298:"Italy has remained a federation of city-states. There are museum-cities and factory-cities. There is a city whose streets are made of water, and another where all streets are hollowed walls. There is one city where all its inhabitants work on the manufacture of equipment for amusement parks; a second where everybody makes shoes; and a third where all its dwellers build baroque furniture. There are many cities where they still make a living by baking bread and bottling wine, and one where they continue to package faith and transact with guilt. Naturally, there is also one city inhabited solely by architects and designers. This city is laid out on a grid, its blocks are square, and each is totally occupied by a cubic building. Its wails are blind, without windows or doors.
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endowed with the power to bring about their will. There is one group whose members sit on top of the buildings. There they await the emergence of the first blade of grass from the roof that will announce the arrival of the
Millennium. As of late, rumors have been circulating that some members of the group dwelling in the streets have climbed up to the buildings' roof-tops, hoping that from this vantage point they could be able to see whether the legendary people of the countryside have begun their much predicted march against the city, or whether they have opted to build a new city beyond the boundaries of the old one."
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distinct groups. The members of one of the groups live inside the building blocks. Conscious of the impossibility of communicating with others, each of them, in the isolation of his own block, builds and demolishes every day, a new physical setting. To these constructions they sometimes give forms which they recover from their private memories; on other occasions, these constructs are intended to represent what they envision communal life may be on the outside.
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The inhabitants of this city pride themselves on being radically different from each other. Visitors to the city claim, however, that all inhabitants have one common trait; they are all unhappy with the city they inherited and moreover, concur that it is possible to divide the citizens into several
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Another group dwells in the streets. Both as individuals and as members of often conflicting sub-groups, they have one common goal: to destroy the blocks that define the streets. For that purpose they march along chanting invocations, or write on the walls words and symbols which they believe are
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Ambasz reconciles "technology and primitivism" (Terence Riley, former director of the
Department of Architecture at MoMA, NY), is "creator of sophisticated earthly paradises" (A. Mendini), and his poetic research merges the natural and artificial: "It is an ethical obligation: to demonstrate that
269:, and his Vertebrax chair is included in the Design Collections of the Museum of Modern Art and the Metropolitan Museum of Art, New York. The MOMA has also included in its Design Collection his 1967 3-D Poster Geigy Graphics and his Flashlight, among more than 20 other pieces.
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prize in 1981, a multi-award-winning product worldwide and present in the permanent collections of the Museum of Modern Art and the
Metropolitan Museum in New York), the world's first automatic ergonomic chair, developed with G. Piretti. Or the
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In June, 2021, Ambasz was awarded an honorary degree in
Building Engineering and Architecture by the University of Bologna (Italy) as a "trailblazer" for green architecture, In September 2020 Emilio Ambasz won his fourth
441:: the first exhibition of works (150) that examined the relationship between architecture and the environmental movement in the United States organized by the MoMA in New York.
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Ambasz's trademark style is a combination of buildings and gardens, which he describes as 'green over grey'. He bucked the trends of the 1970s, hiding his buildings under
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282:, first published by Electa in 2001 and re-published four times since in expanded versions. "I detest writing theories. I prefer writing fables," he said in 2017.
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Ambasz is also known for his multifaceted interests and fields of action in the design world, boasting over 220 industrial and mechanical patents: from
907:""Vertebra" Armchair | Emilio Ambasz, Giancarlo Piretti | 1989.48 | Work of Art | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art"
328:, Madrid, in a comprehensive major retrospective of his complete works. In 2017, Lars Mueller Publishers issued a much improved version in English (
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of New York won the Grand Prize of the 1987 International
Interior Design Award of the United Kingdom, as well as the 1986 IDEA Award from the
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Precursor to the debate on the relationship between humans and the environment, Ambasz was recently the protagonist of
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Emilio Ambasz: Architecture & Nature, Design & Artifice / Architecture & Nature, Design & Artifice
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140:(1969–76), where he directed and installed numerous exhibits on architecture and industrial design, among them
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said that Ambasz was briefly his student "but I hardly can ... there wasn't very much I could contribute".
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in recognition of distinguished achievement in the profession of architecture in May 2007. He is also an
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In the winter of 2011–12, Ambasz architectural, industrial, and graphic design work was exhibited at the
167:(1981–85). He taught at Princeton University's School of Architecture, and was visiting professor at the
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another future is possible. To affirm a different model of life to avoid perpetuating the present."
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232:. He won the First Prize in the 1986 competition for the Urban Plan for the Eschenheimer Tower in
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Emilio Ambasz: The
Poetics of the Pragmatic: Architecture, Exhibit, Industrial and Graphic Design
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Emilio Ambasz: Green
Architecture & Design Tales / Architettura verde & favole di design
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420:(Compasso d'Oro, 1991) and Stacker (Gold Award at the International Forum for Design, 2003).
