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Eight Miles High

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711:, countered by strenuously denying that the song was drug-related. Taylor issued an indignant press release stating unequivocally that the song was about the band's trip to England and not drug use. However, by the early 1980s, both Crosby and Clark were prepared to admit the song was not entirely as innocent as they had originally declared. Crosby said: "Of course it was a drug song! We were stoned when we wrote it." Clark was less blunt, explaining in an interview that "it was about a lot of things. It was about the airplane trip to England, it was about drugs, it was about all that. A piece of poetry of that nature is not limited to having it have to be just about airplanes or having it have to be just about drugs. It was inclusive because during those days the new experimenting with all the drugs was a very vogue thing to do." 525: 743: 780:, McGuinn denied that the song was an example of raga rock, while Crosby, speaking in 1998, dismissed the term entirely, saying "they kept trying to label us; every time we turned around, they came up with a new one ... it's a bunch of bullshit." Nonetheless, the experimental nature of the song placed the Byrds firmly at the forefront of the burgeoning psychedelic movement, along with 509:. Clark then showed the song to McGuinn and Crosby. McGuinn suggested that the song be arranged to incorporate Coltrane's influence. Since Clark's death, however, McGuinn has contended it was he who conceived the initial idea of writing a song about an airplane ride and that he and Crosby both contributed lyrics to Clark's unfinished draft. In his book, 771:, used the term to describe the record's experimental fusion of eastern and western music. However, although Kempton was the first person to use the term raga rock in print, she actually borrowed the phrase from the promotional material the Byrds' press office had supplied to accompany the "Eight Miles High" single release. In a 1968 interview for the 433:, which was then dominating the U.S. music charts. Other lyrics in the song that explicitly refer to the Byrds' stay in England include the couplet: "Nowhere is there warmth to be found/Among those afraid of losing their ground", which is a reference to the hostile reaction of the UK music press and to the English group 38: 733:
Top 10. Commercial radio stations were reluctant to play songs that were over two-and-a-half minutes long during the mid-1960s, and the song suffered from uncoordinated and inefficient promotion by Columbia Records. Teehan's research revealed that "Eight Miles High" failed to reach the Top Five in
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During the same month that "Eight Miles High" was released as a single, the Byrds' primary songwriter, Gene Clark, left the band. His fear of flying was given as the official reason for his departure, but other factors, including his tendency toward anxiety and paranoia, as well as his increasing
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described the song as "wild and oriental but still beaty". The publication also suggested that with the release of "Eight Miles High" the Byrds had jumped ahead of the Beatles in terms of creativity, saying " getting their single out now they've beaten the Beatles to the punch, for Paul admitted
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until April 29, 1966, almost seven weeks after the single had been released—ample time for it to have made its mark on the charts. Teehan has uncovered evidence showing "Eight Miles High" was already decelerating on the national charts before the end of April 1966. Having examined the local music
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because of the similarities in their names. In addition, "Round the squares, huddled in storms/Some laughing, some just shapeless forms" describes fans waiting for the band outside hotels, while the line "Sidewalk scenes and black limousines" refers to the excited crowds that jostled the band as
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refused to release that recording because it had not been produced at a Columbia-owned studio. McGuinn has since said he believes this original version of the song to be more spontaneous sounding than the better known Columbia release. That opinion was echoed by Crosby, who commented, "It was a
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The song remained a favorite of Clark's during his post-Byrds solo career and he often performed it at his concert appearances until his death, in 1991. McGuinn also continues to perform an intricate acoustic guitar rendition of the song at his concerts. Crosby has revisited "Eight Miles High"
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Although the basic idea for the song had been discussed during the band's flight to England, it did not begin to take shape until the Byrds' November 1965 tour of the U.S. To alleviate the boredom of traveling from show to show during the tour, Crosby had brought along
