237:
holes, buttons, brackets, scallops, and pierced cylinders, and is supported by large chamfered columns. The glass planes of the recessed double doors are decorated with panels above and below. The square and slant bays contain brackets, panels, moldings, and buttons. The gables contain a grillwork of stickwork, knobs, bevelled sticks, and pierced scallops that hang from the edge of the roof. The gable bracing of
William S. Clark House is untraditional as most gable bracings of Eastlake Style would connect to the edge of the roof. The gable bracing instead hangs from the edge which provides shadows on the house wall. The frieze contains vertical and zigzag bevelled sticks, and pierced and chamfered brackets that surround the cornice. Below the bays, the corners of the stringcourse are filled by bevelled sunbursts. The slant bays have side porches that extend to the back of the house and there is a rear hall that connects the house with a storage/laundry annex at the back of the property. On the north side of the house, there are small, squared windows on either side of the round headed window, which create a Palladian effect.
265:
are made from pattern siding covered heart redwood. The foundation of the building is a cement parged brick stem wall and the decorative brick chimneys are part of a coal burning fuel system. The interior of the house reflects the
Eastlake style in the mantel spindles, the ornate tile work surrounding the two fireplaces, 12-foot second story coved ceilings and other details. The wall cladding in the main house is a horizontal shiplap with vertical lapboard. All of the windows are framed with grooved vertical moulding and other trim work, such as sunbursts above the second story windows. Below the cornice, the house also has a frieze board which includes scrollwork sunbursts and stars. In the front porch, above the front doors are cut window panels in jewel tones. The porch has a framing of fans, flowers, dentils, and spindlework. The spindlework and stickwork is repeated from the upper porch to the lower porch balustrade.
241:
same 19th century oak graining. The wallpapers, picture railings, period furnishings, and potted ferns are in the same style as the
Victorian features of the interior. In the fireplaces in the rear parlor, family room, and dining room, there are highly polished, hardwood mantels above small fireplaces. Mirrors, polished tiles, and intricate shelves extend close to the picture railing. The entrance hall stairway has a banister and a light-topped newel post leading to the second-floor hallway which is surrounded by another open-work banister. There is a contrast between the white-painted woodwork and light embossed wallpaper with the darker woodwork and paper of the parlors and dining room. The doors upstairs are painted and panelled and each has a glass of transom above. The bathroom still has an old pull-chain tank toilet and the bath has an old clawfoot tub.
289:
the living room ceiling is surrounded with box molding and underneath it, a picture rail. The floor is a carpeted hardwood floor with a plain 12-inch baseboard and all other rooms contain the same floor and ceiling finishes with a few variations in the walls. The
Victorian rooms’ surrounds had bullseye corner blocks and lower ceiling finishes. The building is unique in that in Eureka, it is the only two-story building that is symmetrical with squared bay windows. Other Eastlake features of the house include: "the vertical stripes in the frieze, the brackets extending from the vertical strips, the narrow belt course, the cornice and brackets over the windows, and the wide band of trim under the cornice".
432:
178:, Eastlake promoted Victorian style furniture which had opposed the curved features of the French Baroque Revival Styles. Instead, Eastlake style had "angular, notched and carved" features and although he did not produce any furniture himself, cabinet makers produced them. His book influenced custom designers as well as machine-made manufacturers who Eastlake abhorred. His quote "I find American tradesmen continually advertising what they are pleased to call Eastlake furniture, the production of which I have had nothing whatever to do, and for the taste of which I should be very sorry to be considered responsible" shows his stance on this.
366:
326:
that it was "seen everywhere". In 1876, the
Centennial Exhibition showcased Eastlake's ideas from his book to thousands of Americans. While the ‘old’ Renaissance style was featured in most of the exhibitions, manufacturers were criticized for prioritizing profits over creating well-designed pieces of furniture. Following George W. Gay's comment on Eastlake having "far reaching influence" which could be compared to the best of America's and Europe's manufacturers, manufacturers of cheap furniture began to use Eastlake style whereas before little attention was paid to the appearance.
