3576: 3568: 3561: 3553: 3549: 3541: 3537: 3529: 3522: 3514: 3510: 3502: 3498: 3490: 3486: 3478: 3474: 3466: 3462: 3454: 3450: 3442: 3438: 3430: 3426: 3414:, p. 261; 3410: 3406: 3398: 3394: 3386: 3379: 3371: 3367: 3359: 3355: 3347: 3343: 3335: 3331: 3323: 3319: 3311: 3307: 3299: 3295: 3287: 3283: 3263: 3259: 3251: 3247: 3235: 3231: 3223: 3219: 3211: 3207: 3199: 3195: 3187: 3183: 3175: 3171: 3163: 3159: 3151: 3147: 3139: 3135: 3127: 3123: 3115: 3111: 3103: 3096: 3088: 3084: 3076: 3072: 3057: 3053: 3045: 3041: 3033: 3029: 3021: 3017: 3011:Halberstam 1993 3009: 3005: 2999:Halberstam 1993 2997: 2993: 2985: 2981: 2973: 2969: 2961: 2957: 2949: 2945: 2937: 2933: 2925: 2918: 2912:Tchaprazov 2015 2910: 2906: 2898: 2894: 2886: 2882: 2874: 2870: 2864:Tchaprazov 2015 2862: 2858: 2852:Halberstam 1993 2850: 2846: 2838: 2834: 2828:Halberstam 1993 2826: 2822: 2814: 2810: 2802: 2798: 2790: 2786: 2778: 2774: 2766: 2762: 2754: 2750: 2742: 2738: 2730: 2723: 2715: 2711: 2703: 2699: 2691: 2687: 2679: 2675: 2667: 2660: 2652: 2648: 2640: 2636: 2628: 2624: 2618:Kuzmanovic 2009 2616: 2612: 2604: 2600: 2592: 2588: 2580: 2576: 2568: 2561: 2553: 2549: 2541: 2537: 2529: 2520: 2512: 2503: 2495: 2491: 2483: 2479: 2471: 2467: 2459: 2455: 2447: 2443: 2432: 2428: 2417: 2413: 2405: 2398: 2390: 2383: 2375: 2371: 2363: 2359: 2351: 2347: 2339:, p. 255; 2335: 2331: 2323: 2319: 2311: 2307: 2299: 2295: 2287: 2283: 2275: 2271: 2263: 2256: 2248: 2244: 2236: 2232: 2224: 2220: 2212: 2208: 2200: 2196: 2190:Signorotti 1996 2188: 2184: 2176: 2169: 2161: 2157: 2149: 2145: 2132: 2128: 2120: 2116: 2108: 2104: 2096: 2092: 2084: 2080: 2072: 2068: 2060: 2056: 2048: 2041: 2033: 2029: 2021: 2017: 2009: 2002: 1994: 1990: 1982: 1977: 1973: 1965: 1961: 1953: 1949: 1941: 1937: 1929: 1925: 1917: 1913: 1905: 1898: 1890: 1886: 1878: 1874: 1869: 1864: 1863: 1858: 1854: 1849: 1845: 1840: 1836: 1831: 1827: 1818: 1814: 1805: 1801: 1792: 1788: 1782: 1778: 1773: 1769: 1760: 1756: 1746:Jack the Ripper 1743: 1739: 1734: 1730: 1725: 1721: 1712: 1708: 1695: 1691: 1680: 1676: 1667: 1663: 1658: 1654: 1649: 1644: 1627:Patrick McGrath 1623:special effects 1592: 1531:Christopher Lee 1508:Christopher Lee 1471: 1419: 1413: 1408: 1387: 1363: 1304:impressionistic 1294:Hampstead Heath 1289: 1276: 1227: 1218: 1201: 1144: 1143: 1142: 1141: 1119: 1118: 1117: 1108: 1107: 1106: 1095: 1069: 1064: 1054:, specifically 1039: 969:Charles Dickens 960:Jack Halberstam 941: 928: 864: 859: 792: 770: 707:H. P. Lovecraft 690: 686: 673: 671:Textual history 642: 635: 629:Dracula's Guest 624: 587:lesbian vampire 478: 416: 411: 350:Arthur Holmwood 342:Dr. John Seward 292: 182:Jonathan Harker 105: 56: 39: 28: 23: 22: 18:Dracula (novel) 15: 12: 11: 5: 9237: 9227: 9226: 9221: 9216: 9211: 9206: 9201: 9196: 9191: 9186: 9181: 9176: 9171: 9166: 9161: 9156: 9151: 9146: 9141: 9136: 9134:Dracula novels 9131: 9126: 9121: 9116: 9099: 9098: 9096: 9095: 9090: 9085: 9080: 9074: 9072: 9068: 9067: 9065: 9064: 9056: 9048: 9042: 9035: 9033: 9029: 9028: 9026: 9025: 9024: 9023: 9008: 9000: 8991: 8989: 8985: 8984: 8982: 8981: 8973: 8965: 8957: 8949: 8941: 8933: 8925: 8917: 8909: 8901: 8893: 8884: 8882: 8878: 8877: 8870: 8869: 8862: 8855: 8847: 8838: 8837: 8835: 8834: 8822: 8804: 8801: 8800: 8797: 8796: 8794: 8793: 8788: 8783: 8778: 8771: 8766: 8761: 8754: 8746: 8743: 8742: 8732: 8731: 8728: 8727: 8724: 8723: 8721: 8720: 8715: 8710: 8704: 8702: 8698: 8697: 8695: 8694: 8689: 8687:Lilith Dracula 8684: 8679: 8674: 8669: 8659: 8657: 8653: 8652: 8650: 8649: 8644: 8639: 8634: 8625: 8620: 8610: 8608: 8598: 8597: 8587: 8586: 8583: 8582: 8579: 8578: 8576: 8575: 8567: 8565: 8561: 8560: 8558: 8557: 8549: 8547: 8543: 8542: 8540: 8539: 8532: 8525: 8518: 8511: 8504: 8496: 8494: 8490: 8489: 8487: 8486: 8478: 8476: 8475:Tabletop games 8472: 8471: 8469: 8468: 8460: 8452: 8444: 8435: 8433: 8429: 8428: 8426: 8425: 8417: 8409: 8401: 8393: 8385: 8377: 8369: 8361: 8353: 8345: 8337: 8329: 8320: 8312: 8304: 8296: 8288: 8287: 8286: 8281: 8270: 8262: 8254: 8245: 8243: 8239: 8238: 8236: 8235: 8228: 8221: 8214: 8206: 8199: 8192: 8189:Dracula Lives! 