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Electronic news gathering

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242: 290: 447: 138: 365: 130: 497: 397: 266:" video package from Sony in Japan. It was the first truly portable video package I had ever seen and it made quite an impression on me while carrying that back breaking film camera. The Sony Portapak was a two-piece, battery powered, self-contained video tape analog recording system that could be carried and operated by one person. Because earlier "portable" television cameras were so large, heavy and cumbersome, the Portapak made it possible for individuals to record video easily outside the studio. 36: 517:
grandfather rights, and continued use of A10 remains on a protected, co-primary basis with Mobile Satellite Service (MSS) Ancillary Terrestrial Component (ATC) use of 2483.5-2495 MHz. Use of these channels is restricted by federal regulations to those holding broadcast licenses in the given market, to Broadcast Network-Entities, and to Cable Network-Entities. Channels 1 through 7 are in the 2 
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executive producer Susan Zirinsky, whose team produced the primetime coverage that first night. "You were getting cameras up, you were putting people in place, you were trying to wrap your brain around it. You wanted to step back and synthesize some of the information, which is what we were trying to
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launched in June 1980, as ENG technologies were emerging. The technology was still in its developmental stages, and had yet to be integrated with satellites and microwave relays, which caused some problems with the network's early transmissions. However, ENG proved to be a crucial development for all
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By the time videotape technology advanced, the capability for microwave transmission was well established (and used in the 1960s by the BBC's ill-fated Mobile Film Processing Unit). But the convenience of videotape finally allowed crews to more easily use microwave links to quickly send their footage
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set aside in each area for terrestrial microwave communications. TV Broadcast Auxiliary Services (BAS) Channel A10 (2483.5-2500 MHz) is only available on a grandfathered basis to TV BAS licensees holding authority to use that channel as of July 10, 1985. However, there is no sunset date to the
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However, initially the ENG cameras and recorders were heavier and bulkier than their film equivalents. This restricted the ability of camera operators from escaping danger or hurrying toward a news event. Editing equipment was expensive and each scene had to be searched out on the master recording.
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technology in the 1970s. Since film requires chemical processing before it can be viewed and edited, it generally took at least an hour from the time the film arrived back at the television station or network news department until it was ready to be broadcast. Film editing was done by hand on what
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ENG greatly reduces the delay between when the footage is captured and when it can be broadcast, thus enabling news gathering and reporting to become steady cycle with little time in between when story breaks and when a story can air. Coupled with live microwave and/or satellite trucks, reporters
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has assigned microwave spectrum based on historic patterns of need and through the application/request process. With the other uses of radio spectrum growing in the 1990s, the FCC made available some bands of spectrum as unlicensed channels. This included spectrum for cordless phones and
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to gather and present news instead of using film cameras. The term was coined during the rise of videotape technology in the 1970s. ENG can involve anything from a single reporter with a single professional video camera, to an entire television crew taking a truck on location.
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Early portable video systems recorded at a lower quality than broadcast studio cameras, which made them less desirable than non portable video systems. When the Portapak video camera was introduced in 1967, it was a new method of video recording, forever shifting ENG.
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Natural disasters, terrorism, death and murder are topics that reside at the top of the news-gathering hierarchy. For instance, in the U.S., the series of events culminating in what would thereafter be known as 9/11 galvanized every news division of every network.
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manufacturers, and the Odyssey 7Q+ monitor with Apollo multi-camera switcher/recorder from Convergent Design. This monitor fits on the back of a broadcast video camera and allows photojournalists to live-switch a multi-camera production in studio or on location.
557:. As a result, some of these channels have been used for news gathering by websites and more informal news outlets. One major disadvantage of unlicensed use is that there is no frequency coordination, which can result in interference or blocking of signals. 380:
in Las Vegas where equipment manufacturers gather to display their wares to people within the video production industry. The trend is toward lighter-weight equipment that can deliver more resolution at higher speeds. There has been an evolution from film to
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Outside broadcasts (also known as "remote broadcasts" and "field operations") are when the editing and transmission of the news story are done outside the station's headquarters. Use of ENG has made possible the greater use of outside broadcasts.
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cameras were used for filming with synchronized sound. Since editing required cutting the film into segments and then splicing them together, a common problem was film breaking during the newscast. News stories were often transferred to bulky
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One of the very first examples of reliable, news-style video was revealed at the 1968 Democratic National Convention in Chicago. I was a 16mm cameraman at that convention and turned in the street violence one day to eye the first portable
345:, these systems achieve similar performance to high end-microwave. Since the video stream is already encoded for IP, the video can be used for traditional television broadcast or Internet distribution without modification (live to air). 454:
Short-form news stories are what local news reporters deliver to their stations. Longer-form stories about the same topics are covered by national or international broadcast news magazines such as
493:"There is a hierarchy of news. It's a hierarchy of judgment, I guess. All deaths are equal to the victims and their families. But all deaths are not equal in the calculation of news value." 352:
has developed, broadcast devices using this technology have appeared. These devices are often more compact than previous technology and can aggregate multiple mobile data lines to deliver a
145:, cameraman Jim Furrer, sound recordist Bill Porter, and director David Ryan interview participants in a public rowing clinic as part of an early electronic journalism shoot in the 1980s. 569:
and optional telephone interface. With this set-up, the reporter can record interviews and natural sound and then transmit these over the phone line to the studio or for live broadcast.
