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and
Guillaume Campo (1880â1952). These generally consist of a room with a sunny window, occupied by women in traditional costume, engaged in some daily activity. These paintings were very popular, selling throughout Europe and the United States.
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He was married twice, first to Jeanne Marie Cochet and then, in 1888, to Rosa
Hermans, with whom he had a son. During
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and his wife
Eulalie (nÊe Lemaire, 1828â1903). His older brother,
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Genre scenes were his speciality, with an occasional portrait or
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His first art lessons came from his father. Then he attended the
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De
Belgische beeldende kunstenaars uit de 19de en 20ste eeuw
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Dictionary of
Belgian painters born between 1750 & 1875
146:and, from 1873, took after-school classes at the
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46:but its sources remain unclear because it lacks
305:Royal Academy of Fine Arts (Antwerp) alumni
112:â 18 December 1949, Antwerp) was a Belgian
77:Learn how and when to remove this message
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213:Exposition Internationale d'Anvers
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237:; Brussels : Laconti, 1981
203:In 1894, he worked together with
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226:Dictionnaire des Peintres Belges
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233:Patrick Berko, Viviane Berko;
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132:, was also a genre painter.
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211:to create murals for the
32:This article includes a
269:More works by Portielje
251:, Art in Belgium, 1999
106:Edward Antoon Portielje
61:more precise citations.
300:Belgian genre painters
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310:Painters from Antwerp
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190:Albert D'Huyvetter
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34:list of references
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290:1949 deaths
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171:World War I
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59:introducing
279:Categories
101:The Letter
120:Biography
116:painter.
271:@ ArtNet
229:(Online)
182:seascape
175:Brussels
219:Sources
186:Zeeland
110:Antwerp
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