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the Emilio Ambasz
Institute for the Joint Study of the Built and the Natural Environment
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to Ambasz's creations as an inspiration for modern-era sustainable architecture.
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Italy: The New
Domestic Landscape: Achievements and Problems of Italian Design
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he within two years received bachelor's and master's degrees in architecture.
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Ambasz is the author of several books on architecture and design, among them
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883:"Emilio Ambasz, Giancarlo Piretti. Vertebra Operational Chair. 1975 | MoMA"
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Award for
Excellence in Commercial Design, and the 1990 Quaternario Award.
475:, Arc-en- Ciel Gallery at the Center of Contemporary Art, Bordeaux, France
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Since 1980 until 2008 Ambasz has been the Chief Design Consultant for the
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782:"ACROS Fukuoka Prefectural International Hall by Emilio Ambasz turns 25"
503:, one-man show at the Centro Cultural Arte Contemporáneo in Mexico City.
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1006:"Architecture, New York: A Prestigious New Accolade for Emilio Ambasz"
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Emilio Ambasz: Architecture, Exhibition, Industrial and Graphic Design
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Emilio Ambasz: 10 Years of Architecture, Graphic and Industrial Design
955:"Emilio Ambasz: "I Detest Writing Theories, I Prefer Writing Fables""
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Emerging Nature – Emilio Ambasz: Precursor of Architecture and Design
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The Universitas Project: Solutions for a Post-Technological Society.
221:, Spain, to celebrate the 500th anniversary of America's discovery.
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Pile, John F., ed.: "Ambasz, Emilio." The Grove Dictionary of Art,
468:, Institute of Contemporary Art of Geneva at HaIle Sud, Switzerland
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His inventions in the world of seating are fundamental, including
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Architettura e Natura: Emilio Ambasz – Progetti & Oggetti
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980:"Emilio Ambasz | Museo Nacional Centro de Arte Reina Sofía"
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In-Depth: The House of Spiritual Retreat by Emilio Ambasz,
332:) of the book issued on the occasion of that exhibition.
244:, Switzerland, received the 1983 Annual Interiors Award.
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1112:(25th anniversary ed.). Köln: Taschen. p. 37.
496:, one-man show, Tokyo Station Contemporary Center, Japan
190:; a house for a couple in Cordoba, Spain, winner of the
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668:, curated by Fulvio Irace. Corraini Edizione, Mantova.
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Emilio Ambasz: Natural Architecture, Artificial Design
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Emerging Nature: Precursor of Architecture and Design
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in the competition to design the Master Plan for the
517:, a group show at The Museum of Modern Art, New York
482:, one-man show at The Museum of Modern Art, New York
62:. From 1969 to 1976 he was Curator of Design at the
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Emilio Ambasz: Inventions: The Reality of the ldeal
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Emilio Ambasz: Inventions – Architecture and Design
1191:Princeton University School of Architecture alumni
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654:, by Mónica Colombo. Editorial Salvat, Barcelona.
641:Emilio Ambasz. Invenciones: arquitectura y diseño
461:, The Axis Design and Architecture Gallery, Tokyo
247:Ambasz represented the United States at the 1976
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23:Acros building with roof garden, Fukuoka, Japan.
1030:"International Career Award 2020, 26th edition"
601:. Rizzoli International Publications, New York.
594:. Rizzoli International Publications, New York.
550:The Taxi Project: Realistic Solutions for Today
858:Encyclopedia of Twentieth Century Architecture
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661:, Lars Muller Publishers, Zurich, Switzerland.
343:of the Royal Institute of British Architects.
254:In 2021, the Italian Pavilion at the Biennale
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524:, one-man show at the Grimaldi Forum, Monaco
160:, in 1976; and authored their publications.
1091:Emilio Ambasz: The Poetics of the Pragmatic
911:The Met's Heilbrunn Timeline of Art History
209:He also won the First Prize and Gold Medal
1186:Argentine expatriates in the United States
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652:Maestros de la Arquitectura. Emilio Ambasz
931:"Emilio Ambasz. Flashlights. 1983 | MoMA"
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326:Museo Nacional Centro de Arte Reina Sofía
292:some of those fables, including this one:
265:. He holds 220 industrial and mechanical
182:Among his architectural projects are the
627:Emilio Ambasz: Casa de Retiro Espiritual
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1108:Fiell, Charlotte; Fiell, Peter (2005).
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732:"Italian Pavilion Venice Biennale 2021"
700:LaBarre, Suzanne (September 13, 2009).