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Research analyst Mark Teehan, writing for Popular Musicology Online, has challenged the widely held view among critics, music historians and the Byrds themselves that the U.S. radio ban hurt sales of "Eight Miles High". He points out that although the
699:, a weekly newsletter circulated to U.S. radio stations. This resulted in "Eight Miles High" being banned in a number of states within a week of the report being published, a factor which contributed to the single's failure to break into the 762:, Priore cites the song as the one that kicked off the psychedelic craze, explaining "prior to 'Eight Miles High,' there were no pop records with incessant, hypnotic basslines juxtaposed by droning, trance-induced improvisational guitar." 609:"Eight Miles High" also exhibits the influence of sitarist Ravi Shankar, particularly in the droning quality of the song's vocal melody and in McGuinn's guitar playing. However, the song does not actually feature the sound of the 728:
regional retail sales charts as they relate to the national charting of "Eight Miles High", Teehan found that the progressive, complex and uncommercial nature of the song was a much bigger factor in its failure to reach the
397:, which was released on July 18, 1966. "Eight Miles High" became the Byrds' third and final U.S. Top 20 hit, and was their last release before the departure of Clark, who was the band's principal songwriter at the time. 371:. The band strenuously denied these allegations at the time, but in later years both Clark and Crosby admitted that the song was at least partly inspired by their drug use. The failure of "Eight Miles High" to reach the 543: 826:
website, has described "Eight Miles High" as "one of the greatest singles of the '60s." Critics often cite "Eight Miles High" as being the first bona fide psychedelic rock song, as well as a classic of the
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influences, along with its impressionistic lyrics, were immediately influential on the emerging genre of psychedelic rock. Accordingly, some authors and music historians, including Eric V. D. Luft,
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stunner, it was better, it was stronger. It had more flow to it. It was the way we wanted it to be." This original version of "Eight Miles High" was eventually released on the 1987 archival album
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recommended that radio stations withdraw the single from airplay, many stations did not comply with this suggestion. In addition, he notes that the radio ban was not suggested by the
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According to Clark, the lyrics were primarily his creation, with a minor contribution being Crosby's line, "Rain grey town, known for its sound"—a reference to London as home to the
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isolation within the group, were also at work. Following the release of "Eight Miles High" and Clark's departure, the Byrds never again managed to place a single in the
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any of his 23 sample regional markets, and most telling, among the thirty radio stations included within this sample, it reached the Top 10 on only seven of them (23%).
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Top 10 is usually attributed to the broadcasting ban, but some commentators have suggested the song's complexity and uncommercial nature were greater factors.
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Clark began writing the song's lyrics on November 24, 1965, when he scribbled down some rough ideas for later development, after a discussion with guitarist
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The song's lyrics are, for the most part, about the group's flight to London in August 1965 and their accompanying English tour, as hinted at by the opening
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The Byrds at the "Eight Miles High" press conference in March 1966, posing with a sitar in order to illustrate the Indian influences present in the song.
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The song was responsible for the naming of the musical subgenre raga rock, when journalist Sally Kempton, in her review of the single for
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repertoire until their final disbandment in 1973. A sixteen-minute live version of "Eight Miles High" was included on the Byrds'
838:, an honor reserved for "recordings of lasting qualitative or historical significance that are at least 25 years old." In 2004, 414:: "Eight miles high and when you touch down, you'll find that it's stranger than known." Although commercial airliners fly at an 2203: 1140:", contains a reference to the song with the line "I tripped on a cloud and fell a-eight miles high." The independent rock band 3837: 2500: 813:
magazine also praised the song, commenting "It's an eerie tune with lyrics bound to hypnotize. Will climb heights." In the UK,
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magazine describing the song as a "Big beat rhythm rocker with soft lyric ballad vocal and off-beat instrumental backing."