8185: 8178: 8173: 8172: 8171: 8164: 8157: 8150: 8138: 8130: 8128: 8124: 8123: 8121: 8120: 8112: 8104: 8096: 8088: 8078: 8076: 8072: 8071: 8069: 8068: 8060: 8052: 8043: 8041: 8037: 8036: 8034: 8033: 8024: 8022: 8018: 8017: 8015: 8014: 8006: 7998: 7990: 7982: 7974: 7966: 7958: 7954:Little Dracula 7950: 7942: 7941: 7940: 7933: 7926: 7910: 7900: 7898: 7890: 7889: 7879: 7878: 7875: 7874: 7871: 7870: 7867: 7866: 7864: 7863: 7856: 7848: 7846: 7832: 7831: 7822: 7817:Penny Dreadful 7813: 7804: 7797: 7786: 7784: 7780: 7779: 7777: 7776: 7768: 7760: 7752: 7744: 7736: 7732:Penny Dreadful 7728: 7720: 7719: 7718: 7705: 7697: 7689: 7685:Little Dracula 7681: 7673: 7665: 7657: 7649: 7641: 7632: 7630: 7622: 7621: 7611: 7610: 7607: 7606: 7603: 7602: 7600: 7599: 7591: 7583: 7575: 7571:Dracula Untold 7567: 7559: 7551: 7543: 7535: 7531:Dracula Reborn 7527: 7519: 7511: 7503: 7495: 7487: 7479: 7471: 7467:Blade: Trinity 7463: 7455: 7447: 7439: 7431: 7423: 7415: 7407: 7399: 7391: 7383: 7375: 7367: 7359: 7351: 7343: 7335: 7331:Doctor Dracula 7327: 7319: 7311: 7303: 7295: 7287: 7279: 7271: 7263: 7255: 7247: 7239: 7231: 7223: 7215: 7207: 7199: 7195:Batman Dracula 7191: 7183: 7175: 7167: 7159: 7155:Drakula halála 7150: 7148: 7144: 7143: 7141: 7140: 7136:Monster Family 7132: 7124: 7116: 7108: 7100: 7092: 7084: 7076: 7068: 7060: 7052: 7044: 7036: 7028: 7024:Son of Dracula 7020: 7012: 7004: 6996: 6988: 6980: 6971: 6969: 6965: 6964: 6962: 6961: 6953: 6945: 6937: 6928: 6926: 6916: 6915: 6913: 6912: 6904: 6896: 6888: 6880: 6871: 6869: 6862: 6861: 6859: 6858: 6850: 6842: 6833: 6831: 6825: 6824: 6822: 6821: 6813: 6805: 6797: 6789: 6781: 6773: 6765: 6757: 6748: 6746: 6740: 6739: 6737: 6736: 6728: 6720: 6712: 6708:Son of Dracula 6704: 6696: 6688: 6679: 6677: 6665: 6664: 6654: 6653: 6650: 6649: 6646: 6645: 6643: 6642: 6637: 6635:Poenari Castle 6632: 6627: 6625:Castle Dracula 6621: 6619: 6615: 6614: 6612: 6611: 6606: 6604:Vlad Călugărul 6601: 6599:Vlad II Dracul 6595: 6593: 6589: 6588: 6585: 6584: 6582: 6581: 6573: 6564: 6562: 6553: 6552: 6544: 6537: 6536: 6535: 6522: 6513: 6511: 6507: 6506: 6504: 6503: 6498: 6493: 6491:Quincey Morris 6488: 6483: 6478: 6473: 6468: 6463: 6458: 6452: 6450: 6442: 6441: 6431: 6430: 6417: 6416: 6409: 6402: 6394: 6388: 6387: 6380: 6364: 6350: 6348: 6335: 6334:External links 6332: 6330: 6329: 6309: 6288: 6268: 6253: 6250: 6249: 6248: 6236: 6227: 6218: 6207: 6196: 6192:The Advertiser 6187: 6178: 6167: 6156: 6145: 6136: 6131:The Daily Mail 6125: 6116: 6105: 6094: 6079: 6076: 6075: 6074: 6057: 6039:(3): 301–325. 6024: 6008: 5995: 5968: 5943: 5915:10.2307/462430 5909:(2): 139–149. 5894: 5876:(2): 238–255. 5861: 5835:(1): 197–225. 5820: 5802:(4): 607–632. 5787: 5754: 5713: 5687:(2): 381–425. 5672: 5656:Horror Studies 5651: 5599: 5581:(4): 367–396. 5566: 5553: 5520: 5519: 5518: 5501:The Borgo Post 5496: 5460:(2): 411–425. 5445: 5419:(2): 189–206. 5404: 5363: 5322: 5289: 5271:(3): 333–352. 5256: 5247: 5229:(1/2): 23–35. 5214: 5188:(3): 104–113. 5173: 5156: 5143: 5110: 5084:(8): 107–133. 5073: 5040: 5014:(4): 749–751. 4999: 4986: 4968:(3): 223–243. 4953: 4944: 4926:(jan): 39–41. 4911: 4893:(4): 621–645. 4876: 4873: 4872: 4871: 4865: 4850: 4844: 4829: 4823: 4808: 4794: 4779: 4773: 4758: 4752: 4737: 4731: 4716: 4715: 4714: 4700: 4657: 4643: 4634: 4628: 4613: 4607: 4594: 4585: 4571: 4556: 4550: 4535: 4529: 4514: 4508: 4493: 4479: 4464: 4450: 4435: 4421: 4406: 4405: 4404: 4398: 4381: 4375: 4362: 4356: 4333: 4320: 4306: 4291: 4277: 4262: 4253: 4247: 4232: 4218: 4203: 4202: 4201: 4187: 4158: 4143: 4142: 4141: 4127: 4098: 4083: 4077: 4064: 4058: 4045: 4044: 4043: 4029: 4014: 4000: 3971: 3956: 3950: 3935: 3929: 3916: 3902: 3887: 3881: 3868: 3862: 3847: 3841: 3815: 3813: 3810: 3808: 3805: 3802: 3801: 3799:, p. 198. 3789: 3787:, p. 197. 3777: 3765: 3763:, p. 157. 3753: 3751:, p. 152. 3741: 3739:, p. 608. 3729: 3727:, p. 139. 3725:Beresford 2008 3717: 3715:, p. 147. 3702: 3690: 3678: 3676:, p. 378. 3666: 3662:Sommerlad 2017 3654: 3635: 3618: 3603: 3586: 3574: 3559: 3547: 3545:, p. 193. 3535: 3520: 3518:, p. 208. 3508: 3496: 3494:, p. 162. 3484: 3472: 3460: 3448: 3436: 3424: 3404: 3392: 3377: 3365: 3353: 3341: 3329: 3327:, p. 131. 3317: 3305: 3303:, p. 816. 3293: 3281: 3275:, p. 98; 3271:, p. 80; 3257: 3245: 3237:Ingelbien 2003 3229: 3217: 3205: 3203:, p. 194. 3193: 3191:, p. 219. 3181: 3179:, p. 621. 3169: 3167:, p. 137. 3157: 3155:, p. 150. 3145: 3133: 3121: 3119:, p. 226. 3109: 3094: 3082: 3070: 3051: 3049:, p. 302. 3039: 3037:, p. 148. 3035:Stevenson 1988 3027: 3025:, p. 389. 3015: 3013:, p. 350. 3003: 3001:, p. 341. 