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Raga rock

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1405: 5906: 5407: 1230:, the 13-minute instrumental fully explored the modal improvisation introduced by McGuinn on "Eight Miles High". Bloomfield likened the Indian drone to "the sound a bee makes: a steady hum" and said that while the pattern was essentially simple, the "challenge" was in "improvis a free melody around the one basic drone". In Lavezzoli's view, Bloomfield's playing on "East-West" "opened the door to unlimited freedom of expression for all rock guitarists, from 5918: 5419: 1753:. Bellman writes that "the Kinks' use of eastern musical influences to allude to personal and sexual matters is directly in keeping with historical uses of exoticism as signifier for forbidden sexuality." Bellman and other scholars suggest that, through raga rock, the Orient once again becomes a Western fantasy land, mediated to mass culture audiences of the mid- and late twentieth century through rock and roll. 1020: 118: 1109:
techniques on sitar and acoustic guitar, respectively, while their two bandmates appeared bored and instead read magazines. Kempton said that the message was lost on those attending the press conference, namely female reporters from teen magazines and conservative-looking representatives from the music industry.
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also recorded in the raga rock style. Having been accepted as a student by Shankar in June 1966, Harrison travelled to India for intensive sitar study in September. Harrison's championing of Indian culture further popularised the trend among Western musicians and, in Schaffner's description, earned
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of pop music". He also wrote: "Attempts at fusions with Indian music, especially with jazz, go back to the late fifties but it took the Beatles and a media which had a seemingly insatiable hunger for all that band's activities to catapult Indian music to the forefront of public awareness and,
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and took place in New York on 28 March, with a sitar symbolically placed in front of the table where the Byrds sat. Kempton wrote dismissively of the event, during which McGuinn and Crosby spoke earnestly of the group's adoption of Indian influences, with the two musicians demonstrating raga
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According to Echard, the raga rock trend was largely over by early 1968, having declined late the previous year. In Bellman's opinion, the musical exploration evident in raga rock over 1965–67 was largely replaced by a formulaic approach in 1968. He cited the Moody Blues' July 1968 release
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It's rock 'n' roll, it's neither jazz nor Indian music. But we listen to their music and we like it and it influences our minds and our playing ... Rock is going to keep growing. It has in it now African, South American, jazz, folk, church, Bach, Indian, Greek, country, bluegrass.
1046:", were also influential in originating the subgenre. Whereas earlier recordings by the Kinks, the Yardbirds and the Beatles had used Indian sounds to complement standard song forms, the Byrds incorporated the improvisational technique typical of Shankar's work and of 993:, which included incidental music played by Indian session musicians. Writing in 1997, Jonathan Bellman commented that the Yardbirds and Kinks recordings were often overlooked in discussions of raga rock's origins, as history instead highlighted the Beatles' " 1007:, and the first to feature Indian instrumentation played by a rock musician. The song's popularity inspired a wave of interest in the sitar and Indian sounds, a phenomenon that Shankar later called "the great sitar explosion". According to authors 1172:", released as a single in June, was another example of the style's growing popularity. William Echard identifies the song's sitar-like guitar solo as both an authentic indicator of raga rock and a device seemingly aimed at exploiting the trend. 1323:
track "Three King Fishers"; and recordings that incorporated aspects of Indian music in their compositional form, such as "Eight Miles High" and Donovan's "The Trip". Davies' second raga rock song with the Kinks, "Fancy", from 1966's
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Writing in 1988, musicologist Gerry Farrell said the recognition afforded the Beatles for changes in the musical landscape during the 1960s was because their popularity and influence was such that they represented "a kind of
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in April. According to Gendron, however, the fusion of Indian and Western sounds continued to be treated with disdain by writers from the American cultural press, who viewed the new subgenre as part of the consolidation of
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says the phrase was a "catch-all term" and "something of a misnomer", since it was often applied to any piece of rock music that "used non-European instrumentation or music styles to denote its exotic qualities".
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successfully conveyed "the brooding quality of the darker ragas" in his contribution to "The End", by first creating a drone on plucked open-tuned strings while also playing a motif in the manner of a sitar or
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album, again used chord changes minimally, but sufficient to keep the composition identifiable as Western pop. By contrast, Harrison adhered to the authentically Indian, single-chord form in "Love You To" and
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aesthetic in the 1960s. Most raga rock recordings originate from that decade, although there are subsequent examples of Indian-derived sounds in rock and pop music, particularly during the 1990s.
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added to the collection of what Brend terms "sitarploitation" LPs – containing raga rock-style cover versions of well-known pop songs – a phenomenon that, inaugurated by Rao's
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reported on the Byrds demonstrating how "sitar-like sounds" could be played on guitar by tuning the standard E strings down to D; this allowed the guitarist to play in partial
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Some scholars approach raga rock and other uses of non-Western musical materials in Western popular music from sociological perspectives, especially as a manifestation of
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emulated the sitar figure, tone and accompanying drone on the electric guitar for the master recording. The song reached number 2 on the UK chart and number 9 in the US.
1645:", both of which included Sanskrit lyrics. The band continued to introduce raga rock material into their repertoire, including "Song of Love/Narayana", which lead singer 964:. Davies' vocal affectations added to the track's Indian quality; in author Peter Lavezzoli's description, "See My Friends" was "the first pop song to evoke an Indian 1906:
Harrison continued to draw inspiration as a songwriter from Indian music, however, particularly following the Beatles' break-up in 1970. Lavezzoli describes his
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Pearlman nevertheless categorised "Love You To" among the songs in which an Indian influence was more decorative than an intrinsic part of the composition.
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style, with rapid strumming alternating with the melody line. Lavezzoli writes that sitar sounds were becoming a "fixture in pop music" in 1967, with
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The term "raga rock" was coined by the Byrds' publicist in press releases for "Eight Miles High" and was first used in print by Sally Kempton of
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as a work that combined the now-familiar sounds of sitar and tabla with an album-wide concept that reinforced the perceived connection between
1491:", with its use of tambura and shehnai over distorted acoustic rhythm guitars, and Harrison's final Indian-style composition for the Beatles, " 1222: 2059: 1164:
and became an international number 1 hit. According to author Mark Brend, the song "spawned a whole subgenre of minor-key psychedelia".
1665: 1418:, incorporated drone and raga rock ambience, and vocals evoking the khyal tradition in style and ornamentation. The Doors closed their 1104:
in her report of the band's press conference for the single's release. The press conference was organised by former Beatles publicist
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album, the folk-styled "Norwegian Wood" was the first Western pop song to incorporate the sitar, which was played by lead guitarist
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During the height of the subgenre's popularity that year, Indian musicians also contributed to its development. Released on the
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icon in 1966, following the rise of the raga rock trend. Rock's use of elements from the Indian classical tradition included:
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him the sobriquet "the maharaja of raga-rock". While many musicians at this time adopted the sitar as a fad, he, Jones,
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also dismissed the term. While many listeners assumed that the lead instrument on these and other songs on the Byrds'
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player accompanied the Yardbirds on a demo recording of the song, but only the tabla part was deemed usable. Instead,
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were among the London-based guitarists who approached the instrument with a serious interest and shared their ideas.
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Farrell, Gerry (May 1988). "Reflecting Surfaces: The Use of Elements of Indian Music in Popular Music and Jazz".
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While "Heart Full of Soul" and "See My Friends" were both influential in the emerging trend, according to author
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into his lyrics for "Within You Without You", providing a message that also served as the ethos behind the 1967
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According to Rob Chapman, the other record "chiefly credited with introducing raga motifs into Western pop" is
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incorporated raga rock, among several other styles, into the extended jams they performed in concert in 1968.
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and inspired by a visit to India, the song used open-tuned guitars to imitate the drone produced by an Indian
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sections. He also incorporated a wide range of Indian instrumentation by 1967, with sitar, tambura, tabla,
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approach as "unique" and highlights Harrison's evocation of an Indian sarod or veena in the instrumental "
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included cover versions of "Norwegian Wood", "Paint It Black", "Eight Miles High" and the Yardbirds' "
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During this period, the Beatles also recorded two Indian-inspired songs that Harrison performed on
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album among the "landmark" raga rock music issued in 1966. Released in August, it included both "
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magazine reported on the growth of the raga rock trend in association with the proliferation of
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of the Indian subcontinent. The term "raga rock" originated in March 1966 as a description of
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Echard cites "Tomorrow Never Knows" as an example of raga rock "rubb shoulders with the
976:", which was number 1 in many countries around the world, featured a melody that author 5865: 4771: 4112: 3853:
The Ambient Century: From Mahler to Moby – The Evolution of Sound in the Electronic Age
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throughout, and had customised his guitar amplifier to achieve the sitar-like sound.