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of six to seven miles, it was felt that "eight miles high" sounded more poetic than six and also alluded to the title of
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recently that the Liverpool foursome are working on a similar sound for their new album and single." In recent years,
758:, and Dwight Rounds, have described "Eight Miles High" as being the first bona fide psychedelic rock song. In his book 672:"Eight Miles High" was released on March 14, 1966, in the U.S. and May 29, 1966, in the UK, reaching number 14 on the 2232: 2013:"The Byrds, "Eight Miles High", the Gavin Report, and Media Censorship of Alleged 'Drug Songs' in 1966: An Assessment" 3847: 3599: 2425: 2395: 2274: 1883: 1826: 1730: 1550: 1522: 1422: 1394: 1324: 1302: 1248: 534: 464: 17: 2177: 3754: 3553: 3425: 3201: 924: 574:
of "Eight Miles High" was recorded on January 24 and 25, 1966, at Columbia Studios in Hollywood. Record producer
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handling McGuinn's guitar solo, while the other three members sang the song's three-part harmonies. The Byrds'
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guided the band through the recording process. John Einarson has commented that the influence of Coltrane's
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held to promote the single. In a 1966 promotional interview, which was added to the expanded
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album, can be heard clearly in "Eight Miles High"—most noticeably in McGuinn's recurring
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and the Rolling Stones, who were all exploring similar musical territory concurrently.
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ban shortly after its release, following allegations published in the broadcasting
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album in 1970, and another live version was released as part of the 2008 album,
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album, Crosby said that the song's ending made him "feel like a plane landing."
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Die at the Right Time!: A Subjective Cultural History of the American Sixties
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Following its release, the band faced allegations of advocating the use of
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references "Eight Miles High" in its song "Plus Ones", on the 2007 album
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So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973)
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So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973)
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So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973)
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So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973)
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So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973)
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The Year the Music Died: 1964-1972: A Commentary on the Best Era of Pop
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infrequently during his post-Byrds career, but it was performed during
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The Byrds' version of "Eight Miles High" is featured in the 1983 film
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An excerpt from the intro of "Eight Miles High", demonstrating the
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magazine ranked "Eight Miles High" at number 151 on their list of
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This article is about the song by the Byrds. For other uses, see
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Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark
