Knowledge

Episode (film)

Source 📝

240:
her. Valerie in the meantime learns from Kinz that Torresani has a wife and two children, and she decides that she can no longer accept the monthly cheques. BUt a friend of hers, who disagrees with Valerie's decision, intercepts the next cheque and cashes it in Valerie's place. The friend later regrets her deceit and visits Torresani's house to confess and put things right. But when she arrives she is unable to get a word in edgeways and is sent away again with a letter for Valerie. Valerie assumes that it is a letter of farewell from Torresani, and immediately goes to his house, where however she is received in an unexpectedly friendly way by his wife. It now appears that the letter was an invitation to a party.
236:
form of a monthly allowance. Valerie however, in the belief that he would expect something unacceptable from her in return for this money, rejects the offer with disgust. Nevertheless, when some time later she has no further options left, she again approaches Torresani for help. He is now able to convince her that he is not looking for something in return, but is genuinely trying to help her, and in due course the two become good friends.
420:
At the censors' inspection in Germany on 8 August 1935 the film had a length of 2,893 metres. The censors found the film unsuitable for minors, and removed altogether 61 metres, so that the film went on release in Germany with a length of 2,832 metres. In Austria the film was released with a length
239:
One day, when Torresani is unable to keep an appointment with her, he sends in his place Kinz, the tutor of his sons. Kinz believes that Valerie is Torresani's mistress and his initial demeanour towards her is therefore extremely cold. During the course of the evening however he falls in love with
235:
Through the failed speculations of the president of her bank, Valerie Gärtner, a student of applied art in Vienna, loses the small property on which she and her mother live. Torresani, an art dealer, notices her distress and buys some ceramics from her. He also offers her financial support in the
437:
gave the film a poor review, describing the comedy as "rather silly", and criticizing the "perfunctory, humorous and sentimental" treatment of so tragic a topic as the Viennese depression of 1922. Greene also criticized the "natural" acting of Paula Wessely, stating his preference for the
411:
is distinguished by its setting in the economic crisis of 1922, the oppressive atmosphere of which is elevated, largely by Paula Wessely's performance as the penniless art student, into an emotionally powerful psychological depiction of the double standards of contemporary Vienna.
231:
In Vienna in 1922 daily life is dominated by inflation and unemployment. In the evenings, the population attempt to divert themselves from the miseries of the economic situation by indulgence and excess in bars and clubs. Morale is low, and sinking further.
403:
exceptionally gave permission for the film to be shown in Germany. This was the only time after the National Socialists came to power in 1933 that an Austrian film on which Jews had worked received consent to be shown in Germany.
243:
Kinz had convinced Frau Torresani that her husband was having an affair. The misunderstanding is now cleared up, and Kinz himself is now put on the defensive, and at last becomes aware of his own true feelings for Valerie.