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had been incorporating into his music since 1963. More recently, Chapman and author
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introduced a jazz-influenced version of raga rock over the course of three albums.
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and Bernard Gendron, raga rock was inaugurated by the release of "Norwegian Wood".
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Pearlman, Sandy (December 1966). "Patterns and Sounds: The Uses of Raga in Rock".
1745:. Partly under Shankar's guidance, Harrison channelled the teachings of the Hindu 1408:
The Doors in late 1966, a few months after recording the lengthy track, "The End".
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discussing the Byrds' raga rock sound in 1966, although he later rejected the term
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One of Crosby's final songs with the Byrds, "Mind Gardens", from the 1967 album
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traced the origins of raga rock to folk music, specifically the drone-producing
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EP, predated the raga rock experimentation of 1960s rock groups by two years.
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Lebanon, NH: University Press of New England. ISBN 1-55553-319-1. p. 294-95.
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terms "raga-like" over a subtle Indian drone produced by electric guitars.
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The Psychedelic Experience: A Manual Based on the Tibetan Book of the Dead
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in 1997, both of which contained Indian and psychedelic rock influences.
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The Byrds hosting their "raga rock" press conference for the release of "
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So You Want to Be a Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973)
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Recently, a revival of sorts has been heralded by Western bands such as
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Reck, David B. (2009). "India/South India". In Titon, Jeff Todd (ed.).
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Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde
1919: 1596: 1592: 1515: 1460: 1440: 1362: 984: 957: 897: 884: 798: 790: 723: 618: 331: 321: 292: 275: 258: 208: 49: 1897:, "Blue Jay Way" featured a cello part played in the style of a sitar. 1019: 5694: 5673: 5125: 5108: 4815: 4586: 4576: 4571: 4495: 4490: 4459: 4449: 4434: 4429: 4404: 4399: 4389: 4353: 4313: 4293: 4283: 3938: 3933: 1767: 1707: 1695: 1444: 1290: 1194: 1141: 1031: 987:, "the first truly mass exposure" was through the Beatles' 1965 film 949: 942: 826: 727: 122: 64: 3892:
Worlds of Music: An Introduction to the Music of the World's Peoples
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Impossible Desires: Queer Diasporas and South Asian Public Cultures
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Further examples of the subgenre in 1968 were the Rolling Stones' "
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Psychedelic Popular Music: A History through Musical Topic Theory
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Strange Sounds: Offbeat Instruments and Sonic Experiments in Pop
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contributing sitar parts to Traffic's first two hit singles, "
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Along with "Eight Miles High", Echard highlights the Beatles'
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mixed elements of Indian classical music with rock and jazz.
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For the album by the Folkswingers featuring Harihar Rao, see
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Long and Winding Roads: The Evolving Artistry of the Beatles
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Revolution in the Head: The Beatles' Records and the Sixties
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Brimful of Asia: Negotiating Ethnicity on the UK Music Scene
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Brimful of Asia: Negotiating Ethnicity on the UK Music Scene
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began to assimilate Asian instruments such as the sitar and
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Riot on Sunset Strip: Rock'n'Roll's Last Stand in Hollywood
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lyrical themes related to mysticism or religious symbolism.
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The British Invasion: From the First Wave to the New Wave
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British Invasion: The Crosscurrents of Musical Influence
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The Beatles as Musicians: Revolver Through the Anthology
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denied that "Eight Miles High" was raga rock; co-writer
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sitar (usually serving the role of an electric guitar)
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into their music, culminating with their 1997 album