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Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark
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Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark
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Contemporary reviews for the single were mostly positive, with
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Riot On Sunset Strip: Rock 'n' Roll's Last Stand in Hollywood
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Riot On Sunset Strip: Rock 'n' Roll's Last Stand in Hollywood
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released the song as a single prior to the release of their
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Just Dropped In (To See What Condition My Condition Was In)
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recorded the song with revised lyrics on their 1988 album,
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An earlier version of "Eight Miles High" was recorded with
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album, "Eight Miles High" also appears on several Byrds'
680:. The song was also included on the band's third album, 2178:"The Byrdwatcher Interview with David Crosby: Part Five" 501:, before the Byrds made a concert appearance supporting 391:. The song was also included on the band's third album, 3329:
20 Essential Tracks from the Byrds Box Set (1965-1990)
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Byrdwatcher: A Field Guide to the Byrds of Los Angeles
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The Byrds performed "Eight Miles High" on a number of
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playing and, in particular his song "India" from the
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SMiLE: The Story of Brian Wilson's Lost Masterpiece
1972: 1909: 1565: 1437: 919:, David Crosby, and Chris Hillman in January 1989. 598:'s driving and hypnotic bass line, Crosby's chunky 1540: 1083:, who included a nineteen-minute version on their 857:placed the song at number 50 on their list of the 1719:Long Time Gone: The Autobiography of David Crosby 1687: 1591: 1589: 1587: 807:-soaked affair with some real inventive riffs." 636:Studios in Los Angeles on December 22, 1965, but 3799: 2654:"Golden Earring – Eight Miles High album review" 2072: 1623: 1322: 3853:Censorship of broadcasting in the United States 3280:The Best of The Byrds: Greatest Hits, Volume II 2824: 2420:(2nd ed.). Rogan House. pp. 591–617. 2381: 1937: 1844: 1821:(2nd ed.). Rogan House. pp. 541–544. 1517:(2nd ed.). Rogan House. pp. 152–157. 1288: 1243:(2nd ed.). Rogan House. pp. 158–163. 1006:by many different bands and artists including: 803:described the single as a "rhythmic, shufflin’ 2415: 2125: 2097: 1933: 1931: 1816: 1798: 1716: 1595: 1584: 1512: 1412: 1384: 1238: 3026: 2767:"American Pie: What's the meaning of Verse 4" 2740:"Don McLean's American Pie – Official Lyrics" 2472:"Live at Royal Albert Hall 1971 album review" 1353: 1107:with Roger McGuinn covered the song on their 2764: 2411: 2409: 2407: 1869: 1812: 1810: 1683: 1681: 380:"Eight Miles High" reached number 14 on the 2709: 2036: 2034: 1928: 1840: 1838: 1408: 1406: 1284: 1282: 1280: 1234: 1232: 1230: 1228: 1226: 1224: 1187: – vocals, 12-string guitar 1154:'s song "Life Itself", from his 2009 album 314:on March 14, 1966. Musically influenced by 3033: 3019: 2469: 1600:(2nd ed.). Rogan House. p. 620. 1536: 1534: 1508: 1506: 1504: 1502: 1500: 1498: 1496: 1494: 1492: 1417:(2nd ed.). Rogan House. p. 141. 1278: 1276: 1274: 1272: 1270: 1268: 1266: 1264: 1262: 1260: 1079:in 1984. The song was covered in 1969 by 737: 590:solo. In addition to this striking guitar 36: 3308:The Original Singles: 1967–1969, Volume 2 3301:The Original Singles: 1965–1967, Volume 1 2680: 2498: 2404: 1968: 1966: 1807: 1776:. Euclid Business Network. Archived from 1678: 1619: 1617: 1389:(2nd ed.). Rogan House. p. 95. 