94:
274:
225:
33:
191:"perforated gables and pediments, carved panels and a profusion of beaded spindles, and lattice work found along porch eaves." Mansardic porches were another characteristic and had wrought iron crestings. The color combination of the houses also emphasized the contrast between the lighter colors of the details and the darker colors of the house body. In the United States, especially in California, American home builders in the 1880s replaced flat-cut
298:
250:
318:
and "had a basic form, a skeleton so to speak, to which various moldings and appendages of different styles were hastily applied." Eastlake, like many others, disliked the machine-produced furniture that replicated handcraftsmanship. He stated that the "elaboration and finish" should be a lower priority and most artists concurred that the "educated ideas of construction and proportion" were preferred.
211:
decoration." Additionally, the designs were easily made by machines. Eastlake also believed that the prices of his furniture should be "as cheap as that which is ugly" as he could not understand why anyone would buy a more expensive piece of furniture for a more intricate design. Eastlake's furniture was for the middle-class home, and being easy to clean was another one of the characteristics.
260:
is an
Eastlake movement-building in Sacramento, California and was built in 1890. It has 3 stories and is approximately 4500 square feet. Some exterior features of the house include ornamental details, such as "sunburst pediments, a frieze of scrollwork sunbursts, dentil work in the gables, a mansard
288:
The entry hall of Thomas F. Ricks House contains a recessed ceiling panel that is outlined with molding ornamented with modillions. A bead course is used for decoration for the staircase newel post and squared balusters have a simple railing. The entry to the living rooms are double pocket doors and
317:
In the nineteenth century, as machine-production became more mainstream, many household artists thought that the designs produced lacked artistic characteristics and had untraditional craftsmanship. Unlike manmade furniture, artists believed that machine-made furniture did not have holistic designs
309:
was originally released in
England and was positively received, its influence was greater in the United States. The book was reprinted four times in England and six times in the United States. However, following the Civil War, the middle class desired a design reform due to the increasing awareness
325:
Eastlake's book led to a demand in
Eastlake furniture; however, Eastlake himself denied that there was an Eastlake style. This led to furniture manufacturers—who initially thought that Eastlake's ideas would be more harmful than good—to invent their own Eastlake furniture, with it reaching a point
264:
The characteristics of
Winters House can be seen in the "steel pitched hip and gable roof, asymmetrical front façade, two-story angled bay under forward gable, mansard front porch and second story bay windows on both sides of the house". The roof of the house made of asphalt shingles and the walls
240:
The entrance hall, double parlors, and dining rooms are significant in that the décor and character is preserved. The unpainted windows and stairway banister have natural wood finishes that have darkened over time. The doors, stairway panels below the railing, and dining room wainscoting have the
284:
is an
Eastlake movement-building in Eureka, California. It was built in 1885 and in Eureka, the building is the most prominent example of Eastlake style. The building had several renovations to parts of the building, leading to the interior having a mixture of period styles. Many of the interior
236:
in Eureka, California. The house was built in 1888 and contains "an elaborately decorated entrance porch, flanking square bays, side slant bays, and roof gables". Eastlake ornamentation can be seen in the bays, gables, windows, frieze, and porch. The entrance is decorated with spools, sunbursts,
190:
Eastlake style applied to houses as well as furniture. Characteristics of these houses include the lathe-shaped wooden forms and mechanical jigsaw wooden forms. Porch posts and railings had intricate wooden designs and curved brackets and scrolls were placed at corners. The façade also included
154:
Although Charles Eastlake did not make furniture, his movement influenced the interior design of American homes with English designs that were easy to clean, functional, and simple. The ‘Eastlake’ style is of Victorian architecture and one of the core principles of this style was that Eastlake
210:
In furniture, Eastlake was particularly fond of oak and cherry wood grains; however, American manufacturers still used ebonized wood despite Eastlake's suggestions. The forms of the furniture were often rectilinear and had "geometric ornament, turnings, brackets, trestles, and incised linear
181:
This influence later led to the Eastlake movement in the United States where Eastlake style furniture were being produced for the middle-class. It was known to be affordable while also being handcrafted and easy to clean which shows the transformative nature of Eastlake's ideas to furniture.
147:
posited that furniture and decor in people's homes should be made by hand or machine workers who took personal pride in their work. Manufacturers in the United States used the drawings and ideas in the book to create mass-produced Eastlake Style or Cottage furniture.
155:
thought that the furniture in people's homes should be good looking and be made by manufacturers who enjoyed their work. This was contrary to the previous style of furniture, with pieces that were large, heavy, and thick, and that collected dust and germs.