3218: 2817: 2639: 2540: 2513: 2101: 2014: 1560:From 1969 and through the early 1970s, the British 1160:", which featured a sitar part played by guitarist 1133:, and an early discussion of raga rock appeared in 3423: 3396: 3365: 2076: 1979: 1576:in 1970, a raga rock work that blended sitar with 1514:s influence on the later raga rock sound of 1990s 2038: 1830:a common feature of popular culture in the West." 1701: 1609:. The album, which fused Indian music with rock, 5936: 1341:in June 1967, and both songs were arranged in a 908:'s raga-tinged arrangement of the Irish ballad " 817:A major influence on raga rock was the music of 1267:, accompanied by jazz musicians and members of 758:" refers to the specific melodic modes used in 5451: 4078: 3765:. Cambridge, UK: Cambridge University Press. 3421: 3363: 1147: 929:Music researcher William Echard states that " 700: 3689:. Chicago, IL: University of Chicago Press. 1482: 1205:and in the Indian-inspired guitar solos on " 1074:album was a sitar, McGuinn in fact played a 904:have both noted that English folk guitarist 3849: 2701: 2483: 2079:New Sounds: A Listener's Guide to New Music 5458: 5444: 4085: 4071: 3897:. Belmont, CA: Schirmer Cengage Learning. 3725:1965: The Most Revolutionary Year in Music 3030: 1988: 1507:. Music journalist Chris Ingham has noted 707: 693: 5465: 4004: 3983: 3779: 3763:Musical Exoticism: Images and Reflections 3741: 3641:. New York, NY: Oxford University Press. 3508: 3496: 3359: 3357: 3155: 3143: 3131: 3107: 3083: 3018: 2994: 2970: 2955: 2931: 2883: 2871: 2847: 2732: 2713: 2677: 2665: 2594: 2582: 2495: 2471: 2431: 2373: 2349: 2337: 2253: 2241: 2202: 1306:(Donovan's guitarist) and session player 997:". Issued in December 1965 on the band's 870:lead instruments mirroring the vocal line 856:additive, rather than divisive, rhythms ( 125:known for his extensive contributions to 3835:. Lanham, MD: Rowman & Littlefield. 3801: 3467:Harris, John (2003). "Cruel Britannia". 2083:. New York City: HarperCollins. p.  2071: 2049: 1723:ideology and, according to music critic 1572:(a nephew of Ravi Shankar) released his 1403: 1253:record label in June, the Folkswingers' 1018: 3930: 3722: 3684: 3655: 3633: 3586: 3548: 3532: 3248: 3236: 3200: 3095: 2982: 2943: 2919: 2907: 2835: 2791: 2621: 2570: 2558: 2402: 2390: 2313: 2301: 2277: 2265: 2229: 2190: 2175: 2119: 2032: 1973: 1956: 1801:and other Hindu themes anticipated the 1666:Their Satanic Majesties' Second Request 785:are specific melodic modes used in the 5937: 4023: 3961: 3870: 3610: 3520: 3484: 3466: 3430:. Ashgate Publishing Limited. p.  3372:. Ashgate Publishing Limited. p.  3354: 3288: 3224: 3212: 3167: 2759: 2648: 2633: 2534: 2419: 2289: 2143: 2131: 2107: 2062:(9 June 2015). Retrieved 11 July 2017. 2020: 1193:, which featured heavy tambura drone, 1076:Rickenbacker 12-string electric guitar 1054:interpretations of ragas. In his 1968 5439: 4066: 3911: 3828: 3760: 3703: 3572:. San Francisco, CA: Backbeat Books. 3567: 3454: 3401:. Duke University Press. p. 40. 3071: 3059: 3006: 2895: 2859: 2823: 2747: 2689: 2609: 2546: 2522: 2507: 2361: 2325: 2214: 1625:" (itself a tribute to Indian singer 1338:Sgt. Pepper's Lonely Hearts Club Band 1015:The Byrds' raga-rock press conference 850:modal melodies based on Indian scales 5310:Rock music and the fall of communism 3914:The Byrds: Timeless Flight Revisited 3889: 3744:The Dawn of Indian Music in the West 3727:. New York, NY: Thomas Dunne Books. 3119: 3033:"How a Shy Pandit Became a Pop Hero" 1060:interview, however, Byrds guitarist 995:Norwegian Wood (This Bird Has Flown) 968:". Before either of these examples, 1621:, featured the UK number 1 single " 1555: 1263:, a Los Angeles-based sitarist and 13: 4051:Indian influences in Western music 3967:1966: The Year the Decade Exploded 3808:Guitar Masters: Intimate Portraits 3300: 3031:Borgzinner, Jon (18 August 1967). 1633:. In 1996, the British rock group 1463:guitar company. Bell's 1967 album 1381:. Another foray into raga rock on 734:, either in its construction, its 14: 5966: 4044: 1580:. Later in the decade, guitarist 1455:, designed by American guitarist 924: 765:The style emerged as part of the 474:Nationalistic and patriotic songs 5916: 5905: 5904: 5417: 5406: 5405: 3553:. Lebanon, New Hampshire: UPNE. 3460: 3415: 3390: 3332: 3326: 3294: 3260: 1637:had top 10 raga rock hits with " 1606:When I Was Born for the 7th Time 116: 5228:Progressive rock (radio format) 3254: 3161: 3024: 2753: 2437: 2137: 1900: 1871: 1862: 1846: 1833: 1812: 1791: 1218:the Paul Butterfield Blues Band 1156:released the raga rock single " 863:question-and-answer interplay ( 4092: 3723:Jackson, Andrew Grant (2015). 3170:The Rough Guide to the Beatles 2065: 1934: 1702:Lyrical themes and Orientalism 877: 772: 1: 4009:. New York, NY: McGraw-Hill. 3990:. New York, NY: McGraw-Hill. 3969:. London: Faber & Faber. 3596:. London: Faber & Faber. 3593:Psychedelia and Other Colours 2760:Tiegel, Eliot (2 July 1966). 1928: 1391:Lucy in the Sky with Diamonds 896:which American folk musician 777: 4005:Schaffner, Nicholas (1982). 3984:Schaffner, Nicholas (1978). 3856:. New York, NY: Bloomsbury. 3470:Mojo Special Limited Edition 1942:The Exotic in Western Music. 1684:the Brian Jonestown Massacre 1661:The Brian Jonestown Massacre 1271:. A September 1966 issue of 843:in raga performances and by 437:Harivallabh Sangeet Sammelan 7: 5258:List of years in rock music 4028:. New York, NY: Continuum. 3746:. New York, NY: Continuum. 3704:Hjort, Christopher (2008). 3551:The Exotic in Western Music 3474:. London: Emap. p. 41. 3397:Gopinath, Gayatri. (2005). 3335:"John McLaughlin Biography" 2151:(7th ed.). Edinburgh: 1826: 1756: 1537:In Search of the Lost Chord 1465:Pop Goes the Electric Sitar 1199:psychedelic instrumentation 519:Andaman and Nicobar Islands 396:Sangeet Natak Akademi Award 10: 5971: 5363:Rock and Roll Hall of Fame 3850:Prendergast, Mark (2003). 3549:Bellman, Jonathan (1998). 3541: 2149:The Great Rock Discography 1992:staff (9 September 1966). 1940:Bellman, Jonathan (1998). 1918:-influenced adaptation of 1705: 1591:In the 1990s, the British 1148:Peak popularity and impact 910:She Moved Through the Fair 867:) between lead instruments 740:Indian musical instruments 25: 18: 5900: 5879: 5708: 5585: 5499: 5473: 5401: 5330: 5285:Electronics in rock music 5236: 5190: 5165: 5139: 4988: 4951:Hard rock and heavy metal 4744: 4676: 4611: 4604: 4554: 4478: 4445:Pub rock (United Kingdom) 4377: 4211: 4163: 4148: 4100: 3875:. London: Jawbone Press. 3761:Locke, Ralph P. (2011) . 3742:Lavezzoli, Peter (2006). 3708:. London: Jawbone Press. 3685:Gendron, Bernard (2002). 