1318: 1316: 1314: 967:The Original Singles: 1965–1967, Volume 1 899:. The song became a staple of the band's 446:they exited their chauffeur-driven cars. 2529: 2175: 2031: 2010: 1905: 1903: 1901: 1899: 1897: 1895: 1835: 1767: 1694:Continuum International Publishing Group 1545:. Northeastern Publishing. p. 351. 1403: 1221: 834:In 1999, the song was inducted into the 741: 2936:from the original on September 12, 2011 2634:from the original on September 22, 2017 2440: 2363:from the original on September 16, 2009 2260: 1872:The Complete Book of the British Charts 1746:The Byrds: how we made Eight Miles High 1651: 1531: 1489: 1257: 686:, which was released on July 18, 1966. 3800: 3483:So You Want to Be a Rock 'n' Roll Star 2869:from the original on November 29, 2014 2291:"GRAMMY Hall of Fame: Past Recipients" 2006: 2004: 2002: 2000: 1998: 1996: 1994: 1963: 1614: 1461: 1459: 1323:McGuinn, Camilla (February 14, 2009). 1311: 881:during the 1960s and 1970s, including 3393:Time Between – A Tribute to The Byrds 3014: 2576:from the original on October 24, 2016 1892: 1863: 1801:Fifth Dimension (1996 CD liner notes) 1666:from the original on October 24, 2016 944:In addition to its appearance on the 662: 3828:Grammy Hall of Fame Award recipients 3234:Live at the Fillmore – February 1969 2777:from the original on January 5, 2010 2683:"To the Power of Three album review" 2560:"Eight Miles High album appearances" 2418:The Byrds: Timeless Flight Revisited 2325:"The 500 Greatest Songs Of All Time" 1849:. Record Research Inc. p. 130. 1819:The Byrds: Timeless Flight Revisited 1690:The Dawn of Indian music in the West 1598:The Byrds: Timeless Flight Revisited 1515:The Byrds: Timeless Flight Revisited 1415:The Byrds: Timeless Flight Revisited 1387:The Byrds: Timeless Flight Revisited 1241:The Byrds: Timeless Flight Revisited 2972:from the original on March 10, 2016 2742:. Don McLean Online. Archived from 2630:. Hüsker Dü Annotated Discography. 2608:from the original on March 31, 2017 2019:from the original on April 11, 2012 1991: 1456: 998:Cover versions and media references 13: 3273:The Byrds' Greatest Hits Volume II 2225: 2196: 1477:from the original on April 3, 2012 847:The 500 Greatest Songs of All Time 594:, the song is also highlighted by 523: 342:song, as well as a classic of the 14: 3894: 2987: 2857:"Working on a Dream album review" 2837:from the original on May 22, 2010 2827:"Working on a Dream album review" 2628:"Hüsker Dü – Commercial Releases" 2596:"Eight Miles High cover versions" 2337:from the original on May 29, 2012 2054:from the original on May 31, 2012 1977:. Jawbone Press. pp. 91–92. 1914:. Jawbone Press. pp. 84–87. 1366:from the original on May 13, 2011 1335:from the original on July 8, 2011 1199: – vocals, guitar 667: 18:Eight Miles High (disambiguation) 3755:Crosby, Stills, Nash & Young 2077:. Gegenstaz Press. p. 155. 1356:"Sold on Song: Eight Miles High" 925:Crosby, Stills, Nash & Young 602:playing and the band's ethereal 561:Problems playing this file? See 539: 3823:American psychedelic rock songs 2948: 2912: 2881: 2849: 2818: 2789: 2758: 2732: 2703: 2674: 2646: 2620: 2588: 2552: 2523: 2492: 2463: 2434: 2375: 2349: 2317: 2283: 2263:Music of the Counterculture Era 2254: 2169: 2144: 2130:. Bridgeway Books. p. 59. 2119: 2091: 2066: 1792: 1761: 1739: 1710: 1645: 1559: 864: 349:The song was subject to a U.S. 3833:Songs written by Roger McGuinn 3635:The World Turns All Around Her 3241:Live at Royal Albert Hall 1971 2798:"The Stage Names album review" 2507:. Rick Landers. Archived from 1943:"Fifth Dimension album review" 1431: 1378: 1347: 1205: – bass guitar 927:'s reunion tour of 2000, with 912:Live at Royal Albert Hall 1971 676:Hot 100, and number 24 on the 405: 1: 3838:Songs written by David Crosby 3649:The Times They Are a-Changin' 3040: 2532:"The Other Side album review" 2155:. Jawbone Press. p. 88. 2042:"Psychedelic/Garage Overview" 2015:. Popular Musicology Online. 1631:. Jawbone Press. p. 81. 1570:. Jawbone Press. p. 72. 