321:
One person who popularized Eastlake's ideas was Henry Hudson Holly, an architect who wrote multiple articles using Eastlake's book but only cited him once. Although Holly profited from Eastlake's ideas, he echoed his ideas on furniture.
285:
millwork were replaced during the hospital renovation in 1907 and in 1952 the dining room and kitchen were constructed in the style of that year. On the second floor, there are two Eastlake style bedrooms that have been unchanged.
151:
The geometric ornaments, spindles, low relief carvings, and incised lines were designed to be affordable and easy to clean; nevertheless, many of the designs which resulted are artistically complex.
310:
of the English movement. In England, Eastlake was one of many who desired a design reform, but in America his simplicity and taste were exposed to "unprecedented new readers".
261:
porch canopy, and a decorative balustrade with spindles and stick work. " The house has not had any significant deviations from the original design, materials and workmanship.
914:
199:
and wall surface decoration. Charles Eastlake criticized the American adaptation as "extravagant and bizarre". However, the style lived on and it was later combined with
894:
869:
889:
909:
785:
Vickie M. Cosentino (September 30, 1998). "National Register of Historic Places Registration: Winters House / 2324–2326 H. Street, Sacramento CA 95816".
171:. Eastlake was originally a painter who trained in Rome and was considered to have great knowledge in art however he had a specific preference.
43:
133:
314:
stated that the home furniture was becoming simpler and that "the demand for extravagant and florid goods for household use" was gone.
373:
The second house is at 1329 Carroll Avenue. The exterior of this house has been shown, in one way or another, in all 178 episodes of
904:
874:
257:
695:
899:
769:
Susie Van Kirk (December 9, 1986). "National Register of Historic Places Inventory/Nomination: William S. Clark House".
563:
Madigan, Mary Jean Smith (1975). "The Influence of Charles Locke Eastlake on American Furniture Manufacture, 1870–90".
744:
719:
394:
77:
17:
383:". The house depicted in the show shares the same house number, 1329, but is on the fictional Prescott Street in
879:
431:
192:
443:
832:
471:
59:
200:
339:
233:
137:
108:
was a nineteenth-century architectural and household design reform movement started by British
55:
419:, also known as the John Bond Trevor Home, was completed in 1877. Glenview is now part of the
195:
ornamental elements that were popular in the 1860s and 1870s with lathe-tuned spindlework for
884:
803:
786:
770:
734:
499:
McClaugherty, Martha Crabill (1983). "Household Art: Creating the Artistic Home, 1868–1893".
398:
281:
164:
365:
98:
51:
163:
Eastlake movement was named after the English architect Charles Locke Eastlake (nephew of
8:
420:
204:
713:
631:
596:
588:
532:
524:
662:
614:
Pointon, Marcia (1979). "Review of Sir Charles Eastlake and the Victorian Art World".
740:
701:
691:
623:
600:
580:
536:
516:
416:
121:
572:
508:
436:
412:
343:
117:
113:
346:, are both on Carroll Avenue. The first is at 1330 Carroll Avenue. It was used in
390:
380:
352:
347:
448:
273:
705:
379:, through eight seasons, from 1999 to 2006. In the show the house was dubbed "
93:
863:
627:
584:
520:
384:
435:
The home of German native Fridolin Fischer (1850–1921) in the small town of
224:
402:
335:
635:
592:
528:
406:
109:
297:
145:
Hints on Household Taste in Furniture, Upholstery, and Other Details
576:
512:
307:
Hints on Household Taste in Furniture, Upholstery and Other Details
196:
176:
Hints on Household Taste in Furniture, Upholstery and Other Details
169:
Hints on Household Taste in Furniture, Upholstery and Other Details
116:(1836–1906). The movement is generally considered part of the late
813:. National Park Service, United States Department of the Interior
375:
358:
249:
409:
to incorporate an Eastlake style billiard room and bedrooms.
853:
Westchester: The American Suburb (Hudson River Museum, 2006)
423:
and has six interpreted period rooms in the Eastlake style.
356:
music video, as well as in episodes of the television show
739:. Woodburn, Or.: Beautiful America Pub. Co. p. 18.
811:
National Register of Historic Places Registration Form
688:
Historical dictionary of Romantic art and architecture
369:
An Eastlake style building in Los Angeles, California
362:, and was a focus set in the episode "Size Matters".
