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The REDD.37 and its successor, the REDD.51, had a similar design with added outputs needed to accommodate Abbey Road
Studios' new four-track tape machines. Both models featured 14 Painton quadrant faders to control the level of eight microphone input channels, two auxiliary channels, and four master
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Abbey Road
Studios’ technical engineer Lenn Page established the Record Engineering Development Department (REDD) in 1955 to develop equipment that would facilitate stereo recordings. At the time, mass-produced recording studio equipment was not available, and EMI/Abbey Road custom-built equipment
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Chandler
Limited established a partnership with Abbey Road Studios to develop and produce several plug-in emulations of the studios' classic recording gear, including a plug-in that emulates the REDD.47 microphone amplifier circuit from the REDD.51 mixing console.
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outputs. The REDD.51 featured new amps that offered more headroom and lower distortion; Abbey Road installed the first REDD.51 in Studio 2 in 1964. Only three REDD.37s and four REDD.51 consoles were ever built.
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in London before being installed at Frying Pan
Studios inside the MONA Museum in Hobart, Tasmania (Australia), where it is fully restored and working. One REDD.37 console, purchased by
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in 1992 and used at his own
Gregory Town Sound studio in The Bahamas. The only remaining REDD.51 in existence, originally employed in the EMI studio in Milan, Italy, is located at
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Abbey Road
Studios was forced to retire their 4-track REDD consoles in November 1968, replacing them with the
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were produced with the REDD consoles at Abbey Road
Studios. Pink Floyd's 1967 debut album,
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The first REDD console, the REDD.17, was developed in 1958 by Peter
Burkotwitz at
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39:. They were used to mix several influential albums, including most of
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that emulates the REDD.17, REDD.37 and REDD.51 mixing consoles.
202:. Lanham, Maryland, US: Rowman & Littlefield. p. 22.
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116:, were also produced on the studios' REDD consoles.
225:"Classic recording consoles: SSL, Neve, and REDD"
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305:"Studio File: British Grove Studios, London"
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257:. Sweetwater Sound, Inc. 23 October 2018
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251:"4 Decades of Iconic Consoles"
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107:The Piper at the Gates of Dawn
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276:Becka, Kevin (1 March 2010).
173:"Vintage Rewind: EMI REDD.51"
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338:. UK: SOS Publications Group
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43:' albums and the first two
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330:Inglis, Sam (March 2013).
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59:An EMI REDD.17 on display
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332:"Waves Abbey Road REDD"
198:Massey, Howard (2015).
113:A Saucerful of Secrets
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23:.17, .37 and .51 were
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278:"Gregory Town Sound"
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179:. MusicTech
143:released a
141:Waves Audio
84:EMI TG12345
41:the Beatles
25:vacuum-tube
357:Categories
342:2015-12-04
255:Sweetwater
155:References
64:in-house.
45:Pink Floyd
35:for their
177:MusicTech
139:In 2013,
88:recorder
47:albums.
21:EMI REDD
145:plug-in
51:History
27:-based
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94:Legacy
317:2021
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263:2021
237:2021
204:ISBN
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19:The
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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