3670:10.1017/S0261143000002750 2449:University of North Texas 2364:, pp. 146, 147, 154. 1779:Ten Ragas to a Disco Beat 1686:and Indian bands such as 1546:Transcendental Meditation 1483:Consolidation and decline 1345:structure, with distinct 801:Jonathan Bellman, citing 422:Dover Lane music festival 95: 80: 42: 37: 5263:Origins of rock and roll 4024:Womack, Kenneth (2007). 3871:Priore, Domenic (2007). 3617:Indiana University Press 3615:. Bloomington, Indiana: 3611:Echard, William (2017). 3263:"Quintessence Biography" 2256:, pp. 144fn, 165fn. 1785: 1459:and manufactured by the 919: 914:From a London Hootenanny 412:Saptak Festival of Music 19:Not to be confused with 16:Microgenre of rock music 5203:Adult album alternative 4056:15 October 2008 at the 2910:, pp. 295–96, 303. 2898:, pp. 148–49, 151. 2498:, pp. 155–56, 159. 2434:, pp. 155–56, 157. 1688:the Raghu Dixit Project 5731:Bosnia and Herzegovina 5295:Rock Against Communism 4694:Brazilian thrash metal 3931:Santoro, Gene (1991). 3912:Rogan, Johnny (1998). 3422:Hyder, Rehan. (2004). 3364:Hyder, Rehan. (2004). 3168:Ingham, Chris (2003). 2134:, pp. 31, 32, 35. 1763:Sitar in popular music 1420:self-titled 1967 album 1415:Younger Than Yesterday 1409: 1397:player accompanying a 1333:Within You Without You 1086: 1028: 825:. He himself became a 797:styling. According to 760:Indian classical music 427:Purandaradasa Aradhana 5955:History of rock music 5467:Rock music by country 5317:Rockism and poptimism 4777:British rock and roll 3937:(Boxed set booklet). 3829:Philo, Simon (2015). 2886:, pp. 63, 65–66. 2792:Unterberger, Richie. 1841:classical avant-garde 1550:Maharishi Mahesh Yogi 1479:by Big Jim Sullivan. 1451:". Other acts used a 1407: 1081: 1034:' March 1966 single " 1022: 972:' April 1965 single " 793:that featured Indian 374:Media and performance 5911:Category: Rock music 5608:Cambodia (1959-1975) 5486:Sahara desert region 5152:Sahara desert region 4440:Pub rock (Australia) 3806:Perna, Alan (2012). 3568:Brend, Mark (2005). 3178:Penguin Random House 3074:, pp. 152, 177. 3062:, pp. 154, 177. 2934:, pp. 175, 178. 2922:, pp. 294, 295. 2716:, pp. 200, 202. 2573:, pp. 189, 345. 2561:, pp. 325, 428. 1797:The film's focus on 1663:released the albums 1453:Coral electric sitar 1343:Hindustani classical 1187:Tomorrow Never Knows 952:' July 1965 single " 417:Chennai Music Season 5343:List of rock genres 5305:Rock Against Sexism 5300:Rock Against Racism 5208:Album-oriented rock 3987:The Beatles Forever 3787:. London: Pimlico. 3251:, pp. 299–302. 3009:, pp. 196–202. 1824:briefly, makes the 1656:The Fat of the Land 1489:Street Fighting Man 1313:In his article for 1220:released the album 1124:New Musical Express 5923:Portal: Rock music 5542:Dominican Republic 3523:, pp. 176–77. 3511:, pp. 177–79. 3457:, pp. 158–62. 3122:, pp. 296–97. 3110:, pp. 182–83. 2874:, pp. 176–78. 2862:, pp. 151–52. 2850:, pp. 294–95. 2838:, pp. 577–78. 2794:"The Folkswingers 2692:, pp. 110–11. 2680:, pp. 175–76. 2636:, pp. 25, 26. 2597:, pp. 174–75. 2217:, pp. 144–45. 2205:, pp. 154–55. 2193:, pp. 294–95. 1410: 1154:the Rolling Stones 1029: 1009:Nicholas Schaffner 931:Heart Full of Soul 888:in December 1966, 730:with a pronounced 432:Tyagaraja Aradhana 5950:Indian rock music 5945:Rock music genres 5932: 5931: 5433: 5432: 5358:Progressive music 5186: 5185: 4624:Palm Desert Scene 4600: 4599: 4274:Experimental rock 4171:Instrumental rock 4035:978-0-8264-1746-6 3976:978-0-571-27763-6 3947:Legacy Recordings 3941:. New York City: 3904:978-0-534-59539-5 3882:978-1-906002-04-6 3842:978-0-8108-8626-1 3821:978-1-4803-2970-6 3772:978-0-521-34955-0 3734:978-1-250-05962-8 3715:978-1-906002-15-2 3696:978-0-226-28737-9 3648:978-0-19-512941-0 3603:978-0-571-28200-5 2510:, pp. 88–89. 2268:, pp. 70–71. 2060:pastemagazine.com 1994:"Psychedelic Art" 1883:It's All Too Much 1773:Psychedelic music 1649:had also sung on 1574:self-titled album 1528:the Grateful Dead 1526:", Garcia's band 1320:Sunshine Superman 1295:the Pretty Things 1269:the Wrecking Crew 1265:ethnomusicologist 1216:That same month, 1211:I'm Only Sleeping 1101:The Village Voice 807:Rock Encyclopedia 717: 716: 574:Jammu and Kashmir 529:Arunachal Pradesh 506: 505: 469: 468: 337:Asian Underground 111: 110: 43:Stylistic origins 28:Raga Rock (album) 5962: 5920: 5908: 5907: 5460: 5453: 5446: 5437: 5436: 5421: 5409: 5408: 5278:Rhythm and blues 5253:British Invasion 4609: 4608: 4486:Alternative rock 4425:Post-progressive 4334:Psychedelic rock 4329:Progressive rock 4161: 4160: 4157: 4151:decade of origin 4087: 4080: 4073: 4064: 4063: 4039: 4020: 4001: 3980: 3958: 3927: 3908: 3886: 3867: 3846: 3825: 3805: 3798: 3776: 3757: 3738: 3719: 3700: 3681: 3652: 3630: 3607: 3583: 3564: 3536: 3530: 3524: 3518: 3512: 3506: 3500: 3494: 3488: 3482: 3476: 3475: 3464: 3458: 3452: 3446: 3445: 3429: 3419: 3413: 3412: 3394: 3388: 3387: 3371: 3361: 3352: 3351: 3349: 3347: 3330: 3324: 3323: 3321: 3319: 3303:"Ananda Shankar 3298: 3292: 3286: 3280: 3279: 3277: 3275: 3258: 3252: 3246: 3240: 3234: 3228: 3222: 3216: 3210: 3204: 3198: 3192: 3191: 3165: 3159: 3153: 3147: 3141: 3135: 3129: 3123: 3117: 3111: 3105: 3099: 3093: 3087: 3081: 3075: 3069: 3063: 3057: 3051: 3050: 3048: 3046: 3028: 3022: 3016: 3010: 3004: 2998: 2992: 2986: 2980: 2974: 2968: 2959: 2953: 2947: 2941: 2935: 2929: 2923: 2917: 2911: 2905: 2899: 2893: 2887: 2881: 2875: 2869: 2863: 2857: 2851: 2845: 2839: 2833: 2827: 2821: 2815: 2814: 2812: 2810: 2789: 2780: 2779: 2777: 2775: 2757: 2751: 2745: 2736: 2730: 2717: 2711: 2705: 2702:Prendergast 2003 2699: 2693: 2687: 2681: 2675: 2669: 2663: 2652: 2646: 2637: 2631: 2625: 2619: 2613: 2607: 2598: 2592: 2586: 2580: 2574: 2568: 2562: 2556: 2550: 2544: 2538: 2532: 2526: 2520: 2511: 2505: 2499: 2493: 2487: 2484:Prendergast 2003 2481: 2475: 2469: 2460: 2459: 2457: 2455: 2441: 2435: 2429: 2423: 2417: 2406: 2400: 2394: 2388: 2377: 2371: 2365: 2359: 2353: 2347: 2341: 2335: 2329: 2323: 2317: 2311: 2305: 2299: 2293: 2287: 2281: 2275: 2269: 2263: 2257: 2251: 2245: 2239: 2233: 2227: 2218: 2212: 2206: 2200: 2194: 2188: 2179: 2173: 2167: 2166: 2155:. p. 1707. 