2991: 2979: 2967: 2965:, p. 630. 2955: 2953:, p. 623. 2943: 2941:, p. 622. 2931: 2916: 2914:, p. 525. 2904: 2902:, p. 107. 2892: 2880: 2878:, p. 527. 2876:Tchaprazov2015 2868: 2866:, p. 524. 2856: 2854:, p. 338. 2844: 2842:, p. 337. 2832: 2830:, p. 337. 2820: 2808: 2796: 2784: 2772: 2760: 2748: 2746:, p. 405. 2744:Wasserman 1977 2736: 2734:, p. 180. 2732:Showalter 1991 2721: 2709: 2697: 2695:, p. 106. 2685: 2683:, p. 109. 2673: 2671:, p. 110. 2658: 2656:, p. 381. 2646: 2644:, p. 382. 2634: 2632:, p. 107. 2622: 2620:, p. 411. 2610: 2608:, p. 197. 2598: 2586: 2574: 2559: 2557:, p. 274. 2547: 2535: 2533:, p. 272. 2518: 2501: 2499:, p. 241. 2489: 2487:, p. 320. 2477: 2475:, p. 318. 2465: 2463:, p. 245. 2453: 2441: 2438:. p. 100. 2426: 2411: 2396: 2381: 2379:, p. 160. 2369: 2357: 2345: 2337:Lovecraft 1965 2329: 2317: 2315:, p. 152. 2305: 2293: 2281: 2269: 2254: 2242: 2230: 2228:, p. 144. 2218: 2206: 2194: 2192:, p. 607. 2182: 2180:, p. 379. 2167: 2165:, p. 749. 2163:Chevalier 2002 2155: 2153:, p. 131. 2143: 2126: 2122:Stephanou 2014 2114: 2102: 2090: 2078: 2066: 2054: 2052:, p. 362. 2039: 2027: 2015: 2013:, p. 360. 2000: 1988: 1971: 1959: 1957:, p. 277. 1947: 1945:, p. 363. 1935: 1923: 1911: 1909:, p. 269. 1896: 1884: 1871: 1870: 1868: 1865: 1862: 1861: 1852: 1843: 1834: 1825: 1812: 1799: 1786: 1776: 1767: 1763:Zygmunt Bauman 1754: 1737: 1728: 1719: 1706: 1689: 1674: 1661: 1651: 1650: 1648: 1645: 1643: 1640: 1591: 1588: 1464:Drakula halála 1459:Károly Lajthay 1412: 1409: 1407: 1404: 1370:The Daily Mail 1299:The Advertiser 1263:Brontë sisters 1245:The Bookseller 1235:Wilkie Collins 1221:The Daily Mail 1207:Mrs. Radcliffe 1205:It is said of 1202: 1200: 1197: 1193:Irish question 1181:British Empire 1151:Gothic fiction 1121: 1120: 1111: 1110: 1109: 1100: 1099: 1098: 1097: 1096: 1094: 1091: 1068: 1065: 1063: 1060: 1038: 1035: 1018:British Empire 927: 924: 863: 860: 858: 855: 846:Makt Myrkranna 836:Makt Myrkranna 769: 766: 685: 682: 672: 669: 653:Irish folklore 522: 477: 474: 420:Lyceum Theatre 415: 412: 410: 407: 346:Quincey Morris 291: 288: 280:vampire hunter 248:Wilkie Collins 156: 155: 144: 140: 139: 134: 126: 125: 122: 118: 117: 116:United Kingdom 114: 110: 109: 106: 103: 100: 99: 94: 90: 89: 80: 76: 75: 72: 68: 67: 62: 58: 57: 54: 26: 9: 6: 4: 3: 2: 9236: 9225: 9222: 9220: 9217: 9215: 9212: 9210: 9207: 9205: 9202: 9200: 9197: 9195: 9192: 9190: 9187: 9185: 9182: 9180: 9177: 9175: 9172: 9170: 9167: 9165: 9162: 9160: 9157: 9155: 9152: 9150: 9147: 9145: 9142: 9140: 9137: 9135: 9132: 9130: 9127: 9125: 9122: 9120: 9117: 9115: 9112: 9111: 9109: 9094: 9091: 9089: 9086: 9084: 9081: 9079: 9076: 9075: 9073: 9069: 9062: 9061: 9057: 9054: 9053: 9049: 9046: 9043: 9040: 9037: 9036: 9034: 9030: 9021: 9017: 9016: 9014: 9013: 9009: 9006: 9005: 9001: 8998: 8997: 8993: 8992: 8990: 8986: 8979: 8978: 8974: 8971: 8970: 8966: 8963: 8962: 8958: 8955: 8954: 8950: 8947: 8946: 8942: 8939: 8938: 8934: 8931: 8930: 8926: 8923: 8922: 8918: 8915: 8914: 8910: 8907: 8906: 8902: 8899: 8898: 8894: 8891: 8890: 8886: 8885: 8883: 8879: 8875: 8868: 8863: 8861: 8856: 8854: 8849: 8848: 8845: 8833: 8831: 8827: 8823: 8821: 8819: 8815: 8806: 8805: 8802: 8792: 8789: 8787: 8784: 8782: 8779: 8777: 8776: 8775:Dracula Daily 8772: 8770: 8767: 8765: 8762: 8760: 8759: 8755: 8753: 8752: 8748: 8747: 8744: 8737: 8733: 8719: 8718:Simon Belmont 8716: 8714: 8711: 8709: 8706: 8705: 8703: 8699: 8693: 8690: 8688: 8685: 8683: 8682:Janus Dracula 8680: 8678: 8675: 8673: 8670: 8668: 8666: 8661: 8660: 8658: 8654: 8648: 8645: 8643: 8640: 8638: 8635: 8633: 8631: 8626: 8624: 8623:Count Alucard 8621: 8619: 8617: 8612: 8611: 8609: 8603: 8599: 8592: 8588: 8574: 8573: 8569: 8568: 8566: 8562: 8555: 8551: 8550: 8548: 8544: 8538: 8537: 8533: 8531: 8530: 8526: 8524: 8523: 8519: 8517: 8516: 8512: 8510: 8509: 8505: 8503: 8502: 8498: 8497: 8495: 8491: 8485: 8484: 8480: 8479: 8477: 8473: 8466: 8465: 8461: 8458: 8457: 8453: 8450: 8449: 8445: 8442: 8441: 8437: 8436: 8434: 8430: 8423: 8422: 8418: 8415: 8414: 8410: 8407: 8406: 8402: 8399: 8398: 8394: 8391: 8390: 8386: 8383: 8382: 8378: 8375: 8374: 8370: 8367: 8366: 8362: 8359: 8358: 8354: 8351: 8350: 8346: 8343: 8342: 8338: 8335: 8334: 8330: 8327: 8325: 8321: 8318: 8317: 8313: 8310: 8309: 8305: 8302: 8301: 8297: 8294: 8293: 8289: 8285: 8282: 8279: 8278: 8277: 8275: 8271: 8268: 8267: 