196:. The film has a particular importance in German-language film history as the only Austrian film with a Jewish producer that was permitted to be imported and shown in 277: 301: 283: 495:; the director Walter Reisch co-wrote the lyrics. The Viennese music publisher Ludwig Doblinger (Bernhard Herzmansky) published three songs from the film: 271: 485: 368: 379: 356: 104: 689: 337: 331: 319: 325: 654: 679: 649: 600: 664: 192:, but also contains, for a film of this genre, unusually serious social comment. It was written and produced by 669: 572: 684: 674: 383: 564: 557: 481: 94: 186:
film from 1935. It belongs to the popular Austrian light romantic comedy genre known as the
659: 451: 8: 644: 552: 84: 490: 618: 596: 568: 517: 307: 253: 216: 215:
cinema on 13 September of the same year. It was first broadcast on television by the
60: 400: 484:, using foreign compositions from the early 1920s. The title song was composed by 360: 169: 74: 542:(1 November 1935). "Barbary Coast/Episode/The Passing of the Third Floor Back". 295: 638: 544: 539: 439: 434: 364: 265: 259: 193: 64: 56: 30: 372: 313: 289: 197: 188: 623: 612: 458: 343: 629: 183: 159: 212: 208: 200:
after 1933 and the ban on Jews working in the film industry.
421:
of 2,930 metres and was declared "artistically notable".
220: 203:
The German premiere took place on 23 August 1935 in the
219:
on 2 December 1958. On 1 April 1994 it was released on
556: 415: 636: 355:The film was produced by the Viennese company 304:: professor at the school of applied arts 637: 551: 538: 690:Films scored by Willy Schmidt-Gentner 438:"naturalistic" acting of actors like 595:Ulrich J. Klaus Verlag, Berlin 1995 563:. Oxford University Press. pp.  424: 359:. The sound system used was that of 593:Deutsche Tonfilme – Band 06 – 1935. 13: 14: 701: 606: 211:. The Austrian premiere was in a 310:: Frau Gärtner, Valerie's mother 655:Films directed by Walter Reisch 462:for Best Actress: Paula Wessely 416:Versions and censor's decisions 680:Austrian black-and-white films 532: 505:Jetzt müßte die Welt versinken 501:Es kommt einmal der Augenblick 1: 475: 394: 350: 256:: Kinz, the Torresanis' tutor 48:Walter Reisch, Viktoria-Film 7: 650:1930s German-language films 510: 130:13 September 1935 10: 706: 586: 480:The score was composed by 389: 384:Tobis-Sascha-Filmindustrie 274:: Frau Torresani, his wife 268:: Torresani, an art dealer 497:Ein Dirndl muß klein sein 445: 165: 155: 145: 110: 100: 90: 80: 70: 52: 44: 36: 26: 21: 525: 363:. The set builders were 280:: Eugen, Torresani's son 119:23 August 1935 371:, and the designer was 286:: Toni, Torresani's son 247: 226: 665:Films set in the 1920s 670:Austrian comedy films 482:Willy Schmidt-Gentner 95:Willy Schmidt-Gentner 553:Taylor, John Russell 452:Venice Film Festival 378:Distribution was by 302:Ferdinand Mayerhofer 284:Wolf-Dieter Tressler 278:Hans Jürgen Tressler 382:, and promotion by 685:1930s German films 316:: cinema announcer 16:1935 Austrian film 675:1935 comedy films 559:The Pleasure Dome 518:My Love Came Back 425:Critical response 340:: singer in a bar 308:Rosa Albach-Retty 262:: Valerie Gärtner 254:Karl Ludwig Diehl 175: 174: 61:Karl Ludwig Diehl 697: 580: 578: 562: 549: 536: 494: 401:Reichsfilmkammer 346:: chamber singer 272:Erika von Wagner 137: 135: 126: 124: 19: 18: 705: 704: 700: 699: 698: 696: 695: 694: 635: 634: 609: 589: 584: 583: 575: 550:(reprinted in: 537: 533: 528: 513: 488: 486:Robert Katscher 478: 469:: Walter Reisch 465:Nomination for 448: 427: 418: 397: 392: 361:Tobis-Klangfilm 353: 322:: street singer 292:: Mizzi Maranek 250: 229: 148: 141: 133: 131: 122: 120: 113: 75:Harry Stradling 63: 59: 17: 12: 11: 5: 703: 693: 692: 687: 682: 677: 672: 667: 662: 657: 652: 647: 633: 632: 621: 608: 607:External links 605: 604: 603: 588: 585: 582: 581: 573: 555:, ed. (1980). 