839: 478:. Depending upon the scope of the story, the number of crews vying for position at the story venue (press conference, courthouse, crime location, etc.) can potentially be dozens. 490:
do ... At that point, we thought there were many more dead, and it was still a search-and-rescue mission. It was a very, very complicated day to try to give context to."
862: 282:, a station in St. Louis, Mo., was the first to abandon film and switch entirely to ENG. Stations all over the country made the switch over the next decade. 221:
Film remained important in daily news operations until the late 1960s, when news outlets adopted portable professional video cameras, portable recorders,
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After she was lost at sea near San Clemente Island for five weeks, Luna the dog is reunited with Nick Haworth at San Diego Tuna Fleet Docks, March 2016
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back to the studio. It even made live feeds more possible, as in the police shootout with the Symbionese Liberation Army in 1974. Also in 1974,
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This portability greatly contributed to the rise of electronic news gathering as it made portable news more easily accessible than ever before.
887: 46: 241: 831: 17: 603:-like devices for recording short interviews. The other alternative is using small field recorders with two condenser microphones. 205:. Color reversal film had replaced black-and-white film as television itself evolved from black-and-white to color broadcasting. 450:
News reporters gather at San Diego home of James Holmes's parents after Colorado theater shooting in Aurora, Colorado, July 2012
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Video production on Carlsbad beach using Sony FS7 camera, Sachtler carbon fiber tripod and Convergent Design Odyssey 7Q+ monitor
504:"Feel-good stories" such as the saving of a life, or selfless act of kindness, sometimes make their way into the news stream. 952: 289: 119: 778: 762: 692: 791: 1188: 1169: 1150: 1131: 1112: 1093: 1074: 1055: 1036: 1017: 994: 975: 933: 750: 549: 80: 390: 164: 1222: 1217: 730: 1207: 412:, graphics packages for news stations, which can be utilized inside their microwave and/or satellite vehicles, 382: 58: 446: 233:-linked delivery systems. By the mid-1980s, film had all but disappeared from use in television journalism. 137: 338: 612: 542: 186: 485:"Especially on that first day, you were really just going to whomever had a piece of information," said 386: 364: 353: 888:"Scuba diver's camera washes up three years after she lost it and 600 miles away - and it still works" 745:
Live from the Trenches: The Changing Role of the Television News Correspondent by Joe S. Foote, 1998,
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were able to show live what was happening, bringing the audience into news events as they happened.
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The term ENG was created as television news departments moved from film-based news gathering to
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Frank Barnas, Broadcast News Writing, Reporting and Producing, 6th Edition, Focal Press, 2013,
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How "Electronic News Gathering" Came to Be, by Frank Beacham, TV News Check, March 7, 2014,
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for example, there are two channels each for the four news-producing television stations (
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aka drones for the delivery of aerial footage, various lines of cameras that can deliver
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http://www.tvnewscheck.com/playout/2014/03/how-electronic-news-gathering-came-to-be/
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Microwave trucks seen transmitting. Modern news employs these trucks extensively.
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Easyrig Inventor Johan Hellsten with DP Mark Schulze wearing Easyrig at NAB 2015
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A common set-up for journalists is a battery operated cassette recorder with a
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for distribution and playback, which made the content cumbersome to access.
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Television broadcast crews line up on a San Diego dock awaiting arrival of
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Broadcast Industry News - Television, Cable, On-demand - TVNewsCheck.com
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of broadcast video production equipment can be observed annually at the
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Is There A Hierarchy of the Importance of Death in the News Business?
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features. In recent years, more and more journalists have used
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band and channels 8, 9 and 10 are in the 2.5 GHz band. In
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Sterling, Christopher H. (2009). "Electronic News Gathering".
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indexing and is re-recordable, reusable medium; while DAT has
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deal primarily with the United States and do not represent a
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Video As a Second Language: How To Make A Video Documentary
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cameras were most commonly used for silent filming, while
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Words & Pictures: An Introduction to Photojournalism
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Frederick Shook and Dan Latimore (September 9, 1987).
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to producers and writers, making the process quicker.