8263: 8260: 8259: 8255: 8252: 8251: 8247: 8246: 8244: 8240: 8234: 8233: 8229: 8227: 8226: 8222: 8220: 8219: 8215: 8213: 8211: 8207: 8205: 8204: 8200: 8198: 8197: 8193: 8191: 8190: 8186: 8184: 8183: 8179: 8177: 8174: 8170: 8169: 8165: 8163: 8162: 8158: 8156: 8155: 8151: 8149: 8148: 8144: 8143: 8142: 8139: 8137: 8136: 8132: 8131: 8129: 8125: 8118: 8117: 8113: 8110: 8109: 8105: 8102: 8101: 8097: 8094: 8093: 8089: 8086: 8084: 8080: 8079: 8077: 8073: 8066: 8065: 8061: 8058: 8057: 8053: 8050: 8049: 8045: 8044: 8042: 8038: 8031: 8030: 8026: 8025: 8023: 8019: 8012: 8011: 8007: 8004: 8003: 7999: 7996: 7995: 7991: 7988: 7987: 7983: 7980: 7979: 7975: 7972: 7971: 7970:The Historian 7967: 7964: 7963: 7959: 7956: 7955: 7951: 7948: 7947: 7943: 7939: 7938: 7934: 7932: 7931: 7927: 7925: 7924: 7920: 7919: 7917: 7915: 7911: 7908: 7906: 7902: 7901: 7899: 7895: 7891: 7884: 7880: 7861: 7857: 7854: 7850: 7849: 7847: 7845: 7842: 7841: 7836: 7829: 7827: 7823: 7820: 7818: 7814: 7811: 7809: 7808:Young Dracula 7805: 7802: 7798: 7795: 7793: 7788: 7787: 7785: 7781: 7774: 7773: 7769: 7766: 7765: 7761: 7758: 7757: 7753: 7750: 7749: 7745: 7742: 7741: 7737: 7734: 7733: 7729: 7726: 7725: 7721: 7717: 7714: 7713: 7711: 7710: 7709:Young Dracula 7706: 7703: 7702: 7698: 7695: 7694: 7693:Monster Force 7690: 7687: 7686: 7682: 7679: 7678: 7674: 7671: 7670: 7669:Count Duckula 7666: 7663: 7662: 7658: 7655: 7654: 7650: 7647: 7646: 7645:Draculas ring 7642: 7639: 7638: 7637:Monster Squad 7634: 7633: 7631: 7627: 7623: 7616: 7612: 7597: 7596: 7592: 7589: 7588: 7584: 7581: 7580: 7576: 7573: 7572: 7568: 7565: 7564: 7560: 7557: 7556: 7552: 7549: 7548: 7544: 7541: 7540: 7536: 7533: 7532: 7528: 7525: 7524: 7523:Young Dracula 7520: 7517: 7516: 7512: 7509: 7508: 7504: 7501: 7500: 7496: 7493: 7492: 7488: 7485: 7484: 7480: 7477: 7476: 7472: 7469: 7468: 7464: 7461: 7460: 7456: 7453: 7452: 7448: 7445: 7444: 7440: 7437: 7436: 7432: 7429: 7428: 7424: 7421: 7420: 7416: 7413: 7412: 7408: 7405: 7404: 7400: 7397: 7396: 7392: 7389: 7388: 7384: 7381: 7380: 7376: 7373: 7372: 7368: 7365: 7364: 7360: 7357: 7356: 7352: 7349: 7348: 7344: 7341: 7340: 7336: 7333: 7332: 7328: 7325: 7324: 7323:Count Dracula 7320: 7317: 7316: 7315:Dracula's Dog 7312: 7309: 7308: 7304: 7301: 7300: 7296: 7293: 7292: 7288: 7285: 7284: 7280: 7277: 7276: 7272: 7269: 7268: 7264: 7261: 7260: 7259:Hrabe Drakula 7256: 7253: 7252: 7248: 7245: 7244: 7240: 7237: 7236: 7232: 7229: 7228: 7227:Count Dracula 7224: 7221: 7220: 7216: 7213: 7212: 7208: 7205: 7204: 7200: 7197: 7196: 7192: 7189: 7188: 7184: 7181: 7180: 7176: 7173: 7172: 7168: 7165: 7164: 7160: 7157: 7156: 7152: 7151: 7149: 7145: 7138: 7137: 7133: 7130: 7129: 7125: 7122: 7121: 7117: 7114: 7113: 7109: 7106: 7105: 7101: 7098: 7097: 7093: 7090: 7089: 7085: 7082: 7081: 7077: 7074: 7073: 7069: 7066: 7065: 7061: 7058: 7057: 7053: 7050: 7049: 7048:Dracula Sucks 7045: 7042: 7041: 7037: 7034: 7033: 7029: 7026: 7025: 7021: 7018: 7017: 7013: 7010: 7009: 7005: 7002: 7001: 6997: 6994: 6993: 6989: 6986: 6985: 6981: 6978: 6977: 6973: 6972: 6970: 6966: 6959: 6958: 6954: 6951: 6950: 6946: 6943: 6942: 6938: 6935: 6934: 6930: 6929: 6927: 6925: 6924: 6923:Transylvania 6917: 6910: 6909: 6905: 6902: 6901: 6897: 6894: 6893: 6889: 6886: 6885: 6881: 6878: 6877: 6873: 6872: 6870: 6867: 6863: 6856: 6855: 6851: 6848: 6847: 6843: 6840: 6839: 6835: 6834: 6832: 6830: 6826: 6819: 6818: 6814: 6811: 6810: 6806: 6803: 6802: 6798: 6795: 6794: 6790: 6787: 6786: 6782: 6779: 6778: 6774: 6771: 6770: 6766: 6763: 6762: 6758: 6755: 6754: 6750: 6749: 6747: 6745: 6744:Hammer Horror 6741: 6734: 6733: 6729: 6726: 6725: 6721: 6718: 6717: 6713: 6710: 6709: 6705: 6702: 6701: 6697: 6694: 6693: 6689: 6686: 6685: 6681: 6680: 6678: 6676: 6670: 6666: 6659: 6655: 6641: 6640:Corvin Castle 6638: 6636: 6633: 6631: 6628: 6626: 6623: 6622: 6620: 6616: 6610: 6607: 6605: 6602: 6600: 6597: 6596: 6594: 6590: 6579: 6578: 6574: 6571: 6570: 6566: 6565: 6563: 6561: 6557: 6550: 6549: 6545: 6542: 6538: 6534: 6531: 6530: 6528: 6527: 6523: 6520: 6519: 6515: 6514: 6512: 6508: 6502: 6499: 6497: 6494: 6492: 6489: 6487: 6484: 6482: 6479: 6477: 6476:Lucy Westenra 6474: 6472: 6469: 6467: 6464: 6462: 6459: 6457: 6456:Count Dracula 6454: 6453: 6451: 6447: 6443: 6436: 6432: 6428: 6427: 6422: 6415: 6410: 6408: 6403: 6401: 6396: 6395: 6392: 6386: 6385: 6381: 6379: 6375: 