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280:Natural Architecture, Artificial Design
230:Industrial Designers Society of America
163:Ambasz was a two-term President of the
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620:Emilio Ambasz: A Technological Arcadia
510:at The Museum of Modern Art, New York.
501:Emilio Ambasz, Architecture and Design
806:"BOE.es – Documento BOE-A-2003-17910"
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559:. The Museum of Modern Art, New York.
552:. The Museum of Modern Art, New York.
545:. The Museum of Modern Art, New York.
335:The American Institute of Architects
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1151:Emilio Ambasz & Associates, Inc.
673:Emilio Ambasz: Curating a New Nature
226:Financial Guaranty Insurance Company
31:Vertebra Chair Emilio Ambasz Krueger
1062:Emilio Ambasz: un genio desconocido
580:The Museum of Modern Art, New York.
566:. Lawrence King Publishing, London.
337:admitted him to Honorary Fellowship
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515:In Situ:Architecture and Landscape
224:The headquarters designed for the
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1181:20th-century Argentine architects
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1004:Crespi, Ferdinando (2023-04-27).
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622:, by Fulvio Irace. Electa, Milan.
557:The architecture of Luis Barragàn
150:The Architecture of Luis Barragan
143:Italy: The New Domestic Landscape
1156:Emilio Ambasz, Industrial Design
573:. The Monacelli Press, New York.
186:in Michigan, winner of the 1976
1196:Compasso d'Oro Award recipients
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855:Sennott, Stephen (2004-01-01).
108:), Ambasz is also a citizen of
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200:Progressive Architecture Award
196:Progressive Architecture Award
188:Progressive Architecture Award
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341:Honorary International Fellow
217:of 1992, which took place in
88:The MOMA established in 2020
730:Welch, Adrian (2021-06-10).
39:Vertebra Chair Emilio Ambasz
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1104:, The Monacelli Press, 2004
480:Emilio Ambasz: Architecture
81:or putting them on boats.
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1110:Design of the 20th Century
576:2006 Ambasz, Emilio, ed.:
548:1976 Ambasz, Emilio, ed.:
541:1972 Ambasz, Emilio, ed.:
204:National Glass Association
636:. Electa Mondador, Milan.
585:Publications about Ambasz
169:Hochschule für Gestaltung
123:
1055:http://www.groveart.com/
935:The Museum of Modern Art
887:The Museum of Modern Art
861:. Taylor & Francis.
831:"The Elusive Mr. Ambasz"
238:Banque Bruxelles Lambert
46:(born June 13, 1943, in
761:Alain Elkann Interviews
348:high-efficiency engines
184:Grand Rapids Art Museum
54:) is an Argentinian-US
984:www.museoreinasofia.es
536:Publications by Ambasz
388:dental hygiene systems
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70:by Japanese architect
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562:1999 Ambasz, Emilio:
555:1976 Ambasz, Emilio:
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16:Argentinian architect
755:admin (2020-10-11).
679:. Rizzoli, New York.
445:Exhibitions of works
215:Universal Exhibition
165:Architectural League
134:Museum of Modern Art
114:Princeton University
64:Museum of Modern Art
706:Metropolis Magazine
360:interior spotlights
112:by Royal Grant. At
60:industrial designer
1079:Alessandro Mendini
438:Emerging Ecologies
430:outstanding career
106:Resistencia, Chaco
96:Life and education
68:green architecture
58:and award-winning
48:Resistencia, Chaco
41:
33:
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1035:ADI Design Museum
786:www.stirworld.com
702:"Green Over Gray"
645:Museo Reina Sofía
372:ergonomic handles
352:modular furniture
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263:Cummins Engine Co
130:Curator of Design
128:Ambasz served as
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1102:Analyzing Ambasz
1060:Rafael Ordóñez:
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708:. Archived from
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615:. Electa, Milan.
571:Analyzing Ambasz
396:desk accessories
380:water containers
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157:The Taxi Project
118:Kenneth Frampton
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522:Green over Gray
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400:watercolor sets
378:, from sinuous
376:wrist computers
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249:Venice Biennale
236:, Germany. His
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1039:. Retrieved
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961:. 2017-01-24
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1176:1943 births
736:e-architect
564:Shigeru Ban
392:billfold TV
382:to folding
202:, the 1988
1165:Categories
1041:2022-11-29
1015:2024-06-05
990:2017-05-20
965:2017-05-22
940:2017-05-19
916:2017-05-19
892:2017-05-19
841:2017-05-19
816:2017-05-19
810:www.boe.es
791:2024-06-05
766:2024-06-05
741:2024-06-05
716:2012-12-01
684:References
527:2011–2012
506:2005–2006
428:, for his
368:briefcases
72:Tadao Ando
1128:809539744
959:ArchDaily
835:Architect
647:, Madrid.
411:in 1975 (
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