2145:Strong, Martin C 2141: 2135: 2129: 2123: 2117: 2111: 2105: 2099: 2098: 2082: 2069: 2063: 2057: 2047: 2036: 2030: 2024: 2018: 2012: 2011: 2009: 2007: 1986: 1977: 1971: 1960: 1954: 1945: 1938: 1923: 1904: 1898: 1875: 1869: 1866: 1860: 1857:Shapes of Things 1850: 1844: 1837: 1831: 1829: 1816: 1810: 1795: 1680:the Black Angels 1578:Moog synthesizer 1562:progressive rock 1556:1970s and beyond 1513: 1509:Wonderwall Music 1504:Wonderwall Music 1471:, also included 1365:, and later on, 1308:Big Jim Sullivan 1094: 1036:Eight Miles High 1025:Eight Miles High 845:Indian harmonium 767:psychedelic rock 738:, or its use of 732:Indian influence 709: 702: 695: 569:Himachal Pradesh 480: 479: 380: 379: 234:Prabhat Samgiita 214:Rabindra Sangeet 139: 120: 113: 112: 96:Derivative forms 81:Cultural origins 60:psychedelic rock 35: 34: 5970: 5969: 5965: 5964: 5963: 5961: 5960: 5959: 5935: 5934: 5933: 5928: 5896: 5875: 5704: 5581: 5495: 5469: 5464: 5434: 5429: 5397: 5326: 5246: 5232: 5218:Mainstream rock 5182: 5161: 5135: 4984: 4740: 4672: 4605:Regional scenes 4596: 4550: 4474: 4415:Industrial rock 4373: 4269:Electronic rock 4207: 4155: 4154:(sub-subgenres 4153: 4152: 4150: 4144: 4123:Electric guitar 4096: 4091: 4058:Wayback Machine 4047: 4042: 4036: 4017: 3998: 3977: 3924: 3916:. Rogan House. 3905: 3883: 3864: 3843: 3822: 3803: 3795: 3773: 3754: 3735: 3716: 3697: 3649: 3635:Everett, Walter 3627: 3604: 3580: 3579:978-0-879308551 3561: 3544: 3539: 3531: 3527: 3519: 3515: 3507: 3503: 3495: 3491: 3483: 3479: 3465: 3461: 3453: 3449: 3442: 3420: 3416: 3409: 3395: 3391: 3384: 3362: 3355: 3345: 3343: 3331: 3327: 3317: 3315: 3299: 3295: 3287: 3283: 3273: 3271: 3259: 3255: 3247: 3243: 3235: 3231: 3223: 3219: 3211: 3207: 3199: 3195: 3188: 3180:. p. 162. 3166: 3162: 3154: 3150: 3142: 3138: 3130: 3126: 3118: 3114: 3106: 3102: 3094: 3090: 3082: 3078: 3070: 3066: 3058: 3054: 3044: 3042: 3029: 3025: 3017: 3013: 3005: 3001: 2993: 2989: 2981: 2977: 2969: 2962: 2954: 2950: 2942: 2938: 2930: 2926: 2918: 2914: 2906: 2902: 2894: 2890: 2882: 2878: 2870: 2866: 2858: 2854: 2846: 2842: 2834: 2830: 2822: 2818: 2808: 2806: 2790: 2783: 2773: 2771: 2762:"The Jazz Beat" 2758: 2754: 2746: 2739: 2731: 2720: 2712: 2708: 2700: 2696: 2688: 2684: 2676: 2672: 2664: 2655: 2647: 2640: 2632: 2628: 2620: 2616: 2608: 2601: 2593: 2589: 2581: 2577: 2569: 2565: 2557: 2553: 2545: 2541: 2533: 2529: 2521: 2514: 2506: 2502: 2494: 2490: 2482: 2478: 2470: 2463: 2453: 2451: 2443: 2442: 2438: 2430: 2426: 2418: 2409: 2401: 2397: 2389: 2380: 2372: 2368: 2360: 2356: 2348: 2344: 2336: 2332: 2324: 2320: 2312: 2308: 2300: 2296: 2288: 2284: 2276: 2272: 2264: 2260: 2252: 2248: 2240: 2236: 2228: 2221: 2213: 2209: 2201: 2197: 2189: 2182: 2174: 2170: 2163: 2153:Canongate Books 2142: 2138: 2130: 2126: 2118: 2114: 2106: 2102: 2095: 2070: 2066: 2048: 2039: 2031: 2027: 2019: 2015: 2005: 2003: 1987: 1980: 1972: 1963: 1955: 1948: 1939: 1935: 1931: 1926: 1905: 1901: 1876: 1872: 1867: 1863: 1851: 1847: 1838: 1834: 1817: 1813: 1796: 1792: 1788: 1759: 1721:countercultural 1710: 1704: 1623:Brimful of Asha 1582:John McLaughlin 1558: 1511: 1493:The Inner Light 1485: 1449:Hole in My Shoe 1335:", released on 1287:the Moody Blues 1259:album featured 1228:Mike Bloomfield 1150: 1096: 1088: 1071:Fifth Dimension 1027:" in March 1966 1017: 1005:George Harrison 927: 922: 912:", from 1963's 880: 847:in vocal pieces 787:classical music 780: 775: 713: 483:National anthem 404:Music festivals 391:Filmfare Awards 135: 130: 107: 76: 31: 24: 17: 12: 11: 5: 5968: 5958: 5957: 5952: 5947: 5930: 5929: 5927: 5926: 5914: 5901: 5898: 5897: 5895: 5894: 5889: 5883: 5881: 5877: 5876: 5874: 5873: 5868: 5866:United Kingdom 5863: 5858: 5853: 5848: 5843: 5838: 5833: 5828: 5823: 5818: 5813: 5808: 5803: 5798: 5793: 5788: 5783: 5778: 5773: 5768: 5763: 5758: 5753: 5748: 5743: 5738: 5733: 5728: 5723: 5718: 5712: 5710: 5706: 5705: 5703: 5702: 5697: 5692: 5687: 5677: 5667: 5662: 5657: 5652: 5647: 5642: 5637: 5632: 5631: 5630: 5625: 5615: 5610: 5605: 5600: 5595: 5589: 5587: 5583: 5582: 5580: 5579: 5574: 5569: 5564: 5559: 5554: 5549: 5544: 5539: 5534: 5529: 5524: 5519: 5514: 5509: 5503: 5501: 5497: 5496: 5494: 5493: 5488: 5483: 5477: 5475: 5471: 5470: 5463: 5462: 5455: 5448: 5440: 5431: 5430: 5428: 5427: 5415: 5402: 5399: 5398: 5396: 5395: 5390: 5388:Wagnerian rock 5385: 5380: 5375: 5370: 5365: 5360: 5355: 5353:Outlaw country 5350: 5345: 5340: 5334: 5332: 5328: 5327: 5325: 5324: 5319: 5314: 5313: 5312: 5307: 5302: 5297: 5290:Social effects 5287: 5282: 5281: 5280: 5275: 5270: 5260: 5255: 5249: 5247: 5245: 5244: 5241: 5237: 5234: 5233: 5231: 5230: 5225: 5220: 5215: 5210: 5205: 5200: 5194: 5192: 5188: 5187: 5184: 5183: 5181: 5180: 5175: 5169: 5167: 5163: 5162: 5160: 5159: 5154: 5149: 5143: 5141: 5137: 5136: 5134: 5133: 5128: 5123: 5118: 5113: 5112: 5111: 5101: 5096: 5095: 5094: 5084: 5079: 5078: 5077: 5067: 5062: 5057: 5052: 5051: 5050: 5045: 5035: 5034: 5033: 5023: 5018: 5008: 5003: 4998: 4992: 4990: 4986: 4985: 4983: 4982: 4981: 4980: 4975: 4970: 4965: 4963:Neo-rockabilly 4960: 4959: 4958: 4948: 4940: 4935: 4930: 4925: 4920: 4915: 4910: 4905: 4900: 4895: 4890: 4885: 4880: 4875: 4870: 4865: 4860: 4855: 4850: 4845: 4840: 4835: 4830: 4825: 4824: 4823: 4818: 4813: 4803: 4798: 4793: 4792: 4791: 4790: 4789: 4779: 4769: 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4125: 4115: 4110: 4104: 4102: 4098: 4097: 4090: 4089: 4082: 4075: 4067: 4061: 4060: 4046: 4045:External links 4043: 4041: 4040: 4034: 4021: 4015: 4002: 3996: 3981: 3975: 3959: 3928: 3922: 3909: 3903: 3887: 3881: 3868: 3862: 3847: 3841: 3826: 3820: 3799: 3793: 3781:MacDonald, Ian 3777: 3771: 3758: 3752: 3739: 3733: 3720: 3714: 3701: 3695: 3682: 3664:(2): 189–205. 3653: 3647: 3631: 3626:978-0253026590 3625: 3608: 3602: 3584: 3578: 3565: 3559: 3545: 3543: 3540: 3538: 3537: 3535:, p. 304. 3525: 3513: 3509:Lavezzoli 2006 3501: 3499:, p. 175. 3497:Lavezzoli 2006 3489: 3487:, p. 140. 