6374: 6365: 6361: 6357: 6356: 6351: 6349: 6347: 6343: 6342: 6338: 6337: 6319: 6315: 6310: 6298: 6294: 6289: 6278: 6274: 6269: 6265: 6261: 6256: 6255: 6245: 6241: 6237: 6233: 6228: 6224: 6219: 6215: 6214: 6208: 6204: 6203: 6197: 6193: 6188: 6184: 6179: 6175: 6174: 6168: 6164: 6163: 6157: 6153: 6152: 6146: 6142: 6137: 6133: 6132: 6126: 6122: 6117: 6113: 6112: 6106: 6102: 6101: 6095: 6091: 6087: 6082: 6081: 6071: 6067: 6063: 6058: 6054: 6050: 6046: 6042: 6038: 6034: 6030: 6025: 6021: 6017: 6016:The Telegraph 6013: 6009: 6005: 6001: 5996: 5989: 5985: 5981: 5974: 5969: 5965: 5961: 5957: 5953: 5949: 5944: 5940: 5936: 5932: 5928: 5924: 5920: 5916: 5912: 5908: 5904: 5900: 5895: 5891: 5887: 5883: 5879: 5875: 5871: 5867: 5862: 5858: 5854: 5850: 5846: 5842: 5838: 5834: 5830: 5826: 5821: 5817: 5813: 5809: 5805: 5801: 5797: 5793: 5788: 5784: 5780: 5776: 5772: 5768: 5764: 5760: 5755: 5751: 5747: 5743: 5739: 5735: 5731: 5727: 5723: 5719: 5714: 5710: 5706: 5702: 5698: 5694: 5690: 5686: 5682: 5678: 5673: 5669: 5665: 5661: 5657: 5652: 5648: 5644: 5640: 5636: 5632: 5628: 5624: 5620: 5616: 5612: 5608: 5604: 5600: 5596: 5592: 5588: 5584: 5580: 5576: 5572: 5567: 5563: 5559: 5554: 5550: 5546: 5542: 5538: 5534: 5530: 5526: 5521: 5515: 5511: 5506: 5505: 5502: 5497: 5493: 5489: 5485: 5481: 5477: 5473: 5468: 5463: 5459: 5455: 5451: 5446: 5442: 5438: 5434: 5430: 5426: 5422: 5418: 5414: 5410: 5405: 5401: 5397: 5393: 5389: 5385: 5381: 5377: 5373: 5369: 5364: 5360: 5356: 5352: 5348: 5344: 5340: 5336: 5332: 5328: 5323: 5319: 5315: 5311: 5307: 5303: 5299: 5295: 5290: 5286: 5282: 5278: 5274: 5270: 5266: 5262: 5257: 5253: 5248: 5244: 5240: 5236: 5232: 5228: 5224: 5220: 5215: 5211: 5207: 5203: 5199: 5195: 5191: 5187: 5183: 5179: 5174: 5170: 5166: 5162: 5157: 5153: 5149: 5144: 5140: 5136: 5132: 5128: 5125:(1): 85–108. 5124: 5120: 5116: 5111: 5107: 5103: 5099: 5095: 5091: 5087: 5083: 5079: 5074: 5070: 5066: 5062: 5058: 5054: 5050: 5046: 5041: 5037: 5033: 5029: 5025: 5021: 5017: 5013: 5009: 5005: 5000: 4996: 4992: 4987: 4983: 4979: 4975: 4971: 4967: 4963: 4959: 4954: 4951:. p. 16. 4950: 4945: 4941: 4937: 4933: 4929: 4925: 4921: 4917: 4912: 4908: 4904: 4900: 4896: 4892: 4888: 4884: 4879: 4878: 4868: 4862: 4858: 4857: 4851: 4847: 4841: 4837: 4836: 4830: 4826: 4820: 4816: 4815: 4809: 4805: 4801: 4797: 4795:9781137349224 4791: 4787: 4786: 4780: 4776: 4770: 4766: 4765: 4759: 4755: 4749: 4745: 4744: 4738: 4734: 4732:9780812815245 4728: 4724: 4723: 4717: 4711: 4707: 4703: 4697: 4693: 4692: 4686: 4685: 4682: 4676: 4668: 4664: 4660: 4654: 4650: 4649: 4644: 4640: 4635: 4631: 4629:9780395657836 4625: 4621: 4620: 4614: 4610: 4608:9780070456716 4604: 4600: 4595: 4591: 4586: 4582: 4578: 4574: 4568: 4564: 4563: 4557: 4553: 4551:9780399109317 4547: 4543: 4542: 4536: 4532: 4530:9780870540349 4526: 4522: 4521: 4515: 4511: 4505: 4501: 4500: 4494: 4490: 4486: 4482: 4476: 4472: 4471: 4465: 4461: 4457: 4453: 4447: 4443: 4442: 4436: 4432: 4428: 4424: 4418: 4414: 4413: 4407: 4401: 4395: 4391: 4387: 4382: 4378: 4372: 4368: 4363: 4359: 4353: 4349: 4345: 4340: 4339: 4336: 4330: 4326: 4321: 4317: 4313: 4309: 4307:0-511-12624-7 4303: 4299: 4298: 4292: 4288: 4284: 4280: 4274: 4270: 4269: 4263: 4259: 4254: 4250: 4244: 4240: 4239: 4233: 4229: 4225: 4221: 4219:0-7181-1098-6 4215: 4211: 4210: 4204: 4198: 4194: 4190: 4184: 4180: 4179: 4173: 4172: 4169: 4165: 4161: 4155: 4151: 4150: 4144: 4138: 4134: 4130: 4124: 4120: 4119: 4113: 4112: 4109: 4105: 4101: 4095: 4091: 4090: 4084: 4080: 4078:9780670809028 4074: 4070: 4065: 4061: 4059:1-56414-807-6 4055: 4051: 4046: 4040: 4036: 4032: 4026: 4022: 4021: 4015: 4011: 4007: 4003: 3997: 3993: 3992: 3986: 3985: 3982: 3978: 3974: 3968: 3964: 3963: 3957: 3953: 3947: 3943: 3942: 3936: 3932: 3930:9780472103928 3926: 3922: 3917: 3913: 3909: 3905: 3899: 3895: 3894: 3888: 3884: 3882:0-306-81098-0 3878: 3874: 3869: 3865: 3859: 3855: 3854: 3848: 3844: 3838: 3834: 3830: 3826: 3822: 3817: 3816: 3798: 3793: 3786: 3781: 3775:, p. 45. 3774: 3769: 3762: 3757: 3750: 3745: 3738: 3733: 3726: 3721: 3714: 3709: 3707: 3699: 3694: 3688:, p. 22. 3687: 3682: 3675: 3670: 3663: 3658: 3651: 3649: 3648:The Telegraph 3644: 3639: 3632: 3627: 3625: 3623: 3616:, p. 63. 3615: 3610: 3608: 3600: 3595: 3593: 3591: 3584:, p. 61. 3583: 3578: 3572:, p. 11. 3571: 3566: 3564: 3557:, p. 29. 