915:
Wooden buildings and structures in the United States
329:
895:Stick-Eastlake architecture in the United States
861:
232:One example of an Eastlake movement building is
167:) following the release of his influential book
797:
795:
870:19th-century architecture in the United States
292:
207:elements to create the "San Francisco Style".
40:The examples and perspective in this article
890:Queen Anne architecture in the United States
792:
498:
334:Two well-known Eastlake style houses in the
910:Victorian architecture in the United States
833:"More Charmed Locations! - IAMNOTASTALKER"
301:Eastlake style home in Le Sueur, Minnesota
736:Beautiful America's California Victorians
219:
78:Learn how and when to remove this message
732:
430:
364:
296:
272:
268:
248:
223:
92:
801:
613:
562:
14:
862:
802:Burcham, Lisa Teresi (June 29, 1992).
685:
405:, was altered and expanded during the
781:
779:
765:
763:
657:
655:
653:
651:
649:
647:
645:
558:
556:
554:
552:
550:
548:
546:
494:
492:
490:
488:
466:
464:
97:An example of the Eastlake Style in
26:
686:Palmer, Alison Lee (26 July 2019).
24:
185:
124:designations. In architecture the
25:
926:
776:
760:
642:
543:
485:
461:
472:"Art:A Matter of Style:Eastlake"
330:Well-known Eastlake style houses
244:
31:
847:
825:
905:Victorian architectural styles
726:
679:
607:
13:
1:
875:American architectural styles
718:: CS1 maint: date and year (
454:
7:
900:Stick-Eastlake architecture
426:
293:Spread in the United States
54:, discuss the issue on the
10:
931:
733:Naversen, Kenneth (1998).
214:
158:
444:Victorian decorative arts
305:Although Eastlake's book
165:Sir Charles Lock Eastlake
804:"Thomas F. Ricks House"
439:
370:
302:
278:
254:
234:William S. Clark House
229:
228:William S. Clark House
220:William S. Clark House
138:Victorian architecture
101:
90:Architectural movement
787:National Park Service
771:National Park Service
434:
368:
300:
282:Thomas F. Ricks House
277:Thomas F. Ricks House
276:
269:Thomas F. Ricks House
252:
227:
130:Eastlake architecture
96:
880:History of furniture
565:Winterthur Portfolio
501:Winterthur Portfolio
99:Glendale, California
60:create a new article
52:improve this article
42:may not represent a
421:Hudson River Museum
440:
371:
312:The New York Times
303:
279:
255:
230:
120:in terms of broad
102:
697:978-1-5381-2296-9
616:Victorian Studies
417:Yonkers, New York
122:antique furniture
106:Eastlake movement
88:
87:
80:
62:, as appropriate.
18:Eastlake Movement
16:(Redirected from
922:
854:
851:
845:
844:
842:
840:
829:
823:
822:
820:
818:
808:
799:
790:
783:
774:
767:
758:
757:
755:
753:
730:
724:
723:
717:
709:
683:
677:
676:
674:
673:
659:
640:
639:
611:
605:
604:
560:
541:
540:
496:
483:
482:
480:
478:
468:
437:Fairfield, Texas
413:Glenview Mansion
344:Angelino Heights
143:Eastlake's book
134:Queen Anne style
118:Victorian period
114:Charles Eastlake
83:
76:
72:
69:
63:
35:
34:
27:
21:
930:
929:
925:
924:
923:
921:
920:
919:
860:
859:
858:
857:
852:
848:
838:
836:
831:
830:
826:
816:
814:
806:
800:
793:
784:
777:
768:
761:
751:
749:
747:
731:
727:
711:
710:
698:
684:
680:
671:
669:
661:
660:
643:
612:
608:
561:
544:
497:
486:
476:
474:
470:
469:
462:
457:
429:
395:Bellevue Avenue
391:Chateau-sur-Mer
381:Halliwell Manor
348:Michael Jackson
332:
295:
271:
247:
222:
217:
188:
186:Characteristics
161:
132:is part of the
91:
84:
73:
67:
64:
49:
36:
32:
23:
22:
15:
12:
11:
5:
928:
918:
917:
912:
907:
902:
897:
892:
887:
882:
877:
872:
856:
855:
846:
824:
791:
775:
759:
745:
725:
696:
678:
641:
622:(3): 345–348.