3477: 3459: 3447: 3440: 3414: 3407: 3389: 3382: 3353: 3325: 3305:Ananda Shankar 3293: 3291:, p. 151. 3281: 3253: 3241: 3239:, p. 301. 3229: 3217: 3215:, p. 146. 3205: 3203:, p. 198. 3193: 3186: 3160: 3158:, p. 301. 3156:Schaffner 1982 3148: 3146:, p. 274. 3144:MacDonald 2005 3136: 3134:, p. 198. 3132:Lavezzoli 2006 3124: 3112: 3108:Lavezzoli 2006 3100: 3098:, p. 153. 3088: 3084:Schaffner 1982 3076: 3064: 3052: 3023: 3021:, p. 159. 3019:Lavezzoli 2006 3011: 2999: 2995:Schaffner 1978 2987: 2985:, p. 141. 2975: 2973:, p. 180. 2971:Lavezzoli 2006 2960: 2958:, p. 183. 2956:Lavezzoli 2006 2948: 2946:, p. 294. 2936: 2932:Lavezzoli 2006 2924: 2912: 2900: 2888: 2884:Schaffner 1978 2876: 2872:Lavezzoli 2006 2864: 2852: 2848:Lavezzoli 2006 2840: 2828: 2816: 2781: 2752: 2750:, p. 152. 2737: 2735:, p. 158. 2733:Lavezzoli 2006 2718: 2714:MacDonald 2005 2706: 2704:, p. 206. 2694: 2682: 2678:Lavezzoli 2006 2670: 2666:Schaffner 1978 2653: 2638: 2626: 2614: 2612:, p. 151. 2599: 2595:Lavezzoli 2006 2587: 2583:Schaffner 1982 2575: 2563: 2551: 2539: 2537:, p. 125. 2527: 2512: 2500: 2496:Lavezzoli 2006 2488: 2486:, p. 229. 2476: 2474:, p. 156. 2472:Lavezzoli 2006 2461: 2436: 2432:Lavezzoli 2006 2424: 2407: 2405:, p. 189. 2395: 2393:, p. 345. 2378: 2374:Schaffner 1978 2366: 2354: 2352:, p. 171. 2350:Lavezzoli 2006 2342: 2340:, p. 173. 2338:Lavezzoli 2006 2330: 2328:, p. 147. 2318: 2316:, p. 297. 2306: 2304:, p. 164. 2294: 2292:, p. 124. 2282: 2280:, p. 527. 2270: 2258: 2254:MacDonald 2005 2246: 2244:, p. 155. 2242:Lavezzoli 2006 2234: 2232:, p. 256. 2219: 2207: 2203:Lavezzoli 2006 2195: 2180: 2178:, p. xix. 2168: 2161: 2136: 2124: 2112: 2100: 2093: 2073:Schaefer, John 2064: 2037: 2035:, p. 191. 2025: 2013: 1978: 1976:, p. 525. 1961: 1959:, p. 351. 1946: 1932: 1930: 1927: 1925: 1924: 1899: 1870: 1861: 1845: 1832: 1811: 1807:Richard Lester 1803:counterculture 1789: 1787: 1784: 1783: 1782: 1775: 1770: 1765: 1758: 1755: 1751:Summer of Love 1739:Richard Alpert 1725:Kenneth Womack 1703: 1700: 1653:'s 1997 album 1647:Crispian Mills 1570:Ananda Shankar 1557: 1554: 1484: 1481: 1304:Shawn Phillips 1189:", written by 1158:Paint It Black 1149: 1146: 1080: 1057:Pop Chronicles 1016: 1013: 974:Ticket to Ride 954:See My Friends 926: 925:Early examples 923: 921: 918: 894:guitar tunings 890:Sandy Pearlman 879: 876: 875: 874: 871: 868: 861: 854: 853:vocal stylings 851: 848: 839:, provided by 834: 779: 776: 774: 771: 742:, such as the 715: 714: 712: 711: 704: 697: 689: 686: 685: 684: 683: 678: 673: 668: 663: 662: 661: 651: 646: 641: 631: 626: 621: 616: 611: 606: 601: 599:Madhya Pradesh 596: 591: 586: 581: 576: 571: 566: 561: 556: 551: 546: 536: 531: 526: 524:Andhra Pradesh 521: 513: 512: 511:Regional music 508: 507: 504: 503: 497: 496: 492: 491: 489:Jana Gana Mana 485: 484: 476: 475: 471: 470: 467: 466: 465: 464: 457: 447: 446: 442: 441: 440: 439: 434: 429: 424: 419: 414: 406: 405: 401: 400: 399: 398: 393: 385: 384: 376: 375: 371: 370: 369: 368: 363: 362: 361: 356: 346: 341: 340: 339: 329: 324: 319: 318: 317: 312: 307: 297: 296: 295: 279: 278: 273: 272: 271: 266: 256: 251: 246: 241: 236: 231: 226: 224:Dwijendrageeti 221: 216: 211: 206: 204:Shyama Sangeet 201: 196: 191: 186: 181: 176: 175: 174: 169: 164: 146: 145: 141: 140: 137:Music of India 132: 131: 127:Carnatic music 121: 109: 108: 106: 105: 99: 97: 93: 92: 86:United Kingdom 82: 78: 77: 75: 74: 73:forms of music 67: 62: 57: 52: 46: 44: 40: 39: 15: 9: 6: 4: 3: 2: 5967: 5956: 5953: 5951: 5948: 5946: 5943: 5942: 5940: 5925: 5924: 5919: 5915: 5913: 5912: 5903: 5902: 5899: 5893: 5890: 5888: 5885: 5884: 5882: 5878: 5872: 5869: 5867: 5864: 5862: 5859: 5857: 5854: 5852: 5849: 5847: 5844: 5842: 5839: 5837: 5834: 5832: 5829: 5827: 5824: 5822: 5819: 5817: 5814: 5812: 5809: 5807: 5804: 5802: 5799: 5797: 5794: 5792: 5789: 5787: 5784: 5782: 5779: 5777: 5774: 5772: 5769: 5767: 5764: 5762: 5759: 5757: 5754: 5752: 5749: 5747: 5744: 5742: 5739: 5737: 5734: 5732: 5729: 5727: 5724: 5722: 5719: 5717: 5714: 5713: 5711: 5707: 5701: 5698: 5696: 5693: 5691: 5688: 5685: 5681: 5678: 5675: 5671: 5668: 5666: 5663: 5661: 5658: 5656: 5653: 5651: 5648: 5646: 5643: 5641: 5638: 5636: 5633: 5629: 5626: 5624: 5621: 5620: 5619: 5616: 5614: 5611: 5609: 5606: 5604: 5601: 5599: 5596: 5594: 5591: 5590: 5588: 5584: 5578: 5575: 5573: 5570: 5568: 5567:United States 5565: 5563: 5560: 5558: 5555: 5553: 5550: 5548: 5545: 5543: 5540: 5538: 5535: 5533: 5530: 5528: 5525: 5523: 5520: 5518: 5515: 5513: 5510: 5508: 5505: 5504: 5502: 5498: 5492: 5489: 5487: 5484: 5482: 5479: 5478: 5476: 5472: 5468: 5461: 5456: 5454: 5449: 5447: 5442: 5441: 5438: 5426: 5425: 5420: 5416: 5414: 5413: 5404: 5403: 5400: 5394: 5393:Wall of Sound 5391: 5389: 5386: 5384: 5381: 5379: 5376: 5374: 5373:Rock festival 5371: 5369: 5366: 5364: 5361: 5359: 5356: 5354: 5351: 5349: 5346: 5344: 5341: 5339: 5336: 5335: 5333: 5329: 5323: 5322:Women in rock 5320: 5318: 5315: 5311: 5308: 5306: 5303: 5301: 5298: 5296: 5293: 5292: 5291: 5288: 5286: 5283: 5279: 5276: 5274: 5271: 5269: 5268:Country music 5266: 5265: 5264: 5261: 5259: 5256: 5254: 5251: 5250: 5248: 5242: 5239: 5238: 5235: 5229: 5226: 5224: 5221: 5219: 5216: 5214: 5211: 5209: 5206: 5204: 5201: 5199: 5196: 5195: 5193: 5191:Radio formats 5189: 5179: 5176: 5174: 5171: 5170: 5168: 5164: 5158: 5155: 5153: 5150: 5148: 5145: 5144: 5142: 5138: 5132: 5129: 5127: 5124: 5122: 5119: 5117: 5114: 5110: 5107: 5106: 5105: 5102: 5100: 5097: 5093: 5090: 5089: 5088: 5085: 5083: 5080: 5076: 5073: 5072: 5071: 5068: 5066: 5063: 5061: 5058: 5056: 5053: 5049: 5046: 5044: 5041: 5040: 5039: 5036: 5032: 5029: 5028: 5027: 5024: 5022: 5019: 5016: 5012: 5009: 5007: 5004: 5002: 4999: 4997: 4994: 4993: 4991: 4987: 4979: 4976: 4974: 4971: 4969: 4966: 4964: 4961: 4957: 4956:Extreme metal 4954: 4953: 4952: 4949: 4947: 4944: 4943: 4941: 4939: 4936: 4934: 4931: 4929: 4926: 4924: 4921: 4919: 4916: 4914: 4911: 4909: 4906: 4904: 4901: 4899: 4896: 4894: 4891: 4889: 4886: 4884: 4881: 4879: 4876: 4874: 4871: 4869: 