3556: 3551: 3544: 3539: 3532: 3527: 3525: 3517: 3512: 3506:, p. 53. 3505: 3500: 3493: 3488: 3481: 3480:Browning 2012 3476: 3469: 3468:Browning 2012 3464: 3457: 3456:Browning 2012 3452: 3445: 3444:Browning 2012 3440: 3433: 3428: 3422:, p. 13. 3421: 3418:, p. 8; 3417: 3413: 3408: 3401: 3396: 3390:, p. 80. 3389: 3384: 3382: 3375:, p. 11. 3374: 3369: 3362: 3357: 3350: 3345: 3338: 3337:Browning 2012 3333: 3326: 3321: 3315:, p. 21. 3314: 3309: 3302: 3297: 3290: 3289:Browning 2012 3285: 3279:, p. 10. 3278: 3274: 3270: 3266: 3261: 3254: 3249: 3242: 3238: 3233: 3226: 3221: 3215:, p. 26. 3214: 3209: 3202: 3197: 3190: 3185: 3178: 3173: 3166: 3161: 3154: 3149: 3143:, p. 12. 3142: 3137: 3131:, p. 70. 3130: 3125: 3118: 3113: 3107:, p. 77. 3106: 3101: 3099: 3092:, p. 65. 3091: 3086: 3080:, p. 64. 3079: 3074: 3068: 3066: 3060: 3055: 3048: 3043: 3036: 3031: 3024: 3019: 3012: 3007: 3000: 2995: 2988: 2983: 2976: 2971: 2964: 2959: 2952: 2947: 2940: 2935: 2929:, p. 89. 2928: 2923: 2921: 2913: 2908: 2901: 2896: 2890:, p. 95. 2889: 2884: 2877: 2872: 2865: 2860: 2853: 2848: 2841: 2836: 2829: 2824: 2818:, p. 34. 2817: 2812: 2806:, p. 41. 2805: 2800: 2794:, p. 33. 2793: 2788: 2782:, p. 89. 2781: 2776: 2769: 2764: 2758:, p. 44. 2757: 2752: 2745: 2740: 2733: 2728: 2726: 2718: 2713: 2707:, p. 52. 2706: 2701: 2694: 2689: 2682: 2677: 2670: 2665: 2663: 2655: 2654:Schaffer 1994 2650: 2643: 2642:Schaffer 1994 2638: 2631: 2626: 2619: 2614: 2607: 2602: 2595: 2590: 2583: 2578: 2572:, p. 21. 2571: 2566: 2564: 2556: 2551: 2544: 2539: 2532: 2527: 2525: 2523: 2516:, p. 19. 2515: 2510: 2508: 2506: 2498: 2493: 2486: 2481: 2474: 2469: 2462: 2457: 2451:, p. 15. 2450: 2445: 2437: 2430: 2422: 2415: 2409:, p. 40. 2408: 2403: 2401: 2393: 2388: 2386: 2378: 2373: 2366: 2361: 2354: 2349: 2342: 2338: 2333: 2326: 2325:Barsanti 2008 2321: 2314: 2309: 2302: 2297: 2291:, p. 64. 2290: 2285: 2279:, p. 14. 2278: 2273: 2267:, p. 34. 2266: 2261: 2259: 2252:, p. 43. 2251: 2246: 2240:, p. 15. 2239: 2234: 2227: 2222: 2215: 2210: 2204:, p. 22. 2203: 2198: 2191: 2186: 2179: 2174: 2172: 2164: 2159: 2152: 2147: 2139: 2135: 2130: 2124:, p. 90. 2123: 2118: 2112:, p. 60. 2111: 2106: 2099: 2094: 2087: 2082: 2076:, p. 34. 2075: 2070: 2063: 2058: 2051: 2046: 2044: 2036: 2031: 2024: 2019: 2012: 2007: 2005: 1997: 1992: 1980: 1975: 1969:, p. 16. 1968: 1963: 1956: 1951: 1944: 1939: 1932: 1927: 1920: 1915: 1908: 1903: 1901: 1893: 1888: 1881: 1876: 1872: 1856: 1847: 1838: 1829: 1822: 1816: 1809: 1803: 1796: 1790: 1780: 1771: 1764: 1758: 1751: 1747: 1741: 1732: 1723: 1716: 1710: 1703: 1699: 1693: 1686: 1685: 1678: 1671: 1665: 1656: 1652: 1639: 1637: 1631: 1628: 1624: 1620: 1619: 1614: 1610: 1605: 1604:Wendy Doniger 1601: 1596: 1587: 1585: 1581: 1577: 1573: 1569: 1565: 1561: 1557: 1555: 1551: 1547: 1546: 1541: 1536: 1535:the 1958 film 1532: 1528: 1524: 1515: 1514: 1509: 1505: 1501: 1499: 1495: 1491: 1487: 1486: 1481: 1477: 1466: 1465: 1460: 1455: 1453: 1448: 1444: 1441:The story of 1437: 1436: 1431: 1430:Count Dracula 1427: 1423: 1418: 1403: 1401: 1397: 1393: 1386: 1382: 1381: 1376: 1372: 1371: 1362: 1358: 1354: 1350: 1346: 1341: 1339: 1338: 1332: 1327: 1323: 1322: 1317: 1313: 1311: 1310: 1305: 1301: 1300: 1295: 1288: 1284: 1283: 1275: 1270: 1268: 1264: 1260: 1259:Ann Radcliffe 1256: 1252: 1251: 1246: 1242: 1241: 1236: 1232: 1226: 1224:, 1 June 1897 1223: 1222: 1215: 1213: 1208: 1196: 1194: 1190: 1186: 1182: 1178: 1174: 1170: 1166: 1164: 1160: 1156: 1152: 1148: 1139: 1138: 1133: 1129: 1125: 1115: 1104: 1090: 1087: 1083: 1078: 1074: 1059: 1057: 1053: 1049: 1045: 1034: 1031: 1027: 1023: 1019: 1013: 1011: 1006: 1001: 1000:Romani people 997: 992: 990: 989: 984: 980: 976: 975: 970: 966: 961: 957: 953: 952: 951:fin de siècle 947: 940: 936: 932: 923: 921: 917: 913: 908: 905: 901: 900:David J. Skal 897: 893: 889: 888:transgressive 884: 882: 878: 873: 869: 854: 852: 847: 843: 842: 837: 833: 829: 825: 820: 818: 814: 810: 809:public domain 806: 805:copyright law 802: 798: 791: 786: 779: 774: 765: 763: 759: 755: 750: 745: 741: 732: 728: 724: 722: 717: 713: 708: 704: 700: 696: 677: 668: 666: 662: 658: 654: 650: 648: 641: 634: 630: 622: 618: 614: 610: 606: 602: 601:Daniel Farson 598: 597: 592: 588: 584: 579: 577: 573: 569: 565: 561: 557: 553: 549: 545: 540: 538: 534: 530: 526: 520: 518: 514: 513:Radu Florescu 510: 506: 505:Vlad Drăculea 502: 498: 497:Ármin