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While living in
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despite his dissolute habits, was possessed of no mean talent in his particular line. He never attempted much in the way of oil paintings of any very fine work, because he was too restless and nervous and lacked application. As a caricaturist, however, he was a wonderful success. Specimens of his
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was known as an eccentric character, but a fellow of some talent, and very apt at cartoons. Free and easy specimens of his work adorn the walls of several leading saloons and sporting headquarters. . . . Through his paintings he was as well known as any man in the
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wrote that Jump "had an eye for accurate detail, even when his aim was burlesque. One of the pleasures his audiences got from his drawings was that in crowd scenes it was always possible to recognize the faces of scores of notable San
Franciscans."
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when he was hurt badly by two hoodlums who took a wallet, a ring, and sketches of the ball. Nevertheless, Jump was able to finish his drawing of the parade (above), and it was published in the
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240:...My dear wife: I have to go – keep calling here for letters; there will be a good one for you from England. I am too excited to write. God bless you. Your husband, E. Jump.
252:, No. 100 Oak Lodge, St. Louis, Mo. If I am disfigured don't let my poor wife see me. She is nervous, and it might kill her. I want to be buried by brothers. Edward Jump.
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by shooting himself in the head with a pistol, driven to depression by the state of his marriage, financial issues, and alcoholism. He died the next morning.
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22:(1831?-1883) was a French-American artist popular for his drawings and sketches in the United States during the mid-19th Century.
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The woman with whom he was living in 1860 was named Rose Jump. He married Emily C. Rogers of
Ireland on January 21, 1868, in the
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created labels for whiskey bottles, and caricatures of contemporary figures. The 1860 census listed him as a "portrait painter."
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edited with notes and introduction by
Bernard Taper, illustrated with the cartoons of Edward Jump. 263 pp. McGraw-Hill.
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fell from his pocket and discharged. He pleaded guilty and a judge sentenced him to ten minutes in the parish prison.
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for the bar-rooms, and do these big posters for the theaters, and make sketches for private individuals, and so on.
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Jump was born in Paris, France, around 1831. His early life is not well documented, but he emigrated to
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work in this line are to be found in a thousand different places and in a score of large cities . . . .
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Jump remained active in San
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Emily C. Jump was committed to a New York asylum 1in 1885 as a "helpless inebriate."
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541:"Edward Jump: A Brother Artist's Recollections of His Genius and Eccentricities,"
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Jump's funeral took place two days after his death, and he was buried at
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Jump was living in St. Louis in 1878 and assigned to make sketches for
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Clerk of the
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Sketches at the
Capital-The Smoking Room, House of Commons
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20 April 1883. -- Gentlemen: I belong to the Lodge of
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A dispatch from St. Louis, Missouri, said that Jump:
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Sketches at the
Capital. Men of Weight in Parliament
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526:"Mark Twain Is Joined by Others in Viewing SF,"
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106:In 1878, while working on sketches of the
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471:1878 St. Louis City Directory, page 485
460:1875 St. Louis City Directory, page 480
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607:U.S. Census for Cook County, Illinois
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114:, Jump was arrested on a charge of
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563:, Saturday, April 21, 1883 - p.6 (
386:"Jump, Edward (concise biography)"
216:On April 21, 1883, Jump committed
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433:"Edward Jump - artist biography"
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667:Gallery at the McCord Museum
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515:Chicago City Directory, 1882
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654:Mark Twain's San Francisco,
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33:, drawn by Jump, 1878. The
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35:Old Courthouse (St. Louis)
650:. Drawing by Edward Jump.
502:The New Orleans Democrat,
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543:St. Louis Post-Dispatch,
504:October 23, 1878, page 8
447:San Francisco Directory,
367:1860 U.S. Federal Census
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561:Chicago Daily Tribune
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545:May 18, 1883, page 7
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408:"Jump, the Artist,"
270:District of Columbia
52:California Gold Rush
621:"Musical Melange,"
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153:When Jump lived in
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676:Categories
641:This World
349:References
163:Mark Twain
149:Reputation
94:Cincinnati
92:, then to
48:California
231:St. Louis
157:, in the
42:Biography
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110:for the
98:St Louis
86:Montreal
286:Gallery
218:suicide
143:Chicago
137:Weekly.
118:when a
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120:pistol
212:Death
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159:1860s
189:The
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