4866: 4864: 4861: 4859: 4856: 4854: 4851: 4849: 4846: 4844: 4841: 4839: 4836: 4834: 4831: 4829: 4826: 4822: 4819: 4817: 4814: 4812: 4809: 4808: 4807: 4804: 4802: 4799: 4797: 4794: 4788: 4785: 4784: 4783: 4780: 4778: 4775: 4774: 4773: 4770: 4768: 4765: 4763: 4760: 4758: 4755: 4753: 4750: 4749: 4747: 4743: 4737: 4734: 4732: 4729: 4727: 4724: 4722: 4719: 4717: 4714: 4712: 4709: 4705: 4702: 4700: 4697: 4695: 4692: 4691: 4690: 4687: 4685: 4682: 4681: 4679: 4677:South America 4675: 4669: 4666: 4662: 4659: 4658: 4657: 4654: 4652: 4649: 4647: 4644: 4642: 4639: 4637: 4634: 4632: 4629: 4625: 4622: 4621: 4620: 4617: 4616: 4614: 4612:North America 4610: 4607: 4603: 4593: 4590: 4588: 4585: 4583: 4580: 4578: 4575: 4573: 4570: 4568: 4565: 4563: 4560: 4559: 4557: 4553: 4547: 4544: 4542: 4539: 4537: 4534: 4532: 4529: 4527: 4524: 4522: 4519: 4517: 4514: 4512: 4509: 4507: 4504: 4502: 4499: 4497: 4494: 4492: 4489: 4487: 4484: 4483: 4481: 4477: 4471: 4468: 4466: 4463: 4461: 4458: 4456: 4453: 4451: 4448: 4446: 4443: 4441: 4438: 4436: 4433: 4431: 4428: 4426: 4423: 4421: 4418: 4416: 4413: 4411: 4408: 4406: 4403: 4401: 4398: 4396: 4393: 4391: 4388: 4386: 4383: 4382: 4380: 4376: 4370: 4367: 4365: 4362: 4360: 4359:Southern rock 4357: 4355: 4352: 4350: 4347: 4345: 4342: 4340: 4337: 4335: 4332: 4330: 4327: 4325: 4322: 4320: 4317: 4315: 4312: 4310: 4307: 4305: 4302: 4300: 4297: 4295: 4292: 4290: 4287: 4285: 4282: 4280: 4279:Flamenco rock 4277: 4275: 4272: 4270: 4267: 4265: 4262: 4260: 4257: 4255: 4252: 4250: 4247: 4245: 4242: 4240: 4237: 4235: 4232: 4230: 4227: 4225: 4222: 4220: 4217: 4216: 4214: 4210: 4204: 4201: 4199: 4196: 4192: 4189: 4188: 4187: 4186:Rock and roll 4184: 4182: 4179: 4177: 4174: 4172: 4169: 4168: 4166: 4162: 4159: 4156:not included) 4147: 4139: 4136: 4134: 4131: 4129: 4128:Electric bass 4126: 4124: 4121: 4120: 4119: 4116: 4114: 4111: 4109: 4106: 4105: 4103: 4099: 4095: 4088: 4083: 4081: 4076: 4074: 4069: 4068: 4065: 4059: 4055: 4052: 4049: 4048: 4037: 4031: 4027: 4022: 4018: 4016:0-07-055089-1 4012: 4008: 4003: 3999: 3997:0-07-055087-5 3993: 3989: 3988: 3982: 3978: 3972: 3968: 3964: 3960: 3956: 3952: 3948: 3944: 3940: 3936: 3935: 3929: 3925: 3923:0-9529540-1-X 3919: 3915: 3910: 3906: 3900: 3896: 3893: 3888: 3884: 3878: 3874: 3869: 3865: 3863:1-58234-323-3 3859: 3855: 3854: 3848: 3844: 3838: 3834: 3833: 3827: 3823: 3817: 3813: 3809: 3800: 3796: 3794:1-84413-828-3 3790: 3786: 3782: 3778: 3774: 3768: 3764: 3759: 3755: 3753:0-8264-2819-3 3749: 3745: 3740: 3736: 3730: 3726: 3721: 3717: 3711: 3707: 3702: 3698: 3692: 3688: 3683: 3679: 3675: 3671: 3667: 3663: 3659: 3658:Popular Music 3654: 3650: 3644: 3640: 3636: 3632: 3628: 3622: 3618: 3614: 3609: 3605: 3599: 3595: 3594: 3589: 3585: 3581: 3575: 3571: 3566: 3562: 3560:1-55553-319-1 3556: 3552: 3547: 3546: 3534: 3529: 3522: 3517: 3510: 3505: 3498: 3493: 3486: 3481: 3473: 3471: 3463: 3456: 3451: 3443: 3441:0-7546-4064-7 3437: 3433: 3428: 3427: 3418: 3410: 3408:0-8223-3513-1 3404: 3400: 3393: 3385: 3383:0-7546-4064-7 3379: 3375: 3370: 3369: 3360: 3358: 3342: 3341: 3336: 3333:Huey, Steve. 3329: 3314: 3313: 3308: 3306: 3301:Pruett, Jon. 3297: 3290: 3285: 3270: 3269: 3264: 3261:Eder, Bruce. 3257: 3250: 3245: 3238: 3233: 3226: 3221: 3214: 3209: 3202: 3197: 3189: 3187:1-84353-140-2 3183: 3179: 3175: 3171: 3164: 3157: 3152: 3145: 3140: 3133: 3128: 3121: 3116: 3109: 3104: 3097: 3092: 3086:, p. 77. 3085: 3080: 3073: 3068: 3061: 3056: 3040: 3039: 3034: 3027: 3020: 3015: 3008: 3003: 2997:, p. 91. 2996: 2991: 2984: 2979: 2972: 2967: 2965: 2957: 2952: 2945: 2940: 2933: 2928: 2921: 2916: 2909: 2904: 2897: 2892: 2885: 2880: 2873: 2868: 2861: 2856: 2849: 2844: 2837: 2832: 2826:, p. 94. 2825: 2820: 2805: 2804: 2799: 2797: 2788: 2786: 2769: 2768: 2763: 2756: 2749: 2744: 2742: 2734: 2729: 2727: 2725: 2723: 2715: 2710: 2703: 2698: 2691: 2686: 2679: 2674: 2668:, p. 68. 2667: 2662: 2660: 2658: 2650: 2645: 2643: 2635: 2630: 2624:, p. 40. 2623: 2618: 2611: 2606: 2604: 2596: 2591: 2585:, p. 69. 2584: 2579: 2572: 2567: 2560: 2555: 2549:, p. 89. 2548: 2543: 2536: 2531: 2525:, p. 88. 2524: 2519: 2517: 2509: 2504: 2497: 2492: 2485: 2480: 2473: 2468: 2466: 2450: 2446: 2440: 2433: 2428: 2422:, p. 82. 2421: 2416: 2414: 2412: 2404: 2399: 2392: 2387: 2385: 2383: 2376:, p. 66. 2375: 2370: 2363: 2358: 2351: 2346: 2339: 2334: 2327: 2322: 2315: 2310: 2303: 2298: 2291: 2286: 2279: 2274: 2267: 2262: 2255: 2250: 2243: 2238: 2231: 2226: 2224: 2216: 2211: 2204: 2199: 2192: 2187: 2185: 2177: 2172: 2164: 2158: 2154: 2150: 2146: 2140: 2133: 2128: 2122:, p. 13. 2121: 2116: 2110:, p. 32. 2109: 2104: 2096: 2094:0-06097-081-2 2090: 2086: 2081: 2080: 2074: 2068: 2061: 2058:Available at 2055: 2054: 2046: 2044: 2042: 2034: 2029: 2023:, p. 61. 2022: 2017: 2001: 2000: 1995: 1991: 1985: 1983: 1975: 1970: 1968: 1966: 1958: 1953: 1951: 1943: 1937: 1933: 1921: 1917: 1913: 1909: 1903: 1896: 1892: 1888: 1884: 1880: 1879:Hammond organ 1874: 1865: 1858: 1854: 1849: 1842: 1836: 1828: 1822: 1815: 1808: 1804: 1800: 1794: 1790: 1781: 1780: 1776: 1774: 1771: 1769: 1766: 1764: 1761: 1760: 1754: 1752: 1748: 1744: 1743:Ralph Metzner 1740: 1736: 1735:Timothy Leary 1732: 1731: 1726: 1722: 1717: 1715: 1709: 1699: 1697: 1693: 1689: 1685: 1681: 1676: 1674: 1673: 1672:Give It Back! 1668: 1667: 1662: 1658: 1657: 1652: 1648: 1644: 1640: 1636: 1632: 1628: 1624: 1620: 1619:country music 1616: 1612: 1608: 1607: 1602: 1598: 1594: 1589: 1587: 1584:and his band 1583: 1579: 1575: 1571: 1567: 1563: 1553: 1551: 1547: 1543: 1539: 1538: 1531: 1529: 1525: 1521: 1517: 1510: 1506: 1505: 1500: 1499: 1494: 1490: 1480: 1478: 1474: 1470: 1466: 1462: 1458: 1454: 1450: 1446: 1442: 1438: 1434: 1429: 1428:Robby Krieger 1425: 1421: 1417: 1416: 1406: 1402: 1400: 1396: 1392: 1388: 1384: 1380: 1376: 1372: 1368: 1364: 1360: 1356: 1352: 1348: 1344: 1340: 1339: 1334: 1329: 1328: 1322: 1321: 1316: 1311: 1309: 1305: 1300: 1296: 1292: 1288: 1284: 1280: 1276: 1275: 1270: 1266: 1262: 1258: 1257: 1252: 1251:World Pacific 1247: 1245: 1241: 1237: 1233: 