Vámbéry 494: 493:Count Dracula 486: 482: 473: 471: 467: 466: 461: 457: 456: 451: 450: 445: 441: 437: 433: 429: 425: 421: 406: 403: 399: 395: 390: 387: 383: 379: 373: 371: 367: 363: 359: 355: 351: 347: 343: 339: 335: 334:Lucy Westenra 331: 329: 325: 321: 317: 313: 309: 305: 301: 300:Count Dracula 297: 287: 285: 284:public domain 281: 277: 273: 269: 265: 263: 262:Victorian era 259: 255: 254: 249: 244: 239: 237: 233: 229: 225: 221: 217: 213: 209: 205: 203: 199: 195: 191: 190:Count Dracula 187: 186:Transylvanian 183: 179: 175: 171: 168: 164: 163: 154: 150: 149: 145: 141: 138: 135: 133: 127: 123: 119: 115: 111: 107: 101: 98: 95: 91: 88: 84: 81: 77: 73: 69: 66: 63: 59: 52: 47: 41: 37: 33: 32:Count Dracula 19: 9058: 9050: 9044: 9038: 9010: 9002: 8994: 8975: 8967: 8961:Lady Athlyne 8959: 8951: 8943: 8935: 8927: 8920: 8919: 8911: 8903: 8895: 8887: 8829: 8825: 8817: 8813: 8773: 8756: 8749: 8664: 8629: 8615: 8570: 8564:Audio dramas 8534: 8529:Transylvania 8527: 8520: 8513: 8508:Dracula 2000 8506: 8499: 8481: 8464:Monster Bash 8462: 8454: 8446: 8438: 8419: 8411: 8403: 8395: 8387: 8379: 8371: 8363: 8355: 8347: 8339: 8331: 8323: 8314: 8311:(unreleased) 8306: 8298: 8290: 8280:1986–present 8273: 8264: 8256: 8248: 8230: 8223: 8216: 8209: 8201: 8194: 8187: 8180: 8166: 8159: 8152: 8145: 8133: 8114: 8106: 8098: 8090: 8082: 8062: 8054: 8046: 8027: 8008: 8000: 7992: 7984: 7976: 7968: 7960: 7952: 7944: 7935: 7928: 7923:Anno Dracula 7921: 7914:Anno Dracula 7913: 7904: 7840:The Simpsons 7838: 7825: 7816: 7807: 7791: 7770: 7762: 7754: 7746: 7738: 7730: 7722: 7712:(2006–2014) 7707: 7699: 7691: 7683: 7675: 7667: 7659: 7653:Cliffhangers 7651: 7643: 7635: 7593: 7585: 7577: 7569: 7561: 7555:Dracula 2012 7553: 7545: 7537: 7529: 7521: 7513: 7505: 7497: 7489: 7481: 7473: 7465: 7459:Dracula 3000 7457: 7449: 7441: 7433: 7425: 7417: 7409: 7401: 7393: 7385: 7377: 7369: 7361: 7353: 7345: 7337: 7329: 7321: 7313: 7305: 7297: 7289: 7281: 7273: 7265: 7257: 7249: 7241: 7233: 7225: 7217: 7209: 7201: 7193: 7185: 7177: 7169: 7161: 7153: 7134: 7126: 7120:Monster Mash 7118: 7112:Monster Mash 7110: 7102: 7094: 7086: 7078: 7070: 7062: 7054: 7046: 7038: 7030: 7022: 7014: 7006: 6998: 6990: 6982: 6974: 6955: 6947: 6939: 6931: 6919: 6906: 6898: 6890: 6882: 6874: 6865: 6852: 6844: 6838:Dracula 2000 6836: 6829:Dracula 2000 6828: 6815: 6807: 6799: 6791: 6783: 6775: 6767: 6759: 6751: 6730: 6722: 6714: 6706: 6698: 6690: 6682: 6575: 6567: 6560:Dacre Stoker 6546: 6524: 6517: 6516: 6510:Publications 6425: 6424: 6383: 6372: 6353: 6339: 6321:. 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Penguin. 3797:Hughes 2012 3785:Hughes 2012 3761:Miller 2001 3749:Miller 2001 3713:Miller 2001 3674:Clasen 2012 3643:Cengel 2020 3599:Stoker 2011 3555:Rhodes 2010 3543:Stuart 1994 3213:Glover 1996 3165:Miller 2001 3153:Miller 2001 3047:Willis 2007 3023:Clasen 2012 2987:Willis 2007 2927:Croley 1995 2900:Croley 1995 2840:Bauman 1991 2816:Zanger 1991 2804:Zanger 1991 2792:Zanger 1991 2717:Bordin 1993 2594:Escher 2017 2353:Ludlam 1962 2301:Curran 2000 2289:Curran 2005 2226:Farson 1975 2202:Farson 1975 2178:Clasen 2012 2134:Miller 1999 2062:Miller 2006 2035:Miller 1996 1979:Ludlam 1962 1919:Rubery 2011 1613:vampire bat 1540:Gary Oldman 1523:Béla Lugosi 1426:Bela Lugosi 1411:Adaptations 1326:Vanity Fair 1309:Vanity Fair 1253:wrote that 1132:Bela Lugosi 1128:Van Helsing 946:antisemitic 881:Oscar Wilde 768:Publication 684:Composition 645:setting of 556:iron maiden 424:Bram Stoker 422:in London, 402:decapitates 338:Mina Murray 174:Bram Stoker 108:26 May 1897 65:Bram Stoker 9108:Categories 8929:Miss Betty 8607:of Dracula 8326:(handheld) 7716:characters 7701:Ace Kilroy 7619:Television 7539:Dracula 3D 7371:To Die For 6449:Characters 6303:17 January 5964:1684297393 5516:: 212–217. 5252:The Nation 4431:1004391205 3504:Ronay 1972 3225:Keogh 2014 3201:Keogh 2014 3177:Arata 1990 2963:Arata 1990 2951:Arata 1990 2939:Arata 1990 2888:Arnds 2015 2780:Arnds 2015 2681:Craft 1984 2669:Craft 1984 2630:Craft 1984 2074:Fitts 1998 1967:Caine 1912 1867:References 1670:Miss Betty 1165:subgenre. 