1442:. Jawbone Press. p. 75. 1215: 750:The song's use of Indian and 310:. It was first released as a 3868:Songs based on actual events 3765:McGuinn, Clark & Hillman 3554:It's All Over Now, Baby Blue 3426:I'll Feel a Whole Lot Better 2999:"Eight Miles High" tablature 2712:"I Feel Possessed EP review" 2357:"100 Greatest Guitar Tracks" 2242:. March 26, 1966. p. 18 2151:Hjort, Christopher. (2008). 1973:Hjort, Christopher. (2008). 1910:Hjort, Christopher. (2008). 1566:Hjort, Christopher. (2008). 1438:Hjort, Christopher. (2008). 1178: 1002:"Eight Miles High" has been 703:Top 10. The Byrds and their 516: 306:(a.k.a. Roger McGuinn), and 290:" is a song by the American 7: 3843:Songs written by Gene Clark 3760:The Flying Burrito Brothers 3160:The Notorious Byrd Brothers 2796:Monger, James Christopher. 2213:. April 2, 1966. p. 18 1543:The Exotic In Western Music 1541:Bellman, Jonathan. (1997). 647:and was also included as a 387:chart and number 24 on the 10: 3899: 3336:The Very Best of The Byrds 2994:BBC – Radio 2 Sold on Song 2267:Greenwood Publishing Group 2261:Perrone, James E. (2004). 1751:November 14, 2017, at the 1688:Lavezzoli, Peter. (2007). 1172:From the Earth to the Moon 1091:Emerson, Lake & Palmer 979:The Very Best of The Byrds 859:100 Greatest Guitar Tracks 696:Bill Gavin's Record Report 400: 270:"Eight Miles High" (audio) 15: 3783: 3747: 3686: 3677:You Don't Miss Your Water 3577: 3437:She Don't Care About Time 3402: 3384: 3359: 3250: 3218: 3123: 3048: 2889:"Purple Haze: Soundtrack" 2501:"Roger McGuinn Interview" 2443:"(Untitled) album review" 2359:. Rockandrollreport.com. 2105:. Sanctuary. p. 38. 2073:Luft, Eric V. D. (2009). 1847:Top Pop Singles 1955–2006 1471:University of North Texas 1193: – vocals 280: 267: 262: 258: 217: 209: 195: 167: 155: 139: 113: 100: 92: 84: 68: 58: 47: 35: 30: 3848:Columbia Records singles 3621:Lay Down Your Weary Tune 3259:The Byrds' Greatest Hits 3174:Dr. Byrds & Mr. Hyde 2382:Einarson, John. (2005). 2233:"CashBox Record Reviews" 1845:Whitburn, Joel. (2008). 1289:Einarson, John. (2005). 1211: – drums 955:The Byrds' Greatest Hits 437:serving the band with a 25:1966 single by the Byrds 3628:He Was a Friend of Mine 3593:Spanish Harlem Incident 3522:You Ain't Goin' Nowhere 3422:All I Really Want to Do 3167:Sweetheart of the Rodeo 2961:Internet Movie Database 2925:Internet Movie Database 2894:Internet Movie Database 2505:Modern Guitars Magazine 2416:Rogan, Johnny. (1998). 2126:Rounds, Dwight (2007). 1817:Rogan, Johnny. (1998). 1799:Rogan, Johnny. (1996). 1717:Crosby, David. (1990). 1596:Rogan, Johnny. (1998). 1513:Rogan, Johnny. (1998). 1413:Rogan, Johnny. (1998). 1385:Rogan, Johnny. (1998). 1239:Rogan, Johnny. (1998). 738:Influence and reception 3497:Have You Seen Her Face 3444:Set You Free This Time 3153:Younger Than Yesterday 3004:July 16, 2012, at the 747: 528: 443:copyright infringement 224:Set You Free This Time 3873:Psychedelic pop songs 3670:Nothing Was Delivered 3550:Jesus Is Just Alright 3536:Wasn't Born to Follow 3343:The Preflyte Sessions 2825:Stephen, M. Deusner. 2299:The Recording Academy 1870:Brown, Tony. (2000). 1100:To the Power of Three 745: 527: 3775:The Desert Rose Band 3607:The Bells of Rhymney 3543:Ballad of Easy Rider 3469:5D (Fifth Dimension) 3294:The Byrds Play Dylan 3287:History of The Byrds 3181:Ballad of Easy Rider 2746:on November 29, 2014 2604:. Rovi Corporation. 2269:. pp. 113–114. 2050:. Rovi Corporation. 1758:, September 16, 2014 1696:. pp. 155–157. 1662:. 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Index

Eight Miles High (disambiguation)

Single
the Byrds
Fifth Dimension
B-side
Why
Studio
Columbia
Genre
Psychedelic rock
raga rock
psychedelic pop
Label
Columbia
Songwriter(s)
Gene Clark
Jim McGuinn
David Crosby
Producer(s)
Allen Stanton
The Byrds
Set You Free This Time
It Won't Be Wrong
5D (Fifth Dimension)
"Eight Miles High" (audio)
YouTube
rock
the Byrds
Gene Clark

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