606:
577:10.1086/495832
542:
513:10.1086/496115
484:
459:
458:
456:
453:
452:
451:
449:Stick-Eastlake
446:
428:
425:
331:
328:
294:
291:
270:
267:
246:
243:
221:
218:
216:
213:
187:
184:
160:
157:
126:Eastlake style
89:
86:
85:
46:of the subject
44:worldwide view
39:
37:
30:
9:
6:
4:
3:
2:
927:
916:
913:
911:
908:
906:
903:
901:
898:
896:
893:
891:
888:
886:
883:
881:
878:
876:
873:
871:
868:
867:
865:
850:
835:. 7 July 2008
834:
828:
812:
805:
798:
796:
788:
782:
780:
772:
766:
764:
748:
746:9780898027013
742:
738:
737:
729:
721:
715:
707:
703:
699:
693:
689:
682:
668:
667:buffaloah.com
664:
658:
656:
654:
652:
650:
648:
646:
637:
633:
629:
625:
621:
617:
610:
602:
598:
594:
590:
586:
582:
578:
574:
570:
566:
559:
557:
555:
553:
551:
549:
547:
538:
534:
530:
526:
522:
518:
514:
510:
506:
502:
495:
493:
491:
489:
473:
467:
465:
460:
450:
447:
445:
442:
441:
438:
433:
424:
422:
418:
414:
410:
408:
404:
400:
396:
392:
388:
386:
385:San Francisco
382:
378:
377:
367:
363:
361:
360:
355:
354:
349:
345:
341:
337:
327:
323:
319:
315:
313:
308:
299:
290:
286:
283:
275:
266:
262:
259:
258:Winters House
253:Winters House
251:
245:Winters House
242:
238:
235:
226:
212:
208:
206:
205:Second Empire
202:
198:
194:
183:
179:
177:
172:
170:
166:
156:
152:
149:
146:
141:
139:
135:
131:
127:
123:
119:
115:
111:
107:
100:
95:
82:
79:
71:
68:November 2021
61:
57:
53:
47:
45:
38:
29:
28:
19:
885:House styles
849:
837:. Retrieved
827:
815:. Retrieved
810:
750:. Retrieved
735:
728:
687:
681:
670:. Retrieved
666:
619:
615:
609:
568:
564:
504:
500:
475:. Retrieved
411:
403:Rhode Island
389:
374:
372:
357:
351:
333:
324:
320:
316:
311:
306:
304:
287:
280:
263:
256:
239:
231:
209:
189:
180:
175:
173:
168:
162:
153:
150:
144:
142:
129:
125:
105:
103:
74:
65:
41:
507:(1): 1–26.
336:Los Angeles
193:gingerbread
112:and writer
864:Categories
706:1084627932
672:2020-05-30
663:"Eastlake"
455:References
407:gilded age
201:Italianate
817:August 5,
714:cite book
628:0042-5222
601:161908699
585:0084-0416
537:161700210
521:0084-0416
340:Echo Park
338:area, in
197:balusters
110:architect
56:talk page
839:23 March
571:: 1–22.
477:23 March
427:See also
353:Thriller
50:You may
752:30 July
636:3827247
593:1180557
529:1180789
399:Newport
376:Charmed
359:Charmed
215:Gallery
159:History
743:
704:
694:
634:
626:
599:
591:
583:
535:
527:
519:
807:(pdf)
632:JSTOR
597:S2CID
589:JSTOR
533:S2CID
525:JSTOR
393:, on
58:, or
841:2017
819:2013
754:2021
741:ISBN
720:link
702:OCLC
692:ISBN
624:ISSN
581:ISSN
517:ISSN
479:2017
342:and
203:and
104:The
573:doi
509:doi
415:in
397:in
387:.
350:'s
174:In
136:of
128:or
866::
809:.
794:^
778:^
762:^
716:}}
712:{{
700:.
690:.
665:.
644:^
630:.
620:22
618:.
595:.
587:.
579:.
569:10
567:.
545:^
531:.
523:.
515:.
505:18
503:.
487:^
463:^
401:,
140:.
843:.
821:.
789:.
773:.
756:.
722:)
708:.
675:.
638:.
603:.
575::
539:.
511::
481:.
81:)
75:(
70:)
66:(
48:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