1082:travelogue 1030:degenerate 877:homoerotic 780:, New York 476:Influences 460:Hall Caine 455:Miss Betty 409:Background 386:Piccadilly 362:blood-loss 304:his castle 276:archetypal 220:Wallachian 188:nobleman, 165:is a 1897 153:Wikisource 8663:Alucard ( 8647:Soma Cruz 8628:Dracula ( 8614:Alucard ( 8250:The Count 8232:Purgatori 8135:Crossover 7986:Bloodline 7767:(2017–21) 7751:(2016–21) 7661:Drak Pack 6908:Nosferatu 6876:Nosferatu 6866:Nosferatu 6673:Universal 6533:Icelandic 6045:0039-3827 5923:0030-8129 5882:0021-1427 5849:0013-8304 5808:0011-1589 5796:Criticism 5775:0042-5222 5742:0029-0564 5709:161888586 5701:1080-6547 5647:147429554 5631:0006-4246 5587:0010-4132 5541:0897-0521 5476:1060-1503 5441:193067115 5433:2052-2614 5392:0026-7937 5359:162335122 5351:1080-6547 5310:0090-4260 5277:0042-5222 5235:0277-4356 5202:0160-9009 5131:0011-1589 5119:Criticism 5098:0734-6018 5061:0039-4238 5036:166341977 5028:1913-4835 4974:1063-3685 4962:Narrative 4940:0029-3970 4899:0042-5222 4804:873725229 4710:773567111 4675:cite book 4667:773567111 4581:244770292 4489:244770292 4460:297147082 4197:335291872 4168:335291872 4137:244770292 4108:244770292 4039:664519546 4010:664519546 3981:664519546 3912:647920291 3570:Skal 2011 3129:Seed 1985 3117:Case 1993 3090:Seed 1985 3078:Seed 1985 2768:Kane 1997 2756:Senf 1982 2265:Senf 1982 2110:Kord 2009 1986:forest.'" 1590:Influence 1584:hegemonic 1498:Nosferatu 1490:Nosferatu 1485:Nosferatu 1199:Reception 1086:shorthand 1067:Narrative 1048:parasites 1044:Jerusalem 920:shorthand 912:New Woman 902:, in the 828:Icelandic 822:In 1901, 665:Abhartach 661:Coleraine 564:facsimile 470:biography 298:, visits 296:solicitor 93:Publisher 8826:Category 8814:Category 8616:Hellsing 8196:Hellsing 8075:Musicals 8002:Fangland 7862:" (2010) 7855:" (1993) 7828:episodes 7819:episodes 7810:episodes 7803:" (2000) 7783:Episodes 7579:Renfield 6968:Parodies 6543:" (1914) 6496:Renfield 6439:Universe 6378:LibriVox 6264:Archived 6252:Websites 6053:29533817 6020:Archived 5988:Archived 5960:ProQuest 5939:54868687 5890:25484813 5816:23118160 5639:41069152 5595:40245833 5564:: 67–85. 5549:43308384 5492:54921027 5484:40347238 5318:43797068 5243:23021659 5169:Archived 5139:23116578 4982:20107013 4316:61394818 4287:70335483 3400:TMG 1897 3065:Guernica 1750:Svengali 1687:in 2006. 1580:Superman 1494:Florence 1056:syphilis 1005:vagrants 979:Svengali 754:werewolf 640:Carmilla 633:Carmilla 621:Carmilla 617:Carmilla 613:allusion 605:Carmilla 596:Carmilla 568:footnote 531:scholar 485:Vlad III 458:(1898). 378:Renfield 316:Budapest 236:Romanian 71:Language 44:Dracula 9114:Dracula 9071:Related 9015:(1914) 8953:The Man 8921:Dracula 8818:Dracula 8740:Related 8501:Dracula 8440:Dracula 8432:Pinball 8292:Dracula 8284:Dracula 8258:Dracula 8212:trilogy 8083:Dracula 8064:Dracula 8056:Dracula 8048:Dracula 8029:Dracula 7772:Dracula 7724:Dracula 7491:Dracula 7427:Dracula 7339:Dracula 7307:Deafula 7275:Blacula 7016:Vampira 6753:Dracula 6692:Dracula 6684:Dracula 6618:Castles 6529:(1899) 6518:Dracula 6426:Dracula 6373:Dracula 6355:Dracula 6341:Dracula 6323:13 July 6282:13 June 6246:. 1897. 5857:2873424 5783:3827492 5750:3044836 5400:3734681 5285:3828327 5210:3346355 5106:2928560 4907:3827794 4639:Dracula 4386:Dracula 4344:Dracula 4228:1989574 3059:Dracula 1810:(2012). 1795:Dracula 1715:Dracula 1702:Dracula 1698:Dracula 1609:Dracula 1600:Dracula 1595:Dracula 1560:Dracula 1513:Dracula 1476:Dracula 1469:transl. 1443:Dracula 1435:Dracula 1400:Dracula 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8451:(1988) 8443:(1979) 8424:(2023) 8416:(2013) 8408:(2013) 8400:(2013) 8392:(2012) 8384:(2008) 8376:(2008) 8368:(2004) 8360:(2001) 8352:(2000) 8344:(2000) 8336:(1993) 8328:(1993) 8319:(1993) 8303:(1991) 8295:(1986) 8276:series 8269:(1983) 8261:(1983) 8253:(1979) 8127:Comics 8119:(2011) 8111:(2006) 8103:(2004) 8095:(1997) 8087:(1995) 8067:(1996) 8059:(1995) 8051:(1924) 8032:(1938) 8013:(2010) 8005:(2007) 7997:(2006) 7989:(2005) 7981:(2005) 7973:(2005) 7965:(1997) 7957:(1986) 7949:(1978) 7916:series 7897:Novels 7796:(1968) 7775:(2020) 7740:Decker 7696:(1994) 7664:(1980) 7656:(1979) 7648:(1978) 7640:(1976) 7629:Series 7590:(2023) 7582:(2023) 7574:(2014) 7566:(2013) 7558:(2013) 7550:(2012) 7542:(2012) 7534:(2012) 7526:(2011) 7518:(2009) 7510:(2008) 7502:(2008) 7494:(2006) 7486:(2006) 7478:(2005) 7470:(2004) 7462:(2004) 7454:(2004) 7446:(2004) 7438:(2004) 7430:(2002) 7422:(2002) 7414:(2001) 7406:(2000) 7398:(1994) 7390:(1992) 7382:(1989) 7374:(1989) 7366:(1988) 7358:(1980) 7350:(1979) 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