1229: 1225: 1224: 1219: 1214: 1212: 1208: 1204: 1200: 1196: 1192: 1188: 1184: 1180: 1179: 1173: 1171: 1167: 1163: 1159: 1155: 1152:In May 1966, 1145: 1143: 1138: 1137: 1132: 1131: 1126: 1125: 1120: 1116: 1115: 1110: 1107: 1103: 1102: 1095: 1092: 1085: 1079: 1077: 1073: 1072: 1067: 1063: 1062:Roger McGuinn 1059: 1058: 1053: 1049: 1048:John Coltrane 1045: 1041: 1037: 1033: 1026: 1021: 1012: 1010: 1006: 1002: 1001: 996: 992: 991: 986: 981: 979: 978:Ian MacDonald 975: 971: 967: 963: 959: 955: 951: 946: 944: 940: 936: 935:the Yardbirds 932: 917: 915: 911: 907: 903: 902:John Schaefer 899: 895: 891: 887: 886: 872: 869: 866: 862: 859: 855: 852: 849: 846: 842: 838: 835: 832: 831: 830: 828: 824: 820: 815: 812: 808: 805:'s 1969 book 804: 803:Lillian Roxon 800: 796: 792: 788: 784: 770: 768: 763: 761: 757: 753: 749: 745: 741: 737: 733: 729: 725: 721: 710: 705: 703: 698: 696: 691: 690: 688: 687: 682: 679: 677: 674: 672: 671:Uttar Pradesh 669: 667: 664: 660: 657: 656: 655: 652: 650: 647: 645: 642: 639: 635: 632: 630: 627: 625: 622: 620: 617: 615: 612: 610: 607: 605: 602: 600: 597: 595: 592: 590: 587: 585: 582: 580: 577: 575: 572: 570: 567: 565: 562: 560: 557: 555: 552: 550: 547: 544: 540: 537: 535: 532: 530: 527: 525: 522: 520: 517: 516: 515: 514: 510: 509: 502: 501:Vande Mataram 499: 498: 494: 493: 490: 487: 486: 482: 481: 478: 477: 473: 472: 463: 462: 458: 456: 455: 451: 450: 449: 448: 444: 443: 438: 435: 433: 430: 428: 425: 423: 420: 418: 415: 413: 410: 409: 408: 407: 403: 402: 397: 394: 392: 389: 388: 387: 386: 382: 381: 378: 377: 373: 372: 367: 364: 360: 357: 355: 352: 351: 350: 347: 345: 342: 338: 335: 334: 333: 330: 328: 325: 323: 320: 316: 313: 311: 308: 306: 303: 302: 301: 298: 294: 291: 290: 289: 286: 285: 284: 283: 277: 274: 270: 267: 265: 262: 261: 260: 257: 255: 252: 250: 247: 245: 242: 240: 237: 235: 232: 230: 227: 225: 222: 220: 217: 215: 212: 210: 207: 205: 202: 200: 197: 195: 192: 190: 187: 185: 182: 180: 177: 173: 170: 168: 165: 163: 160: 159: 158: 155: 154: 153: 152: 148: 147: 143: 142: 138: 134: 133: 128: 124: 119: 115: 114: 104: 101: 100: 98: 94: 91: 90:United States 87: 83: 79: 72: 68: 66: 63: 61: 58: 56: 53: 51: 48: 47: 45: 41: 36: 33: 29: 22: 5921: 5909: 5627: 5422: 5410: 5378:Rock musical 5368:Rock concert 5213:Classic rock 5047: 4942:Yugoslavian 4787:Post-Britpop 4668:Puerto Rican 4661:Chicano rock 4541:Slacker rock 4338: 4264:Country rock 4229:Baroque rock 4025: 4006: 3986: 3966: 3943:Epic Records 3932: 3913: 3895: 3891: 3872: 3852: 3831: 3807: 3784: 3762: 3743: 3724: 3705: 3686: 3661: 3657: 3638: 3612: 3592: 3588:Chapman, Rob 3569: 3550: 3533:Bellman 1998 3528: 3516: 3504: 3492: 3480: 3468: 3462: 3450: 3425: 3417: 3398: 3392: 3367: 3344:. Retrieved 3338: 3328: 3316:. Retrieved 3310: 3304: 3296: 3284: 3272:. Retrieved 3266: 3256: 3249:Bellman 1998 3244: 3237:Bellman 1998 3232: 3227:, p. 5. 3220: 3208: 3201:Farrell 1988 3196: 3174:Rough Guides 3169: 3163: 3151: 3139: 3127: 3115: 3103: 3096:Everett 1999 3091: 3079: 3067: 3055: 3043:. Retrieved 3041:. p. 36 3036: 3026: 3014: 3002: 2990: 2983:Everett 1999 2978: 2951: 2944:Bellman 1998 2939: 2927: 2920:Bellman 1998 2915: 2908:Bellman 1998 2903: 2891: 2879: 2867: 2855: 2843: 2836:Chapman 2015 2831: 2819: 2807:. Retrieved 2801: 2795: 2772:. Retrieved 2770:. p. 20 2765: 2755: 2709: 2697: 2685: 2673: 2651:, p. 6. 2629: 2622:Everett 1999 2617: 2590: 2578: 2571:Gendron 2002 2566: 2559:Everett 1999 2554: 2542: 2530: 2503: 2491: 2479: 2452:. Retrieved 2439: 2427: 2403:Farrell 1988 2398: 2391:Gendron 2002 2369: 2357: 2345: 2333: 2321: 2314:Bellman 1998 2309: 2302:Jackson 2015 2297: 2285: 2278:Chapman 2015 2273: 2266:Jackson 2015 2261: 2249: 2237: 2230:Jackson 2015 2210: 2198: 2191:Bellman 1998 2176:Jackson 2015 2171: 2148: 2139: 2127: 2120:Santoro 1991 2115: 2103: 2078: 2067: 2051: 2033:Farrell 1988 2028: 2016: 2004:. Retrieved 2002:. p. 68 1997: 1989: 1974:Chapman 2015 1957:Bellman 1998 1941: 1936: 1908:slide guitar 1902: 1887:Blue Jay Way 1873: 1864: 1852: 1848: 1835: 1821:spirit-level 1814: 1793: 1777: 1728: 1718: 1711: 1677: 1670: 1669:in 1996 and 1664: 1654: 1604: 1590: 1566:Quintessence 1559: 1535: 1532: 1508: 1502: 1496: 1486: 1476: 1472: 1468: 1464: 1413: 1411: 1382: 1336: 1327:Face to Face 1325: 1318: 1314: 1312: 1272: 1254: 1248: 1244:Jimi Hendrix 1240:Duane Allman 1236:Jerry Garcia 1232:Eric Clapton 1221: 1215: 1176: 1174: 1151: 1136:Melody Maker 1134: 1128: 1122: 1112: 1111: 1106:Derek Taylor 1099: 1097: 1091:David Crosby 1087: 1082: 1069: 1066:David Crosby 1055: 1030: 998: 988: 982: 965: 947: 928: 913: 906:Davey Graham 883: 882:Writing for 881: 864: 857: 823:Ravi Shankar 816: 806: 799:musicologist 781: 764: 754:. The term " 719: 718: 549:Chhattisgarh 459: 452: 383:Music awards 358: 281: 280: 219:Nazrul Geeti 150: 149: 32: 5892:New Zealand 5851:Switzerland 5801:Netherlands 5680:Philippines 5562:Puerto Rico 5223:Modern rock 5198:Active rock 5178:New Zealand 5006:Bangladeshi 5001:Azerbaijani 4636:Costa Rican 4592:Viking rock 4582:Stoner rock 4501:Gothic rock 4324:Occult rock 4299:Heavy metal 4289:Garage rock 4259:Comedy rock 4249:Chamber pop 4244:Boogie rock 3963:Savage, Jon 3812:Hal Leonard 3521:Womack 2007 3485:Womack 2007 3318:15 February 3289:Priore 2007 3225:Echard 2017 3213:Echard 2017 3045:15 February 2649:Echard 2017 2634:Echard 2017 2535:Savage 2015 2420:Priore 2007 2290:Savage 2015 2132:Echard 2017 2108:Echard 2017 2021:Echard 2017 1912:Marwa Blues 1714:Orientalism 1651:the Prodigy 1635:Kula Shaker 1627:Asha Bhosle 1520:Kula Shaker 1457:Vinnie Bell 1387:John Lennon 1383:Sgt. 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Index

Reggae rock
Raga Rock (album)
Rock
rāga
psychedelic rock
pop
Indian
United Kingdom
United States
Indian rock

Tyagaraju
Carnatic music
Music of India
Classical
Carnatic
Odissi
Hindustani
Folk
Borgeet
Baul
Bhajan
Kirtana
Shyama Sangeet
Ramprasadi
Rabindra Sangeet
Nazrul Geeti
Dwijendrageeti
Atulprasadi
Prabhat Samgiita

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