540:Greene, Graham 530: 529: 527: 524: 523: 522: 512: 509: 477: 474: 473: 472: 471: 470: 463: 447: 444: 426: 423: 417: 414: 396: 393: 391: 388: 369:Franz Meschkan 352: 349: 348: 347: 341: 335: 329: 328:: serving girl 323: 317: 311: 305: 299: 296:Walter Janssen 293: 287: 281: 275: 269: 263: 257: 249: 246: 228: 225: 173: 172: 167: 163: 162: 157: 153: 152: 149: 146: 143: 142: 140: 139: 138: (Austria) 128: 127: (Germany) 116: 114: 111: 108: 107: 102: 101:Distributed by 98: 97: 92: 88: 87: 82: 78: 77: 72: 71:Cinematography 68: 67: 54: 50: 49: 46: 42: 41: 38: 34: 33: 28: 24: 23: 15: 9: 6: 4: 3: 2: 702: 691: 688: 686: 683: 681: 678: 676: 673: 671: 668: 666: 663: 661: 658: 656: 653: 651: 648: 646: 643: 642: 640: 631: 627: 626: 622: 620: 616: 615: 611: 610: 602: 601:3-927352-05-5 598: 594: 591: 590: 576: 570: 566: 561: 560: 554: 547: 546: 545:The Spectator 541: 535: 531: 520: 519: 515: 514: 508: 506: 502: 498: 492: 487: 483: 468: 467:Mussolini Cup 464: 461: 460: 456: 455: 453: 450: 449: 443: 441: 440:Lynn Fontanne 436: 435:Graham Greene 432: 431:The Spectator 422: 413: 410: 407:Artistically 405: 402: 387: 385: 381: 380:Syndikat-Film 376: 374: 370: 366: 365:Karl Stepanek 362: 358: 357:Viktoria-Film 345: 342: 339: 336: 333: 330: 327: 324: 321: 318: 315: 312: 309: 306: 303: 300: 297: 294: 291: 288: 285: 282: 279: 276: 273: 270: 267: 266:Otto Tressler 264: 261: 260:Paula Wessely 258: 255: 252: 251: 245: 241: 237: 233: 224: 222: 218: 214: 210: 206: 205:Gloria-Palast 201: 199: 195: 194:Walter Reisch 191: 190: 185: 181: 180: 171: 168: 164: 161: 158: 154: 150: 144: 129: 118: 117: 115: 112:Release dates 109: 106: 105:Syndikat-Film 103: 99: 96: 93: 89: 86: 83: 79: 76: 73: 69: 66: 65:Otto Tressler 62: 58: 57:Paula Wessely 55: 51: 47: 43: 40:Walter Reisch 39: 35: 32: 31:Walter Reisch 29: 25: 20: 624: 613: 592: 558: 543: 534: 516: 504: 500: 496: 479: 466: 457: 430: 429:Writing for 428: 419: 408: 406: 398: 377: 373:Oskar Strnad 354: 338:Dorothy Pool 332:Wilhelm Heim 320:Ernst Arnold 314:Fritz Imhoff 290:Friedl Czepa 242: 238: 234: 230: 204: 202: 198:Nazi Germany 187: 178: 177: 176: 147:Running time 660:Wiener Film 489: [ 399:The German 334:: a suicide 189:Wiener Film 45:Produced by 27:Directed by 645:1935 films 639:Categories 574:0192812866 476:Film music 395:Background 351:Production 326:Lisl Handl 134:1935-09-13 123:1935-08-23 85:Willy Zeyn 37:Written by 459:Volpi Cup 433:in 1935, 344:Maria Eis 81:Edited by 630:AllMovie 511:See also 298:: lawyer 184:Austrian 166:Language 151:105 min. 91:Music by 53:Starring 625:Episode 614:Episode 587:Sources 409:Episode 390:Release 223:video. 179:Episode 160:Austria 156:Country 132: ( 121: ( 22:Episode 599:  571:  521:(1940) 454:1935: 446:Awards 213:Vienna 209:Berlin 182:is an 170:German 565:32–33 526:Notes 493:] 619:IMDb 597:ISBN 569:ISBN 503:and 367:and 248:Cast 227:Plot 628:at 617:at 221:VHS 217:ARD 207:in 641:: 567:. 507:. 499:, 491:de 442:. 386:. 375:. 579:) 577:. 548:. 136:) 125:)

Index

Walter Reisch
Paula Wessely
Karl Ludwig Diehl
Otto Tressler
Harry Stradling
Willy Zeyn
Willy Schmidt-Gentner
Syndikat-Film
Austria
German
Austrian
Wiener Film
Walter Reisch
Nazi Germany
Berlin
Vienna
ARD
VHS
Karl Ludwig Diehl
Paula Wessely
Otto Tressler
Erika von Wagner
Hans Jürgen Tressler
Wolf-Dieter Tressler
Friedl Czepa
Walter Janssen
Ferdinand Mayerhofer
Rosa Albach-Retty
Fritz Imhoff
Ernst Arnold

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.