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Electronic formats used by journalists have included
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crew after the sea rescue of the Kaufman family, 2014
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Video Editing & Production: A Professional Guide
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Morton Publishing. 926:Introduction to SNG and ENG Microwave 860: 790:Gough, Paul J. (September 11, 2006). 789: 728: 428: 671:"What is electronic news gathering?" 669:Mcgrath, Jane (September 27, 2011). 664: 662: 236: 29: 842:from the original on April 18, 2023 830:Stempel, Jonathan (July 18, 2016). 709: 690: 560: 24: 1065:William Wood (September 9, 1967). 917: 25: 1234: 659: 550:Federal Communications Commission 1012:(3rd ed.). Sams Publisher. 729:Allan, Stuart (August 1, 2006). 404:As of 2016, highlights included 34: 880: 861:Baker, Debbi (March 16, 2016). 854: 823: 810: 783: 767: 755: 739: 722: 716:Product Design and Development 703: 640: 383:standard-definition television 225:and joined those with various 13: 1: 1179:Ted White and Meppen (1984). 1086:Techniques of Photojournalism 1069:. Columbia University Press. 947:(2nd ed.). Focal Press. 633: 175: 120:World Athletics Championships 1107:(2nd ed.). Wm.C.Brown. 7: 712:"The History of Camcorders" 613:Electronic field production 606: 580:, CD and DVD. Minidisc has 543:Georgia Public Broadcasting 508:Microwave spectrum channels 187:electronic field production 57:, discuss the issue on the 10: 1239: 1162:The Broadcast News Process 1027:Charles Bensinger (1979). 1004:Charles Bensinger (1982). 649:Encyclopedia of Journalism 432: 387:high-definition television 1046:Gerald Millerson (1983). 943:Jonathan Higgins (2007). 924:Jonathan Higgins (2004). 360:Broadcast video equipment 333:Using technology such as 150:Electronic news gathering 18:Electronic news-gathering 1103:Clifton C. Eden (1980). 1084:Milton Feinberg (1970). 989:. Knowledge Industries. 735:. McGraw-Hill Education. 406:unmanned aerial vehicles 201:, meaning there were no 1048:Video Camera Techniques 962:Fredrick Shook (1982). 945:Satellite Newsgathering 867:San Diego Union-Tribune 374:technological evolution 329:Technology developments 311:videocassette recorders 1223:Journalism terminology 1218:Television terminology 1088:. Wiley-Interscience. 985:Gary Anderson (1984). 501: 451: 401: 369: 302: 268: 250: 146: 134: 126: 1208:Broadcast engineering 1141:Frank P. Roy (1986). 1067:Electronic Journalism 970:. Morton Publishers. 499: 449: 399: 367: 292: 259: 257:of the era tells it, 244: 154:electronic journalism 140: 132: 98: 798:. Hollywood Reporter 623:Outside broadcasting 435:Outside broadcasting 223:wireless microphones 181:Shortcomings of film 141:On location outside 63:create a new article 55:improve this article 1183:. Macmillan Press. 548:Traditionally, the 319:broadcast engineers 1031:. VTR Publishers. 567:dynamic microphone 502: 452: 429:Outside broadcasts 402: 370: 303: 251: 156:(EJ) is usage of 147: 135: 127: 954:978-0-240-51973-9 894:. July 18, 2016. 237:Transition to ENG 91: 90: 83: 65:, as appropriate. 16:(Redirected from 1230: 1194: 1175: 1156: 1137: 1126:. Ayer Co. Pub. 1118: 1099: 1080: 1061: 1042: 1023: 1011: 1000: 981: 969: 958: 939: 911: 910: 908: 906: 884: 878: 877: 875: 873: 858: 852: 851: 849: 847: 827: 821: 814: 808: 807: 805: 803: 787: 781: 771: 765: 759: 753: 743: 737: 736: 726: 720: 719: 707: 701: 700: 691:Beacham, Frank. 688: 679: 678: 666: 657: 656: 644: 628:Production truck 561:Audio journalism 350:mobile broadband 216:2-inch videotape 194:" film, usually 167:technologies by 113:satellite trucks 86: 79: 75: 72: 66: 38: 37: 30: 21: 1238: 1237: 1233: 1232: 1231: 1229: 1228: 1227: 1213:Television news 1198: 1197: 1191: 1172: 1153: 1134: 1115: 1096: 1077: 1058: 1050:. Focal Press. 1039: 1020: 1008:The Video Guide 997: 978: 955: 936: 928:. 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Index

Electronic news-gathering
worldwide view
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TV4
BBC HD
uplink
satellite trucks
IAAF
World Athletics Championships
Finland


Baltimore
electronic
video
audio
reporters
electronic field production
color reversal
Kodak
Ektachrome
negatives
Filmo
Auricon
2-inch videotape
wireless microphones

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